Smokie Newcastle City Hall 22nd July 1977
I guess this has to rate as a guilty pleasure but I have to admit that it was a pretty good concert. This was the classic Smokie line-up of Chris Norman (vocals), Alan Silson (guitar, vocals), Terry Uttley (bass, vocals) and Pete Spencer (drums). By 1977 Smokie had the UK singles charts 8 times with “If You Think You Know How To Love Me” (No 3), “Don’t Play Your Rock ‘N’ Roll To Me” (No 8), “Something’s Been Making Me Blue” (No 17), “I’ll Meet You At Midnight” (No 11), “Lay Back In The Arms Of Someone” (No 12), “It’s Your Life” (No 5; I don’t remember that one), their cover of “Needles And Pins” (No 10), and of course, the classic 🙂 “Living Next Door To Alice” (No 5, and surprisingly not actually their biggest hit). The concert featured all the hits, Chris Norman was great, and Marie and I just lapped it up. I think support band Wilder went on to become Gilbert O’Sullivan’s backing band.
Posts Tagged ‘concert’
27 Jun
Smokie Newcastle City Hall 22nd July 1977
26 Jun
Steel Pulse Middlesbrough Town Hall Crypt 11th June 1978
Steel Pulse Middlesbrough Town Hall Crypt 11th June 1978
Steel Pulse are a roots reggae band, from the Handsworth area of Birmingham. They formed at Handsworth Wood Boys School, composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass). They achieved considerable success in the late 70s as part of the interest in reggae alongside the growth of punk. This gig at Middlesbrough Town Hall Crypt was around the time they released their first album “Handsworth Revolution”. The place was packed and this was a great concert. I recall that they played the single “Ku Klux Klan” which discussed the evils of racism, and during which they donned the Klan hoods, Heavy stuff.
25 Jun
Peter Straker New Tyne Theatre Newcastle 26th Nov 1977
Peter Straker New Tyne Theatre Newcastle 26th Nov 1977
Sorry if my posts are a little short for the next few days. We are off to Glastonbury, so I have set up a few posts and scheduled them to appear each day, but my time was limited so they are briefer than they would normally be (and there will probably be even more typos than normal, which is saying something 🙂 ). I will return to normal next week and will also reflect on our Glastonbury experiences.
Anyway onward with the first of my pre-written and scheduled entries which is going to be Peter Straker. This guy was simply amazing! Peter Straker is a Jamaican born singer and actor, best known for appearances in Doctor Who (in the 1979 serial Destiny of the Daleks) and for being a friend of Freddie Mercury. He starred as Hud in the original 1968 London production of ‘Hair’. More recently his critically acclaimed one man show ‘Peter Straker’s Brel’ has featured at the Edinburgh Fringe Festival.
In 1977 Peter Straker was forging a career as a pop star, and had just released an album “This One’s on Me” which was produced by Freddie Mercury and Roy Thomas Baker. The tracks on the album were: Ada; I’ve Been To Hell & Back; The Day The Talkies Came; Heart Be Still; Alabama Song; Ragtime Piano Joe; Jackie; The Annual Penguin Show; The Saddest Clown; Vamp. His set consisted of tracks from the album. Straker’s performance was simply sensational, very theatrical, passionate and emotional. I remember both Marie and I really enjoyed the concert and thought that this guy was going to be massive. He has found success following a more theatrical path. The theatre was pretty empty, as I recall, which was a shame.
24 Jun
Shanghai Redcar Coatham Bowl 1975?
Shanghai Redcar Coatham Bowl 1975?
This was one of the first gigs I went to at Redcar Coatham Bowl. It was probably in 1975 or 1976. Shanghai were a rock band fronted by ex Rebel Rouser and top 60s R&B vocalist Cliff Bennet. The rest of the bands line-up featured former Pirate, ace guitarist and big Wilko Johnson influence Mick Green on choppy Telecaster; Brian Alterman, also on guitar; Speedy King on bass; and Pete Kircher on drums (who would later join Status Quo). This band had all the right ingredients but just never quite made it; another potentially great rock band who were passed by when punk came along and brushed everything aside. I also saw them supporting Status Quo around the same time. Shanghai lasted a couple of years, released two albums, and then split. Mick Green went on to reform the Pirates and sadly passed away in 2010, while Cliff Bennett continues to perform to this day. Wonder who the support act was. I think it may have been Raven, who were a North East band which formed in 1974 and gained popularity during the NWOBHM movement in the late 70s.
23 Jun
Splinter “Costafine Town” live at Newcastle City Hall
Splinter “Costafine Town” live at Newcastle City Hall
My friend John mentioned the band Splinter to me in an email the other day, which brought back memories of this fine duo. Splinter was a two-man vocal group from the North East, South Shields in fact. The two members were Bill Elliott and Bobby Purvis and they formed in the early 1970s. Elliott and Purvis had both been members of local rock band Half Breed, who were quite popular on the circuit in the early 70s; I remember seeing them at Newcastle Mayfair or Sunderland Mecca. Splinter were connected with George Harrison, being the first act to sign to Harrison’s Dark Horse Records label. The band’s sound was often compared to The Beatles and Badfinger. Their debut album, “The Place I Love” was released in 1974 and contained the hit single “Costafine Town”. “Costafine Town” is a great pop song, and a favourite of mine at the time.
I remember seeing Splinter live at the City Hall at least once; I think they were support act for the Kinks. I recall making a special effort to pass on visiting the City Tavern or the City Hall bar, so that I could see them, largely to hear them play Costafine Town, which they of course did. I have an old vinyl copy of their debut lp upstairs. Time to get on the turntable again.
I often wondered what Costafine Town was about, and a little googling revealed the answer, which I found on the Sheilds Gazette website: “Costafine Town took its inspiration from Corstorphine Town in Shields, the stretch of the riverside between West Holborn and Templetown, which includes McNulty’s shipyard. The name was said to derive from Robert Corstorphine, the landlord of the Cookson’s Arms there in the 1830s, but it later emerged that his surname was actually, originally, Robert Marsham, and he had simply adopted the name of the locality.”
“A dirty old hole, In the side of the road, For the man who cleans the streets, Open pub doors, Where the working class goes at night.
Written on walls, Where the cats never crawl, For the glass along the top, Man I was born there, I’m gonna walk right back.
Costafine town, it’s a fine town, I’m coming home
I feel so lonely, I’ve been too long away
Costafine town, it’s a fine town, I’m coming home
I wish I’d never, Made up my mind to stray”
(Splinter, 1974)
There’s a YouTube video of the guys performing Costafine Town on the Whistle Test. Check it out. Great song.
22 Jun
Steve Harley & Cockney Rebel with Orchestra & Choir Sage Gateshead 21st June 2014
Steve Harley & Cockney Rebel with Orchestra & Choir Sage Gateshead 21st June 2014
It was a truly amazing experience to see Steve Harley perform the first two classic Cockney Rebel albums “The Human Menagerie” and “The Psychomodo”, accompanied by full band, the Orchestra of the Swan and Choir, conducted by Andrew Powell, last night. This concert was first performed at the Birmingham Symphony Hall in 2012, and is now available on DVD. Steve Harley said at the time “ It’s been a long time coming – something like 39 years. Now we’re here, at last, with an orchestra and a choir and a big rock band, to play those first two albums pretty well the way they appeared on the original vinyl. Maybe some things should never change, in spite of progress. Welcome, my old friends.”
First Half; The Human Menagerie: Hideaway; What Ruthy Said; Loretta’s Tale; Crazy Raver; Sebastian; Mirror Freak; My Only Vice; Muriel the Actor; Spaced Out; Judy Teen; Chameleon; Death Trip.
Second Half; The Psychomodo: Sweet Dreams; Psychomodo; Mr. Soft; Singular Band; Ritz; Cavaliers; Bed in the Corner; Sling It!; Big Big Deal; Black or White; Tumbling Down.
Encore: Make Me Smile (Come Up and See Me).
A great concert. Stand-outs (although there were many, with standing ovations for several songs) were: “Sebastian”, “”Tumbling Down”, and “Make Me Smile”.
Steve Harley put his heart and soul into the performance last night. His voice just gets better with time, and the songs found a new life when played with the full band and orchestra. Steve Norman (Spandau Ballet) was star number two of the show, playing great sax and clearly enjoying every minute of it.
Steve had some great craic with us all, telling us stories about his days with the band in the 70s, and bringing back memories for me of classic gigs at Newcastle City Hall and Reading 1974, all of which he referred to. He related a memory from the City Hall of a guy jumping off the balcony and climbing down the light tower. He introduced “Tumbling Down” by reminding us all how we would leave the hall still singing the closing line “Oh dear!….look what they’ve done to the blues, blues, blues…”. Steve quoted Hammersmith Odeon as an example, with the Cockney Rebel crowds entering the tube still singing, but I recall the very same thing happening at Newcastle City Hall, and Reading in 74 and at a gig at Redcar Coatham Bowl. But for me the high point has to be “Sebastian”, Steve shrouded in dark gothic lighting, wringing every drop of emotion out of the epic, haunting, enigmatic ballad. Stunning and beautiful. And the mass singalong, including the full orchestra singing the “ooh la la la”s, for “Make Me Smile” took us all back to our youth. Me, I was back in the City Hall, Steve was No 1 in the charts and the atmosphere was simply electric; I thought the roof would come off.
Thanks for another great night, Steve.
19 Jun
Joe Satriani Newcastle City Hall 29th May 1990
Joe Satriani Newcastle City Hall 29th May 1990
Joe Satriani was inspired to pick up the guitar at age 14 when he learnt of the death of Jimi Hendrix and is “one of the most technically accomplished and widely respected guitarists to emerge in recent times.” (Greg Pato, AllMusic bio). A group of us went to see Joe Satriani when he appeared at Newcastle City Hall in 1990, shortly after he had released his highly successful third album “Flying In A Blue Dream”. I recall a set of super ace virtuoso guitar work, largely instrumental, although I believe Joe did sing on a couple of numbers. His work is heavily influenced by themes from science fiction with titles like “Surfing with the Alien” and “The Mystical Potato Head Groove Thing”. “When he was just a little-biddy boy, ace widdlist Joe Satriani used to have weird dreams, dreams where he was flying around in “this blue colour” which coulda been “sky or space or water”. Hmmm, weird huh? But wait, it gets weirder… he’s still having them, has a new LP out called Flying In A Blue Dream featuring ‘The Mystical Potato Head Groove Thing’ ” (Steffan Chirazi, Kerrang!, 1989)





