Archive for the ‘Deep Purple’ Category

Deep Purple and Reef First Direct Arena Leeds 7 November 2024

Deep Purple have been a cornerstone of rock for over five decades, and their performance at Leeds First Direct Arena proved that they remain as powerful as ever. With a legacy that includes pioneering the hard rock genre and a body of work spanning seven decades, the band’s ability to innovate and enthral audiences is unmatched.

This wasn’t my first Deep Purple gig; in fact, it marked yet another chapter in a long history of seeing them live, stretching back to their iconic Fireball tour in 1971 at Newcastle City Hall. Back then, the band, led by the celebrated MKII lineup of Gillan, Blackmore, Glover, Lord, and Paice, were at their peak. I can still picture Jon Lord rocking his Hammond organ, Ritchie Blackmore’s theatrical guitar antics, and Ian Gillan’s hair-raising screams. That night is etched deep in my memory banks, and over the years, I’ve been lucky enough to see the band evolve through various lineups and tours.

Fast-forward to 2024, and the current lineup—Ian Gillan, Roger Glover, Ian Paice, Don Airey, and Simon McBride—brings the same energy and spirit, but with a fresh twist. Simon McBride, who replaced Steve Morse, has stepped into some big shoes, and he does so with confidence, injecting a new vitality into the band’s sound.

I had never seen opening act Reef before. I did not know what to expect but they did a pretty good job of warming the crowd up on the main attraction.

The set kicked off with the usual opener, “Highway Star.” From the very first notes, the crowd was captivated, with Gillan’s voice still packing an emotional punch and McBride’s guitar work proving he’s more than capable of carrying the torch for this legendary band. Simon McBride’s soloing on “Anya” was a standout moment. He’s a different kind of player than Blackmore or Morse, but his dynamic, fluid style added a fresh dimension to the song while respecting its legacy. Don Airey, a Sunderland native and a long-time member of the band, delivered a breathtaking keyboard solo that demonstrated why he remains one of rock’s finest musicians.

Sadly, we left before the encore in order to catch the last train home. Reflecting on the gig, it’s remarkable to think how much this band has meant to rock music and to me personally. From the fiery performances of the MKII lineup to the epic return at the Knebworth 1985 show, which even the rain could not dampen, to their 2011 orchestra-backed tour, Deep Purple have always delivered unforgettable live experiences. Indeed, the 2024 tour felt like a celebration—not just of the band’s past, but of their ongoing ability to evolve and inspire. The venues may have changed, and the lineup may have evolved, but the power of Deep Purple remains eternal.

Deep Purple’s legacy is secure, but performances like this show that they’re not just looking back—they’re still blazing forward, leaving a trail of awe-struck fans in their wake. Many thanks to Jan and Jackie for the photographs, to Laura for helping me with the blog and to Atlanta for helping me manipulate the site. I treated myself to a signed drumskin on the way out.

Postscript: I was lucky enough to attend the graduation ceremony at which Don Airey received an honorary award from the University of Sunderland, where I am an emeritus professor. I reminisced with Don about how I used to come to his house to practice guitar with his younger brother. We were both fans of Wishbone Ash and the band Home and played some of their songs together. Happy memories.

Blackmore’s Blood The Fire Station Sunderland 28 September 2024

I don’t normally go to see tribute bands, but this one seemed to promise something special and a direct linkage to Ritchie Blackmore. Deep purple, and Ritchie Blackmore in particular, were heroes of mine, and both of them still are, in their current Incarnations.

There was, and still is, no one quite like Ritchie Blackmore: his guitar playing and style, his man in black outfits with his spooky hat and the way in which he blended classical with folk (ish) rock music in a way no one else did nor has done so since.

The Fire Station website tempted me: “Blackmore’s Blood’s reputation for presenting the authentic tribute to the genius, flamboyance and flair of Ritchie Blackmore’s music from Deep Purple and Rainbow, incorporating his true sound and showmanship, has brought critical acclaim and a demand for more shows nationwide.”

“Formed in the Northeast of England [I was not aware of the link to the north-east ] but with members from across the UK, they share an unequalled determination, commitment and passion to reproduce the look and sound that fans of these two great bands want to see and hear.”

“Guitarist Mal is a true blood-relative of Ritchie Blackmore. He has his look and an unrivalled ability to play and sound like him too. With support and acknowledgement from personnel who have worked with Ritchie, it is clear why this is the closest and the finest tribute to Ritchie Blackmore anyone is likely to see.”

It was great to meet up with old friends in the bar, one of whom brought me up to speed on this band. She told me how the guitarist Mal also fronts a rock band which plays in pubs and clubs around the north-east. She has seen him on a number of occasions, and he told her that he has checked out his genealogy and he is definitely linked to Ritchie Blackmore through previous generations. Interesting and intriguing. My friends assured me that I was in for a treat.

And it surely was a treat. The guy in question, Mal, does have a resemblance to Ritchie and he certainly dresses the part. His guitar playing is a fitting tribute to Blackmore and the choice of repertoire is impeccable. Perhaps a little too much Rainbow and a little more Deep Purple would have made the show even more enjoyable for me, but hey this was a pretty great concert. The rest of the band are all excellent musicians, and the singer has very powerful voice which does justice to the epic songs.

The show opens with the Rainbow classic “over the Rainbow” and then we are taken back to 1974 and memories of Newcastle Odeon when I and my mates (one of whom was present at the Fire Station show) went to see the new Deep Purple line up featuring the great vocals of David Coverdale and with Blackmore’s singer to be, Ronnie James Dio in the support band Elf. Yes, the second song was “Burn”. Fantastic. Mal (Ritchie) was on fire (no pun intended) already. Soon another later chart hit for Blackmore “I Surrender”. Once again, an excellent choice and an excellent rendition of a fantastic song. Soon, returning to Burn and “Mistreated”. Yet another classic delivered well.

After a short interval, time for drink with friends and back to our seats for more classic rock. Two songs in and current deep purple opening song “Highway Star”, taking me back to Newcastle City Hall and Deep Purple in concert with Nazareth supporting them, when I first heard that song. This was soon followed by ”Stargazer”, another Rainbow favourite song of mine, perhaps my second favourite song by Rainbow after “Man on the Silver Mountain” which they performed as part of the first set.

Then the moving ballad “When a Blind Man Cries”, quickly onwards with what has almost become the Deep Purple signature tune “Smoke on The Water” and my favourite “Black Night”. At this point Mal is going crazy holding his Stratocaster high up in the air and then scraping it backwards and forwards along the edge of the stage. The sort of guitar histrionics which Blackmore would demonstrate in the 1970s. I recall him climbing up the guitar stacks, up onto the balcony of Newcastle City Hall and then banging a hole into the side of the front balcony. The hole was left there for many years as a memento of the occasion. Magic.

And that word “magic” just about sums up the show. Mal may or may not be a true blood relation of Ritchie Blackmore, but he certainly brings his legacy back to life. Blackmore’s Blood are as close to the real thing that we can get to at the moment. They close with “Since You Been Gone” another magical rock power ballad. Great fun.

Many thanks to Jan for the photos and Chris for manipulating the site.
Setlist: Set One: Over The Rainbow; Burn; Stormbringer; Man On The Silver Mountain; Catch The Rainbow; I Surrender; Temple of the King; Mistreated; Perfect Strangers; Knocking at Your Back Door
Set Two: Gates Of Babylon; Highway Star; Spotlight Kid; Stargazer; A Light In The Black; Soldier Of Fortune; When a Blind Man Cries; Smoke On The Water; Black Night; All Night Long, Since You been Gone
Encore: Long Live Rock n Roll

Glenn Hughes Boiler Shop Newcastle 17 October 2023

GLEN0I first encountered Glenn Hughes when he was playing with Trapeze, at Sunderland Polytechnic Wearmouth Hall in the early 70s. The next time was in 1974 when Deep Purple returned with a new singer and bass player. This was the Burn tour and Newcastle Odeon was sold out. But everyone was wondering what the new line – up would be like, particularly with David Coverdale replacing Ian Gillan. We need not have worried. As soon as Purple took to the stage it was obvious that they were incredibly hot, loud and ready to prove just what a major rock force they were. Songs like “Mistreated” and “Burn” itself were incendiary. Coverdale was a magnificent front man with a soaring, great rock voice. And to his right, stood Glenn Hughes adding equally strong soulful vocals and excellent bass. Blackmore was on top form as were Jon Lord and Ian Paice.

GLEN4The next time I witnessed Glenn Hughes was when he performed as part of the Jon Lord Memorial concert at the Royal Albert Hall. Again, he was a human dynamo, commanding the stage with magnificent, searing, soulful vocals. And again, he was a human powerhouse. He deserves the title “The Voice of Rock” which is often quoted about him.

GLEN2I have been remiss in missing out on the last few times that Glenn played in Newcastle. This time the tour was promoted as a celebration of classic Deep Purple and the album Burn, so I could not resist attending. And I am so glad that I did. Jackie and I arrived in time to catch the last few songs of the support act The Damn Truth who were dynamic, loud and rocky. The crowd was clearly enjoying them. A great warmup act.

GLEN3Soon Glenn Hughes exploded onto the stage. This guy is amazing. His voice remains strong and soulful and he has so much energy. Glenn was clearly pleased to be back in the north-east and delivered a set of Deep Purple classics, each song lasting 10 to 15 minutes with extended guitar solos. There was even a drum solo! This was a proper 1970s rock performance. Standout songs were “Mistreated”, “Burn” and a great rendition of “Highway Star”.

GLEN6The Voice of Rock demonstrated how he deserves this title. Great showmanship, much patting of the heart and dedication to his old friend and bandmate the late, great Tommy Bolin. They both shared addictions sadly Tommy did not survive, while Glenn managed to beat his demons. Glenn has lived in the USA for many years, and has put together an excellent band with an exceptional guitarist who did justice to those great Purple rock anthems.

GLEN1An excellent night with a truly exciting and explosive rock legend. I bought a signed poster. Many thanks to Jackie and Chris for the images.

Setlist: Stormbringer; Might Just Take Your Life; Sail Away; You Fool No One; Mistreated; Gettin’ Tighter; You Keep On Moving.

Encore: Highway Star; Burn.

Celebrating Jon Lord The Royal Albert Hall 4th April 2014

Celebrating Jon Lord The Royal Albert Hall 4th April 2014
jontixI am sitting on the 07.00 train from Kings Cross to Newcastle as I write this. Last night I spent the evening with a group of musicians, from the worlds of both classical and rock, and fans who had travelled from around the globe to celebrate the music of Jon Lord. The event was held in the majestic Royal Albert Hall, a venue in which Lord performed many times, and where he premiered his concerto for group and orchestra with Deep Purple some 45 years ago.
As we arrived in the hall, we were greeted by two large video screens on either side of the stage, showing images of Jon. I had a seat on the arena floor, a few rows from the front, to the left of stage centre. A great view.
jonprogThe evening had been organised by The Sunflower Jam on behalf of the Jon Lord Fellowship for cancer research. The Sunflower Jam is a charity led by Jacky Paice (wife of Ian Paice and twin sister of Jon Lord’s wife Vicky Lord), which organises annual events at the Albert Hall.
The event started promptly at the advertised time of 19.30 with our host Bob Harris welcoming us and introducing the concert. This was an evening of music, celebration and emotion, which started with Ian Paice accompanying his sister-in-law Vicky Lord on stage, for Vicky to say a few words about Jon. The first half of the concert was devoted to Lord’s solo and orchestral compositions and featured the Orion Orchestra conducted by Paul Mann, and our house band of the evening of Murray Gould, Neil Murray, Jerry Brown, Paul Wichens and Nigel Hopkins. The first piece was “Durham Awakes” from the “Durham Concerto” featuring Kathryn Tickell on Northumbrian pipes. This was followed by Steve Balsamo on vocals and Anna Phoebe on violin accompanied by Mickey Moody on guitar, performing “All Those Years”. jon2Then Miller Anderson gave a moving reading of “Pictured Within”. This was followed by Rick Wakeman leading the band in music from “Sarabande” and Margo Buchanan singing “One From The Meadow”. Finally, the first half of the concert closed with Jeremy Irons elegant reading of Thomas Hardy’s “Afterwards”, accompanied by Paul Mann on piano. There was a lot of material that I wasn’t familiar with in the first half of the show; it was good to experience something new and different, performed perfectly and beautifully by a group of musicians who were all there to celebrate the diversity of Jon Lord’s compositions. Bob Harris returned and told us that after the interval “we are going to rock” 🙂 It was 20.45.
The second part of the evening started at 21.10 with Joe Brown, ever the cheeky cockney, who entertained us with a few quips and then introduced Paul Weller. Mod Weller took us back to the ’60s performing two tracks from Jon’s first band The Artwoods. These were fine slabs of Motownish white soul R’n’B: “Things Get Better” and “I Take What I Want”. Great stuff.
jonpurpleNext we were treated to a couple of Paice, Ashton and Lord songs “Silas & Jerome” and “I’m Gonna Stop Drinking” led by the amazing vocalist Phil Campbell, and great blues guitar of Bernie Marsden. Phil is a relatively new vocalist from Scotland and is straight out of the mould of Rod Stewart/Joe Cocker/Chris Robinson. Just perfect wild raucous singing and the right amount of rock’n’roll swagger. Check him out. The high point of the evening (so far). Steve Balsamo and Sandi Thom then performed a beautiful version of the haunting classic “Soldier of Fortune”.
Nothing could have prepared any of us for what came next, which was an amazing performance by Bruce Dickinson and particularly Glen Hughes. They started with “You Keep On Moving”, which was great enough, but then they took the roof of the place with an incendiary version of “Burn”. Everyone on their feet, the two of them sparring vocally, both out-singing each other with their tremendous outstanding vocal ranges. Sorry for all the superlatives, but it was that good. A hall full of old guys punching the air and rocking. jon1 Hughes was incredible. It took me back to the time I saw Purple Mk III on the Burn tour. I was struck that night (can it really be 40 years ago?) by Hughes’ over the top performance and his soulful soaring vocals. Last night he was strutting and stalking around the stage, bass aloft, wrestling ever ounce of soul and emotion out of his voice. I have never seen a performance like it; at times he was on his knees, tears running down his cheeks. Yes it was over the top, but you just knew that the guy went out last night determined to deliver the performance of his life, and that he felt and meant every word of it. Electric, and a privilege to experience. Glen Hughes closed this segment of the show with “This Time Around”, which he explained was the only song he wrote with Jon Lord.
Finally it was left to Deep Purple to close the evening, which they did with great style performing a short set of “Uncommon Man”, “Above And Beyond”, “Lazy” (with Bentley Kline on violin sparring with Don Airey on keyboards), the beautiful blues of “When A Blind Man Cries”, the cooking rhythms of “Perfect Strangers” and closing with (what else) a rocking “Black Night” with all of us singing along. Then everyone joined Purple on stage for an encore of “Hush”. Lots of “Nah Nah Nah Nah”s from the stage and the floor. It just doesn’t get much better. For over three and a half hours we were well reminded just how great a musician, composer and man Lord was. RIP Jon Lord.
AlbertHallThe Performers
Host: Bob Harris
Deep Purple: Ian Gillan (vocals), Steve Morse (guitar), Ian Paice (drums), Roger Glover (bass), Don Airey (keyboards).
The Orion Orchestra conducted by Paul Mann.
House band: Murray Gould – guitar, Jerry Brown – drums, Neil Murray – bass, Paul Wichens – keyboards, Nigel Hopkins – piano.
Guests: Miller Anderson – vocals, Steve Balsamo – vocals, Joe Brown – jokes and cockney twang, Margo Buchanan – vocals, Phil Campbell – vocals, Bruce Dickinson – vocals, Nick Fyffe – bass, Glenn Hughes – vocals/bass, Bentley Kline – violin, Paul Mann – piano, Bernie Marsden – guitar, tMickey Moody – guitar, Anna Phoebe – violin, Sandi Thom – vocals, Kathryn Tickell – Northumbrian pipes, Rick Wakeman – keyboards, Paul Weller – vocals/guitar
Postscript
It was truly an amazing night. However, I have to say that I came away feeling a few things were missing. First, Blackmore and Coverdale. Now we all knew Blackmore was never going to attend, but some of us lived in a vain hope that past issues might have been forgotten, and that he may have made an appearance. On the other hand, it is of course up to him how he wishes to remember Lord, and his new song in Jon’s memory sees a return to his old style. I understand Coverdale couldn’t make it; again a big miss. I also expected to hear some of the “Concerto”, particularly given the occasion and the venue. A strange omission. And finally I had hoped for “Child in Time”. I know Purple don’t play it any more, but a version by the house band with a guest vocalist might have been possible. Sorry to niggle about what was an incredible event.
The images are all photographed from the concert programme.

Deep Purple Manchester Apollo Oct 12th 2013

Deep Purple Manchester Apollo Oct 12th 2013
purpletix I decided at the last minute to go and see Deep Purple at Manchester Apollo last night. Its a couple of years since I’ve seen them and the nearest calling point of this year’s tour was Manchester. The concert wasn’t sold out, so I bought myself a standing ticket, printed it off on my computer. I was soon on my way down the A1 and across the M62 to Manchester, listening to “In Rock” as I drove down. I arrived just as support band Rockbox took to the stage. The Apollo seemed pretty full, with the stalls packed, and looking upstairs I could see very few empty seats. Rockbox were quite bizarre. They are a five piece; the singer used a loud hailer rather than a mike, and the four other guys were wearing red velvet school uniforms ala Angus Young, complete with devil horns and short trousers. The guitarist wore his amp in a satchel and had a speaker strapped to his belt. Two guys had drums hanging around their necks; one with a bass drum and the other with a snare and a couple of cymbals. And oh, there was also a guy with a huge horn, draped around him; I think it was a sousaphone. A pretty strange line-up and very different from the norm. Their set was all covers including Won’t get fooled again, Sgt Peppers, and Don’t stop me now. They went down well with the crowd, who found it good fun, and knew all the songs. purple I found a spot quite close to the stage, and Deep Purple came on bang at 9pm. They have just released a new CD “Now What?!” which is their 19th album, and their first for 8 years, and the set featured a few tracks from it. In fact, they started with a new song, which surprised me (and disappointed me a little as I was expecting usual opener Highway Star). Not to worry, however, as there were plenty of old classics for me. Each member took a solo during the set, which I usually find tiring, but last night the balance was OK, with each members instrumental piece working well, and not being over long. Favourites for me were (of course) all of the old ones: Strange Kind of Woman, Lazy, Into the Fire, Space Trucking, Smoke on the Water, and the encores Hush and Black Night. Ian Gillan’s voice was quite strong, with the usual screams intact. He is now in the habit of disappearing off stage between verses, presumably to take a rest, and a drink for his throat. They dedicated one of the new songs, Above and Beyond, to Jon Lord. Black Night closed the show at 10.45pm, and was just great. It took me a good 30 mins to get out of the car park; they pack the cars in nose to tail, so you are blocked in and can’t get out until everyone around you arrives at their car. I then got stuck in traffic driving through the city centre. I was home around 1.45am. It was good to see Deep Purple again, particularly in a relatively intimate venue. Just classic. The old ones are still the best. Setlist: Après vous; Into the Fire; Hard Lovin’ Man; Vincent Price; Strange Kind of Woman; Contact Lost (guitar Solo by Steve Morse); Uncommon Man; The Well-Dressed Guitar; The Mule (drum Solo by Ian Paice); Above and Beyond; Lazy; Hell to Pay (keyboard Solo Don Airey); Perfect Strangers; Space Truckin’; Smoke on the Water. Encore: Green Onions (Booker T. & The MG’s); Hush; (bass Solo by Roger Glover); Black Night

Deep Purple Newcastle Arena 2007

Deep Purple Newcastle Arena 2007
Support from Styx and Thin Lizzy
A group of us went to this gig, attracted as much by the strong support acts on offer, as by the prospect of seeing Deep Purple. My friends are all big Styx fans, and couldn’t miss the opportunity of seeing them. The gig started early at around 7pm, to allow each vabd to perform a reasonable length set. First up was Thin Lizzy, this line-up fronted by John Sykes and Scott Gorham. They delivered a set of Lizzy classics, proving that there is life for the band without front man Phil Lynott. In fact, I was surprised just how good they were, and it was great to hear classics such as The Boys Are Back In Town, and Jailbreak again. Styx were next up, also missing front man Dennis DeYoung. Styx gave headliners Purple a run for their money, and delivered a set of classics which went down well with the assembled crowd. Although Purple’s latest album was Rapture of the Deep, this show also featured the band playing their classic album Machine Head in full. A good evening in the company of friends, and three classic rock bands. Setlist: Fireball; Things I Never Said; Into the Fire; Strange Kind of Woman; Rapture of the Deep; The Well-Dressed Guitar; Highway Star; Maybe I’m a Leo; Pictures of Home; Never Before; When a Blind Man Cries; Smoke on the Water; Lazy; Space Truckin’. Encore: Hush; Black Night.

Deep Purple Newcastle Arena 2004 Bananas Tour

Deep Purple Newcastle Arena 2004 Bananas Tour
Support from Peter Frampton and Thunder
It was almost 20 years until I saw Deep Purple again. I went along with my mate Will to this gig, which was at Newcastle Arena. The show used part of the Arena, with the rest sectioned off. This allows the band to perform to a larger audience than can be accommodated in a concert hall, such as Newcastle City Hall, but loses much in terms of atmosphere. Support came from rock band Thunder and Peter Frampton. I hadn’t seen Frampton since the Frampton Comes Alive tour, and I’d forgotten just how good he is. He has some great songs and is a pretty neat guitarist to boot. He played, of course, Show Me The Way, and a few other classics from his 70s heyday. By 2004 Blackmore had left Purple again, and Jon Lord had just retired. Steve Morse was well established on guitar, and local hero Don Airey had recently joined on keyboards. Long-timers Gillan, Glover and Paice were there from the old days. The band had recently released the Bananas album. The set was a mix of old favourites, and quite a few recent tracks which were unfamiliar to me. I’d almost forgotten just how great Purple are, and was well impressed. It was great to see them play old favourites like Speed King, and particularly Hush. Steve Morse is an impressive guitarist and fits in well, and his solo on Contact Lost was a stan-out. Setlist: Silver Tongue; Woman from Tokyo; I Got Your Number; Strange Kind of Woman; Bananas; Demon’s Eye; Knocking at Your Back Door; Contact Lost; The Well-Dressed Guitar; Perfect Strangers; Space Truckin’; Highway Star; Smoke on the Water. Encore: Speed King; Hush.

Deep Purple Knebworth 1985

Twelve years after I last saw them, the classic Deep Purple line-up was back and playing at Knewborth. I went with my mate Dave on a trip bus from the town. The line-up for the day was very strong with The Scorpions, Meat Loaf, UFO, Mountain, Blackfoot, Mama’s Boys, and Alaska (can’t remember who they were) but unfortunately the weather was lousy. It rained and rained all day and then it rained more. Dave and I spent much of the day sheltering under a tree. At one point we found our way into an indoor bar which must have been for guests because it was empty (!) and we kept warm and dry in there. The Scorpions went down best of all the support acts, and there was a never ending two hour wait between the end of their set and Purple taking to the stage at around 10pm. I can’t remember much about the other bands, but Purple were good despite the rain. As expected they started with Highway Star and played all of the classics, along with quite a few songs from the new album Perfect Strangers. To cap it all our bus got stuck in the mud in the carpark and some of us had to push it out. We didn’t get out of the carpark until early morning and arrived back home at dawn. The things I’ve done for rock n roll…Setlist: Highway Star; Nobody’s Home; Strange Kind of Woman; A Gypsy’s Kiss; Perfect Strangers; Under the Gun; Lazy; Knocking at Your Back Door; Difficult to Cure; Space Truckin’. Encore: Speed King; Black Night; Smoke on the Water. Other memories are of some guys setting fire to the portaloos to keep warm, no screens and an awful view of the stage from the back, pretty cool lasers for Purple, and a massive firework display after Purple’s set. Happy Days.

Deep Purple Newcastle Odeon 1974

Deep Purple Newcastle Odeon 1974
Support from Elf
So Deep Purple returned to the North East with a new line-up. Ian Gillan and Roger Glover had departed and in came local lad David Coverdale, who hailed from Saltburn, on vocals and Glenn Hughes, from Trapeze, on bass and vocals. The gig had sold out pretty quickly, which was some achievement given the changes in the band and the fact that they had graduated from the City Hall to the larger capacity Odeon. I went along with a group of mates, with some trepidation; I just couldn’t imagine how the new guys were going to fit it, and live up to the huge reputation that was Deep Purple. Support came from Elf, who featured Ronnie James Dio on vocals, and delivered an impressive set. Purple had released the new album Burn, and one of mates had bought it. We’d all listened to it and agreed that it was pretty good. The Deep Purple we all experienced that night was easily on par with its predecessor. They exploded onto the stage with “Burn”; Coverdale was on fire, Blackmore was his old self, Jon was attacking his organ, Hughes added a more soulful dimension to the vocals, and Ian Paice provided the solid back beat. I have a theory that bands can find great strength at times of change. I’ve seen it happen a couple of other times: when Genesis came back without Gabriel is another example. Deep Purple came back stronger than ever, and the strength of the songs on Burn helped. Mistreated, Might just take your life, and Burn itself are all very powerful songs. Setlists from the time show the set as being: Burn; Might Just Take Your Life; Lay Down, Stay Down; Mistreated; Smoke on the Water; You Fool No One; The Mule; Space Truckin’. Encore: Going Down; Highway Star. My friend John sent me his own recollections of the gig: “For years I though this was the City Hall; I had a great seat near the front. They played Burn and Mistreated from the new album which were great plus I think Might Just Take your life, You Fool No One and Lay Down Stay Down. Burn was the starting track, Mistreated was the highlight for me and think they played Highway Star, Space Trucking and presumably Smoke on the Water.Support was Elf with Rockin Ronnie. Remember Glenn Hughes had really long hair – had seen him once before in Trapeze.”
It was all of 11 years until I saw Deep Purple again. I didn’t see the Tommy Bolin line-up; they toured the UK but didn’t play the North East, although a show at Middlesbrough Town Hall (which would have been a home-coming show for David Coverdale) was rumoured but, to my knowledge, never happened.

Deep Purple Newcastle City Hall 1973

Deep Purple Newcastle City Hall 1973
Support from Nazareth
This was the last time that I saw the classic Deep Purple Mark II line-up in the 70s. By this point tensions in the band were growing and relations between Gillan and Blackmore were not good. Both Gillan and Glover were to leave the band before the year was out. This tour came just as the Who Do We Think We Are album was released. This is not their strongest album but it does feature the great hit single: Woman from Tokyo. Published setlists from the time show the set as being: Highway Star; Smoke on the Water; Strange Kind of Woman; Mary Long; Lazy; The Mule; Space Truckin’; and Black Night. My friend John recalls them also playing Woman from Tokyo; Smooth Dancer and Never Before from Machine Head. My main recollection from the gig was how different Gillan looked. He had grown a beard and was wearing a smart jacket and slacks; a very different image to that of previous tours. Reports of shows from that period suggest that you could sense the tensions within the band and the growing distance between the members, but I can’t say I noticed anything amiss. I was sitting upstairs with a group of friends, and enjoyed the gig, although not quite as much as previous tours. Nazareth were a great support act. A few months later the unthinkable had happened and Gillan and Glover had both departed. I thought that was the end of Deep Purple, which was far from what transpired, more of which tomorrow.