Taste Sunderland Empire 10 May 1970
Today I am moving in my blogging from gigs I have attended by acts beginning with the letter “F” to gigs by acts with the letter “G”. This one is a bit of a cheat, as the band begins with “T”, but I couldn’t begin to cover the late great Rory Gallagher without reference to the time I saw Taste in concert. This was one of the first gigs I attended, and being over 40 years ago my memories are few, but very strong, because of the power of the event. If I had to use a couple of words to sum up Rory Gallager I would choose “passion” and “authenticity”. Rory was 100% passionate in his performance and in the way he delivered his own brand of the blues. There was also an honesty and authenticity about Rory; no frills, no big act or stage show; with Rory what you saw was what you got. I was 13 years old when I saw Rory and Taste at the Empire theatre in Sunderland. I had a ticket in the front row, right in front of the great man. I’d read about Taste, but didn’t have any of them albums at the time, so I didn’t know their material. I was so impressed that after the gig I went out and bought the first Taste lp, and I later also bought On the Boards. I don’t recall their being any support act that night. The set was drawn from those two lps. I definitely remember them playing Catfish, Sugar Mama, Whats Going on, and Blister on the Moon (that track still amazes me). I can picture Rory singing “I wish I was a Catfish” like it was yesterday. He was wearing a trademark checked shirt and playing his battered old Fender. The other members of the band were, of course, Richard McCracken on bass guitar and John Wilson on drums. I remember McCracken had a habit of biting and holding his hair at both sides of his mouth while playing. Rory’s playing was a revelation to me. I had a guitar at the time, and was glued to his ever move, as his fingers flew across the frets; trying to learn some of the riffs. I seem to recall that they also played a couple of slower tracks from the On the Boards lp; possibly the title track and If the Day Was Any Longer. That night, that 13 year old schoolboy that was me, became a life long Rory fan. I was totally blown away by Taste, and went home and bored my parents about them. Next day at school I told everyone just how great they were (most people hadn’t heard of them and ignored me!). Great memories. I’ll blog on some of the many Rory gigs I attended over the next few days. They were all great, but this performance by Taste holds a special place in my memory. I always felt that Rory solo never quite matched up to the raw power of Taste, and that he lost a little edge somewhere along the way, but maybe that was because this early gig was so great, because I was so close to the man, and because it was one of my first gigs.
Posts Tagged ‘blues’
14 Dec
Taste Sunderland Empire 10 May 1970
1 Dec
Chris Farlowe in concert
Chris Farlowe in concert
Chris Farlowe is one great singer. I would put him alongside the greats (for me): P J Proby, Steve Ellis, Steve Marriott, Joe Cocker, Frankie Miller, Paul Rodgers, Rod Stewart, Robert Plant. I first saw him when he was being a rock star as vocalist on Atomic Rooster. He was only in the band for a short period during 1972 and possibly 1973, and I was lucky enough to see them at Sunderland Locarno. It seemed a strange match, but worked well. The next time I saw him was at the City Hall with my mate Will. This gig was billed as Chris Farlowe and Friends and was poorly attended, Chris wasn’t really seen as being “cool” at the time. However, he was amazing, and we came away as converts. A live lp exists from that period and shows his setlist as being: We’re Gonna Make It; Rhyme And Time; Peace Of Mind; After Midnight; Only Women Bleed; Mandy; Hot Property; Handbags & Gladrags; You Haven’t Done Nothin’; It Ain’t No Use. 
There are quite a few titles that I don’t recognise there, but I definitely remember him singing Mandy, Only Women Bleed and Handbags & Gladrags. It interesting that Out of Time is not listed. His band for the live album is listed as backing vocals – Joanne Williams, Madeline Bell; Bass – Pat Donaldson; Drums – Gerry Conway; Guitar – Albert Lee; Horns – Chris Mercer, Ron Carthy; and Keyboards – Jean Roussel. I do recall the great Albert Lee being on guitar at that gig, but can’t be certain about the rest of the band. I wonder if Madeline Bell was there; I have always been a great fan of Madeline, and I wasn’t sure if I have ever seen her. Maybe I saw her that night. 
Anyway it was great gig, and that night I realised just how good Chris was that night. Since then I’ve seen Chris a few times, including a couple of gigs at Newcastle Tyne Theatre some years ago. At one of those gigs, Marie and I chatted to Chris in the bar, and he signed my ticket. Chris is often backed by The Norman Beaker Band who are an excellent blues band. Favourites of mine are Handbags and Gladrags, Out of Time, and he does great versions of The Stones Paint It Black and The Small Faces All or Nothing. Long may he rock.
26 Nov
The Rolling Stones O2 Arena London 25 November 2012
The Rolling Stones O2 Arena London 25 November 2012
I am sitting on the 06.15 train out of London, returning home after an amazing concert.
Well they pulled it off. Last night the Rolling Stones gave me and 20,000 other fans a night that we will remember for the rest of our lives. I should never have doubted how incredible they would be.
I travelled down to London on Sunday afternoon, arriving in time to meet my son David for a chat and a pizza. I travelled across London and arrived at the O2 around 7pm, to make sure I was there on time, as we had all been told that The Stones would be on stage at 8pm sharp. I bought a programme, and took my cheap (£250 ouch!) seat in the upper tier. A lot has been said and written about the expensive prices of ticket for these 50th anniversary gigs, with most floor and lower tier seats costing £400 and upwards, and I wondered if there would be a lot of empty seats, but on the night the O2 arena was packed. The stage was modelled on the Stones’ trademark lips and tongue, with a standing area in the centre of the tongue where lucky fans could get close up to our heroes. Actually, I had a pretty good view up there; I was seated in the fourth row of the balcony, directly opposite the stage and could see everything that was happening.
The proceedings started slightly later than advertised, at approx. 8.20pm with a video of stars giving their views on The Stones in their 50th year, including Elton John, Iggy Pop, Johnny Depp, Pete Townshend, The Black Keys and Angus Young. Iggy told us “hearing Keith Richards’ guitar is like being hit in the face by a wet mackerel”! Next a troop of 100 or so drummers in Grrr Gorilla suits paraded around the floor area, filling the arena with sound and rhythm. Then the lights went down and Jagger and co took to the stage. 
First song was “I Wanna Be Your Man”, with Mick wearing a black and white jacket and matching trilby. We were back in the 60s, and the sound and playing was superb. From where I sat I could hear every word clearly, and it was crisp and quite loud. A screen at either side of the stage and at the back, in the heart of the mouth, showed images of the band in their youth. Next was “Get Off My Cloud”, followed by “All Over Now”. Mick was in a playful mood asking “How is it up in the cheap seats?” and adding “Oh they aren’t really cheap are they?”, and joking about how the band missed out on the Queen’s jubilee and the Olympics ceremonies, but just made it “under the wire” for these gigs. He took off his jacket, all dressed in black for an amazing version of “Paint It Black” and the whole arena sang along; Ronnie and Keith sharing guitar parts, with Ronnie on an electric sitar. Ronnie Wood really shone in those first few numbers, taking on most of the lead parts. However, Keith came more to the fore as the show went on. “Gimme Shelter” saw the band welcome their first guest of the night, who was Mary J Blige, taking the vocals alongside Mick Jagger: “It’s Just a Shot Away”; great. The tone and the pace were then lowered a little for a beautiful version of “Wild Horses”. “All Down the Line” was accompanied by a video of the Stones’ influences and heroes: John Lee Hooker, James Brown, Howling Wolf, Elvis, Chuck Berry, Johnny Cash, and a host of others appeared on the screen. The next guest to appear was “one of our contempories” Jeff Beck who led the band through “Going Down”, playing some amazing guitar; very flashy, loud, and for a few minutes outshining the band who were clearly loving it. The next song was “Out of Control” from Bridges to Babylon, which was less familiar to me. 
Mick then introduced the two new songs “One More Shot” and “Doom and Gloom”. I must say that these two new tracks are not my favourite Stones’ songs, but they sounded pretty good last night.
Original bass guitarist Bill Wyman joined the guys for the next two songs: spot on versions of “It’s Only Rock n Roll” and “Honky Tonk Women”. The band, and the crowd seemed genuinely pleased to see Bill, who looked well, and had a smile right across his face, obviously enjoying being back with his old mates. Jagger introduced the band members before the next song, including Bobby Keyes on brass, who has been with the band since I first saw them in 1971.
Keith took front of stage for the next couple of numbers: “Before They Make Me Run” and “Happy”, singing and playing well, and giving Mick a well-deserved breather. Jagger returned with Mick Taylor for an unbelievable version of “Midnight Rambler” which took me back to shows in the 70s, and seemed just as dark and moody as it did in those days. Many say that Taylor was the best guitarist The Stones ever had, and last night his bluesy playing was exactly what was needed. We were on the home stretch now, and next up were “Start Me Up”, “Tumbling Dice”, and “Brown Sugar”, all crowd pleasers, keeping up the pace. The last song was a classic version of “Sympathy for the Devil”, Mick looking the part in a long black furry cloak. Jagger, Wood, and Richards were running around the edge of the tongue, playing to the crowd. Mick in particular has so much and energy and seems so fit, he really was performing just as he did in the 70s. 
The band left the stage to a tremendous reception; they had delivered 100%, the last two hours had just flown over, and everyone in the arena cheered for more. They were quickly back, accompanied by a choir for a sweet version of “You Can’t Always Get What You Want”, followed by closer “Jumping Jack Flash”, with the voices of the crowd almost drowning the band. They left the stage for the last time at 11pm, the crowd clapping and shouting for more; then the tongue logo appeared with the words “Thanks for coming; have a safe journey home” and we knew that it was finally over. Apparently the set list had also included “Satisfaction” as the last song, but the strict curfew prevented them from playing it. So that was it. You have to give it to them; they showed all their critics that they could still deliver, and at a level that I haven’t seen for a long, long time. This was one of the best times I have seen The Rolling Stones; much, much better than the last time I saw them at the O2 in 2007. I can honestly say that I can’t think of any band to match last night in terms of performance, energy and the rich back catalogue that they have to draw from. And yes Mick’s voice held out, Keith can still play (and well too), Ronnie was great, and I mustn’t forget to mention Charlie, who sits quietly at the back, keeping the beat. And you could tell that they were all enjoying it. The self-styled Greatest Rock n Roll Band in the World retains its crown for a while yet.
I caught a packed tube back to my Travelodge, which I reached at around midnight, and was up at 05.15 to catch this train. Wish I was going again on Thursday. Those of you who are, enjoy it. You won’t be disappointed.
23 Nov
The Firm Middlebrough Town Hall 7th December 1984
In the early 80s Paul Rodgers joined forces with Jimmy Page to for The Firm, a British rock supergroup which also comprised Manfred Mann’s Earth Band and Uriah Heep drummer Chris Slade and bass player Tony Franklin. The band, played two UK gigs in 1984, one in London at Hammersmith Odeon, and another at Middlesbrough Town Hall. This was a big deal at the time, with two rock superstars coming back to the North East. In Paul Rodgers case, this was also a homecoming show, as he was born in Middlesbrough. The tickets went on sale from the Town Hall on a week day, and I was at work at the time. My mate Dave was on night shift that week and was able to go down to Middlesbrough and bought tickets for us.
We were really excited about the gig and full of anticipation. We were hoping for one or two Free, Bad Company or Zeppelin songs, but that wasn’t to be. The set consists of the new Firm album and some songs from Jimmy and Paul’s solo work. I remember Paul Rodgers seated at a grand piano for “Live in Peace” from his earlier solo album. Jimmy Page played songs from the Death Wish II soundtrack, which featured his trademark playing of the guitar with a violin bow while beneath the Zeppelin laser pyramid. They also played a great version of the Righteous Brothers’ You’ve Lost That Lovin’ Feelin’. It was a very enjoyable show, but I think we were expecting something more. The set list for the London show is listed as this: Closer; City Sirens; Make or Break; The Morning After; Together; Cadillac; Prelude; Money Can’t Buy; Radioactive; Live In Peace; Midnight Moonlight; You’ve Lost That Lovin’ Feelin’; The Chase; Someone To Love; Full Circle; Boogie Mama; Everybody Needs Somebody. I would imagine that the set at Middlesbrough was similar.
22 Nov
Free spin-offs gigs: Back Street Crawler, Andy Fraser band, Paul Rodgers; Bad Company
Free spin-offs gigs: Back Street Crawler, Andy Fraser band, Paul Rodgers; Bad Company
Having written about my Free concert experiences over the past few days, I thought it would be fitting to blog today about the Free spin-off bands that came about in the early to mid-70s, and the (relatively few) gig memories I have of those bands. 
I’ll start, for no particular reason with Free guitar legend Paul Kossoff. After Free split, I saw Paul Kossoff play at Sunderland Locarno a couple times. I think (but my memory could be playing tricks again) that one of these gigs was billed as The Paul Kossoff band, and the other as (the more familiar name of) Back Street Crawler. These gigs were, I would guess, in 1974 and 1975. Back Street Crawler featured excellent soulful local singer Terry Wilson-Slesser from Beckett. Although it was great to see Kossoff in action again, and some of the old guitar magic was still there, it was also clear that his health was not good. Sadly Paul Kossoff was to die on on an overnight flight from Los Angeles to New York in 1976. 
After leaving Free Andy Fraser formed Sharks along with vocalist Ships and guitarist Chris Spedding. He wasn’t with Sharks long; I saw Sharks in concert when they played Sunderland Locarno, but it was after Fraser had left the band. Sharks were a great live band, and Snips is a very under-rated singer. Snips and Chris have recently re-emerged as King Mob, who looked great, but were short-lived and have already split. Anyway, back to Andy Fraser. He next formed the Andy Fraser Band, a trio with Kim Turner on drums and Nick Judd on keyboards. I saw the band once at a gig in Sunderland Locarno in 1973; Andy took the front man role, but the lack of a guitarist seemed strange and didn’t work for me. The gig was poorly attended and I never saw the band again, although I do recall them playing Newcastle City Hall around the same time. 
Paul Rodgers and Simon Kirke formed Bad Company. I have blogged separately about Bad Co in concert, who were just great, and carried the Free flag forward to some extent. However, they became a bit too much standard rock for me, and didn’t have the same emotional feel that Free had; they also moved to a more AOR style in their later days. Thats not to say that I didn’t enjoy Bad Company in concert; I did. But it was a very different band to Free, and although some things were gained and were better, some things were also lost in the transition. 
As usual, I did some searching to check my facts before blogging. I often discover something new, or I am reminded of something that I have forgetten. Today I discovered that after leaving Bad Con in 1982, Simon Kirke was briefly involved with a band called Wildlife who toured in support of the Michael Schenker Band. Now I saw Michael Schenker on most of his UK tours in the 80s, so will probably have seen Wildlife (although I have no recollection of doing so). 
I’ll finish today’s bog activity with a Postcript from my friend John who was lucky enough to see Paul Rodgers fronting his band, Peace, who were formed when Free split in 1971. This was at a gig at Newcastle City Hall (see programme right) which I sadly missed out on. Over to John: “I saw Peace play their only ever tour, supporting Mott the Hoople, November 5th 71 at the City Hall. They were a three piece, I liked them but remember think they sounded a lot like Free and so couldn’t understand why they had split up. This tour with Mott was to lay the foundations for Bad Company but that, of course, is a different story.”. I’ll complete my blogging on Free related bands tomorrow, by writing about The Firm, who I saw in Middlesbrough in 1984, and featured Paul Rodgers and Jimmy Page.
21 Nov
Free Sunderland Locarno October 1972
By late 1972 Free were falling apart. Andy Fraser had left to be replaced by Tetsu and Rabbit, and in a few short months the band would be no more. This was a result of internal friction particularly between Andy Fraser and Paul Rodgers, and because of Paul Kossoff’s health problems. Kossoff was replaced by a session musician on some of the tracks of their final album, Heartbreaker and on a tour of the USA his place was taken by the guitarist from Osibisa, which marked the end for the band. Free returned to play in Sunderland only a few months since their last gig in the town. I have a programme from that time which doesn’t actually list the Sunderland gig, but it does mention local gigs at Newcastle Mayfair, Durham University and Redcar Jazz Club. However, I’m certain that I bought it at a gig in Sunderland Locarno, which was presumably added as an extra date after the programme was printed. By this time Wishing Well had been released as a single and some of the new tracks from Heartbreaker will have featured in the set. My memories of this Free gig are much hazier than those of the gigs I saw earlier that year, which suggests to me that it didn’t reach the same heights, both in terms of performance and audience reaction. I don’t remember the place being packed. The programme lists support as caming from Smith Perkins and Smith, who were an American soft rock / country band. The next time I was to see Paul Kossoff and Andy Fraser it was as part of their own individual bands, and in the case of Paul Rodgers and Simon Kirke as members of Bad Company.
20 Nov
Free Sunderland Top Rank Feb 13th 1972
I next saw Free at Sunderland Top Rank (or the Rink as we knew it at the time). Support came from Vinegar Joe featuring Elkie Brooks and Robert Palmer, who I had seen the previous year in the band Dada. I went along with a few mates from school, and we arrived early sitting cross legged on the dance floor; as you did in those days. Vinegar Joe were a great live band; Elkie was very much the raucous rock chick singer, with swirling gypsy skirts, and quite a raunchy stage act. Her vocals were complimented by Robert Palmer’s more soulful approach. I saw Vinegar Joe quite a few times around that period; they were very popular, but didn’t achieve anything like the great success that Elkie and Robert went on to in their own right. The place went crazy for Free. I recall being crushed near the front of the stage, and concentrating on watching Paul Rodgers and Paul Kossoff. These guys seemed so much older than me, but they were actually pretty young at the time. Paul Rodgers was an incredible front man; lots of throwing the mike stand around, and a great vocal performance. Kossoff would really wring the notes out of his Les Paul. He has influenced so many people, including Joe Bonamassa who owns one of Kossoff’s original guitars. 
The setlist is likely to have included Little Bit of Love (which was a single at the time), My Brother Jake, Travellin Man, Ride on Pony, Be My Friend, Fire and Water, Songs of Yesterday, Mr Big, All Right Now,and The Hunter as the encore. A great gig. Thanks to John for sharing his memories of the gig with me, and for reminding me of some of the songs for the setlist.
19 Nov
Free Newcastle City Hall 1st February 1972 and early 70s gigs
Free Newcastle City Hall and early 70s gigs
If you asked a teenage gig-goer from the North East of England in the early 70s to name their favourite live bands, they would probably have said Free, Family, and possibly Stray. All three of those bands played in the region a lot at the time, and were great live, as a result building a strong following. In Sunderland Free in particular had a strong cult following, and played lots of gigs at the Bay Hotel, and Sunderland Locarno. I was just that little bit too young to catch some of those early gigs, and was very jealous at the time of some of my slightly older mates who told me how great Free were live. Indeed some of the tracks on the album Free Live was recorded at a gig at Sunderland Locarno (or Fillmore North) in 1970. Free existed only for a brief few years at the end of the 60s and beginning of the 70s, and yet their shows and records are still spoken of today. There was a unique emotional groove to their music that set them above others, and gave them a different feel to the heavier bands of the time like Purple, Sabbath and even Zeppelin. This came from the combination of Paul Rodger’s soulful vocals and Paul Kossoff’s bluesy guitar. The first time I got to see Free was at a gig at Newcastle City Hall in early 1972. This was something of a comeback gig, as the band had broken up briefly in 1971, due at least in part, to Koss’ drug problems. The City Hall was packed but the gig was abandoned due to a power failure. Support came from Bronco featuring Jess Roden, who managed to complete their set by performing acoustic versions of some of the songs. Free took to the stage, but again there were problems with the power, and they had to cut their set short, promising to return later in the month. Free did return for two nights on the 21st and 22nd of February, with one of the nights being a free concert for ticket holders from the original gig. I went along to the new gig and saw Free play a full set, and they were amazing; every bit as good as my mates had told me. By then I had also seen them play at Sunderland Top Rank (I will blog about that gig tomorrow), so I saw them three times in the same month. Live favourites for me were The Stealer, My Big, Alright Now and, of course, The Hunter, which was always the encore. 
My friend John was one of the friends who did get to see Free at some of those earlier gigs that I mentioned earlier. He remains a strong Free fan and has sent me some of his memories: “I have to say that my three favourite bands of all time are Free, Zeppelin and the Black Crowes followed by Humble Pie and Mountain. There are three things I man does not forget: his first beer, his first real girlfriend and in my case my first rock and roll show. I was very fortunate that it was the Indoor Festival of Music at the Top Rank Suite in Sunderland promoted by Geoff Docherty which featured Free as the headliner with Deep Purple, Principal Edwards Magic Theatre, Cochise and Yellow. All for the princely sum of a Pound! I was not quite 15 and can still remember how excited I was to going to the show which was billed as starting at 7.30pm and finishing at 2am – wow how cool was that. Purple had some transportation problems and so Free went on first. Fire and Water was released in June of that year, they had played the Isle of Wight and All Right Now had reached number 2 in the charts, they had appeared on Top of the Pops, very heady times for a band still barely in their 20’s. We bought tickets from Bergs Records (and Bicycle) shop which were very cool looking; we sat on the floor and had a fantastic time. The setlist was heavily drawn from Fire and Water and Highway which was released in December of that year: Ride on Pony, the Stealer, Be My Friend, Mr Big, All Right Now, Don’t say You Love me, Fire and Water, I’m a Mover, Walk in my Shadow, Songs Of Yesterday, closing, of course, with The Hunter. If you ask any Free fan from the time I am pretty sure they say that Mr Big and The Hunter were their favourite songs and to this day I still get goose pimples when I hear the opening chords of the live version of The Hunter. Fast forward to the Sunderland Empire in 1971 and Free appeared supported by Amazing Blondel. I think I can remember local famed promoter Geoff Docherty introducing Free. I have in my head Geoff coming out and saying “he couldn’t ask them to play anymore as they were knackered”.”
17 Nov
Buxton Festival 1974
The Buxton Festival 1974
Line-up: The Faces, Humble Pie, Mott The Hoople, Horslips , Chapman/Whitney StreetWalkers, Trapeze , Chopper, Badger, Strider, Lindisfarne, Man. 
My friend John and I have spent the week swapping memories of The Faces to help me write my blog. One memory that we share is of the 1974 Buxton Festival which we both attended. I’m not sure if it is a pleasant memory or not; and those of you who attended any of the outdoor Buxton events will know why I say that. Terry Battersby puts in well on the UK Festivals site: “I managed Buxton in 72/73/74.They should have been campaign medals issued”. I managed 73 and 74 and know what he means; I hold my medal with pride; the Buxton festivals were a real endurance test. Buxton is a town high up in the peak district and the festival was sited up on a moor. You couldn’t imagine a worse place to hold a pop festival. All of the three outdoor festivals (there were some indoor events which preceded them) suffered from poor weather, lots of wind and rain, and after 1974 the organisers abandoned the idea of holding any further festivals. I’ll write separately about the 1973 festival in a day or so, it was a strange event at which the Hells Angels took over and ran the event (which was pretty scary). Anyway, back to 1974. I drove down to Buxton with my friend Gilly, who also came to the 1973 event with me. We arrived on Friday afternoon, finding the place cold and windswept. Not being the most prepared festival-goers at the time, we didn’t have a tent and planned on sleeping in the car (not easy in an MG Midget), or in sleeping bags on the ground. When we arrived on the moor we saw lots of people building makeshift huts from planks of wood. I asked them where they found the wood, and they pointed me to a storehouse in the next field. 
So off I went to retrieve some wood for us to build our own shelter. I was leaving the store with some planks under my arm with a few other guys, when we were stopped by a policeman, who asked us where we were taking the wood. He quickly bundled us all into the back of a police jeep and took us off to a temporary police cabin which they had set up for the weekend. Once in their they searched us, took statements, and made us wait a few hours, telling us that we would probably be charged with theft for taking the wood. When they eventually did let us go we had to walk back to the site, where I found my mate Gilly lying asleep by the car. The bands had started by that point, and we went into the arena and caught as much of the show as we could. I remember seeing Man and Mott the Hoople that night. Mott started with Golden Age of Rock n Roll and were just great. I slept in the car and Gilly slept in a sleeping bag underneath the car. We were both frozen; it was truly awful. Highlights of the next day were Humble Pie (Stevie Marriott was awesome in those days and a big festival favourite), and Roger Chapman and the Streetwalkers. Anyone who was there will remember the magic moment in that dull rainy day when the sun came out during My Friend the Sun, as Roger sang “He’s there in the distance” to a great cheer from the crowd. The Faces were OK, but it wasn’t the best time I saw them; by this point they had added a horn section to the band. I remember keeping warm in the Release tent and chatting to Caroline Coon. My friend John was also there with a group of mates, although I don’t recall us running into each other. His memories: “My own recollections were that the weather was terrible,wet and cold,the facilities non existent and I slept in my dad’s car with three other mates. The Friday bands were good Mott , Man and Lindisarne. On Saturday there was the famous “My Friend the Sun moment” which I do recall and Humble pie were great.The Faces came on late and I remember the stage being pelted with bottles – reports on the Web said this is because they refused to play an encore…..those were the days!!!” Postcript: several weeks after the festival I received a letter summoning me to attend my local police station where I was issued with a formal caution for “stealing” the wood; and that was the last I heard of it. I did run into a couple of the lads who were in the jeep with me at Reading and Knebworth over the years and we always said hello. I wonder where they are now. Thanks to John for the ad showing the line-up for the festival. Note The New York Dolls were listed to play at one point (although they don’t appear in the listing above), but didn’t make it for some reason.
14 Nov
Fleetwood Mac Manchester Arena 3 Dec 2003
Fleetwood Mac Manchester Arena 3 Dec 2003
Say You Will Tour
By 2003 it had been a long time since I had last seen Fleetwood Mac, and I was keen to do so again. I was a little frustrated when they announced a UK tour and I saw that they were playing Newcastle, which was a local gig for me, on the same night as I had tickets to see David Bowie at The Point in Dublin. Not to be put off, I quickly decided to buy tickets for David and I to go and see the Mac at the MEN Arena in Manchester. David was studying in Leeds at the time, so I arranged to meet up with him and we went off to Manchester together.
I remember the tickets for this gig were pretty expensive, and we decided to buy cheaper seats, which meant we were at the back of the arena and our view wasn’t great. Nevertheless we both enjoyed the gig which was a true greatest hits set. By this point Christine McVie had retired, which meant that some of the songs which she sang were dropped from the set, but the Mac train rolls on. Sadly for me this time round there were no songs from the early Mac days. The thing that we both remember most from that gig was the drum solo that Mick Fleetwood did, part of which involved him playing his waistcoat which had electronic drum pads built in; I kid you not! Its funny what sticks in your mind. 
I was to see Fleetwood Mac again 6 years later at Sheffield Arena, which I have already blogged on. There are rumours (no pun intended) of a Mac tour next year. Hope it happens. Setlist: The Chain; Dreams; Eyes of the World; Peacekeeper; Second Hand News; Say You Will; Never Going Back Again; Rhiannon; Come; Gypsy; Big Love; Landslide; Say Goodbye; What’s the World Coming To; Beautiful Child; Gold Dust Woman; I’m So Afraid; Silver Springs; Stand Back; Tusk; Go Your Own Way. Encore: World Turning; Don’t Stop. Encore 2: Goodbye Baby
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