Steve Howe in concert 1994 and 2010
Steve Howe is an excellent guitarist with his own, very individual style. He cites several guitarists as influences including Les Paul, Barney Kessel and Chet Atkins. When I first saw Steve in Yes in 1971 I was struck by the Gibson ES-175D that he was playing. About this guitar, Howe said: “No one was playing archtop, hollowbody guitars in a rock band. People laughed at me and thought I was really snooty. To me, it was an object of art, it wasn’t just a guitar”. I was blown away by his performance of “The Clap” that night, and have remained a fan ever since. The way that he blends jazz and classical influences with rock defines his uniques style. A few years later I was equally impressed by “Mood for a Day”. I spent ages trying to learn to play it, and never got past the first few minutes. 
I have seen Steve twice in solo concert, both times with my mate Will. The first time was a concert in a small room in South Shields Temple Park Leisure centre, with support from Isaac Gullory. The second was at the Sage more recently when he performed with the Steve Howe trio which features his son Dylan Howe on drums and Ross Stanley on Hammond organ. The trio is very jazz oriented, but still perform versions of some Yes classics. For me a Steve Howe concert isn’t complete without “The Clap” or “Mood for a Day” (and ideally both!).
Posts Tagged ‘concert’
22 Mar
Steve Howe in concert 1994 and 2010
21 Mar
Sammy Hagar Newcastle City Hall 1982
Sammy Hagar Newcastle City Hall 1982
Support from Grand Prix
This was the last time I saw Sammy Hagar in concert. By 1982 he had released 7 solo albums, and was continuing to have success both in the UK and the USA. His solo career was to come to an end a couple of years later when he joined Van Halen. I saw Halen a couple of times with Dave Lee Roth as lead singer, but I never saw them with Sammy Hagar. Support for this tour, the Standing Hampton tour, came from Grand Prix who were 
“A British Pomp Rock band of high repute; coming to prominence during the NWOBHM era, but purveyed a slicker, AOR tinged melodic Rock that gave the act distinction amongst their more rustic counterparts.” (from ww.rockdetector.com). Grand Prix featured ex-Sad Cafe keyboardist Phil Lanzon, who is now in Uriah Heep (and who I saw last week at Stockton). Setlist from the Glasgow gig of the tour: Heavy Metal; This Planet’s on Fire (Burn in Hell); Plain Jane; Baby’s on Fire; I’ll Fall in Love Again; Trans Am (Highway Wonderland); Sweet Hitchhiker; Love or Money; Inside Lookin’ In; Can’t Get Loose; Rock ‘n’ Roll Weekend; I’ve Done Everything for You; Rock Candy; Space Station #5. Encore: Whole Lotta Love; There’s Only One Way to Rock; Turn Up The Music; Red / Satisfied
20 Mar
Sammy Hagar Newcastle City Hall 1980
Sammy Hagar Newcastle City Hall 1980
Support from US heavy metal band Riot
This tour was billed as the Loud and Clear tour. The original billing listed April Wine as the support act. If my memory serves me right (and it often doesn’t 🙂 ) April Wine dropped out as they elected to do their own headline tour, and they were replaced by US heavy metal merchants Riot. Sammy Hagar live was a full-on, raucous, high energy rock experience. Sammy had boundless energy and would run around the stage, slamming riffs out of his guitar. He would always give 110% and was great fun to see live. 
I found a setlist from 1980. I guess that the set at Newcastle will have been similar to this: Trans Am (Highway Wonderland); Love or Money; Miles From Boredom; Reckless; In the night; Young Girl Blues; Plain Jane; 20th Century Man; The Iceman; This Planet’s on Fire; Turn Up The Music; Red; Bad Motor Scooter. Encore: Bad Reputation; Space Station #5; Cruisin’ and Boozin’; Growing Pains. A live album exists from this period, which also includes some of the above songs. By the time of this tour Hagar had released 5 albums in 4 years, which is pretty good going. It was to be another couple of years before I saw him again at the City Hall.
19 Mar
Sammy Hagar Newcastle Mayfair 1979
Sammy Hagar Newcastle Mayfair 1979
Support from Def Leppard
I first saw Sammy Hagar when he was with Montrose. They were a great hard rock band, and supported Status Quo at Newcastle City Hall on a tour in the early 70s. They delivered a strong set and actually gave the mighty Quo a bit of a run for their money. I also saw them in 1974 when they played at Charlton football ground, as one of the support acts for the Who. Their most famous song was Bad Motor Scooter which was apparently the first song that Sammy Hagar wrote. Hagar split from Ronnie Montrose in 1975 and pursued a solo career, going on to some considerable success in the late 70s and early 80s. One of his most well known songs from that solo period was Red, on which he built his own style, leading to his nickname of The Red Rocker. I remember red programmes, red clothing, and red guitars all became part of his shows around that time. Hagar live was a full-on high energy hard rock experience, fast and loud. He would always play Red, Bad Motor Scooter and Space Station No 5. Great stuff. This gig at the Mayfair had the added attraction of up and coming NWOBHM band Def Leppard as support act. More Def Leppard memories here https://vintagerock.wordpress.com/2012/10/04/def-leppard-newcastle-city-hall-1980/
18 Mar
Daryl Hall and John Oates Newcastle City Hall 1977
Daryl Hall and John Oates Newcastle City Hall 1977
Hall and Oates were back in the UK for another tour less than a year after their first full trek around the country in 1976. They were now a little more well known although their biggest success in this country was yet to come. Hall and Oates were massively successful between the mid 70s and mid 80s. From their official website: “From the mid-’70s to the mid-’80s, Daryl and John would score six #1 singles, including “Rich Girl” (also #1 R&B), “Kiss on My List,” “Private Eyes,” “I Can’t Go For That (No Can Do) (also #1 R&B), “Maneater” and “Out of Touch” 
from their six consecutive multi-platinum albums—’76’s Bigger Than Both of Us, ’80’s Voices, ’81’s Private Eyes, ‘82’s H2O, ‘83’s Rock N Soul, Part I and ‘84’s Big Bam Boom. The era would also produce an additional 5 Top 10 singles, “Sara Smile,” “One on One,” “You Make My Dreams,” “Say It Isn’t So” and “Method of Modern Love.”” Although the previous paragraph refers to their success in the USA, Hall and Oates have also had over 20 UK chart entries. 
The facts that I find when I do a little research on acts for this blog often surprise me. I remember, of course, hits like “I Can’t Go for That (No Can Do)”, “Maneater” and “Family Man”, all of which reached the top 20, but I didn’t know that they had had so many hits in the UK. I enjoyed the two Hall and Oates concerts that I attended in 1976 and 1977, but haven’t seen them since those days. My friend John saw them more recently at on the Big Bam Boom tour in 85 at a concert in the Montreal Forum, and sent me a scan of the programme (see right). John says: “This was probably at the peak of their success, fueled by heavy rotation on MTV they became the best selling duo of all time with a succession of hit singles and albums. I actually liked them a lot and while I did not see them in the late 70’s I became a fan around that time with She’s Gone, Sara Smile and Rich Girl”
17 Mar
Daryl Hall and John Oates Newcastle City Hall 1976
Daryl Hall and John Oates Newcastle City Hall 1976
I first heard of Daryl Hall and John Oates in 1976, when there single “She’s Gone” was released. They seemed to quickly become a very trendy band and those who were in “the know” told me how good this band were. Those who were into the disco movement, and frequented local clubs like Annabel’s, were raving about the blue-eyed soul of these guys. So when they toured and came to the City Hall, Marie and I went along to see what all the fuss was about. Hall and Oates were still relatively unknown to the general public and most concert-goers at the time, however they still managed to attract a reasonable crowd. Support came from the Chanter Sisters. Note the misspelling of “Oakes” rather than “Oates” on the ticket, another pointer to the fact that Hall and Oates were not that well known. 
Hall and Oates had played a well received UK debut concert at the New Victoria Theatre in London in 1975, but this was their first full UK tour. She’s gone rose to Number 7 in the UK chart and the band were starting to grow their own audience in the UK. My memories of this are of a great gig, with strong vocals by Daryl Hall. I didn’t know any of the material other than She’s Gone, so found it a little hard going at times, but overall I felt it was a good show. A DVD of the guys live from that period exists. They perform some of their greatest blue-eyed soul hits from their early hit albums “Bigger Than The Both Of Us”, “Abandoned Luncheonette” and “War Babies”. Track Listing: Rich Girl; Do What You Want, Be What You Are; Is It a Star; Abandoned Luncheonette; Ennui on the Mountain; Gino the Manager; Sara Smile; Room to Breathe; Johnny Gore and the C Eaters. I guess the set at the City Hall in 1976 will have consisted of some of those songs, although I am certain that they also plated She’s Gone. I hadn’t realised that Rich Girl was so early; I certainly hadn’t heard it at the time, but it looks like they may well have played it at the gig I attended in 1976.
16 Mar
Steve Hillage Newcastle City Hall 1979
The last time that I saw Steve Hillage in concert was in 1979 at Newcastle City Hall. By then he had released seven solo albums, was several albums on from his classic L lp and the audience was dwindling a little. The things I remember most about Steve in concert are his epic performances of the songs from L and his use of what is termed “glissando guitar”. I wasn’t sure of the origin or meaning of the term so I googled it. Many thanks to Chris D from the seven string forum for explaining glissando guitar for me: “I think this got called “glissando guitar” first by Daev Allen from Gong, who as far as I know pioneered this technique. Steve Hillage also used this a lot. Glissando is the musical term meaning “slide” but glissando guitar isn’t “slide guitar” as you know it.The sound you get is a lush drifty synth/string effect, it sounds cool & is easy to do, although trying to explain it seems complicated”. It seems the technique involves removing the tremolo arm and jiggling it across the strings while using a wah wah pedal for effect. Whatever it is, it certainly gave a unique sound to much of Steve’s guitar work at the time.I have also been reading quite a lot about System 7, Steve’s latest band. I didn’t realise how influential he has been in the dance scene and it the acceptance of dance at Glastonbury. So I making myself another promise which is to try to see System 7 when the opportunity next arises. Support act for the 1979 tour was Trevor Rabin who would go on to join Yes. Typical setlist from the 1979 tour: “The Salmon Song”, “Unzipping The Zype”, “Hurdy Gurdy Glissando”, “Light In The Sky”, “1988 Aktivator”, “Unidentified (Flying Being)”, “UFO Over Paris”, “Activation Meditation”, “The Glorious Om Riff”, “Activation Meditation”, “It’s All Too Much”, “Electrick Gypsies”, “Talking to the Sun”
15 Mar
Steve Hillage Newcastle City Hall 1977
Steve Hillage Newcastle City Hall 1977
Steve Hillage toured a lot during the late 70s. I attended most, but not all, of the gigs he played in Newcastle during that period. He called at the City Hall twice in some years, and I didn’t catch all of those gigs. I did attend his 1977 concert at the City Hall, and pretty fine it was too. Steve was a guy of several faces: the quiet bearded hippy from Gong, the somewhat unlikely guitar hero who emerged during the late 70s, and he even popped up onstage at the Reading festival as a special guest of Sham 69, which was a very unlikely pairing (and didn’t go down well with some of the skinheads in the crowd, as I recall). 
A further side of Steve has emerged in recent times, as the leader of electronic ambient new music visionaries System 7. During the years I am blogging about here, Steve was very much a guitar man, releasing a clutch of pretty fine albums, and playing some pretty good gigs. Support came from Glen Philips on this 1977 tour. The tour waa to promote Steve’s latest album Motivation Radio and the set was drawn from that album and his previous album L. I found a setlist from the Glasgow gig of the tour on the Glasgow Apollo site. I would imagine the set at Newcastle will have been similar to this: It’s All Too Much; The Golden Vibe; Unidentified (Flying Being); Light in the Sky; Radio; Aftaglid; Electrick Gypsies; The Salmon Song; Solar Musick Suite; Saucer Surfing; Searching for the Spark; Hurdy Gurdy Man; Hurdy Gurdy Glissando; Not Fade Away
14 Mar
Steve Hillage live in 1976
I first saw Steve Hillage live at a free concert in Hyde Park. That was in the hot summer of 1976, where he played on a bill headlined by Queen. I’d heard of Steve through his work with Gong, and seen that band at Newcastle once, but wasn’t really prepared for how good he was that day. The sounds of his psychedelic guitar work filled the park with great versions of Donovan’s Hurdy Gurdy Man, and the Beatles All Too Much. The line-up of Steve’s band that day was Steve Hillage on guitar and vocals, Clive Bunker (ex Tull) on drums, Colin Bass on (of course!) bass, Christian Boule on guitar, Phil Hodges on keyboards, Basil Brooks on synthesiser and Miquette Giraudy on synthesiser and vocals. This show was their live debut and pretty good it was too. I’ll blog separately about the rest of that day on another occasion. A group of us went down on the train with a day return. The line-up was Queen, Kiki Dee, Steve and Supercharge. Happy days. This debut performance was soon followed by release of the album L, which my mates and I bought through a “record club” that we ran at the time, where we took turns in buying an album, and then passed it around between us. L is a very strong album, with great swirling psychedelic sounds, Steve’s glissando guitar, and lots of rich synth sounds. By the end of the year Steve was headlining his own tour, and selling out concert halls up and down the country. A group of us went to his gig at Newcastle City Hall. Support came from Nova who were an Italian progressive rock/jazz fusion band based in London. This was the Electrick Gypsies tour which showcased tracks from L, with extended guitar solos. Pretty cosmic stuff, very much of its time, and great fun as I recall.
13 Mar
Status Quo Reunion Tour Manchester Apollo March 12th 2013
Status Quo Reunion Tour Manchester Apollo March 12th 2013
When I was growing up with rock music in the early 70s, there was a band who played great rock and boogies, put on amazing concerts, and released a sequence of great albums. They toured constantly up and down the country, and played at all the festivals. They were championed by John Peel, and wherever and whenever they played a loyal group of denim clad fans turned out and gave them the best reception that you could wish for. Sadlt somewhere over the years the members fell out, which resulted in acrimony and legal wranglings. The band reformed reformed with a couple of original members and started to tour again. They managed to regain some of their former glory, and many of us stayed with them, or in my case regained the faith and started to go and see them again. Over time the band lost the respect of the media and in the public consciousness the band became something from the past, and often the subject of some mockery. That band was (and is) called Status Quo.
Last night I saw that band again. I didn’t quite realise how important the event, or indeed the event was, until I got into Manchester Apollo last night. You could just feel the anticipation. This was the reunion we had all hoped for but we thought would never happen. The Apollo was packed to the rafters; these reunion gigs sold out quickly and more dates were added. The support band The Treatment put on a good show; they are a your rock band from the AC/DC mould with hints of glam. The crowd gave them a warm reception, but we were all there for one thing. To see the Frantic Four, the Mighty Quo reunited and ready to rock us like the old days. We had our doubts; would it still be the same? Was it really that good anyway? Could they still do it? After all these are older guys, and time must have taken its toll. The stage was set with a backdrop of the Hello album, the lights went down.
8.35pm. On the dot. As advertised. Jackie Lynott’s recorded introduction from the Live album roars out over the PA: “Is there anybody out there who wants to rock? Is there anybody out there who wants to roll? Is there anybody out there who wants to boogie? Tonight! We have the number one rock’n’roll band in the land! Will you welcome? The magnificent! STATUS! QUO!” And the curtain drops and it starts. The four are there and ready, standing in front of lines of AC30s and Marshall stacks. The first thing I noticed was the volume. And the clarity of the sound. And looking down from the slipper at the left side of the circle, the crowd are going crazy downstairs (all standing). The band all look well and they seem genuinely pleased to be together, old wounds have been healed, and they seem to be mates again. So it has finally happened. I got to see the original line-up again: cheeky Francis (didn’t he used to Mike in the days when I first got into this band?) Rossi, human rock rhythm machine Rick Parfitt, pure hard rocker bassist Alan Lancaster and solid powerhouse drummer John Coghlan. Much has been written about Alan’s ill health; well last night he seemed just fine and the fist few songs featured his vocals. I’d forgotten how important he was to the band. Important for his vocals, for his solid bass, and for maintaining the heavier and rockier side of the band. The opener was Juniors Wailing just as it was when I first saw Status Quo. Is it really 42 years ago since I first saw them? Where have all the years gone? Francis was on great form. Not as much cheeky chat as usual, but there was some, but great guitar playing. Slick, fluid and very loud. Rick looks slim and healthy with a new short hair cut and sporting a leather jacket. He kept the pace and the rhythm up throughout, sometimes it looked like he might explode. John Coghlan sat on a raised drumstool, twirling his sticks as he did in the old days. It felt right to have him and Alan back there, and I realised just how important John’s drumming was to the Quo sound. The set was drawn from the Live album, and the early 70s period, with a lack of the hits. No Caroline or Rocking All Over the World. Instead we got In My Chair, Backwater, Don’t Waste My Time, Big Fat Mama. This was a lean, loud, heavy rock n roll machine. It made me realise just how great the old band were in the 70s. Their old mate Bob Young joined them on mouth harp on Railroad and closing song (the Doors) Roadhouse Blues. The guy a couple of seats away told me that he had flown over from New York for the gig. I can’t express how good it was. Amazing; breath taking, emotional, and just good honest simple rock.
Setlist: Junior’s Wailing; Backwater; Just Take Me; Is There a Better Way; In My Chair; Blue Eyed Lady; Little Lady; Most of the Time; (April), Spring, Summer and Wednesdays; Railroad; Oh Baby; Forty-Five Hundred Times;Rain; Big Fat Mama; Down Down; Roadhouse Blues. Encore: Don’t Waste My Time; Bye Bye Johnny
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