Live 8 Hyde Park London 2nd July 2005
I was so excited about this event for three reasons: firstly because I’d been in Wembley Stadium for Live Aid, secondly to see The Who, and thirdly and most of all to see Pink Floyd again. We (me, Marie, David and Laura) all went, staying the weekend in London. I’d managed to get tickets for the Gold Circle which took us right down the front, next to the stage, so we had an excellent view of the entire day’s proceedings.
Bob Geldof opened the proceedings, followed by Paul McCartney with U2 performing “Sgt. Pepper’s Lonely Hearts Club Band” (It was 20 years ago today! Wonderful). Then U2 performed “Beautiful Day” (with a verse of the Beatles’ “Blackbird”), “Vertigo”, “One” (including a segment from “Unchained Melody”). Coldplay were next up and played “In My Place” with a section from “Rockin’ All Over the World” (cheeky; Quo should have been on stage performing this, but weren’t invited although they of course opened Live Aid), “Bitter Sweet Symphony” (joined by Richard Ashcroft), and “Fix You”. David Walliams and Matt Lucas then came on stage in the role of their Little Britain characters Lou and Andy and introduced Elton John who played “The Bitch Is Back”, “Saturday Night’s Alright For Fighting”, and “Children of the Revolution” (with guest Pete Doherty). Bill Gates was then next up on stage to introduce Dido who sang “White Flag” and “Thank You” and “7 Seconds”with Youssou N’Dour.
Stereophonics were followed by REM who were introduced by Ricky Gervais. R.E.M. performed “Imitation of Life”, “Everybody Hurts”, and “Man on the Moon”. Then Kofi Annan introduced Ms. Dynamite who was followed by Keane and Travis. Bob Geldof joined Travis to sing “I Don’t Like Mondays”. Brad Pitt was next on stage to introduce Annie Lennox, then came UB40, Snoop Dogg and Razorlight.
Bob Geldof then introduced 24-year-old Birhan Woldu, the starving Ethiopian child whose image was so powerful in the video shown at Live Aid. Madonna took to the stage, embraced Birhan and held hands with her as she sang “Like a Prayer”.
Madonna was followed by Snow Patrol, The Killers, Joss Stone, Scissor Sisters, and Velvet Revolver (good but a bit out of place at this event). Then Lenny Henry presented Sting who sang the same songs as he performed at Live Aid: “Message in a Bottle”, “Driven To Tears”, and “Every Breath You Take”. Next Dawn French introduced Mariah Carey who was amazing, and David Beckham presented “his friend” Robbie Williams who got the crowd really going with “We Will Rock You”, “Let Me Entertain You”, “Feel”, and “Angels”. Peter Kay sauntered onto the stage and couldn’t resist singing “Is This the Way to Amarillo”.
Now we were moving to the legends; the bands that I had really come to see. The Who played “Who Are You”, “Won’t Get Fooled Again”. They were followed by an event which I never thought I would see, the reunion of Pink Floyd and a breath-taking performance of “Speak to Me”/”Breathe”, “Money”, “Wish You Were Here” (real lump in the thrat moment and closed with “Comfortably Numb”. It was left to Paul McCartney to close the show with “Get Back”, “Drive My Car” (with George Michael), “Helter Skelter”, and “The Long and Winding Road”. He finished with “Hey Jude’ to which everyone sang along, and which seemed to go on for ever. We left Hyde Park as the crowd continued to sing “Na Na Na NaNa Na Na….”). The show was originally scheduled to close at 9.30pm, but seriously overran and went on until just after midnight.
The Floyd reunion was, of course, the real highlight for me. Gilmour announced the reunion less than a month before the gig, on 12 June 2005: “ Like most people I want to do everything I can to persuade the G8 leaders to make huge commitments to the relief of poverty and increased aid to the third world. It’s crazy that America gives such a paltry percentage of its GNP to the starving nations. Any squabbles Roger and the band have had in the past are so petty in this context, and if re-forming for this concert will help focus attention then it’s got to be worthwhile.” Waters said on stage: “It’s actually quite emotional standing up here with these three guys after all these years. Standing to be counted with the rest of you. Anyway, we’re doing this for everyone who’s not here, but particularly, of course, for Syd.” The screens showed video from their past shows, and a film of the pig from the Animals flying over Battersea Power Station. This was simply mind-blowing stuff; for me it was a very emotional experience. I found Wish You Were Here particularly powerful; you felt they were singing the song for Syd; which of course they were. Syd sadly passed away the following year. With Wright’s subsequent passing in 2008, this was to be the final concert to feature all four playing together.
A great, momentous day.
Posts Tagged ‘music’
24 Mar
Live 8 Hyde Park London 2nd July 2005
23 Mar
Frank Zappa Newcastle City Hall 13th February 1979
Frank Zappa Newcastle City Hall 13th February 1979
After many years of not visiting the UK, Frank Zappa made up for it by coming every year during the period 1977 to 1979. In 1979 I saw his concert at Newcastle City Hall. I went with a group of mates and we had seats quite close to the stage, and a great view of Frank and the band. This was an excellent performance, easily on par with the concert I had seen in Edinburgh a couple of years earlier. Zappa’s guitar playing was simply outstanding and I was delighted that they played the old Mothers’ favourite “Brown Shoes Don’t Make It” and “Peaches en Regalia” from “Hot Rats”.
I found this great discussion about the tour and the setlist: “The setlist for this tour was rather odd – you’d expect an artist who’d released 4 albums (including Sheik Yerbouti, which would come out in the middle of this tour) to be playing the songs from those albums. Frank, however, had been playing some of those songs since 1975-1976, and was ready to ditch them and work on the songs he’d introduced in the previous Fall 1978 tour. 
He also was doing more and more interviews and business stuff, and so Arthur Barrow, the bass player, was left in charge of most of the rehearsals. This meant that much of the setlist had a tendency to be Arthur’s favorites, as they’re the ones he wanted to spend time on. Hence the appearance of a lot of the One Size Fits All album. The band was the same as Fall 1978s, mostly.” (from Sean Gaffney’s Suitable Case for Treatment blog).
Setlist: Treacherous Cretins; Dead Girls of London; Ain’t Got No Heart; Brown Shoes Don’t Make It; Cosmik Debris; Tryin’ to Grow a Chin; City of Tiny Lites; Dancin’ Fool; Easy Meat; Jumbo Go Away; Andy; Inca Roads; Florentine Pogen; Honey, Don’t You Want a Man Like Me?; Keep It Greasey; The Meek Shall Inherit Nothing; For the Young Sophisticate; Wet T-Shirt Nite; Why Does It Hurt When I Pee?; Peaches en Regalia; Yellow Snow Suite (Don’t Eat the Yellow Snow / Nanook Rubs It / St. Alfonzo’s Pancake Breakfast / Father O’Blivion / Rollo); Dinah-Moe Humm; Camarillo Brillo / Muffin Man
Thanks to Mitch for the photo which he took at this concert.
Frank Zappa left us far too soon on December 4th 1993, and the music world would never be quite the same. Son Dweezil does an excellent job of playing his dad’s music to a whole new generation of fans.
I’m going to jump out of sequence again for the next week or so. I have a few events to cover that I promised myself I would write about before I completed my project. They are mostly rock related, but one or two aren’t quite. There are about 10 of them, and then I’ll return to Z with Z Z Top to finally close this daily project. Not far to go now.
22 Mar
Frank Zappa & the Tubes Knebworth 9th September 1978
“Oh God, Not Another Boring Old Knebworth” said the posters. Line-up: The Tubes, Frank Zappa, Peter Gabriel, Boomtown Rats, Rockpile, Wilko Johnson’s Solid Senders.
This was the second Knebworth festival to take place in 1978, following the Genesis / Jefferson Starship / Tom Petty gig earlier in the summer. I remember thinking it was a bit late in the year for an open air gig and feared the worst from the weather, but actually it was ok on the day; quite fine. I drove down with a group of mates. We argued all the way down about who was the “best” act of the day. Such things seemed to matter a lot in those days. In the car we had a big Zappa fan (me, and I was sure that Zappa was the biggest and best act and should be headlining), a newly converted Tubes fanatic, and a couple of Peter Gabriel / Genesis fans. Zappa and the Tubes were billed as joint headliners, however on the day the Tubes closed the show, which annoyed me a little. We camped and pitched our tents near a big generator (big mistake) which for some reason we didn’t really notice when we set up. However it was humming loudly all night and powering a massive floodlight which shone on our tents, so we didn’t get much sleep.
The show was opened by the Boomtown Rats, Wilko Johnson who had recently left Dr Feelgood and was fronting his new band Solid Senders, and Rockpile featuring Dave Edmunds and Nick Lowe. All class acts and a great start to the day. I’ve already written about Peter Gabriel and the Tubes in earlier posts. Both were great; the Tubes closed the festival with a massive crazy show. They were joined by Todd Rundgren for encores of Baba O’Reilly and
The Kids are alright, played in honour of Keith Moon who had died just two days before this concert.
Zappa was great, although I didn’t enjoy his performance as much as the concert I saw in Edinburgh the year before. His band had changed and they played very few songs that I knew. Still, it was a good day with a varied, and very strong line-up, although the lack of a major league headliner resulted in a far from capacity crowd.
We spent the night with a big light shining on us, a loud humming noise from the generator, and a few “Wally” shouts (although they were starting to fade away by this point in the ’70s). Very little sleep and a long drive home in the morning.
Zappa setlist: Rubber Slices (The Deathless Horsie); Introduction and Soundcheck; Dancin’ Fool; Easy Meat; Honey, Don’t You Want a Man Like Me?; Keep it Greasey; Village of the Sun; Poor Suckers (The Meek Shall Inherit Nothing); City of Tiny Lites; A Pound for a Brown on the Bus; Bobby Brown; Conehead; Flakes (part 1); Flakes (part 2); Magic Fingers; Don’t Eat the Yellow Snow; Nanook Rubs It; Saint Alfonzo’s Pancake Breakfast; Father O’Blivion / Rollo; Bamboozled by Love
Zappa band: Frank Zappa (guitar, vocals); Vinnie Colaiuta (drums); Arthur Barrow (bass); Ed Mann (percussion); Tommy Mars (keyboards); Denny Walley (guitar, vocals); Peter Wolf (keyboards); and Ike Willis (guitar, vocals).
21 Mar
Morrissey First Direct Arena Leeds 20th March 2015
Morrissey First Direct Arena Leeds 20th March 2015
Support: Buffy Sainte-Marie
Laura is a big Mozza fan so we couldn’t pass up on an opportunity to see him playing “up North”. No Manchester date on this tour; Leeds had the honour of hosting the only northern date. Tickets were a bit pricey with best seats £75 (whats that about Morrissey?) so we plumped for a couple of cheap seats at £45 each. Shortly after buying the tickets Laura realised that she was going away that weekend with a group of friends, but not to worry, after a bit of thought we arranged to meet Dale in Leeds; he bought a ticket outside and drove Laura down to Derbyshire after the show.
Buffy Sainte-Marie was onstage playing “Love takes us up where we belong” as we entered the Arena at 7.30. We saw her play “Universal Soldier” and a couple of more songs; she was finished by 8pm. Morrissey is a fan and had invited her to join him on tour. Good taste and a great choice. Sadly I suspect most of the crowd didn’t know who she was, and that they were witnessing a performance by a legend. There was the usual video sequence during the interval which started with The Ramones and included Jefferson Airplane performing White Rabbit and Penetration playing Don’t Dictate. More good taste and more great choices.
Morrissey took the stage at 8.30 in front of an image of his heroine (not) the Queen; and went straight into “The Queen is Dead”. For this tour he is playing quite a lot of new material with few Smiths tracks so there were a lot of songs that I didn’t know. Having said that I really enjoyed the concert. The sound was loud and crisp; much better than you would normally expect in an arena. And his band were excellent. Morrissey looked quite dapper in a dark shirt with a white V neck and new looking jeans; and he seemed to be a in a good mood. He told us that he had driven through Harrogate on the afternoon and commented on seeing lots of children all dressed the same with fur (from cats he told us, but I really doubt that Morrissey) around their hoods (it was quite an odd comment) and then into “Crashing Bores”; he also had some pretty caustic comments about the coming election and how we couldn’t possible get excited about it (“It’s just Impossible!”). The audience reaction was good, with swaying crushes on the floor, although a little subdued in the seats. There were quite a few empty seats in the upper tier, but the crowd was a respectable size (the arena holds I think 13,500 or so). He finished with Meat is Murder (“Lamb, Spam, Murder”) with the usual shocking video sequence of pigs and cows being slaughtered. “First in the Gang” was the encore. He finished around 10pm. I dashed during the encore to get to the carpark and get out before the queues started (when we drove into the carpark we were told that it can take up to 1.5 hours to get out at the end). Managed to achieve a quick getaway and was back home before midnight.
Setlist: The Queen Is Dead; Suedehead; Staircase At The University; World Peace Is None Of Your Business; Kiss Me A Lot; Istanbul; Neal Cassady Drops Dead; I’m Throwing My Arms Around Paris; Irish Blood, English Heart; What She Said; Stop Me If You Think You’ve Heard This One Before; Scandinavia; The World Is Full Of Crashing Bores; One Of Our Own; Trouble Loves Me; Everyday Is Like Sunday; Kick The Bride Down The Aisle; The Bullfighter Dies; Meat is Murder. Encore: First Of The Gang To Die
20 Mar
Frank Zappa Edinburgh Playhouse 14th February 1977
Frank Zappa Edinburgh Playhouse 14th February 1977
“Welcome to our first Edinburgh concert !” Frank Zappa coming on stage in Edinburgh to a massive roar from the Scottish crowd.
This was Zappa’s first visit to Scotland. He played Glasgow Apollo one night, and Edinburgh Playhouse the next. I attended the Edinburgh concert; I had actually bought a ticket for his concert at Hammersmith, but then when he added the Edinburgh date, I decided it would be easier to make the trip north of the border, rather than go to London. In those days there was a late night train from Edinburgh to Newcastle (it doesn’t run now), which meant you could go to a gig at the Playhouse, run round to Waverley station (you had to be quick to catch the train) and be back home in the early hours of the morning. I’d been a big fan of Zappa and the Mothers since I first heard “We’re Only in it for the Money” and “Lumpy Gravy” in the late ’60s. Now those were the coolest of cool lps to carry to school under your arm; I remember having to order my copies of “Lumpy Gravy” and “Uncle Meat” from a local record shop (Bergs) and waiting ages for them to arrive. I was also a big fan of the “Hot Rats” album (another iconic sleeve). I’d been wanting to see Frank Zappa live for ages, and was so excited that I was finally getting the chance to do so. The set was a mix of material from throughout Zappa’s career including the magnificent “Peaches en Regalia” which is my favourite track on “Hot Rats”, back to the start with the Mothers cooky “Big Leg Emma”, full on Wah Wah on “My Guitar Wants to Kill Your Mama” and an amazing solo on “Black Napkins”. That night I realised that there was much more to Zappa than nutty songs, political statements, doowop, and childish toilet humour; that Frank Zappa was actually an excellent guitarist. Ran into my friend John who was studying in Edinburgh at the time. Had to run to catch the train home, totally knocked out that I had actually seen a genius and one of my all time heroes live in concert.
Setlist: The Purple Lagoon (intro.); Peaches en Regalia; The Torture Never Stops; Big Leg Emma; City of Tiny Lites; Pound for a Brown; Jones Crusher; My Guitar Wants to Kill Your Mama; Tryin’ to Grow a Chin; Broken Hearts Are for Assholes(with “Little Deuce Coupe” ); Dong Work for Yuda; Manx Needs Women; Titties ‘n Beer; Black Napkins; Dinah-Moe Humm; Camarillo Brillo / Muffin Man
The Zappa Band: Frank Zappa — guitar, vocals; Ray White – guitar, vocals; Eddie Jobson – keyboards, violin; Patrick O’Hearn – bass & Terry Bozzio – drums, vocals. It was great to see local hero Eddie Jobson playing violin with Zappa, it was only a few years earlier we were all dancing to him playing “Hava Nagila” with the excellent Fat Grapple in Sunderland Locarno.
A strange thing. My ticket shows that I had a seat in the front row of the stalls. Now in my memory I can picture myself sitting upstairs in the circle. I’m sure I would have remembered if I was in the front row. All I can think is that my seat was right at the side of the stage and a poor view and that I wandered upstairs and found an empty seat. But hey who knows.
John’s memory: “I can remember going to the show and had a ticket fairly near the front.I did not know much of his material except for the vintage Hot Rats which had been a popular “cool” album in the early 70’s.I went mainly based on his reputation and the fact that he did not play very often. I remember really enjoying the gig and thinking he was an exceptional player , despite not being familiar with a lot of the material. I think Eddie Jobson was in his band at the time. The set included Peaches en Regalia and the highlight of for me was City of Tiny Lites.”
19 Mar
The Radio 1 Club comes to Sunderland Top Rank 4th May 1971
The Radio 1 Club comes to Sunderland Top Rank 4th May 1971
The Radio 1 Club was launched in October 1968. The aim of the club was “to provide a link between the listeners at home, the DJs and stars”. It consisted of 2 hours with a top D.J. and a guest D.J., “leading groups” performing live, current hits, and requests/interviews with members. The show was broadcast live on Radio 1 at lunchtime. The first club date was on October 21st at London’s’ Lower Regent Street (a former cinema). It was hosted by Keith Skues, with guest D.J. Tony Blackburn and the Tremeloes played live. So that was the format; a couple of hours over a lunchtime, with a Radio DJ, a local DJ and a pop group playing live. Membership to the club was free of charge, by sending your details to the BBC. I’m sure I did so, and had a membership card somewhere, but I can’t find it (which is strange as I have kept most things to do with rock and pop music). Radio 1 boasted ‘a different DJ in a different Town each day’. The Radio 1 Club would tour the country and came to Sunderland Top Rank in 1971. I remember because I went along with loads of mates from school, proudly holding my Radio 1 Club membership card. The Radio 1 schedules archive have a record of it as “Radio 1 Club Dave Lee Travis 4 May 1971 from the Top Rank Suite, Sunderland 12.00 to 14.00.” I also remember that the “leading group” was none other than Paper Lace, who were unknown at the time, but hit the UK singles charts a couple of years later with “Billy Don’t be a Hero”.
It was an exciting day; we all got the bus to the town on our lunch break from School. The Rink was packed and we saw lots of people we knew from the town and from other schools. DLT was playing all of the chart hits of the time. “Double Barrel” by Dave and Ansel Collins was No. 1 and the Top Ten also featured T Rex (Hot Love), Dawn (Knock Three Times), Ringo (It Don’t Come Easy) and the Rolling Stones (Brown Sugar). Cool or what?! I remember being very upset at having to leave to go back to school. Missed most of Paper Lace. Some of my more fearless school mates decided not to return for the afternoon. Not sure if they received any comeback as a result. Great days.
Found this, which happened one month earlier: “April 1971 – students at St.Mungo’s High School in Falkirk threatened strike action as their headmaster would not grant permission to attend the lunchtime ‘Radio 1 club’ at the Town Hall!” Now they were cool guys. Classic!
18 Mar
Will Young, Gareth Gates & Pop Idol Live
Will Young, Gareth Gates & Pop Idol Live
This is definitely a guilty pleasure.
The first series of British reality TV pop music show Pop Idol was broadcast over the winter months of 2001 and 2002. The show was a competition open to singers between 16 and 26 years old, with the winner receiving a £1 million recording contract. The whole family watched the show which came to its climax in a singing duel between the two finalists Will Young and Gareth Gates. We were all cheering for team Will, even though Gareth was the favourite. The outcome was not quite what was expected with the jazzier Will coming first, ahead of the poppier teen idol Gareth. The ten finalists then went out on tour and we (me, Marie, Laura) trooped off to Newcastle Arena to relive the excitement of the show.
The concert was presented by judge Nicki Chapman with video clips of the TV show’s other judges. Korben, the first finalist to be voted off, opened the night. Other finalists were former train driver Aaron Bayley, 16-year-old Zoe and Darius Danesh. Darius gave a great hip swivelling performance of It’s Not Unusual which Tom Jones would have been proud of. The other finalists performing were Jessica Garlick, Laura Doherty, Rosie Ribbons and Hayley Evetts. 
But the big cheers were reserved for Gareth and Will. Gareth sang his version of Unchained Melody, which was soon released as a single. Will performed his version of the Doors’ Light My Fire, which had been a big hit in the show, and his Christmas single Evergreen. The second half of the concert had a big band theme. Highlights were Gareth singing Mack The Knife and Will doing Beyond The Sea, both of which had featured in the TV show. For a finale all the contestants sang the Sinatra Classic My Way. All good clean harmless pop fun.
Laura became a massive Will Young fan from then on, so I was treated to the Will and Gareth tour at the Arena later that year, and then Will on his own tour, again at the same venue, four years later in 2006.
That concludes my coverage of letter “Y”.
17 Mar
Paul Young Newcastle City Hal 1983 & 1984
Paul Young Newcastle City Hal 1983 & 1984
I’d seen Paul Young in Q Tips a few times, and was pretty impressed by his 1983 singles “Wherever I Lay My Hat (That’s My Home)” which reached No 1, “Come Back And Stay” (No 4), and “Love Of The Common People” which made No 2 on re-release. He had put a great band together around him and that, coupled with great song choices and his sweet white soul voice, finally fulfilled the promise of his former group, and gave him the massive success he deserved. Young’s debut solo album “No Parlez” produced five singles, and stayed in the UK charts for 119 weeks, selling close to a million copies. Young’s backing band was ‘The Royal Family’ and included keyboardist Kewley, fretless bass player wizard Pino Palladino (now of the Who), guitarist Steve Bolton, drummer Mark Pinder, and backing singers Maz Roberts and Kim Leslie (AKA ‘The Fabulous Wealthy Tarts’). 
I saw them at Newcastle City Hall in 1983 when Paul was at the height of his new success. Paul Young had further success in 1984 with three more Top 10 singles: “I’m Gonna Tear Your Playhouse Down”, “Everything Must Change” and “Everytime You Go Away”.
He was back at the City Hall later in the year for another concert.
Both shows were excellent events with a great selection of songs performed by a guy at the top of his game.
16 Mar
Blackfoot Sue live 1973
Blackfoot Sue live 1973
“Standing in the Road” was a great single. It had a solid repetitive riff to and strong rhythms. I remember seeing Blackfoot Sue perform the song on Top of the Pops and I was totally knocked out. It reached No 4 in the UK singles chart at the same time as Slade and glamrock, and Blackfoot Sue were naturally compared to the bands of the time. This was a little unfair as the band had a much broader musical repertoire.
Blackfoot Sue was formed in 1970 by identical twin Brummie brothers Tom and David Farmer and Eddie Golga. They toured relentlessly between 1972 and 1974, playing ballrooms and clubs up and down the country. Tom and David Farmer both had really long hair and looked great; Tom played a Rickenbacker bass and David pounded away on drums. “Standing in the Road” had a rhythm section in the middle of the song where they all picked up drumsticks and hit everything in sight including their guitars, coke bottles, beer crates, and whatever was around them.
I saw Blackfoot Sue play at Sunderland Mecca sometime in 1973. I’ve checked their official gig list, and although it lists gigs at Newcastle Mayfair and Sunderland Poly, there is no mention of a Mecca gig. However I’m sure I saw them there. Live they were quite a heavy band, and had great rock tracks like “Messiah” which opened their debut album, and was also the song that opened their live show, and of course “Standing in the Road”. They would close their set with their version of the 1812 Overture which featured guitar feedback, churchbells and all of the guys hammering on David Farmer’s drum kit. My friend John recalls them “smashing up beer crates – or milk crates ? – they were made of wood- at the end of the set to bemusement of the crowd”. “1812” features on their second album, takes up almost a whole side of the lp record, and “ventures into the free-flowing world of progressive rock and gives some idea of the energy of the band on stage – the song was a highlight of their live show” (from the official Blackfoot Sue website). David Farmer: “It was all done with violin bows on the guitars… we had huge great artificial stone letters spelling out “1812”… We used to smash it up with axes and strobe lights flashed while the cannons exploded.” (That must be the smashing up that John recalls).
Blackfoot Sue folded in 1977 and re-emerged as Liner. Tom and Dave Farmer continue to play as Cry Wolf along with their younger brother Gary, and are sometimes joined by Eddie Golga.
15 Mar
Futurama 2 Festival Queens Hall Leeds 14th September 1980
Futurama 2 Festival Queens Hall Leeds 14th September 1980
This was the second Futurama festival and it took place at Queens Hall, which was in the centre of Leeds. The Saturday line-up featured U2 (low down on the bill), Echo & The Bunnymen, Soft Cell and Siouxsie & The Banshees (who headlined). I attended the Sunday with my mate Dave and it featured The Psychedelic Furs, Gary Glitter, The Durutti Colum, Classix Nouveaux, Young Marble Giants, Hazel O’Connor, The Soft Boys, Flowers, Naked Lunch, Blurt, Artery, Notsensibles, Vice Versa, Desperate Bicycles, Frantic Elevators, Athletico Spizz 80, Brian Brain, Tribesmen, Boots for Dancing and Household Name. We arrived during the afternoon and missed some of the bands. Queens Hall was a cavernous building, which was originally a tram and bus depot. It was used as a concert venue during the 1980s. It has since been demolished and is now a car park.
When we arrived it looked like a war zone. Punk fans from all over the north, and further afield, had decamped there for the weekend, and had been in the venue all night, sleeping on the floors; there was trash everywhere. We saw faces that we recognised from Middlesbrough Rock Garden, which had closed for the weekend as everyone was going to the festival. We chatted to a few people; everyone was talking about how great Siouxsie (who had headlined the Saturday night) had been. There were stalls around the place and pop-up art performances in dark corners of the hall. I recall one performance which involved a guy having a crap in a bucket; we moved on. The bands were playing on a stage at the end of the massive hall. 
This was an opportunity to see bands who went on to stardom: The Frantic Elevators became Simply Red, and Vice Versa became ABC. There was a great mix of bands at the event and the atmosphere was wonderful, really friendly. Although on the surface this festival appeared messy and shambolic, it is actually one of the best I have every attended for the musical range and the feeling in the crowd. Highlights of the day were Hazel O-Connor, who was in the charts with “Eighth Day” and became the robot from “Breaking Glass”, Durutti Column featuring Vini Reilly’s meadering guitar, and the 4″ by 2″s who were a proto-Oi! band featuring Jimmy Lydon (John Lydon’s brother) and also at one point featured Youth of Killing Joke. But the highlight was an incredible performance by Notsensibles, a punk band from Burnley who had some success with their single “I’m in Love with Margaret Thatcher”. Their set included a lot of tongue-in-cheek songs, all performed in their strong Northern accent. They’d brought a large contingent of fans, who all sang along with every daft song. Notsensibles motto was “all we want to do is make silly records and play silly gigs”. There is a video on YouTube of them performing “Death To Disco” at the event: https://www.youtube.com/watch?v=zIGrhea75qU
The festival ran very late into the night (inevitable given the incredible number of bands who were performing) and we left around midnight during Psychedelic Furs set to drive back up North and home, thus missing the headliner who was (also incredibly) the now shamed star Gary Glitter. The Futurama festival had a history of choosing off-the-wall headliners; on another occasion the closing acts was a reformed Bay City Rollers (now that must have been something to experience). A crazy, mad, fun event with some great bands. Happy happy days 🙂
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