Backhouse Park concerts Sunderland Summer 1974
For three Saturdays in Summer 1974 a stage appeared in Sunderland’s Backhouse Park and a series of concerts were held. The park was filled with music from a host of local bands and headliners Jack the Lad, Brinsley Schwarz & Chilli Willi & the Red Hot Peppers. Local heroes Saltgrass played at each event and a grand time was had by all.
13th July 1974 Jack the Lad
When Lindisfarne’s split and main songwriter Alan Hull went off to follow a solo career (and eventually reform Lindisfarne with Ray Jackson) the remaining members: Rod Clements, Si Cowe and Ray Laidlaw formed Jack the Lad with their old friend Billy Mitchell. Jack the Lad followed the folk sound of their former band, and in many ways remained truer to their roots, while the new Lindisfarne went down more of a pop/rock road. Jack the Lad live were great fun with a lot of humour, traditional folk and a set full of jigs, reels, singalongs and dancing which went down well on a sunny afternoon in the park.
27th July 1974 Brinsley Schwarz
Brinsley Schwarz were stalwarts of the pub rock scene. This gig came towards the end of their career, and their line-up was Brinsley Schwarz, Ian Gomm, Billy Rankin, Bob Andrews, Nick Lowe and Carlos Luna. They had just released their sixth and final album “The New Favourites of… Brinsley Schwarz” which featured Nick Lowe’s classic “(What’s So Funny ‘Bout) Peace, Love, and Understanding”.
The Brinsleys were heavily influenced by The Band and Eggs Over Easy, had a laid-back country-rock sound, with some catchy poppy songs, and were a great live act, and gave us another great afternoon in the sun. They split in 1975 and Schwarz and Andrews joined Graham Parker & the Rumour; Rankin joined Terraplane, and Nick Lowe joined Dave Edmunds in Rockpile. Lowe of course then went on to have a very successful solo career and “(What’s So Funny ‘Bout) Peace, Love, and Understanding” became a hit for Elvis Costello.
3rd August 1974 Chilli Willi and the Red Hot Peppers
The last of the trio of concerts featured Chilli Willi and the Red Hot Peppers, who were one of the main pub rock groups, and were very popular during the early 1970s. They released three albums and toured as part of the 1975 Naughty Rhythms tour with Dr Feelgood and Kokomo. Their members were Phil “Snakefinger” Lithman, Martin Stone, Paul “Dice Man” Bailey, Paul “Bassman” Riley and Pete Thomas. After they split in 1975 Thomas became the drummer for Elvis Costello, Riley played with Graham Parker; and Stone played with the Pink Fairies.
Posts Tagged ‘folk-rock’
30 Mar
Backhouse Park concerts Sunderland Summer 1974 Jack the Lad, Brinsley Schwarz & Chilli Willi
27 Mar
Country Joe McDonald Sunderland Locarno 8th November 1974
Country Joe McDonald Sunderland Locarno 8th November 1974
We’d all seen him in the Woodstock film:
“Listen people, I don’t know how you expect to ever stop the war if you can’t sing any better than that. There’s about 300,000 of you f**kers out there. I want you to start singing. Come on.”
And then the sing-a-long style bouncing ball followed the lyrics which ran as subtitles along the bottom of the cinema screen.
Well for one night a few years later we had our own little piece of Woodstock in a ballroom in Sunderland.
“Give me an F
Give me a U
Give me a C
Give me a K
Whats that spell? Whats that spell? Whats that spell?
Whats that spell? Whats that spell?”
“And it’s 1, 2, 3, what’re we fighting for?
Don’t ask me, I don’t give a damn
Next stop is Vietnam
And it’s 5, 6, 7, Open up the Pearly Gates
Well there ain’t no time to wonder why
Whoopee! We’re all gonna die.”
(I Feel Like I’m Fixing to Die Rag, Country Joe and the Fish, 1967).
This tour was at the time of his self-titled solo lp (pictured here), so I guess we were treated to tracks from that album, along with old favourites like “Janis” and of course he just had to lead us all in the “Fish Cheer” and sing “I Feel Like I’m Fixing to Die Rag”. We all sang along.
Don’t think we stopped any war, but we sure had a good time 🙂
9 Jan
The Waterboys Newcastle Tiffany’s 30th April 1986
The Waterboys Newcastle Tiffany’s 30th April 1986
Mike Scott and his Waterboys were on a rock’n’roll journey from “The Big Music” to the raggle taggle gypsy Celtic folk band that they became in the late 80s. This was Mike and the band at the top of their game, not long after the success of “Whole of the Moon”, yet choosing not to play that song and instead sweeping a ram-packed Tiffany’s along with joyous big swirling sounds, and a few carefully chosen covers. “The Big Music” filled the ballroom; I was standing on the balcony looking down onto the stage and the packed sweaty dance floor below, and it felt like any minute the roof would come off. Mike was one minute the rock star, the next a folk troubadour, and then he became a seer taking us all on a spiritual journey through the kaleidoscope of his music. He was Dylan when he sang “I’ll Be Your Baby Tonight” for us, and then Tex Ritter leading a country band into “The Wayward Wind”. And then we were transported to the Streets of Dublin, dancing to a Celtic fiddle band. This was one of those gigs where we all walked out into the cold night knowing we had experienced something pretty special.
Setlist: Medicine Bow; Be My Enemy; Medicine Jack; Fisherman’s Blues; The Thrill Is Gone / And The Healing Has Begun; Meet Me At The Station; A Girl Called Johnny; The Pan Within; I’ll Be Your Baby Tonight; We Will Not Be Lovers; Spirit / The 4 Ages Of Man; Savage Earth Heart; This Is The Sea
Encore: The Wayward Wind; A Pagan Place; Can’t Help Falling In Love; Red Army Blues
Encore 2: Death Is Not the End
5 Jan
Loudon Wainwright III Newcastle City Hall 16th Sep 1979
Loudon Wainwright III Newcastle City Hall 16th Sep 1979
Loudon Wainwright is a funny guy.
“Loudon Wainwright III is a direct descendant of Peter Stuyvesant, renowned one-legged Dutch Governer of New York. Loudon I was an insurance salesman, Loudon II is a mild mannered reporter for a former great metropolitan magazine. And Loudon III is a “post-psychedelic beatnik” who has been lauded far and wide as a writer-performer of uncommon wit, intelligence and insight, and with a unique capacity for capturing irony and absurdity in his work, that sets him apart from the great majority of similar entertainers” (from Loudon 1979 programme).
I went along to this gig with a group of friends from college. One of the guys, Vaughan, had recently become a big fan of Loudon Wainwright and sand many of his crazy songs to us. He persuaded us all to go along with him to see Loudon when he came to the City Hall (not that I needed much persuading to go along to a concert in those days). The concert wasn’t well attended, but those of there spent an enjoyable evening listening to Loudon’s crazy, funny songs and stories. Loudon was promoting his 8th album “A Live One”, which had been recorded during his 1976 UK tour.
Personal Note (from Loudon 1979 programme): “Loudon Wainwright III is now living in California. He is the father of two children, Rufus and Martha. He has written songs for both of them – “Rufus is a Tit Man” and “Pretty Little Martha”. Loudon is a sports fanatic, and drives a 15 year old blue Checker.”
“Crossin’ the highway late last night, He shoulda looked left and he shoulda looked right,
He didn’t see the Station Wagon car, The skunk got squashed and there you are,
You got yer, Dead skunk in the middle of the road,
Dead skunk in the middle of the road, Dead skunk in the middle of the road,
Stinkin’ to high heaven, Take a whiff on me that ain’t no rose,
Roll up yer window and hold yer nose, You don’t have to look and you don’t have to see,
‘Cause you can feel it in your olfactory.”
(Loudon Wainwright III, Dead Skunk, 1972).
Note 1. “Dead Skunk” was a hit in the US singles chart reaching No 12.
Note 2. The “olfactory” system is the sensory system used for the sense of smell.
19 Sep
Sutherland Brothers & Quiver 1975 and 1976
Sutherland Brothers & Quiver 1975 and 1976
I was aware of The Sutherland Brothers and Quiver as two separate bands, and saw them both live a few times. I saw The Sutherland Brothers at the Lincoln and Reading festivals in 1972, and Quiver as support for T Rex, and at Sunderland Poly Wearmouth Hall. They were two very different bands. The Sutherland Brothers an acoustic fold duo, who had a great 1972 single “The Pie” and the song “Sailing” which was to become a massive hit when covered by Rod Stewart. Quiver were a folky rock band, led by excellent guitarist Tim Renwick, and did a great version of The Beatles “Saw Her Standing There”.
In late 1972 the two acts joined forces and became Sutherland Brothers and Quiver. This seemed to me to be a strange move at the time, but proved to be very sensible. They released an album “Dream Kid”, and the excellent title track was released as a single, which should have been a hit but sadly didn’t chart. The new band toured constantly; I saw them at the Reading Festival in 1974 and 1976, and at Sunderland Poly Wearmouth Hall on 5th December 1975. 
In 1976 they released “Arms of Mary”, their biggest hit, which reached No. 5 in the UK singles chart. They headlined a major tour at the time, calling at Newcastle City Hall on 26th September 1976. Support came from Moon, a successful pub rock band. The success was to be short lived. Tim Renwick left the group in 1977 and by 1979 the Sutherland Brothers had parted company with Quiver, and returned to recording as a duo. Sutherland Brothers & Quiver were a very under-rated band. The combination of the Sutherland Brothers’ great songs, and the guitar-based rock music of Quiver was a powerful mixture. Their live performances were always excellent, and their music crossed and combined genres including pop, country, rock, reggae and folk. There was so much more to them than their rather middle of the road (MOR) hit “Arms of Mary” might suggest. Perhaps that was the problem; a fine band who were difficult to pigeon hole, and landed a MOR hit, which gave them an audience who didn’t fully appreciate the breadth and depth of their music. That, and the advent of punk, probably sealed their fate. Listen to “The Pie” or “Dream Kid”.
11 Sep
Stealers Wheel Sunderland Polytechnic Wearmouth Hall 1973?
Stealers Wheel Sunderland Polytechnic Wearmouth Hall 1973?
Stealers Wheel are, of course, best remembered as the short lived folk rock act who featured the late, great and sadly missed, Gerry Rafferty and for the song “Stuck in the Middle with You” which hit the charts in 1973, and was featured as part of the soundtrack of the film “Reservoir Dogs”. The film brought the band back into the public eye, and introduced a new set of fans to their music. But there was much more to Stealers Wheel. They released three fine albums, and Rafferty’s fellow front man and old school friend Joe Egan was also an excellent song writer, with a deep soulful voice. Former Spooky Tooth-er, and soon to be Mott the Hoople-er, Luther Grosvenor (aka Ariel Bender) was also a member of the band for a short period during 1972 to 1973.
I saw Stealers Wheel live once when they played at Sunderland Poly Wearmouth Hall. It was around the time that “Stuck in the Middle with You” was in the charts, and the place was completely full, ram packed to the walls. I can’t be sure of the line-up at the time; I think it may have been during the period when Gerry Rafferty had left the band, and Joe Egan took over the role of front man and lead vocalist. I also think that Luther Grosvenor was in the band at the time. Stealers Wheel were nothing like I expected. They were much more a rock band, with very soulful, raucous vocals from Joe Egan, quite funky, and very LOUD. I remember having to leave the hall on a couple of occasions just to talk to mates, and because it was so loud, so packed and so hot. A great, under rated band, who deserve more recognition than they often receive.
10 Sep
Steeleye Span Middlesbrough Town Hall 22nd August 1977
Steeleye Span Middlesbrough Town Hall 22nd August 1977
Steeleye Span brought in producer Mike Batt (best known for his work with the Wombles) to work on their eighth album “All Around My Hat”. The single release of the title track reached number 5 in the UK Charts in late 1975, giving them their biggest chart success.
The next time I saw Steeleye Span was at Middlesbrough Town Hall on 22nd August 1977. The Town Hall was packed, and my mate and I had seats right down the front, in the second row. My enduring memories of the gig are of two things. The first is just how rocky the band had become. Of course they played “All Around My Hat”, which is actually a rock’n’roll song, but I was surprised how many of the other songs had an electric boogie rhythm. They even did a great version of Buddy Holly’s “Rave On”. And the second memory is of Maddy dancing. She was wearing a long, pure white skirt which swirled around as she danced and twirled. She danced across the stage, and down into the audience, up one aisle, across the back of the hall and back down the other aisle. That night Maddy was our English maid, with the voice of our green and pleasant land, and dancing the morris dance for us all. A great concert, and the best time I saw Steeleye Span.
The line-up of the band at the time was: Tim Hart (guitars, vocals), Maddy Prior (vocals and dance), Rick Kemp (bass, vocals), Nigel Pegrum (drums, percussion), the return of Martin Carthy (guitars, vocals) and John Kirkpatrick (accordion, vocals)
“Doesn’t it move you just a little bit?
And if you watch I think the chance is
That it will lift your heart a little bit
Ooh, well I mean, when Maddy dances
Ooh, well I mean, when Maddy dances”
(When Maddy Dances, by Ralph McTell)
9 Sep
Steeleye Span & Amazing Blondel Newcastle City Hall 26th October 1972
Steeleye Span & Amazing Blondel Newcastle City Hall 26th October 1972
Steeleye Span, along with Fairport Convention, are pioneers of British folk rock. Their music successfully marries traditional English folk music with a harder, electric sound. In their early days, Steeleye Span played almost exclusively traditional folk songs. I first saw them as the support act for the mighty Jethro Tull on their spring 1971 tour when it called at Sunderland Empire. Steeleye Span’s line-up was, at that time, Tim Hart (guitars, vocals), Maddy Prior (vocals and twirling skirt dancing), Ashley Hutchings (bass), Martin Carthy (guitars, vocals) and Peter Knight (strings, keyboards, guitars, vocals). Note, the band had no drummer, which made the line-up seem somewhat different.
By the time of this 1972 headlining concert at Newcastle City Hall, Ashley Hutchings and Martin Carthy had both departed and had been replaced by Bob Johnson (guitars, vocals) and Rick Kemp (bass, drums, vocals).
This was a strong double bill, and I remember that my reason for going along to the concert was partly to see support act Amazing Blondel. Some of my friends had seen Amazing Blondel supporting Free, and came back gushing with glowing reports of these three crazy guys with amazingly long hair who played strange quaint medieval instruments. Amazing Blondel were indeed “amazing”. They were reportedly influenced by their childhood memories of the Robin Hood TV series, and its mediaeval soundtrack. Indeed, they named their band after Blondel de Nesle, a musician in the court of Richard the First. Their Medieval brand of folk rock was, in fact, an authentic attempt to recreate Renaissance music, using genuine period instruments such as lutes and recorders, and interlacing their songs with old English banter and bawdy jokes. Great stuff!
Steeleye Span were starting to gain their own following, and their version of the 16th Century Christmas carol “Gaudete” was becoming a big live concert favourite. The City Hall was full and both bands went down well. Steeleye Span’s set also featured some quite dark folk songs which told stories of medieval goings on, murders, affairs, etc. and a great version of “John Barleycorn”.
I had a double dose of Steeleye Span, having seen them just a month or so before when they featured on the bill at the Grangemouth pop festival. Happy days.
“Gaudete, gaudete
Christus est natus
Ex Maria Virgine
Gaudete”
15 Jun
Magna Carta Burnsall Village Hall 14th June 2014
Magna Carta Burnsall Village Hall 14th June 2014 The Grassington Festival 
Magna Carta one of a few bands that I’d promised myself I would try and see again if I ever gotthe chance. I think (but I can never be certain these days) that I saw Magna Carta somewhere sometime in the early 70s. One thing I am certain of was that I first saw them on TV in 1970 or 1971, playing on the Old Grey Whistle Test, or it may have been its predecessor Disco 2. They played a simply stunning version of “Airport Song” with spellbinding vocals from Glen Stuart. I remember talking about it with mates at school the next day, and we were all impressed by them. Three things stuck out which marked that performance for me. The first was the amazing bush of hair which circled Glen’s face. The second was the purity, clarity and high pitch of his vocals (he apparently had a five octave range). And the third was the perfect harmonies between Glen and Chris. Actually, thinking about it, there was a fourth aspect of the performance that I must mention; the exquisite guitar work of Davey Johnstone (he would shortly leave to join Elton John’s band). Today Magna Carta are (as they always were) led by founder and main songwriter, and great dalesman, Chris Simpson. From Chris’ bio on the Magna Carta site: “Chris grew up in the Yorkshire Dales, in a 16th century stone house lit by candles where, in the words of his song Wild Horses: “No T.V. or electric light And the darkness fell like a Winter’s night Silence was a friend you did not question…” He is a true Dalesman. His influences are an eclectic mix of Steinbeck, Dickens, Buchan and Hemingway together with Elvis, Carl Perkins, Jerry Lee and Chuck Berry.” The current Magna Carta band also features Laurens Joensen (an excellent guitarist, mandolinist and multi-instrumentalist from Amsterdam), John Shepard (drums), Wendy Ross (classically trained award-winning violinist), Will Stockbridge, the 17 year old son of Chris’ friend Nigel the guitar technician from Richmond on bass (Nigel restored an old bass for me some years ago), and Chris’ old friend and great joker Doug Morter (who was originally in Magna Carta in the ’80s). This concert was both a reunion and (another) farewell, and was part of the annual Grassington festival. Magna Carta and Chris Simpson have a long standing connection with the Grassington festival. Chris used to live in Grassington and he has played the festival on a number of occasions, and Magna Carta recorded an album there. Burnsall is a tiny village in the Dales. To get there I had a pleasant drive across North Yorshire, passing through Ripon and Pately Bridge on the way, and then negotiating some single track roads as I got closer to the village.
The Village Hall was easy to find; I saw a string of cars parked and figured that I was getting close. The place was already full when I arrived, the concert had been sold out for weeks. Chris told us that people had travelled from Hull, Canada and Borneo (!) for the concert. A big picture of their bass player Lee Abbott, who sadly passed away in 2012, was displayed on the wall down at the front of the small hall. The concert started at 8pm and Magna Carat played until after 11pm with a short 30 minute break. The set consisted of songs from throughout their career, including a number from “Lord of the Ages”. One of the highlights was the first UK (and home coming) performance of new song “Fields of Eden” which tells the story of the dales and features a great narrative from Andrew Jackson who has a deep rich voice, and came up onto the stage to joined the band for that song. The closing song was, of course, “Airport Song”. A pleasant evening spent with some fine musicians, great songs, deep in the heartland of the place where Chris and the songs grew. It was a privilege to see him play them back where they belong. Bought a great book, “The Complete Works of Magna Carta” at the concert; a bargain at £5 🙂
2 Mar
Classic Legends of Rock and Folk Newcastle City Hall 1st March 2014
Classic Legends of Rock and Folk Newcastle City Hall 1st March 2014
Martin Turner plays the music of Wishbone Ash
Curved Air
Strawbs
So the Classic Legends of Rock (and Folk) came to The City Hall, the spiritual home of rock in the North East of England. This was an evening of mixed emotions for me. I’ve seen all of these bands headline the City Hall to packed houses. It was great to see them back on the big City Hall stage again, but also a little sad to see such a small crowd (I would guess there were a few hundred people there) which filled the front part of the stalls (the circle wasn’t open). So I enjoyed seeing the bands perform last night, but the memories of 40 years ago, when I stood in a capacity crowd cheering and singing along to “Blowin’ Free” (or on even earlier tours “Jailbait”), “Back Street Luv” or “Lay Down” are forever etched in my mind, and bring back memories of just how great all these acts were; back in those days which are now beginning to seem such a long time ago (which is because it was a long time ago 🙂 ). Anyway, back to the show.
Strawbs were on stage when I arrived just after the advertised start time of 7.30pm. This was the three piece acoustic version, which features David Cousins, Dave Lambert and Chas Cronk, all of whom have been with the band since 1973, and in Cousins’ case from the very start. Their short 30 minute set featured (among a few others songs) the excellent “Hangman and the Papist” (Cousins commented on the fact that old band-mate Rick Wakeman is coming to the City Hall soon, and recalled how they played this track on Top of the Pops during a period when the show featured a regular “album spot”), “Ghosts” and finished with the hit single “Lay Down”. A few minutes to change the gear and Curved Air appeared on stage. The first track was instrumental, with Sonja Kristina joining the band for “It Happened Today”. The latest version of Curved Air features Sonja (vocals), fellow original member Florian Pilkington-Miksa (drums), Kirby Gregory (guitar), Paul Sax (violin), Chris Harris (bass) and Robert Norton (keyboards). We were treated to the beautiful “Melinda (More or Less)” (a favourite of mine), a couple of new songs, a shortened “Vivaldi” and closer “Back Street Luv”. They were on stage for around an hour.
After a short break, Martin Turner and his band took to the stage. Those of us who follow both Martin’s band and Wishbone Ash (featuring Andy Powell) will know that the outcome of a recent court case means that Martin is no longer allowed to use the name Martin Turner’s Wishbone Ash and is hence now touring as Martin Turner plays the music of Wishbone Ash. I’ve seen both bands several times over the past few years; Martin in particular has been touring a lot. Because of this I wasn’t really too bothered about staying for their set; I’d come more to see Curved Air. As it happened, I was really impressed by Martin and his band last night, and staying through to the encore of “Blowin’ Free”. He has assembled a line-up which faithfully recreates the music of classic ’70s Wishbone Ash with himself as front man, vocals and bass; Ray Hatfield and Danny Wilson having the unenviable task of reproducing the twin-guitar sound, which they do amazingly well, and Tim Wilson on drums. The set included well-known Wishbone Ash songs such as “King Will Come”, “Warrior” and “Pheonix” alongside less often played tracks like “Lullaby” from the “Pilgrimage” album and Laurie Wisefield’s “Goodbye Baby Hello Friend”. A great set with a nice mix of songs; Martin and his band deserved headline status last night.
Looking back this morning on the concert last night, I enjoyed seeing all those classic songs performed again, but for me the evening was tinged with a little sadness and a wish that I could turn the clock back and relive the concerts of the early ’70s. Never mind; I’ve just watched “Hangman and the Papist” from Top of the Pops 1971 on YouTube; powerful; amazing stuff; Cousins is wearing a great coat 🙂 .
Is it really 43 years ago..? I couldn’t print my e-ticket at home then.
“Who will be the hangman in the dawn?”
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