Posts Tagged ‘music’

The Groundhogs Barnard Castle R&B Festival 29 May 2011

The Groundhogs Barnard Castle Blues Festival 29 May 2011
Festival Line up: TCR Band; Andy Yeadon; Tantrum; Sugar Kane; Groundhogs
David and I went along to see The Groundhogs at the Barnard Castle Blues festival, which is a free event held as part of the Barnard Castle Meet over the May bank holiday weekend. We arrived in time to catch the last couple of songs from Sugar Kane, who are a blues band fronted by John O’Leary on vocals and mouth harp. John comes from a strong blues pedigree, having been a member of Savoy Brown and the John Dummer blues Band in their early days, and he plays some nifty blues harp; the guitarist in the band is good too.
Its been a year since I last saw Tony McPhee and the band, and I was interested to see how Tony was getting on. He had a stroke a couple of years ago; his speech has been affected and his wife Joanna has joined the band on vocals. Last time I saw them at the Cluny, Tony sang one song (Still a Fool). Tonight he managed two songs: Eccentric Man and Still a Fool again. Joanna’s dancing is as manic as ever, she’s backward and forward across the stage like a dervish. She was sporting a nifty hat for the first song. Tony looked well, and his playing was pretty good, although his guitar was seriously out of tune in Split 2 (too much use of the tremelo arm methinks). Good to see them again, and to hear a set of old favourites.
Groundhogs Setlist: No More Doggin’; Eccentric Man (Tony vocals); Garden; Still a Fool (Tony vocals); Split 1; Split 2; Split 4; Natchez Burning; Mistreated; Cherry Red
Encore: Down in the Bottom
The current line-up of The Groundhogs is: Tony McPhee (guitar), Dave Anderson (bass), Carl Stokes(Drums) and Joanna Deacon (vocals).
The Groundhogs website: www.thegroundhogs.co.uk
Sugar Kane website: www.johnolearyb.com

The Groundhogs at Barnard Castle Blues


Tony McPhee

Evolution Emerging The Star and Shadow 27 May 2011

Evolution Emerging The Star and Shadow 27 May 2011
Shift-Static played a great set at Evolution Emerging on Friday. They were first up, but still managed to draw a decent size crowd into the Star and Shadow. This is likely to be their last gig for a little time as some of the band are off travelling for the summer.
Line-up: GRANDFATHER BIRDS; PILOTS; WE BEAT THE SYSTEM; SHIFT STATIC

flyer


Laura Smith of Shift-Static

Marianne Faithfull The Sage Gateshead May 23 2011

Marianne Faithfull The Sage Gateshead May 23 2011
Who is the real Marianne? The innocent young convent-school girl, led astray by Jagger, The Stones and swinging London in the 60s; the broken, junky girl cast aside and living on the Soho streets of the 70s; the reborn punkier reinterpreter of songs of the 80s and 90s, or the respected elder stateswoman survivor who stood on the stage of The Sage this week? Sadly the Sage was pretty empty but those of us who were there witnessed a riveting performance by a lady who has lived a live like few others. She wears her 60 something years with elegance and grace and talked to us, in the way that only Marianne can, as if we are all her friends.
The set was a mix of songs from her new album and old favourites. Great to see Wayne Kramer (MC5) who played some stunning guitar work. Marianne’s voice is deep and rough, but she sings the songs in the way that only she can. Favourites for me were As Tears Go By (still moving), Sister Morphine (dark and chilling) and Ballad of Lucy Jordan. Marianne also (as she does) name-dropped throughout the show, telling us how Keef and Gram Parsons taught her Merle Haggard’s Sing Me Back Home, how she stole Incarceration of a Flower Child from Roger Waters and how she wrote The Crane Wife with Nick Cave. She also (always the rebel) smoked a few ciggies on stage and mocked some guys in the audience who had to go outside to smoke. A great evening, spent with a true legend.
Setlist (something like): Horses and High Heels; Why Did We Have to Part; The Stations; There Is a Ghost; The Crane Wife; Like Being Born; Prussian Blue; Back in Baby’s Arms; Goin’ Back; That’s How Every Empire Falls; Sing Me Back Home; Sister Morphine; Broken English; As Tears Go By; Incarceration of a Flower Child; Working Class Hero
Encore: The Ballad of Lucy Jordan; Strange Weather

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programme

Roger Waters The Wall Manchester Arena 21 May 2011

Roger Waters The Wall Manchester Arena 21 May 2011
Just got up this morning. Still tired from driving back from Manchester from last night’s show, which was absolutely fantastic. This must be the most impressive show I have ever seen in terms of visuals and production. If you get a chance to go and see it; do so; you won’t regret it.

I should start by saying that I have never been a fan of (some of the music on) The Wall album. In fact, having see the Floyd tours in the 70s (including Meddle-era, Dark Side of the Moon, Wish You Were Here, Knebworth, Animals) I missed out on The Wall shows at Earls Court. I’d grown a little tired of their ever expanding stage shows, and I just didn’t get The Wall concept. I was also heavily into the punk/new wave ethos at that time, which probably influenced my decision to stay away. However over the years I’ve bitterly regretted missing those shows as, even though I still feel the album is not the best of Pink Floyd’s work, I now realise their significance. So I thought it was time to go and see Rogers Waters new production of his masterpiece.

I arrived at the cavernous Manchester Arena early, and took my seat in the lower tier. The Wall was partly built, and the stage set for what promised to be something pretty spectacular. I hadn’t actually given much thought to how spectacular it might be, and I was actually surprised by the scale, detail and impact of the whole production. The story of The Wall is now well known. It is one of Roger’s own isolation and draws on themes of war, injustice, politics, oppression and inequality. All of these are of course still relevant today and Roger has brought the production up to date to include representations of current political and world issues. Modern technology has also enabled Roger to produce a spectacle which just couldn’t have been done in the same way 30 years ago.

The effects are too numerous to mention. The flying pig returns, but he is much more impressive than the beast that flew over my head in Wembley Empire Pool on the Animals tour (how on earth was this modern pig controlled?). There are inflatables of the teacher and mother. Roger sings along with video footage of himself from Earls Court. The wall is gradually built throughout the first half of the show, and becomes a massive video screen, displaying images of fallen war heroes and of the album’s storyline. By the end of the first half the wall is complete and Roger and the band disappear behind it. The giant wall stays in place for much of the second half, with Roger and the band popping out of holes in the wall, and performing in front and on top of it. At one point Roger slides out of the wall, sitting in a loving room singing to us. Everyone in the arena (except me) seems to know (and sign) every word of the album. Roger is quite talkative and tells us he is different person to the young man who performed the Wall at Earls Court. The climax comes with us all chanting “Break down the wall” and the wall collapses in front of our eyes.

This must be the most spectacular show on the road; it is certainly streets ahead of anything I’ve ever seen before. I found it breathtaking, moving and utterly compelling. Although I know little of the album (apart from Another Brick and Comfortably Numb) I wasn’t bored for a single minute (and I often am at shows). Stunning. I wish I could go again.

Setlist:
First Half: In the Flesh?; Thin Ice; Another Brick in the Wall, Pt. 1; Happiest Days of Our Lives; Another Brick in the Wall, Pt. 2; Mother; Goodbye Blue Sky; Empty Spaces; What Shall We Do Now?; Young Lust; One of My Turns; Don’t Leave Me Now; Another Brick in the Wall, Pt. 3; Last Few Bricks; Goodbye Cruel World
Second Half: Hey You; Is There Anybody Out There?; Nobody Home; Vera; Bring the Boys Back Home; Comfortably Numb; Show Must Go On; In the Flesh; Run Like Hell; Waiting for the Worms; Stop; Trial; Outside the Wall

The Band:
Drums: Graham Broad
Guitars: Dave Kilminster, G.E. Smith, Snowy White
Bass: Roger Waters
Keyboards: Jon Carin, Harry Waters
Lead Vocals: Robbie Wyckoff, Roger Waters
Backing Vocals: Jon Joyce, Mark Lennon, Michael Lennon, Kipp Lennon

Roger Waters website: www.roger-waters.com

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ticket

The Monkees Newcastle City Hall May 15th 2011

The Monkees Newcastle City Hall May 15th 2011
Hey Hey We’re the Monkees! Our heroes were back at Newcastle City Hall last night. This was their first UK tour for 16 years, and it was great to see them again. This time around we had Davy, Peter and Mickey, but no Mike. They took us through a set which covered all aspects of their career, in front of a screen showing clips from their TV show. Each song was accompanied by the relevant video from the show. The Monkees were always a mix of pop, country, vaudeville, stage school and dance. Last night was no different with all three of the guys on great form, backed by a 9 piece band. They started the second half with selections from their hippy trippy psychedelic film Head, which was quite a brave choice, but worked very well. A great night, lots of fun. It was disappointing that the hall wasn’t full, but everyone there enjoyed themselves. It must have been wonderful to be a Monkee in the 60s (I wanted to be Davy).
Set list something like :
Set 1: I’m a Believer; Mary, Mary; The Girl I Knew Somewhere; She Hangs Out; Alternate Title; Your Auntie Grizelda; It’s Nice to Be With You; I Don’t Think You Know Me At All; Look Out (Here Comes Tomorrow); Words; Cuddly Toy; Papa Gene’s Blues; Listen to the Band; That Was Then, This is Now; All of Your Toys; Hard To Believe; What Am I Doin’ Hangin’ Round?; Sometime in the Morning; Valleri; No Time
Interval
Set 2: Circle Sky; Can You Dig It?; As We Go Along; Do I Have to do this All Over Again?; Porpoise Song; Daddy’s Song; For Pete’s Sake; When Love Comes Knocking At Your Door; She; A Little Bit Me, A Little Bit You; Shades of Gray; Last Train to Clarksville; Goin’ Down; I Wanna be Free; Saturday’s Child; Someday Man; I’m Not Your (Steppin’ Stone); Daydream Believer
Encores: Pleasant Valley Sunday; I’m a Believer

Love Music Hate Racism The Cluny May 13th 2011

Love Music Hate Racism The Cluny May 13th 2011
This gig featured local bands: O’Messy Life, Shift-Static and Our Imaginary Friends.
First up was Our Imaginary Friends who play melodic guitar-based pop with a 60s flavour. The singer reminded me of Richard Hawley and Divine Comedy. They have some nice tunes and went down well with the local crowd. Next up was Shift-Static who played their normal exquisite set to a great reception. I spotted Terry Reid in the audience (he was playing the Cluny the following night); and he seemed to be enjoying the local talent. Local photographer Jazzy Lemon was in attendance and took lots of great shots. The night was rounded off by local band O’Messy Life who headlined the evening.

Our Imaginary Friends website: www.myspace.com/ourimaginaryfriends
Shift-Static website: www.myspace.com/shiftstaticmusic
Some great photos from Jazzy Lemon: Jazzy Lemon photos
O’Messy Life website: www.myspace.com/omessylife

Eric Clapton Glasgow SECC May 12th 2011

Eric Clapton Glasgow SECC May 12th 2011
I think Clapton is back on top form and, in my book, always worth seeing these days. So I decided to make the trip to Glasgow on Thursday night. I was also tempted by the support act Andy Fairweather Low. I’ve seen Andy many times over the years in Clapton and Roger Waters’ bands, but haven’t seen him solo since the 1970s. I arrived at SECC around 7pm, bought my programme, and took my seat in Row S of the centre block. Andy Fairweather Low and his band took us through his greatest hits including Bend Me Shape Me, La Booga Rooga, Wide Eyed and Legless, and If Paradise is Half as Nice. He’s also a very accomplished guitarist which he demonstrated to great effect in a couple of bluesy instrumentals; one of which was by Lightning Hopkins. Andy had a lovely Vox teardrop guitar, which matched his 60s setlist. good opener. I’ve seen Clapton many times since the 70s (probably about 15 or so). There were times I felt he was going through the motions in some shows in the 90s, but the last few times I’ve seen him he has been playing really well, with great, fluid guitar playing and getting back to what he started with; the blues. And Thursday was no exception. The set started with some great blues songs, with Clapton playing with feeling and passion. Great keyboard solos from Chris Stainton and Tim Carmon. The set is predictable, and seems to be the same as he has been playing throughout the tour, with a mix of blues, old favourites and an acoustic set in the middle. High points for me were Hoochie Coochie Man, Badge and I Shot the Sherriff. Low points; I’m still not keen on the unplugged Layla (lets have the electric version next time please, Eric) and I did get a little tired of the keyboard solos which seemed to figure in almost every song. Also Clapton seemed subdued and was straight off the stage at the end (it wouldn’t hurt to say a few words to the crowd). Overall, however, this was a pretty good show; Clapton has become the modern equivalent of the old bluesmen who got him started in the beginning. Long may he continue to come and play for us.
Setlist: Key To The Highway; Going Down Slow; Hoochie Coochie Man; Old Love; I Shot The Sheriff; Driftin’; Nobody Knows You When You’re Down And Out; Still Got The Blues; Same Old Blues; When Somebody Thinks You’re Wonderful; Layla; Badge; Wonderful Tonight; Before You Accuse Me; Little Queen Of Spades; Cocaine
Encore: Crossroads

Paul Rodgers Newcastle Metro Arena 18 April 2011

Paul Rodgers Newcastle Metro Arena 18 April 2011
This show had originally been planned for the City Hall, and was moved to the much larger Arena shortly after it was announced, presumably because the promoter realised the demand to see Paul Rodgers would be much greater than the capacity of the City Hall could hold. For me this was a mistake. The atmosphere is always much better in a sold out (2,400) theatre as opposed to sitting with a crowd of (I would guess) 3-4,000 in an arena that can hold up to 10,000.
Paul Rodgers has been out on tour quite a bit over the past few years; playing solo, with Bad Company and with Queen. I’d seen most of his recent tours although I did miss out on his last outing with Bad Company. Not sure why I didn’t go along to that show, I regretted it straight away and decided to go along to make up for it.
I arrived in the interval, having missed the support Joe Elliot’s Down n Outz. Bought myself a programme and then took my seat. Paul started with Walk in my shadow, followed a bunch of old favourites: Wishing Well, Fire and Water. The rest of the set was a mixture of Free and Bad Company tracks, with a few new songs thrown in. At one point Paul brought on stage the guitarist from his very first band, Colin Bradley; “this guy taught me how to play”; and they played a great version of The Temptations Ain’t Too Proud To Beg. The man was in good voice and went down well with the crowd; however I still thin that the venue is too impersonal, and we all would have enjoyed it much more in the City Hall. All in all a good night, good to hear some great songs again.
Paul is joined by drummer Jason Bonham for this tour. Also in the band are guitarist Howard Leese and bassist Lynn Sorenson. The bass player for this Newcastle show was Todd Ronning rather than Lynn Sorenson. Markus Wolfe played additional guitar on some of the songs as well. Todd Ronning and Markus Wolfe are both members of a Canadian band named ‘King Karma’. Both have played again in Rodgers band when he did some shows in Canada recently. Thanks to Sir Bawls for the update.

Setlist:
Walk In My Shadow
Wishing Well
Fire & Water
Feel Like Makin’ Love
Mr Midnight
Be My Friend
Mr Big
Run With The Pack
Bad Company
The Stealer
Seagull
My Brother Jake
Ain’t Too Proud To Beg (Temptations)
Shooting Star
Rock ‘n’ Roll Fantasy
Can’t Get Enough
Encores:
Ride On A Pony
All Right Now
The Hunter
website: www.paulrodgers.com

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programme

Marina Celeste and Shift-Static The Cluny Newcastle 17 April 2011

Marina Celeste and Shift-Static The Cluny Newcastle 17th  April 2011

Shift-Static got a call a few days ago inviting them to support Marina Celeste at the Cluny. I hadn’t heard of Marina but advice from Laura, and some web searching, revealed to me that she is “the voice of Nouvelle Vague”, who made their name playing classics from the New Wave music era, reinterpreting them in a bossa nova style.
Marie and I arrived at the Cluny just in time to catch the end of the first support act, Tamara Schlesinger from 6 Day Riot, who played some nifty ukelele. After a short break Shift-Static took to the stage to a fair size crowd and started with IL1 / IL2. This was followed by Get the Echo, Fathers Footsteps Part 1 and The Furrow; all which went down well with the crowd. They finished with Haystacks which got a great cheer and shouts for more. The set was the same as they played at the Sage a few weeks ago, and the sound was equally clear and sharp.
Marina wasn’t really my cup of tea to be honest. Her songs are bossa nova versions of punk classics. Imagine Orgasm Addict (the Buzzcocks) sung in a breathy French vocals, backed by a Parisian jazz cafe type band. Marie and I beat a retreat back home for a drink in the local Wetherspoons.

Marina Celeste website: www.marinaceleste.com
Shift-Static website: www.myspace.com/shiftstaticmusic
6 Day Riot website: www.6dayriot.co.uk

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You can see Shift-Static play Haystacks here:

Van Der Graaf Generator Manchester Academy March 26th 2011

Van Der Graaf Generator Manchester Academy March 26th 2011
I always found Van Der Graaf Generator a tricky band to get into. To me, their songs range from classic progrock (Necromancer, Darkness, Refugees, Killer) through to others which are much darker, intense and, in parts, almost inpenetrable. So I approached last night’s concert at Manchester Academy with interest, and some nervousness; would I enjoy them after all this time?
Last night was the first time I’d seen VDGG since the 1970s, so this was a trip back in time for me. VDGG were one of the first bands I saw at Newcastle City Hall, on the Charisma 6/- package tour; the support acts were Lindisfarne and Genesis. I still remember parts of that night well, Genesis were exquisite (The Knife blew me away; Peter Gabriel used the mike stand as a gun and shot us all), Lindisfarne went down a storm with the home crowd (lots of singing along) and stole the show, and Van Der Graaf were quite perplexing for me. I remember thinking Killer was great, but also losing my way in some of the seemingly endless saxophone solos. I saw them a few times after that, at the Reading Festival, Newcastle Polytechnic, Sunderland Locarno and Redcar Coatham Bowl, and got quite well into them by the time they split up for the last (for then) time in the late ’70s. I missed their show at the Sage a few years ago as I away at the time, so I decided to make up for it last night, and drove across to Manchester to relive a little piece of my youth.
Manchester Academy 3 is a small, dark venue situated on the top floor of Manchester University Students Union building. Last night The Stranglers were appearing next door in Academy 1 and Peter Wolf was downstairs in Academy 2 (must be great being a student in Manchester!). Upstairs the venue was crammed full with 50+ (and 60+) year old fans fans who were waiting expectedly for their heroes. Peter Hamill, Guy Evans and Hugh Banton took to the stage to warm cheers at around 8.30pm and launched into Interference Patterns, which is from their 2008 Trisector album. Peter Hammil’s vocals were as unique and challenging as ever. He alternated between electric piano and guitar, and explained to the audience that he finds the arrangements difficult (and hence has to work from sheets of music). Guy Evans drumming was excellent, as was Hugh Banton’s organ playing; quite intricate with lots of 70s Hammond swirling. The set was largely drawn from their recent albums, with none of the favourites which I so wanted to hear. But this is a band reborn, with the same values and ethos, but a new take on the music. The vocals are still strident and dynamic, but the songs are more complex, there is more guitar and the trademark sax has departed with David Jackson. I still found the songs challenging and dark; I guess I would have found them easier if I’d listened to the recent albums. Most of the crowd around me seemed to know the new tracks; indeed each song was greeted with loud applause and almost reverance. But actually last night I sort of started to get it, and enjoyed the set. If a stranger walked into the hall last night, I swear they would wonder what on earth was going on: a strange manic old guy singing some weird songs, with a crowd of (mostly) older people hanging on every word. But it worked; the musicianship was superb, the vocals ranged from touching and beautiful to manic and almost screaming. Peter ignored the cries for Killer, Refugees (one guy was shouting for Mike and Suzie!) and Darkness, but actually, that was OK. I finally appreciated VDGG for what they are: superb musicians, complex, challenging, difficult, but ultimately satisfying.

Setlist:
Interference Patterns
Mr Sands
Your Time Starts Now
Scorched Earth
Bunsho
Lifetime
All That Before
Still Life
All Over The Place
Over the Hill
We are Not Here
Man-Erg
Encore – LaRossa
website: http://www.vandergraafgenerator.co.uk

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poster with timings that I took off the wall as a momento