Posts Tagged ‘concert’

Ringo Starr & his All Starr Band Liverpool Empire 18 June 2011

Ringo Starr & his All Starr Band Liverpool Empire 18 June 2011

I’d been looking forward to this for some time. Its been 13 years since Ringo last toured the UK with his All Starr Band; I remember regretting not going to see them on that tour. Since then Laura and I saw Ringo at the Capital of Culture Opening concert; he sang three songs. So this was my first full scale Ringo concert experience. This visit of Ringo to Liverpool was quite controversial as a result of his comments on the Jonathan Ross show; where he in effect slagged off his home city. I’m sure Ringo wanted to make amends and saw this concert as one way of doing so.

I arrived at Liverpool Empire around 6.30pm and parked up in the Lime Street NCP car park. There were a smattering of Beatles fans waiting outside the stage door for Ringo. The accents around me told me that that the concert was being attended by fans from all over the world; lots of American visitors in evidence. Around 7pm they opened the doors and I joined the queue entering the venue. The Empire is a lovely old theatre with all of the original decor; the last time I was here was to see Alice Cooper on the Welcome to my Nightmare tour (1976?). I buy a programme and pass on getting a signed drum skin (£250 a pop!).

The Ringo set up works like this. Ringo has an “All Starr Band” whose members have some level of stardom in their own right and the show is a combination of Ringo songs, Beatles tracks on which Ringo sang, and songs from the band members (they get to do two each). For this tour the members are Rick Derringer (McCoys; Johnny Winter), Edgar Winter, Gary Wright, Richard Page (Mister Mister) and Wally Palmar (Romantics? can’t say I remember them). Looking at some of the past line-ups, there have been stronger versions of the band; past members have included Jack Bruce, Ian Hunter, Gary Brooker, Joe Walsh and others.

I take my seat which is around a dozen rows from the front, giving me a great view of the stage; which is set up with a large star behind the drum kits. It is clear that everyone around me is a massive Beatles fan. A guy in front of me is sporting a tattoo of Paul on one arm; and the Beatles signatures on the other. There are lots of Beatles t-shirts on show. One couple have matching badges (“I Love John” and “I Love Ringo”). There seem to be hardly any scouse accents, and sadly there are some empty seats up in the gods. Did Ringo really upset everyone that much? I guess scousers don’t forgive or forget easily.

Pretty much at 7.30pm on the dot the support act Cayte Webber takes the stage for four songs which are OK and warm the crowd up. Then after a short interval (at around 8.15pm) Ringo joins us to a great reception; everyone is on their feet and cheering. First up is It Don’t Come Easy which sounds great and brings back memories, followed by Honey Don’t from Beatles for Sale and Choose Love (I assume this is a newish Ringo song?). So far so good. Next Rick Derringer takes to the front of stage and leads the band into Hang On Sloop from his band the McCoys; which knocked Yesterday off the No 1 slot in the States in 1965; we all sing along; great. Then Edgar Winter, who is a mad character, and Wally Palmer with a song I don’t recognise (guess it was a hit in the USA). Ringo is back on drums to sing I Wanna Be Your Man (from “that other band I used to be in”). Gary Wright sings Dream Weaver (takes me back to the Frampton Comes Alive tour when he was support act) which he tells us was inspired by Indian text given to him by George Harrison. Richard Page (Mister Mister) gives us Kyrie, which I recognise; a very strong voice; but I’m not too keen on USA AOR.

Ringo tells us “I love Liverpool” on a number of occasions to cheers from the crowd. He introduces The Other Side of Liverpool by pointing out that his Auntie Ev (who is 92!) remembers those days, and that she is in the audience. I look around and see an elderly lady in the row behind me wearing a laminate pass. Then we all sing Yellow Submarine; it doesn’t come much better than this; I’m in Liverpool Empire singing Yellow Submarine with Ringo (and his Auntie Ev singing in the next row!). More follows; with each member getting to do one more song.

Ringo introduces Boys as “a song I used to do with Rory Storm and the Hurricanes and I’ve done ever since. I love the song.” They finish with Photograph, With a Little Help from my Friends (more mega singalongs) and a snippet from Give Peace a Chance. Then he’s gone; its 10.15pm and I’m back into the car, up the M6 and across to Scotch Corner (rainy and foggy); back home at 1.15am. A wonderful night that I won’t forget for a long time. Long live Ringo! Peace and Love.

Setlist: It Don’t Come Easy (Ringo); Honey Don’t (Ringo); Choose Love (Ringo); Hang On Sloopy (Rick Derringer); Free Ride (Edgar Winter); Talking In Your Sleep (Wally Palmar); I Wanna Be Your Man (Ringo); Dream Weaver (Gary Wright); Kyrie (Richard Page); The Other Side Of Liverpool (Ringo); Yellow Submarine (Ringo); Frankenstein (Edgar Winter); Peace Dream (Ringo); Back Off Boogaloo (Ringo); What I Like About You (Wally Palmar); Rock N Roll Hootchie Koo (Rick Derringer); Boys (Ringo); My Love Is Alive (Gary Wright); Broken Wings (Richard Page); Photograph (Ringo); Act Naturally (Ringo); With a Little Help From My Friends (Ringo)

i hate printed tickets


programme

Kings of Leon Stadium of Light Sunderland 17 June 2011

Kings of Leon Stadium of Light Sunderland 17 June 2011
Support came from White Lies.
David and I went along to see Kings of Leon on Friday. We arrived in time to see White Lies who sounded OK; very Joy Division or Editors ish. KOL were very late in coming on stage (around 9.30pm); I think they were delayed in arriving. But that didn’t put a damper on it. From the word go they had the crowd singing along. Lots of stadium anthems. The Sunderland crowd loved them. But different to Take That!
Setlist: Four Kicks; Taper Jean Girl; The Bucket; Radioactive; My Party; The Immortals; Fans; Back Down South; Birthday; Crawl; No Money; Charmer; Mary; Notion; Closer; Pyro; California Waiting; Molly’s Chambers; On Call; Knocked Up; Use Somebody; Sex On Fire; Black Thumbnail

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Take That Stadium of Light Sunderland 31 May 2011

Take That Stadium of Light Sunderland 31 May 2011
This was the second time that Marie and I have been to see Take That at the Stadium of Light, the last time being during the Circus tour of a few years ago. We were expecting a very spectacular show which would live up to their last performance here, and were also looking forward to the added extra Mr Williams having rejoined the band. As we entered the stadium we could hear special guest The Pet Shop Boys finishing their set with West End Girls. This time round we had tickets which allowed us to stand on the pitch or take a seat in the lower tier. Having arrived late, there were no seats to be had, so the pitch it was. This was OK for me, but Marie couldn’t make out much of the stage from within the vast crowd.
The set was divided into four: Four lads (no Robbie) singing reunion material; then Robbie, then stuff from the new album; and finally material from the old days. The show was pretty spectacular, and the crowd reaction as mad as ever. Robbie has an ego and confidence never seen before in a human being! and he delighted the crowd. But we both felt that overall it wasn’t quite as good as last time. Difficult to put a finger on why. Perhaps this was because we were on the pitch rather than in the seats where we had a better view. It has to be said that shows like this are great for Sunderland, and the four Take That shows will have done a lot for the local economy. Roll on Kings of Leon in a couple of weeks. Guess that will be a different sort of show with a very different crowd.
Setlist: Rule The World; Greatest Day; Hold Up A Light; Patience; Shine; Let Me Entertain You; Rock DJ; Come Undone; Feel; Angels; The Flood; SOS; Underground Machine; Kidz; Pretty Things; Million Love Songs/Babe; Everything Changes/Back For Good; Pray; Love Love; Never Forget; No Regrets; Relight My Fire; Eight Letters

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The Groundhogs Barnard Castle R&B Festival 29 May 2011

The Groundhogs Barnard Castle Blues Festival 29 May 2011
Festival Line up: TCR Band; Andy Yeadon; Tantrum; Sugar Kane; Groundhogs
David and I went along to see The Groundhogs at the Barnard Castle Blues festival, which is a free event held as part of the Barnard Castle Meet over the May bank holiday weekend. We arrived in time to catch the last couple of songs from Sugar Kane, who are a blues band fronted by John O’Leary on vocals and mouth harp. John comes from a strong blues pedigree, having been a member of Savoy Brown and the John Dummer blues Band in their early days, and he plays some nifty blues harp; the guitarist in the band is good too.
Its been a year since I last saw Tony McPhee and the band, and I was interested to see how Tony was getting on. He had a stroke a couple of years ago; his speech has been affected and his wife Joanna has joined the band on vocals. Last time I saw them at the Cluny, Tony sang one song (Still a Fool). Tonight he managed two songs: Eccentric Man and Still a Fool again. Joanna’s dancing is as manic as ever, she’s backward and forward across the stage like a dervish. She was sporting a nifty hat for the first song. Tony looked well, and his playing was pretty good, although his guitar was seriously out of tune in Split 2 (too much use of the tremelo arm methinks). Good to see them again, and to hear a set of old favourites.
Groundhogs Setlist: No More Doggin’; Eccentric Man (Tony vocals); Garden; Still a Fool (Tony vocals); Split 1; Split 2; Split 4; Natchez Burning; Mistreated; Cherry Red
Encore: Down in the Bottom
The current line-up of The Groundhogs is: Tony McPhee (guitar), Dave Anderson (bass), Carl Stokes(Drums) and Joanna Deacon (vocals).
The Groundhogs website: www.thegroundhogs.co.uk
Sugar Kane website: www.johnolearyb.com

The Groundhogs at Barnard Castle Blues


Tony McPhee

Evolution Emerging The Star and Shadow 27 May 2011

Evolution Emerging The Star and Shadow 27 May 2011
Shift-Static played a great set at Evolution Emerging on Friday. They were first up, but still managed to draw a decent size crowd into the Star and Shadow. This is likely to be their last gig for a little time as some of the band are off travelling for the summer.
Line-up: GRANDFATHER BIRDS; PILOTS; WE BEAT THE SYSTEM; SHIFT STATIC

flyer


Laura Smith of Shift-Static

Marianne Faithfull The Sage Gateshead May 23 2011

Marianne Faithfull The Sage Gateshead May 23 2011
Who is the real Marianne? The innocent young convent-school girl, led astray by Jagger, The Stones and swinging London in the 60s; the broken, junky girl cast aside and living on the Soho streets of the 70s; the reborn punkier reinterpreter of songs of the 80s and 90s, or the respected elder stateswoman survivor who stood on the stage of The Sage this week? Sadly the Sage was pretty empty but those of us who were there witnessed a riveting performance by a lady who has lived a live like few others. She wears her 60 something years with elegance and grace and talked to us, in the way that only Marianne can, as if we are all her friends.
The set was a mix of songs from her new album and old favourites. Great to see Wayne Kramer (MC5) who played some stunning guitar work. Marianne’s voice is deep and rough, but she sings the songs in the way that only she can. Favourites for me were As Tears Go By (still moving), Sister Morphine (dark and chilling) and Ballad of Lucy Jordan. Marianne also (as she does) name-dropped throughout the show, telling us how Keef and Gram Parsons taught her Merle Haggard’s Sing Me Back Home, how she stole Incarceration of a Flower Child from Roger Waters and how she wrote The Crane Wife with Nick Cave. She also (always the rebel) smoked a few ciggies on stage and mocked some guys in the audience who had to go outside to smoke. A great evening, spent with a true legend.
Setlist (something like): Horses and High Heels; Why Did We Have to Part; The Stations; There Is a Ghost; The Crane Wife; Like Being Born; Prussian Blue; Back in Baby’s Arms; Goin’ Back; That’s How Every Empire Falls; Sing Me Back Home; Sister Morphine; Broken English; As Tears Go By; Incarceration of a Flower Child; Working Class Hero
Encore: The Ballad of Lucy Jordan; Strange Weather

ticket


programme

Roger Waters The Wall Manchester Arena 21 May 2011

Roger Waters The Wall Manchester Arena 21 May 2011
Just got up this morning. Still tired from driving back from Manchester from last night’s show, which was absolutely fantastic. This must be the most impressive show I have ever seen in terms of visuals and production. If you get a chance to go and see it; do so; you won’t regret it.

I should start by saying that I have never been a fan of (some of the music on) The Wall album. In fact, having see the Floyd tours in the 70s (including Meddle-era, Dark Side of the Moon, Wish You Were Here, Knebworth, Animals) I missed out on The Wall shows at Earls Court. I’d grown a little tired of their ever expanding stage shows, and I just didn’t get The Wall concept. I was also heavily into the punk/new wave ethos at that time, which probably influenced my decision to stay away. However over the years I’ve bitterly regretted missing those shows as, even though I still feel the album is not the best of Pink Floyd’s work, I now realise their significance. So I thought it was time to go and see Rogers Waters new production of his masterpiece.

I arrived at the cavernous Manchester Arena early, and took my seat in the lower tier. The Wall was partly built, and the stage set for what promised to be something pretty spectacular. I hadn’t actually given much thought to how spectacular it might be, and I was actually surprised by the scale, detail and impact of the whole production. The story of The Wall is now well known. It is one of Roger’s own isolation and draws on themes of war, injustice, politics, oppression and inequality. All of these are of course still relevant today and Roger has brought the production up to date to include representations of current political and world issues. Modern technology has also enabled Roger to produce a spectacle which just couldn’t have been done in the same way 30 years ago.

The effects are too numerous to mention. The flying pig returns, but he is much more impressive than the beast that flew over my head in Wembley Empire Pool on the Animals tour (how on earth was this modern pig controlled?). There are inflatables of the teacher and mother. Roger sings along with video footage of himself from Earls Court. The wall is gradually built throughout the first half of the show, and becomes a massive video screen, displaying images of fallen war heroes and of the album’s storyline. By the end of the first half the wall is complete and Roger and the band disappear behind it. The giant wall stays in place for much of the second half, with Roger and the band popping out of holes in the wall, and performing in front and on top of it. At one point Roger slides out of the wall, sitting in a loving room singing to us. Everyone in the arena (except me) seems to know (and sign) every word of the album. Roger is quite talkative and tells us he is different person to the young man who performed the Wall at Earls Court. The climax comes with us all chanting “Break down the wall” and the wall collapses in front of our eyes.

This must be the most spectacular show on the road; it is certainly streets ahead of anything I’ve ever seen before. I found it breathtaking, moving and utterly compelling. Although I know little of the album (apart from Another Brick and Comfortably Numb) I wasn’t bored for a single minute (and I often am at shows). Stunning. I wish I could go again.

Setlist:
First Half: In the Flesh?; Thin Ice; Another Brick in the Wall, Pt. 1; Happiest Days of Our Lives; Another Brick in the Wall, Pt. 2; Mother; Goodbye Blue Sky; Empty Spaces; What Shall We Do Now?; Young Lust; One of My Turns; Don’t Leave Me Now; Another Brick in the Wall, Pt. 3; Last Few Bricks; Goodbye Cruel World
Second Half: Hey You; Is There Anybody Out There?; Nobody Home; Vera; Bring the Boys Back Home; Comfortably Numb; Show Must Go On; In the Flesh; Run Like Hell; Waiting for the Worms; Stop; Trial; Outside the Wall

The Band:
Drums: Graham Broad
Guitars: Dave Kilminster, G.E. Smith, Snowy White
Bass: Roger Waters
Keyboards: Jon Carin, Harry Waters
Lead Vocals: Robbie Wyckoff, Roger Waters
Backing Vocals: Jon Joyce, Mark Lennon, Michael Lennon, Kipp Lennon

Roger Waters website: www.roger-waters.com

programme


ticket

The Monkees Newcastle City Hall May 15th 2011

The Monkees Newcastle City Hall May 15th 2011
Hey Hey We’re the Monkees! Our heroes were back at Newcastle City Hall last night. This was their first UK tour for 16 years, and it was great to see them again. This time around we had Davy, Peter and Mickey, but no Mike. They took us through a set which covered all aspects of their career, in front of a screen showing clips from their TV show. Each song was accompanied by the relevant video from the show. The Monkees were always a mix of pop, country, vaudeville, stage school and dance. Last night was no different with all three of the guys on great form, backed by a 9 piece band. They started the second half with selections from their hippy trippy psychedelic film Head, which was quite a brave choice, but worked very well. A great night, lots of fun. It was disappointing that the hall wasn’t full, but everyone there enjoyed themselves. It must have been wonderful to be a Monkee in the 60s (I wanted to be Davy).
Set list something like :
Set 1: I’m a Believer; Mary, Mary; The Girl I Knew Somewhere; She Hangs Out; Alternate Title; Your Auntie Grizelda; It’s Nice to Be With You; I Don’t Think You Know Me At All; Look Out (Here Comes Tomorrow); Words; Cuddly Toy; Papa Gene’s Blues; Listen to the Band; That Was Then, This is Now; All of Your Toys; Hard To Believe; What Am I Doin’ Hangin’ Round?; Sometime in the Morning; Valleri; No Time
Interval
Set 2: Circle Sky; Can You Dig It?; As We Go Along; Do I Have to do this All Over Again?; Porpoise Song; Daddy’s Song; For Pete’s Sake; When Love Comes Knocking At Your Door; She; A Little Bit Me, A Little Bit You; Shades of Gray; Last Train to Clarksville; Goin’ Down; I Wanna be Free; Saturday’s Child; Someday Man; I’m Not Your (Steppin’ Stone); Daydream Believer
Encores: Pleasant Valley Sunday; I’m a Believer

Love Music Hate Racism The Cluny May 13th 2011

Love Music Hate Racism The Cluny May 13th 2011
This gig featured local bands: O’Messy Life, Shift-Static and Our Imaginary Friends.
First up was Our Imaginary Friends who play melodic guitar-based pop with a 60s flavour. The singer reminded me of Richard Hawley and Divine Comedy. They have some nice tunes and went down well with the local crowd. Next up was Shift-Static who played their normal exquisite set to a great reception. I spotted Terry Reid in the audience (he was playing the Cluny the following night); and he seemed to be enjoying the local talent. Local photographer Jazzy Lemon was in attendance and took lots of great shots. The night was rounded off by local band O’Messy Life who headlined the evening.

Our Imaginary Friends website: www.myspace.com/ourimaginaryfriends
Shift-Static website: www.myspace.com/shiftstaticmusic
Some great photos from Jazzy Lemon: Jazzy Lemon photos
O’Messy Life website: www.myspace.com/omessylife

Eric Clapton Glasgow SECC May 12th 2011

Eric Clapton Glasgow SECC May 12th 2011
I think Clapton is back on top form and, in my book, always worth seeing these days. So I decided to make the trip to Glasgow on Thursday night. I was also tempted by the support act Andy Fairweather Low. I’ve seen Andy many times over the years in Clapton and Roger Waters’ bands, but haven’t seen him solo since the 1970s. I arrived at SECC around 7pm, bought my programme, and took my seat in Row S of the centre block. Andy Fairweather Low and his band took us through his greatest hits including Bend Me Shape Me, La Booga Rooga, Wide Eyed and Legless, and If Paradise is Half as Nice. He’s also a very accomplished guitarist which he demonstrated to great effect in a couple of bluesy instrumentals; one of which was by Lightning Hopkins. Andy had a lovely Vox teardrop guitar, which matched his 60s setlist. good opener. I’ve seen Clapton many times since the 70s (probably about 15 or so). There were times I felt he was going through the motions in some shows in the 90s, but the last few times I’ve seen him he has been playing really well, with great, fluid guitar playing and getting back to what he started with; the blues. And Thursday was no exception. The set started with some great blues songs, with Clapton playing with feeling and passion. Great keyboard solos from Chris Stainton and Tim Carmon. The set is predictable, and seems to be the same as he has been playing throughout the tour, with a mix of blues, old favourites and an acoustic set in the middle. High points for me were Hoochie Coochie Man, Badge and I Shot the Sherriff. Low points; I’m still not keen on the unplugged Layla (lets have the electric version next time please, Eric) and I did get a little tired of the keyboard solos which seemed to figure in almost every song. Also Clapton seemed subdued and was straight off the stage at the end (it wouldn’t hurt to say a few words to the crowd). Overall, however, this was a pretty good show; Clapton has become the modern equivalent of the old bluesmen who got him started in the beginning. Long may he continue to come and play for us.
Setlist: Key To The Highway; Going Down Slow; Hoochie Coochie Man; Old Love; I Shot The Sheriff; Driftin’; Nobody Knows You When You’re Down And Out; Still Got The Blues; Same Old Blues; When Somebody Thinks You’re Wonderful; Layla; Badge; Wonderful Tonight; Before You Accuse Me; Little Queen Of Spades; Cocaine
Encore: Crossroads