This was a strong 80s double bill. It has been many years since I had seen either of these acts and, to be honest, I had forgotten just how great they both are. Tears for Fears were absolutely massive and I remember seeing them at the time “Shout” was in the charts at Newcastle City Hall and they were simply tremendous. Everyone walked out of the venue that night singing “Shout” at the top of their voices. A magic moment. And Alison Moyet, I remember seeing her in both Yazoo and as a solo artist. But enough of the past.
The first thing I noticed was just how full the venue was. I would say more than three quarters of the seats were taken. I guess I shouldn’t have been surprised. Two great acts on the same bill. Alison Moyet was first to take the stage and did a set of her own songs and Yazoo hits. The venue was almost full from the start; no ordinary support act this one, the bar must have been empty. Alison was dressed all in black, looked well and her voice was as strong and soulful as ever. If anything she has become a little darker in her approach, the songs taking on an almost Gothic style (that may be a slight exaggeration). The crowd gave her the great reception she deserved. A fantastic opening act, but the best was yet to come.
Something is different about Tears for Fears these days. In my memory (and I could be quite wrong) Curt was almost the front man and sang all the hits when I saw them “back in the day”. While Roland took more of a back seat. There seems to have been some sort of change around, at least for the newer songs. Roland looks very different with long white hair and a white beard and seems to almost have become the leader, talking a lot more than his partner. Roland jokingly said that he had been compared to Laurence Llewelyn-Bowen or a well-groomed Bill Bailey! The set was a mix of old and new. I had forgotten just how many hits they had. They drew heavily from their new album 
The Tipping Point which has been several years in the making and has returned them to the top 5 of the American album charts. This band are massive around the world. The hits just kept coming: early on we got “Everybody Wants to Rule the World” and the wonderful “Sowing The Seeds of Love”. We were soon taken right back to the start and “Mad World” along with “Pale Shelter”. The encores included “Change” and the closing song was (of course) “Shout”. Everyone went home happy. A truly great 1980s double bill.
I was lucky to catch the tour. Shortly after I saw them the following announcement was made: “The remaining dates of Tears For Fears tour have been cancelled today because of Curt Smith’s rib injury. Ticket holders are advised to contact their point of purchase.”
In the three dates where Alison Moyet performed, she got massive praise from the press: “The Express newspaper noted “Pop chanteuse Moyet… put on an incredible last-minute headline performance”. The Blackpool Gazette welcomed “an uplifting evening of electro torch songs” and described Alison’s performance as a “triumph”. And All Music Magazine praised Alison as “a flawless performer”.”
Alison Moyet Setlist: I Germinate; Nobody’s Diary (Yazoo); Do You Ever Wonder; Beautiful Gun; All Cried Out; Wishing You Were Here; Situation (Yazoo); My Best Day; Only You (Yazoo); Love Resurrection; Don’t Go (Yazoo)
Tears for Fears Setlist: No Small Thing; The Tipping Point; Everybody Wants to Rule the World; Secret World; Sowing the Seeds of Love; Long, Long, Long Time; Break the Man; My Demons; Rivers of Mercy; Mad World; Suffer the Children; Woman in Chains; Badman’s Song; Pale Shelter; Break It Down Again; Head Over Heels / Broken.
Encore: End of Night; Change; Shout.
Many thanks to Jackie for the photos and Chris for helping me into my bed. A great night.
Well it finally happened. I contracted Covid! Possibly when I went to see the Rolling Stones at Anfield (at least I was in good company as a certain Sir Mick Jagger also went down with the nasty virus). Luckily we are both clear now although it took me a week to get there, that is before I tested negative. In the meantime I missed a few concerts but I was so wiped out I couldn’t possibly have attended. Still I was feeling just about well enough to venture out last night to see one of my favourite all-time bands, Yes.
From that night on I was a lifelong Yes fan and must have seen them many, many times over the years since. The lineup has changed along a winding, meandering road with Steve Howe replacing Peter Banks on guitar in 1970 and Rick Wakeman and Alan White joining on keyboards and drums respectively, shortly afterwards. Then came many lineup changes, lots of classic albums, and mega prog stardom. Along the way Jon Anderson left, as did Rick Wakeman, and Steve Howe left and then rejoined the fold. Chris Squire and Alan White both sadly passed away; local hero Alan White very recently (he hailed from Chester le Street). But the true story of Yes is much much more complicated than that!
The tour had originally been billed as a recreation of the Relayer album; however (and to my delight) something changed their minds and it became a recreation of the Close to the Edge album. A much better choice! The show started with something of a very pleasant surprise. Illustrator Roger Dean, creator of the Yes logo, many of their album covers and several other progressive rock LP covers, walked on stage and took us through a slideshow of his life as an illustrator and with Yes. Fantastic! This was followed by a fitting tribute to Alan White with many nice images of the great drummer appearing on the backdrop.
During the interval I partook in a pint of lager (no Guinness I am afraid) and bought a couple of copies of the programme/book (one for my friend John in the USA) which is a sumptuous product celebrating the 50th anniversary of Close to the Edge and taking the reader through the whole history of the band.
Setlist:
So this was a dream trip for me. Every time I think “This Could Be the Last Time”. But of course it never is. And I hope it never will be. These guys just go on and on for ever. And for me that is just great. The Stones are, without question, my favourite band and worthy of the title “The Greatest Rock ‘n’ Roll Band in the World”. This is my 15th Stones experience since I first saw them in 1971 at Newcastle City Hall for the princely sum of 15 shillings/75p (decimalisation was just coming in and they printed both prices on the ticket. I was 14 and went to the early 6:30 PM show (they played 2 shows a night back in the day) and paid £1 for the ticket outside. From that night on I became a massive Rolling Stones fan.
So we went down: me, Lisa, Elaine and Jan courtesy of Trans Pennine Express on Thursday afternoon and took a short walk to our hotel close to Lime Street station. After a couple of hours rest I was up again and we took a bus to Anfield where we were shown to a nice lounge with food and drink prior to taking our seats for the show, which we did to catch the last couple of songs of Echo and the Bunnymen, the support act. We had nice seats in the disabled area with a good view of the stage and Jan just in front of us.
After a short wait, just before the Stones took to the stage the screens lit up and showed a lovely tribute to Charlie Watts, with video footage from throughout his career showing him, always dapper and cool, back in the 1960s through to his last days with the band. This received a well-deserved cheer from the Anfield crowd. RIP Charlie. Much missed. It was 9 PM and the Rolling Stones took to the stage, starting with “Street Fighting Man”. Jagger was as energetic as ever running up and down the walkway right out in the crowd. Flanked by Keith (as cool as ever and forever my hero) and Ronnie Wood; both looking and playing great. Mick Jagger’s vocals were as powerful as they ever have been. Like a fine wine these guys seem to get better with age. They never cease to astound me and always exceed my expectations. Mick announced “This is our 60th anniversary tour and the first one we have done without our drummer Charlie Watts. So we dedicate the show to Charlie”, followed by a massive cheer from the crowd.
This was a perfect set list for me, drawing heavily from the 1960s: “19th Nervous Breakdown” followed. When I was a young kid I remember buying this single for a shilling or two (or maybe less) from the public house over the road from my home. It would sell ex-jukebox singles and we would go over every now and then to buy classic records from a little box which the barmaid would bring out to the off sales window. Then we were treated to “Get off of My Cloud” and “Tumbling Dice”. Then came the surprise: in tribute to the Beatles Mick introduced their early hit (of course written by the Fab Four) “I Wanna Be Your Man”. This was apparently the first time they had played the song since I saw them perform it at the O2 Arena in London in 2012.
Then another great favourite of mine, which was a charttopping hit for the great Chris Farlowe “Out Of Time”. You can’t beat the old classics. Then another classic “You Can’t Always Get What You Want” followed by the less familiar “Living in a Ghost Town” and then back to the 1960s for “Honky Tonk Women” (I told you this was a perfect set list!) Next, as always, Keith took front of stage for “You Got the Silver” and the less familiar “Connection”. Mick was soon back for a great singalong with “Miss You”, followed by another of my favourites “Midnight Rambler”. He no longer whips the stage with his belt, as he did in the 1970s, but uses his jacket instead. For this song he really turns it up a notch, running up and down the walkway into the crowd singing the chorus again and again. Next another great classic “Start Me Up”.
The next song “Paint It Black” always gets me. For me, the perfect Stones song with Ronnie Wood playing electric sitar bringing back memories of seeing Brian Jones on TV sitting cross-legged with his own sitar. Now I knew we were on the home strait. The stage turns dark red and the familiar chants of “Sympathy for the Devil” start to fill the night air. Another great crowdpleaser. They close with “Jumpin’ Jack Flash”.
We have waited a couple of years for this concert to take place, because of Covid. But, as always, Jeff didn’t let us down and delivered a performance to be remembered for the music and for other reasons of which I will write shortly.
the Gateshead concert. Immediately, any remaining tickets were sold. Such is the legend that is Johnny Depp. People were queueing outside the Sage for many hours to catch a glimpse of Johnny Depp, or even an autograph (and some fans were lucky enough to score a signature). My carer Lisa was really excited at the prospect of seeing Johnny Depp. Now my view is that Johnny Depp is a secret closet rockstar wannabe. All of this is to his credit, by the way, in my opinion. He is a massive fan of Keith Richards of The Rolling Stones and sings and plays in a band called The Hollywood Vampires with Alice Cooper. But I was unaware of the Jeff Beck connection.
Johnny Depp came on stage to a massive cheer from the crowd. The pair then proceeded to deliver a short set of songs with Johnny Depp on vocals and guitar and Jeff Beck providing his own inimitable accompaniment. Now people have different views on Johnny Depp as a musician. He is not the greatest singer on the planet nor is he a wonderful guitarist but he puts his all into the performance and, for me, his vocals are quite emotional. They started with a song called “Hedy Lamar”, which I am not familiar with, followed by “Isolation”, a John Lennon song which again I don’t know. Then came a wonderful version of the Everly Brothers ballad “Let It Be Me” which I found quite emotional. Exquisite. Then another great song and a great rendition of Marvin Gaye’s “What’s Going on “, followed by Hendrix’s “Little Wing” and a song by Killing Joke which was again unfamiliar to me. Johnny Depp left the stage: as he did, the two friends hugged each other. Jeff explained at one point “I met this guy five years ago when he came to my dressing room and said “Hello” and we have never stopped laughing since!” He also explained that they have been working on an album which will be released next month. Jeff Beck concluded the concert with two more instrumentals, ending with “Corpus Christi Carol”. Fantastic.
People have mixed views on this collaboration and on Johnny Depp’s appearance with Jeff Beck. Some fans appeared on local television questioning why Jeff Beck would “spoil” his concert by collaborating with someone who cannot sing too well (their view, not mine). Others were simply knocked out by having the opportunity to be in the presence of a major Hollywood star. Now this is my view: Jeff Beck is no fool. He does not need Johnny Depp to sell tickets. He does have his own legend to protect. But he simply likes the guy and enjoys the collaboration and it can’t do his reputation any harm. Indeed it will introduce many new fans to his music. So this is a win-win collaboration. I was certainly glad, and excited, to witness it.
A wonderful concert, and a wonderful evening. Thank you Jeff and Johnny.
Welcome to the Crazy World of 
The first half consisted of Arthur performing the majority of his first Crazy World of Arthur Brown album, including “Fire Poem” which leads into his anthem “Fire!” Everyone knows this one: “I am the God of hellfire and I bring you – – – Fire! I take you to burn”. The reaction of people when I told them I was going to see Arthur Brown. “Who is he?”, or “is he still around?” When reminded most people did remember “Fire!” He also included some new material and some classic Kingdom Come songs. Lots of costume changes. And, a real crown of fire! That is something I have never seen him wear before. Psychedelic backdrop showing liquid lens videos of Arthur in his prime in the late 1960s. Mannequins wearing spooky masks. The band wearing crazy costumes and headgear with feathers just as I remember Kingdom Come back 50 years ago. Gauze, flimsy, drapes adorning the stage.
Death”: Bruce Dickinson – Iron Maiden. “Arthur Brown was a man ahead of his time”: Elton John. “Arthur Brown is as much a dancer as he is a singer”: Pete Townshend – The Who. (All quotes from Arthur’s website)
. The third was, of course, Arthur Brown’s first album The Crazy World of Arthur Brown. I loved that album and played it and played it. One omission, Arthur, if I dare to be so greedy: I wish you had played Screaming Jay Hawkins’ “I Put a Spell on You” from that album. But then you can’t always get what you want (now there’s another song!)
To my shame, I arrived late and missed. I have never seen them and “Final Countdown” is a great rock song and one of my daughter Ashleigh’s favourite songs. She told me off later for missing their set. My carer Jan and I arrived just in time to buy a couple of programmes and take our seats as had just started their set. This was not your regular “support act”. Foreigner are, of course, a massively successful band and worthy of headliner status themselves. Therefore they played a full length set comprising major hits including “Cold As Ice” and closer singalong “I Want to Know What Love Is”. It is a long time since I have seen Foreigner, the last time being as support act for Led Zeppelin at their reunion concert in the O2 London. Before that I think it was at the Reading Festival in the late 1970s when they were just breaking through as a major act. I had forgotten just how great they are, how many classic rock songs they have produced and I must say I was incredibly impressed by them; their songs, the performance and the musicianship. The band’s lineup has changed many times over the years and now comprises only one original member, Mick Jones who hails from the UK. Mick was originally a member of Spooky Tooth, a 1960s progressive rock band, before he left for America, wrote a bunch of great songs and formed Foreigner to perform them, along with ex-King Crimson member Ian Macdonald (who left the band a long time ago).
The rest of the members of the band are all American, hence the name Foreigner (the band being UK/American and thus “foreign” in both countries!) I was looking around the stage, wondering where Mick Jones was. He came on to join the rest of the band for the last three songs playing guitar and keyboards. I am not sure if he is unwell, but he looked great and it was wonderful to see him again with the rest of his band. By the way, this takes me back to my long-time question “when is a band not a band?” Before Mick Jones joined the band on stage the Foreigner performing in front of us had no original members. However this did not detract from their performance. Many of the crowd may not have realised or even cared. To summarise, Foreigner were excellent and the 10,000 capacity crowd were really hyped up for the final act and headliner, 
comes from Saltburn in the Middlesbrough area) and in various incarnations of Whitesnake at Newcastle City Hall, Reading Rock Festival and Donington Monsters of Rock. Throughout the years the line-up of Whitesnake has changed, starting off with a UK lineup featuring former Deep Purple members Jon Lord and Ian Paice, alongside guitarists Mickey Moody and Bernie Marsden. Coverdale then went to the USA and surrounded himself with a new American band. Worldwide fame followed! Throughout these times David Coverdale has continued to front the band taking the lead with tremendous soaring, screaming, screeching, excellent vocals.
Coverdale was on excellent form, taking total command of the audience who sang along with him and followed his every move, as he threw the mic stand up in the air and led his band through classic tracks including my favourites “Ain’t No Love In the Heart of the City”, “Fool For Your Loving” and “Here I Go Again”. I was hoping he would sing “Mistreated” but instead Whitesnake closed with an incendiary version of the Purple classic “Burn”. Just as good. Coverdale’s voice was as powerful and strong as ever. Amazing. Jan and I both agreed it had been a fantastic concert.
One final Whitesnake memory. Coverdale and his band headlined the final, Sunday night of the Reading Festival in 1980. My friend Davey and I returned to our tents. “I’m sure my tent was here” I said to Davey. I walked round and round and sure enough there was an empty space where my tent had been. Someone had stolen my tent! I crawled into Davey’s small tent where we both lay squashed for the evening. Happy days.
This was a return to experiencing 
The second return to experiencing Gary Numan was for my sister-in-law Elaine. My late wife and I took Elaine as a youngster, to see Numan on that wonderful first tour where a robotic Gary mesmerised us with his new blend of electronica, rock and pop music. Flanked by robot figures and a wonderful light show with music unlike anything we had heard before it was a great introduction to the world of Gary Numan. Elaine, then a teenage girl, just loved it. So this was her first outing to see Gary Numan since that experience of his initial tour.
Now I had seen that Gary had been touring again for some years now and kept meaning to go along and see him. His return to the City Hall, where we saw those early shows, was just too much to resist. And Elaine was looking forward to see what the new Gary would be like. I also was intrigued to experience Gary Numan again. So, lots of memories of great shows from a long time ago. Time, the lives of myself and Elaine, and Gary, have moved on. What would the show be like?
First up was support act French band Divine Shade. They were an electronic/heavy bass band clearly influenced by Gary Numan. Think a heavy Gary Numan/dark Depeche Mode/LOUD. They were really loud and we were down the front next to the speakers. We could feel the vibration running through us; just like old times and the first time I saw Black Sabbath when Geezer Butler’s bass hit me in my stomach. Excellent! A great start to the show. They clearly enjoyed it also. From their Facebook page: “Thank you Newcastle ! It was great ! Cool fact from the nice security gard, our little dressing room was the Beatles favorite one.” Now there is a fact I didn’t know!
I wasn’t sure what to expect from Gary Numan this time around. To say he didn’t disappoint would be an understatement. He was fantastic from the very start, keeping the pace up right until the end. The set was a mixture of old and new. I was delighted that the second song was my old favourite “Me! I Disconnect from You” the lyrics of which now take on a new meaning in light of the fact that Gary has publicly mentioned his shyness. It brought back memories of that Wembley show over 40 years ago when I remember it as a standout song. Gary is very much the front man now, revealing more of himself to us, much darker, dressed all in black with red stripes running down his face. His music is louder, rockier and darker. He is flanked by a bass player and a guitarist each with shaven heads, wearing black skirts and large black boots. Quite menacing, dark and Gothic.
I hadn’t realised just how much Gary Numan’s music had changed over the years. I was clearly out of touch. He has stripped things down to the basics and produced a much darker, heavier sound. In front of us was a new, louder, more intense front man than the young boy Elaine and I experienced all those years ago. The old songs were given a much heavier treatment and included some of my favourites such as “Down in the Park”, “Cars” and closer “I Die, You Die”. Throughout the show Gary stood on stage sometimes pulling back on the mic stand, going down on his knees and then throwing his arms up in the air. Very much the show man. The crowd loved it and gave him one of the warmest receptions I have seen for a long time. Fabulous.
Nick Mason, drummer of 
“
song “Arnold Layne”. The band did a great job of recreating the music, ethos and atmosphere of these early classics. Gary Kemp in particular, is to be applauded for his tremendous guitar work and vocals. Indeed, each member of the band is clearly an accomplished musician and together they stunned the crowd with a concert which was authentic to the original Pink Floyd musical textures. The rest of the first set comprised a mixture of songs from early Floyd albums including less well-known tracks such as “Obscured by Clouds” and the wonderful “Remember a Day”. The first half of the show concluded with an uplifting, mesmerising version of “Set the Controls for the Heart of the sun”, complete with drum rhythms and gongs. Another song which I remember Floyd performing at that 1972 concert which now seems eons away in the distant past. The instrumentals were particularly well performed. A short interval followed during which I had time to partake in a pint of Hobgoblin (no Guinness, sadly).
The second half opened by taking us right back to the start with classic guitar-based tunes “Interstellar Overdrive” and “Astronomy Domine”, two of my favourite early Pink Floyd tracks. We were then treated to a few less known, at least by me, songs and the second set ended with Barrett’s “Lucifer Sam” and Meddle’s standout track, Pink Floyd favourite, “Echoes”. A very appropriate closer for an excellent selection of songs.
I treated myself to a signed drum skin and a T-shirt (sadly no programme). Many thanks to David for his expert photography and to Elaine and Chris for placing me safely into my bed at the end of a great evening. Thank you Nick for putting together a band worthy of the songs, their leader and the band name. Classic. Happy days.
My head is still reeling with the music and sounds from last night. And the concert raised so many questions for me. Why is the rock legend, rock god, who is 
Saving Grace is very much a band. Of course people had turned out to see the main man, Robert Plant. But Robert is simply a singer in the band along with Suzi. The rest of Saving Grace comprises two guitarists and a percussionist; all excellent musicians in their own right and also providing some backing vocals. Lisa mentioned that the main hall may have been a church in earlier days (I must check this out). It certainly has stained glass windows on one side and a large church – like organ behind the stage. Tonight it certainly became “a church” in which we all enjoyed a spiritual and soulful journey led by a man who has explored spiritual themes throughout his career; “Stairway to Heaven” being one obvious example. The set comprised songs which Robert, unashamedly, has chosen because they have influenced him and touched him over the years. So there were the traditional such as “The Cuckoo” and “Satan Your Kingdom Must Come Down”, old blues songs and classic progressive/psychedelic tracks including “It’s a Beautiful Day Today” by Moby Grape and (one of my all-time favourite songs) “Season of the Witch” by Robert’s old friend Donovan. The stage setup was quite basic with a simple curtain backdrop naming the band and unobtrusive lighting. But the music was exquisite, challenging, soulful and beautiful. Robert shared the vocals with Suzi and, in many cases, took us through the story of the song and what it meant to him. He even forgot which song he was introducing at one point and Suzi came over and whispered in his ear; tactfully correcting his mistake. There were references to performing at Redcar Jazz Club in 1966 with Long John Baldry. Many of the audience clapped, showing their age! “Season of the Witch “, led by Suzi, transformed into “For What It’s Worth” by Buffalo Springfield at one point; another reference point to Robert’s roots. The final song was an old Richard and Linda Thompson track, again taking us back to the late 60s/early 70s. The lights went up to signify the end of the show. But the crowd weren’t ready to leave just yet. Everyone stood up and cheered until the band returned.
Oh, and I must not forget that they sang a couple of songs by new American band Low. Robert spoke highly of them; another thing to check out. I learned lots of things last night. The final song was performed a cappella with the band all coming together at the front, arms entwined, singing the beautiful “And We Bid You Good Night”. Robert playfully said “see you soon at Kirklevington country club”. For some moments I believed this to be serious. But then I don’t think the wonderful venue that was referred to as “the Kirk”, and was 10 miles or so south of Middlesbrough, exists any more. Of course, Robert played there with his band the Honeydrippers many years ago. We wandered out into the cool dark Middlesbrough night, everyone chatting and looking at each other, each of us knowing we had just had the privilege of experiencing something very special and unique. The 45 minute taxi ride flew over and I was soon safely back home.
It is almost a month since my last concert and I was feeling quite ready for another evening out. I decided a couple of months ago it was about time I caught up on the legendary 
The Lindisfarne Story, as the name suggests, features Ray and Billy telling the story of the band and singing acoustic versions of some of their better-known songs with Billy on vocals and guitar and Ray on bongos, drum box, and a small drum kit. On their current tour Ray and Billy are focusing on the 50th anniversary of the Fog on the Tyne album, telling the story of the band, that particular album and discussing, and playing, each track in consecutive order. The concert started at 7:30 PM prompt, the first half featuring side 1 of the album, followed by a short interval and a second-half taking us through side 2 of the album. The show is well presented using old video of the band to great effect and also clips of friends old and new such as local heroes Bruce Welch, Sting, Billy Nail and Sam Fender. The history behind each track, who wrote it and the lyrics is explained in some detail followed by a great rendition of each song. So they start with track 1 which is “Meet Me on the Corner” and carry on track by track. Many of the songs are well-known to me, others less so but I certainly learned a lot about the history of each track on this massively successful album. I had also forgotten just how successful the album was! Along the way they treat us to other Lindisfarne favourites such as “Lady Eleanor” and old blues songs, and 60s hits, which Billy Mitchell used to sing in a local band and in working men’s clubs such as “Needles and Pins” and “Hi Ho Silver Lining” (both of which got the crowd singing along; excellent!)
Some facts I found about the album, on Wikipedia:”Fog on the Tyne is a 1971 album by English rock band Lindisfarne. Bob Johnston produced the album, which was recorded at Trident Studios in Soho, London, in the mid-1971 and released in October that year on Charisma Records in the United Kingdom and Elektra Records in the U.S..
During the interval carer Jan and I treated ourselves to a drink from the bar and purchased 2 CDs, of 50 years of Fog on the Tyne, one for me and one for my friend John in the USA. We were soon back in our seats and into side 2 of the album, which features the wonderful Alan Hull classic “January Song”. I forgotten that they had covered one of Scottish folk singer Rab Noakes songs on the album. I saw Rab Noakes many times supporting Lindisfarne “back in the day”, and really enjoyed him (mental note to myself: check Rab Noakes website to see if I can go and see him any where, any time!) And so it continued, track by track, concluding with a great singalong of, of course, “Fog on the Tyne”. A great show, well executed, by 2 guys who have been there since the early days. We both really enjoyed it and learned a lot about the band, the songs and their history. On the way out Ray and Billy kindly signed my CDs. A great end to a perfect evening. Roll-on my next Lindisfarne outing.
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