Curved Air 70s gigs
I believe that the bands that you see when you are young shape your musical tastes for the rest of life. Curved Air are one of those bands for me. I first saw them at Newcastle City Hall in 1971, and was mesmerised by them in many different ways. Their mix of classical music, folk and electronic sounds was quite unique, Sonja Kristina was just stunning on stage, and the musicianship of Darryl Way on violin and Francis Monkman on moog synthesiser was outstanding. And they had great songs: the hit single “Back Street Luv”, “Marie Antoinette”, the beautiful and haunting “Melinda (More or Less)”, their first single “It Happened Today”, and the set closer “Vivaldi” during which Daryl Way went wild with his electric violin. 
Support at that 1971 gig came from Irish band Skid Row, not to be confused with the American heavy rock band of the 80s. I’d seen the bluesy Skid Row a few months before in Sunderland Locarno, with the young Gary Moore on guitar (he just blew me away: I went home and practised and practised). However, by the time of this gig Gary had been replaced by Paul Chapman. Brush Sheils was the bass player and front man of Skid Row; his name coming from his big brush of hair. He sported a persplex bass and was totally crazy on stage: a real wild guy. I then saw Curved Air play a great set on the Friday night of the 1972 Reading Festival where they headlined over Genesis and Mungo Jerry. 
They came onstage late, around midnight by which time we were all sitting on the grass, waiting in the cold night. Their set was just amazing that night. Sonja sang those lovely songs over the evening mist, and brought the first night of the festival to a lovely end. From then on I saw Curved Air almost any and every time that they played in the North East. I remember gigs at Newcastle Mayfair, Newcastle Poly, Sunderland Poly and Durham Students Union. 
I recall Marie and I turning up at a sold out Freshers Ball at Teesside Poly one night and managing somehow to blag our way in to the hall (backhander to the doorman methinks). I saw them again at the City Hall in 1976. I think I may have seen them at Redcar Bowl. There were probably other gigs that I don’t remember; Curved Air played a lot in those days and must have been up and down the motorway playing Student Union dances most weekends. Over the years the line up changed (a lot). At one point local guy Eddie Jobson joined on violin. Jobson was a young and extremely talented multi-instrumentalist who I’d seen several times at Sunderland Locarno, playing in Hartlepool (or was it Peterlee?) band Fat Grapple. Fat Grapple were great, its a shame no recorded material of the band from that era exists. 
Along the way Stewart Copeland, who was to become Sonja’s husband and later of The Police, joined on drums, and Darryl Way returned to the fold. The one constant factor throughout that period was Sonja Kristina. I can picture her now, commanding the stage, top hat on her head and a cape around her shoulders, belting out Back Street Luv. 
Great nights. Can I go back there please? I’ve seen Curved Air a couple of times in recent years, at Holmfirth Picturedrome and at Glastonbury, and the magic is still there; for me anyway. Thanks to John for finding a signed 1971 programme on ebay for me, and for sending me an image of an early 70s poster (also bought on ebay; see scans).
Posts Tagged ‘blues’
13 Jun
Curved Air 70s gigs and great memories of Sonja Kristina in concert
12 Jun
Climax Blues Band 1976 Gold Plated gigs
I had the pleasure of seeing The Climax Blues Band a few times in the 70s. They guaranteed a good night of quality blues, with front men Colin Cooper on vocals, saxophone, harmonica, and guitar, and Pete Haycock on vocals and guitar. The rest of the line-up in those days was Derek Holt on bass, John Cuffley on drums, and Richard Jones on keyboards. A group of us went to see the band at Durham Students Union in Dunelm House and at Redcar Coatham Bowl. 
The band hit the charts in 1976 with “Couldn’t Get It Right” which got to No 10 in the UK Singles Chart and stayed there for 9 weeks. The programme below was for a tour promoting the “Gold Plated” lp which was released in 1976. Incredibly, this was their 9th lp. They have released 18 albums to date, the first dating from 1969 when they were known as The Climax Blues Band. A recent live CD was recorded at a gig at Nottingham University in 1976, on the Gold Plated tour. I would guess the set that we saw at Durham and Redcar would be similar. In that case it may have consisted of: Together And Free/Amerita/Sense of Direction; Running Out of TIme/Good TIme Blues; Mighty Fire; Country Hat/Come On In My Kitchen; Seventh Son; Couldn’t Get It Right; Chasing Change; Using The Power; Goin’ To New York; All The Time In The World/Get Back. Encore Medley: Hey Mama/Let The Good Times Roll/Who Killed McSwiggin/Get Into That Rock ‘n’ Roll. 
CLimax Blues Band are still playing to this day, although the line up has changed many times over the years, and has no original members. From their website: “Founded in the 60’s, by Colin Cooper, Climax Blues Band has always focused on its roots, a unique combination of jazz and blues. After 18 albums and the classic world-wide hit “Couldn’t Get It Right” and tours of the UK, Europe and the US, Climax Blues Band is back on the road again and still playing the blues in a creative way that has always been synonymous with their name.”
PS. Writing this post made me realise that I didn’t have any Climax Blues Band lps, so I went online and bought a copy of the “Gold Plated” album for £2!. It arrived this morning and I played straight away. It still sounds great after all these years. Now do I go and buy the other 17 albums?……
11 Jun
Bon Jovi Monsters of Rock Donington 1987
Bon Jovi Monsters of Rock Donington 1987
Support Acts: Dio, Mettalica, Anthrax, WASP
I attended quite a few of the Monsters of Rock festivals at Donington during the 1980s, usually with my mate Dave. I was lucky enough to win tickets from the local paper a couple of times, including this event in 1987. The line-up was pretty strong with headliner Bon Jovi supported by Dio, Mettalica and a couple of other bands. Dave and I had seen Bon Jovi at Monsters of Rock a couple of years earlier; this time they were back as headliner, and put on a great show, warranting their major league status.
Dio played a set which consisted of solo songs, and a few Sabbath and Rainbow tracks. Mettalica had not, in my view, reached their peak at this stage; that was to come later with the release of the Black album. Bon Jovi setlist: Pink Flamingos; Raise Your Hands; I’d Die for You; Tokyo Road; You Give Love a Bad Name; Wild in the Streets; Not Fade Away; Never Say Goodbye; Livin’ on a Prayer; Let It Rock / We Will Rock You; Get Ready; Runaway; Wanted Dead or Alive; Drift Away; Travelin’ Band (joined by Paul Stanley, Bruce Dickinson and Dee Snider); We’re An American Band
9 Jun
The Groundhogs York Fibbers 8 June 2012
The Groundhogs York Fibbers 8 June 2012
Laura and I decided at the last minute to go and see The Groundhogs in York last night. We arrived in time to catch support act Dan Hudson who was delivering a good solid set of blues. We also found time to pop over the road to the Black Swan where the York fold weekend was in full swing in a marquee in the carpark. The Groundhogs took the stage at 9.30 starting with “No more dogging”. As those of us who follow the band know, Tony had a stroke a couple of years ago which affected his speech, and as a result his wife and singing partner Joanna Deacon had joined the band and taken on the vocal duties. Having said that Tony sang two songs himself last night, the first being “Eccentric man”, with Tony making sterling efforts on the verses, with Joanna coming in the help out with the chorus. A pretty good version. Next the volume and pace were lowered for the beautiful “Garden” from the “Thank Christ for the Bomb” album. Tony started the song which some lovely understated guitar, and Joanna handled the vocals admirably. Tony sang old blues favourite “Still a fool” from “Scratching the Surface” next, including a great guitar solo. Joanna explained how the “cool kids’ at school would walk around with the “Split” lp under their arm, and admitted that she was a Slade fan at the time. This introduced “Split Part 1” which is always one of my favourites, followed by “Split Part 2”, during which Tony made extensive use of the whammy bar, to the extent that his guitar was quite out of tune by the end of the song. Joanna’s dancing became particularly manic and bizarre at this point! Side 1 of the album was (almost) completed by “Split Part 4”. Then it was back to the blues with “Natchez burning”. Next came “Strange town” which was a great surprise; I don’t recall seeing the band play this in recent times. Then, moving towards the end of the set, “Mistreated” from “Blues Obituary” brought back memories of early 70s gigs, where it was often the set opener. The set finished with “Cherry Red”. Encore was “Down in the bottom”. Fibbers club was pretty full, and the crowd gave the band a very warm and friendly reception. Its always good to see the Groundhogs, and everyone last night clearly holds a lot of affection for Tony in particular. Joanna fits well in the band, and whereas a couple of years ago I found the idea of her taking on vocal duties a little surprising, I know think it feels natural. Its great that she has been able to do this and thus help keep the band on the road. Joanna explained that regular bass player Dave Anderson was not well. His place was taken by Steve Cook, who had stepped in at short notice and did a great job. Drummer Carl Stokes sported a massive gong which he used to close the set. A great night, which Laura and I both enjoyed. The Groundhogs, finished at 11pm, and we were home by 12.30am. When we got back David told me that I needed to be up early to take him to Middlesbrough for 9am, as he was picking up a lift there to a school friends wedding in Penrith. So not much sleep for me last night! Oh well, it was worth it to see Tony again.
7 Jun
Chuck Berry 1973 and 1977
Chuck Berry 1973 and 1977
Chuck Berry is of course, a legend and just keeps on going. I have been lucky enough to see him in concert four times (as far as I remember!), three times in the 70s and more recently at the Maryport Blues festival a few years ago. The first time I saw Chuck was at Newcastle City Hall in 1973. He had just returned to the charts with the fun (but pretty naff) My Ding-a-Ling which was recorded live during his 1972 UK tour at a show in Coventry. 
Chuck has never been one to play long shows, his concerts usually running to around one hour. However, he always manages to pack plenty of hits into that time and is a great show man, with his signature duck walk. Chuck toured the UK pretty regularly in those days, and the next time I saw him was at a gig at Sunderland Empire, in 1977. Once again he put on a short, but great show, with lots of teds dancing in the aisles. I also saw Chuck perform at the (infamous and very wet) 1973 Buxton festival. 
That gig was memorable because the Hells Angels were present in droves, and took charge of the festival. Several Hells Angels took to the stage during Chuck’s set and I remember him dancing with them. He seemed completely unphased by the situation, unlike several other bands on the bill who left without playing, as they were wary of the Angels.A typical 70s set list for Chuck Berry would be something like: Maybellene; Rock and Roll Music; School Days; Roll Over Beethoven; Nadine; No Particular Place to Go; Sweet Little Sixteen; My Ding-a-Ling; Reelin’ and Rockin’; Johnny B. Goode.
5 Jun
Black Oak Arkansas Newcastle Mayfair 1975
Black Oak Arkansas Newcastle Mayfair February 28th 1975
Support came from Welsh rockers Sassafras
Jim Dandy to the Rescue!
My mate Norm reminded me to write about seeing Black Oak Arkansas at Newcastle Mayfair in 1975. I’d forgotten all about this gig, until Norm mentioned it last night. The tour advert for the time declared: “They’re hot, they’re nasty, and they’re gonna make you scream for more!” All tickets were £1 at “Black Oak Arkansas special request”. Black Oak were (and still are!) an American southern rock boogie band, and front man Jim Dandy was just crazy on stage. The highlight of the set was “Jim Dandy to the Rescue”, their cover of R&B singer LaVern Baker’s 1956 hit, which had the Mayfair crowd all singing along. I remember Jim Dandy had insanely long hair, jumped around a lot, and played the washboard. I also recall that they did a great version of “Dixie” and had several guitarists. Norm remembers that they had a pretty big stage show, and it being the first time we saw lights with hydraulics at the side of the stage, the lighting rig rising out of a metal case. Black Oak Arkansas are still playing in America, with Jim Dandy the only original member. Jim Dandy is said to have been a big influence on Dave Lee Roth; which I can understand. I was to see Black Oak once more a year later, when they played at the 1976 Reading Festival.
Thanks to John for the following insights, which he recently (Nov 2013) emailed me: “BOA are named after the town of Black Oak (population 272) in Arkansas, released their first major album in 1970 to little success.The band featured three guitarists and the famous Jim Mangrum who was nicknamed Dandy based on how he dressed and behaved, plus Tommy Aldrige on drums. In 1973 the band played 310 concert dates and in 74, 320 dates (all of them one nighters) and also recorded four albums.They were a Top 5 Concert Act in the US in 1974.They played at the California Jam, then the largest one day paying concert in the USA with 250,000 tickets sold (I always thought it was Watkins Glen) headlined by ELP then Deep Purple, Black Sabbath and BOA. A recent TV programme showed concert footage of the band from the Albert Hall in 75 playing a few songs – Hot N Nasty, Hard Ride, Mutants of the Monster and of course Jim Dandy. The song Jim Dandy is an old song and they recorded it based on the singers nickname.The vocals are Jim plus a lady Ruby Star.I heard that song a lot and I am sure that they played on the Old Grey Whistle test (but I could be wrong) and I thought it was good. However, on the footage from the RHA his vocals are just terrible – a bit like a mad version of Ted Nugent but out of tune and with a very heavy accent. David Lee Roth must have been very heavily influenced by his style and look. I have an old rock book from 1976 which says that they supported Black Sabbath on tour in 74 , and I can remember reading a big interview with them in Melody Maker and I think they played Reading one year (76). They have a new album out and are supposed to be touring in the US.All very interesting.”
4 Jun
Babe Ruth 1973
Babe Ruth 1973
Babe Ruth are often forgotten, memories of them lost over time. I’m getting towards the end of posting on bands beginning with the letter B, and wanted to make sure that I covered every band of note that I have ever seen, and Babe Ruth came to mind. Babe Ruth only existed for a short period between 1972 and 1976, but made a big impression at the time, although their biggest success came in Canada rather than the UK. The original band consisted of Jenny (Janita) Haan on vocals, Alan Shacklock on guitars, and Dave Hewitt on bass. They were a classic rock band; Jenny Haan was a raucous singer in the Janis Joplin mould, and totally wild on stage. Alan Shacklock was a tremendous guitarist and wrote a lot of the material. I recall seeing them performing Wells Fargo from their first album First Base on TV on the Old Grey Whistle Test and then saw them live a few times in local ballrooms. I remember in particular seeing them at Sunderland Top Rank on the Harvestmobile tour (see flyer) which was a package tour featuring bands from the Harvest stable, including Spontaneous Combustion, ELO, Roy Wood’s Wizzard, Kevin Ayres, Roy Harper & The Edgar Broughton Band. The Sunderland gig featured Babe Ruth, ELO, and Spontaneous Combustion. 
Spontaneous Combustion were a largely instrumental power rock trio, with a great guitarist. ELO were just great in those days (will post about them separately one day), but for me the best band that night was Babe Ruth. Their first album (see left) is excellent. Go to Youtube and listen to Wells Fargo, Black Dog” (not the Zepellin track), The Mexican, and Joker. They also did a great version of Zappa’s King Kong which was a favourite of mine at the time. By 1976 Jenny Haan had left the band to form her own band Jenny Haan’s Lion. She was replaced by Ellie Hope, and by this point the band contained no original members. I remember setting off with Marie to see Jenny Haan’s Lion at a college gig somewhere near Darlington one night, driving around and never finding the gig (no satnavs in those days) and giving up in the end. I think I did get to see them in the end, possibly at Bede College in Durham. I also have vague memories of seeing the new line up of Babe Ruth with new vocalist Ellie Hope, and being disappointed as the magic had gone. That final lineup changed their name to Liquid Gold, found Disco and hit the charts in 1980 with Dance Yourself Dizzy. Enough said. I’ve done some searching for Babe Ruth material on the internet, and discovered that they reformed a couple of years ago and played a reunion tour in Canada. More recently, in May 2012, Janita Jenny Haan and Dave Punshon from the original band played “a relaxed evening of musical storytelling and piano jazz like you’ve never heard before’ in Swindon. I’m going to keep an eye on their site (http://www.baberuthband.net/news.html) and watch for further opportunities to see them.
3 Jun
Ian Brown Newcastle Academy 27 Sep 2007
Ian Brown Newcastle Academy 27 Sep 2007
To my deep regret I never got to see The Stone Roses. I somehow missed out on them altogether. They were around at a time when I was heavily into work and family things, and I wasn’t going to quite as many gigs as usual. The first time I saw Ian Brown was at Newcastle Academy with Laura and David in 2007. The place was packed and I was knocked out by the show and the crowd reaction. I hadn’t realised what a great performer Ian is, and how many people regard him as a legend and hero. Laura was particularly excited to see Andy Rourke from the Smiths in the band. Setlist (from Ian Brown forum): Corpses; Dolphins; Golden Gaze; TIME; Lovebug; Sweet Fantastic; Destiny; On Track; Goodbye To The Broken; Sister Rose; Longsight; KWYG; My Star; Resurrection; Baby Free; World is Yours (With Fools Gold intro); FEAR; Sister Rose. Laura and I have seen Ian at Newcastle City Hall since this gig, and were once again impressed by his performance. We are finally getting to see the Stones Roses when they play at Heaton Park on July 1st. We are both really excited and looking forward to it.
1 Jun
Guns N Roses Gateshead Stadium 1992
Guns N Roses Gateshead Stadium 1992
Seeing Guns N Roses last week has made me cast my mind back to the first and only other time I saw them. This was when they were at the height of their success, on the Use Your Illusion tour. The tour called at Gateshead Stadium in 1992, with support from Soundgarden and Faith No More. This was of course the original classic line up including Axl Rose on lead vocals, Slash on lead guitar, and Duff McKagan on bass. 
I went along to the gig with Ashleigh and her friend, who were raving about the band at the time. It was a good gig, although to be honest I don’t remember being as impressed by them as I was last week (is that heresy?). The Guns N Roses history site notes of the gig: “25,000 people see GN’R at the Gateshead International Stadium in Newcastle (!), England. Duff had a verbal altercation with one fan. After Axl’s words of warning – “I wouldn’t mess with him, he’s not had a drink in two weeks!” – the fan piped down. After the show the band fly back to London to continue their stay at the exclusive Conrad Hotel, where fellow guests included Prince and INXS.” Setlist: It’s So Easy; Mr. Brownstone; Live and Let Die; Bad Obsession; Attitude; My Michelle; Double Talkin’ Jive; Civil War; Patience; Welcome to the Jungle; You Could Be Mine; November Rain; Speak Softly Love; Sweet Child O’ Mine; Knockin’ On Heaven’s Door; Don’t Cry; Paradise City
31 May
Elkie Brooks Sunderland Empire 1978 & memories of Vinegar Joe
Elkie Brooks Sunderland Empire June 4th 1978 and memories of Vinegar Joe
I have good memories of Elkie Brooks gigs during the period 1971, when I first saw here in DaDa, through Vinegar Joe, to the last time I saw here as a solo artist in 1978. The first time I saw Elkie she was in a band called DaDa, and was first on an Age of Atlantic package tour with Yes and Iron Butterfly. The concert was at Newcastle City Hall, and it was the first time I went to a gig at that venue. DaDa featured her husband Pete Gage, and her singing partner Robert Palmer and were a jazz-rock fusion band with lots of members and a brass section. 
Those three soon left DaDa to form Vinegar Joe, who I saw at Sunderland Top Rank (supporting Free; thanks for the reminder John), Sunderland Locarno, Reading Festival, Lincoln Festival and Newcastle Mayfair (on a bill with Chicken Shack if my memory is correct; which it may well not be…). 
Vinegar Joe were a class R&B act, and Elkie was tremendous vocally and in terms of her stage act. She was truly a wild woman of rock in those days, with swirling skirts and crazy dancing. By 1975 Elkiehad had gone solo and soon had chart success with Pearl’s a Singer and other singles. By the time I saw her again at Sunderland Empire, she was selling out concert halls across the country. By this point she was becoming a little middle of the road; however her live show was still great. I haven’t been to an Elkie Brooks concert since those days, and keep meaning to do so. She still tours and has become a national treasure. Writing this convinces me that I need to go and see her again soon. Thanks to John for mailing me the scan of the Vinegar Joe poster, which must have come from a Manchester University gig in the early 70s.
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