Posts Tagged ‘rock n roll’

20 Feb

The Skids & Spear of Destiny, Wylam Brewery, Newcastle, 21 November 2024

Posted by vintagerock in Skids, Spear of Destiny. Tagged: , , , , , .

There’s always a mix of excitement and nostalgia when going to see a band you first watched over forty years ago. The Skids were one of the most explosive and unforgettable live acts I saw in my youth, back when punk and new wave were at their peak. The memories of their gigs at Middlesbrough Rock Garden in 1979 and Newcastle City Hall later that year are still burned into my mind—packed venues, wild pogoing crowds, and anthemic singalongs to “Into the Valley” and “The Saints Are Coming”. It was raw, chaotic, and thrilling.

Fast forward to 2024, and The Skids, now fronted only by Richard Jobson, after the sad passing of guitarist Stuart Adamson were back, sharing a bill with Spear of Destiny at Wylam Brewery. Would they still have the same fire, or would this be a gentle nod to the past? The answer became clear as soon as they hit the stage: The Skids may be older, but they’ve lost none of their energy.

Before The Skids took the stage, we were treated to a short but intense set from Spear of Destiny. Led by the ever-charismatic Kirk Brandon, who I last saw as front man for his previous band, Theatre of Hate, their sound was just as grand and dramatic as I remembered seeing Kirk in his previous band. They worked through a tight selection of tracks, including “Rainmaker”, “Liberator”, “Mickey”, and “World Service”. Though it was a short set, it was enough to remind everyone why they were such a force in the 80s post-punk scene.

Richard Jobson took to the stage with all the energy of a frontman half his age, delivering a performance that was both nostalgic and full of life. His voice still carries that unique Scottish edge, and his stage presence remains as boisterous and animated as ever. They opened with “Animation”, immediately setting the tone for the night. As the first chords of “Thanatos” rang out, it became clear that this wouldn’t be a polite run-through of old hits—it was going to be a proper Skids gig.

Hearing tracks from Days in Europa, which was celebrating its 45th anniversary, was a highlight. “A Day in Europa” and “Dulce Et Decorum Est (Pro Patria Mori)” were performed with all the theatrical intensity and pounding rhythms that made the original album such a standout. “Masquerade” and “Charade” still sounded fresh, and “The Olympian” was a reminder of just how forward-thinking their sound was at the time.

Then came the big anthems, the ones everyone had been waiting for. “The Saints Are Coming” was an absolute standout, and “Into the Valley” turned Wylam Brewery into a massive, bouncing singalong. There was a real sense of community in the crowd, everyone revelling in the nostalgia of a song that, decades later, still feels like a battle cry.

They rounded off the set with “TV Stars”, a song that used to be a chaotic highlight of their early gigs, with the crowd chanting the now-famous roll call of “Albert Tatlock!”. It was rowdy, fun, and exactly what a Skids gig should be.For the encore, they returned with “A Woman in Winter”, a beautifully melancholic contrast to the power of the rest of the set. It was a perfect way to close the night.

There’s something incredibly special about seeing a band like The Skids in a small, intimate venue like Wylam Brewery. It brought me right back to those wild late-70s gigs, but with the added appreciation of just how well these songs have held up. Richard Jobson may be the only original member left, but his passion for these songs hasn’t faded one bit. The Skids are still a band worth seeing, not just for the nostalgia, but because they remain a genuinely great live act.

As I walked out into the Newcastle night, I couldn’t help but think back to Middlesbrough Rock Garden in 1979, when the gig was so packed we could barely move, and fights were breaking out all around us. Things were a little more civilised at Wylam Brewery, but the spirit of The Skids was still there, loud and defiant, 45 years later.

Treated myself to a copy of the lyrics to “Charade” signed by Richard Jobson himself (see image). Many thanks to Jackie for the photographs and to Laura and Natalie for helping me create the blog entry.
Setlist: Animation, Thanatos, Charade, Pros and Cons, Working for the Yankee Dollar, The Olympian, Masquerade, A Day in Europa, The Saints Are Coming, Into the Valley, Circus Games, TV Stars, Dulce Et Decorum Est (Pro Patria Mori), Grey Parade, Hurry On Boys.
Encore: A Woman in Winter

19 Feb

Richard Hawley, The Fire Station, Sunderland, 3 December 2024

Posted by vintagerock in Bernard Butler, Richard Hawley. Tagged: , , , , .

Seeing Richard Hawley live is always a pleasure, and his return to The Fire Station in Sunderland was no exception. Over the years, I’ve watched him evolve from a support act for Nancy Sinatra in 2005 to one of Britain’s most treasured songwriters, capable of selling out venues and captivating audiences with his unique blend of rockabilly, crooner ballads, and twangy guitar work.

I last saw him here at The Fire Station in December 2022, and again in 2023 for his collaboration with John Grant, performing “Richard Hawley and John Grant Play Patsy Cline.” Each time, he brought something special, and this night was no different. Touring in support of his latest album, In This City They Call You Love, Hawley took to the stage with his usual understated charm. His presence is effortless—there’s no need for theatrics or drama, just impeccable musicianship and that rich, velvety voice that seems to have been made for venues like this.

Support came from Bernard Butler, “who formed the group Suede co-writing and playing guitars on every recording until 1994,1992’s classic debut “The Drowners”, followed by hits “Metal Mickey”, the top 10 “Animal Nitrate” and the number 2 epic “Stay Together”. “(From his website). I have happy memories of seeing Suede with Laura in Manchester Ritz nightclub. (Back to the website) “The Mercury Prize winning debut Suede became the fastest selling record in years. The defining Dog Man Star, a sprawling concept of rare ambition culminated in Butler’s exit. The group continued but Butler’s contribution will remain the defining moment in the band’s history.” Bernard is now an accomplished solo artist who warmed up the crowd well for the main act.

Hawley opened the night with “She Brings the Sunlight,” a highly atmospheric track that immediately drew the audience into his world. From there, the set wove between new material and old favourites, showcasing the depth of his songwriting. As always, Hawley sounded great and his warm baritone added weight and depth to every lyric. Whilst I cannot claim to be a huge Hawley fan, in so much as that I have not listened to a lot of his recorded music, I never fail to be impressed and entranced by his live performances, and hearing it in such an intimate setting was a reminder of just how timeless his work is.

His vocals and swirling guitars filled the venue with a dramatic energy. Richard dresses almost as a rockabilly dude complete with cowboy shirt, jeans, winkle picker boots and quiff. My favourite song is “Where The Streets Have No Name” which has a 50s/60s feel about it. He also treated us to a Johnny Cash cover, “Hear That Lonesome Whistle Blow”, proving once again how well his voice lends itself to the country greats.

Hawley has a wry sense of humour, and his interactions with the crowd were as enjoyable as the music itself. There’s no pretence with him, just an easy, down-to-earth charm that makes every gig feel personal. Whether he was introducing a song with a self-deprecating joke or sharing a story from the road, he had the audience completely onside. As the main set came to a close with “Heart of Oak,” the applause was thunderous.

He returned for a three-song encore, closing the night with the breathtaking “The Ocean”—a song that swells and soars, perfectly capturing the grandeur and romance that defines so much of his music. Richard Hawley has a way of making every show feel intimate, whether he’s playing in a packed theatre or a smaller venue like The Fire Station.

His ability to craft songs that feel both nostalgic and timeless is rare, and his live performances are always great fun. Walking out into the cold December night, I was once again reminded why I kept coming back to see him. Whether it’s 2005 at The Sage Gateshead, 2022 at The Fire Station, or tonight in 2024, Hawley’s music has a way of sticking with you—like an old friend whose stories you never tire of hearing.

Many thanks to Jackie for the photographs and to Laura and Chris for helping me construct the blog entry.

Setlist: She Brings the Sunlight, Two for His Heels, Prism in Jeans, Open Up Your Door, Standing at the Sky’s Edge, Deep Space, Just Like the Rain, Hear That Lonesome Whistle Blow, Tonight the Streets Are Ours, Alone, Coles Corner, Leave Your Body Behind You, Heavy Rain, Don’t Stare at the Sun, Is There a Pill?, Heart of Oak. Encore: People, I’m Looking for Someone to Find Me, The Ocean.

14 Feb

Becoming Led Zeppelin Omniplex Sunderland 10 February 2025

Posted by vintagerock in Led Zeppelin. Tagged: , , , , .

I am a massive Led Zeppelin fan and have been lucky enough to see them on six occasions. The first was in 1971. In November 1971 I went to see Led Zeppelin two nights in a row, something I have very rarely done. I saw them first at Newcastle City Hall and then the following evening at Sunderland Locarno. They were magnificent on both occasions, starting with “The Immigrant Song”, Robert Plant screeching out those opening vocals, Jimmy Page playing those magnificent riffs, John Paul Jones providing the steady bass lines and the late great John Bonham sitting centre stage banging away at his drums. The next event was the following year at another unbelievable performance at Newcastle City Hall. My fourth encounter with Led Zeppelin was in 1975 at London Earls Court with my friends Ian , Pete and John, more of whom later. Then in 1979 I went with my late wife Marie and many friends to see what was to be their last UK performance at Knebworth Park. My sixth and last Led Zeppelin experience was at the O2 reunion concert in 2004 with Marie and my two youngest children David and Laura. Each of these concerts were magnificent and momentous in their own way.

So how could I resist going to see this film which examines the beginnings of the band. I went along to my local cinema with my carer Chris to see the film a few days ago. My aforementioned friend, John who now lives in the USA, also went to see it over in the States. John has written a full account for me of seeing the film over there which I reproduce below. His thoughts of the experience are similar to mine, so I have used his account for my blog entry today. Thank you so much John for allowing me to do so. Over to you John.

Becoming Led Zeppelin is a movie about the genesis of the band and its first exciting chapter. It’s strange that there has been very little promotion for this event and it’s very difficult to know if it’s officially authorized by the band. However, as it does include extensive fairly recent interviews with the three surviving members and legacy discussions with John Bonham , I assume it must be. For me I am happy to see anything that documents Led Zeppelin from the past.

So, I approached tonight with mixed feelings, excitement and trepidation. What should we expect, what will it be like? Is there really enough “new” vintage material to make the story interesting and compelling? History had led me to believe that there isn’t too much material from their early days as they were not well documented. I was the first person to buy tickets for tonight’s opening event and as we approach showtime there are only about a dozen people in the cinema. Unbelievable. Peter Grant must be turning in his grave!! But as we get near to the start time it does fill up somewhat, but it’s still a rather meagre crowd given the magnitude of the artist and this event.

The movie is a well put together story which opens with context on Post War Britain, then documents the impact of American Rock and Roll on our deprived society, before moving on to the genesis of the band. Jimmy Page and John Paul Jones emerge as the real musical talent in the band during these early days. We learn about the early life of the four members with good natured humor in typical British self- deprecating manner. The story then moves to the legendary first rehearsal in a basement studio in London where the band played “Train Kept A Rollin’” and realized something special could be happening. It describes the Scandinavian tour where the band honor some commitments by the now defunct Yardbirds and they are billed as The New Yardbirds. In these early days Jimmy clearly had the vision and was the driving force behind the band, supported by Peter Grants emphatic belief in his talent.

After recording the first album in late 1968 and fueled by interest from Atlantic Records, the band embark on a series of shows across the US, from West to East. Vintage footage is peppered throughout the movie, some of which I’ve seen before but to see it in a truly glorious technicolor on a giant screen with a sensational sound system is really exciting. We learn about the reaction of American audiences to the first album and tour; with the music critics being rather unkind with their views. We hear how the second album, which broke the band worldwide, was recorded between gigs during this hectic touring schedule with both albums being ultimately released in 1969. What really comes over is the excitement around the process and the groundbreaking nature of what they were doing. And don’t forget the speed at which this all happened and how Robert and John Bonham were young and very inexperienced at the time. It all seems incredible by today’s standards.

While I am a reasonable Zeppelin expert, I did learn a lot. There is some great footage from a TV show in France which I’ve seen before, but it’s so much better in this big screen format. While Jimmy and John Paul describe the musical vision and its delivery, it is left to Robert to provide the humor which he does splendidly, complete with that wonderful sly grin and glint in his eye. He has some great comments about how John Bonham’s wife Pat said, “don’t hang out with Planty, he’s a bad influence on you”. With the benefit of hindsight that’s so hard to believe! There are shots of Robert and John in their early bands, also Peter Grant, Mickey Most and Terry Reid [who was Jimmy Page’s first choice for singer, Terry turned them down and recommended Robert Plant for the job], all of which add colour to this splendid tale. The movie closes with “What Is and What Should Never Be” and “Something Else” from their triumphant London Royal Albert Hall gig in January 1970.

While it’s easy to look for faults, for me as a long- term fan, this is a sensational evening and time flies by. The only words I have to describe it are “spine-tinglingly sensational”. While Zeppelin may have borrowed heavily from historical blues artists (Willie Dixon and Chester Burnett among others) and even some of their peers of the time (listen to The Small Faces “Need Love” and Marriott’s voice is very similar to Robert’s on “Whole Lotta Love”), there is no doubt they added their own magic and genius to create a patchwork of sound that has never been equaled. For me Led Zeppelin are simply the greatest rock band of all time, and this movie adds another chapter to their incredible legacy. Go see it !!

Thank you, John. I was similarly impressed by the movie. The performance I saw was poorly attended, there were six people in the audience including Chris and me. I bought myself an official poster and also one on eBay. I also bought myself a press pack from the Cannes film Festival a few years earlier where the film was yet to be named, and the showing was pulled because the band decided not to attend. Finally, I also bought a small poster from eBay, which was given out to those who attended the first showings in the UK and USA. I have included those images in this blog entry. Many thanks to John for allowing me to include his account of the movie and to Joanne for manipulating the site for me. A great movie about a great rock ‘n’ roll band. Happy days.

4 Jan

The Sensational 60’s Experience Whitley Bay Playhouse 8 October 2024

Posted by vintagerock in Dozy Beaky Mick & Tich, Mike d'Abo, The Fortunes, The Trems, Vanity Fare. Tagged: , , , , , .

The Playhouse website announced the concert thus: “THE SENSATIONAL 60’S EXPERIENCE. SEE MIKE D’ABO ON HIS FAREWELL TOUR. Join us for the musical phenomenon of 2024 with this festival of nostalgia. The show with the definite feelgood factor will transport you back to that magical decade that was the 1960’s. Whether you come to relive your childhood memories or you just simply want to see what your parents have been raving about for all these years this is the show to see. These legends of the 60’s will deliver to you a night never to be forgotten. You will find it impossible to remain in your seat as these incredible artistes fill your venue with nostalgic memories performing hit after hit.”

“Starring Dozy Beaky Mick and Tich, The Trems (Featuring Jeff Brown former member of The Tremeloes), The Fortunes, Mike d’Abo (Lead singer with Manfred Mann) and Vanity Fare. Full of timeless classics, hits include The Legend Of Xanadu, Silence is Golden, Storm In A Teacup, Mighty Quinn, Hitchin A Ride, plus many more. Step back in time to when pop music was at its very best”. Of course, I have seen a very similar 60s show at the same venue not so long ago. However, I really enjoy my trip back to the 1960s, plus this concert had the added attraction of witnessing Mike d’Abo (someone I have never seen before) on his farewell tour. I couldn’t resist. Mike was of course, the voice of the later incarnation of Manfred Mann, having replaced Paul Jones.

I return to my usual question at such concerts “When is a band no longer a band ?” Many of these bands contain no original members. So can they really call themselves by the original band name? Do they deserve to do so? I shall use some of the tour publicity material to help me answer my question.

First onstage was Vanity Fare. “Formed in 1966 (often misspelled Vanity Fair, due to the similarity of the novel and magazine title) are a British pop/rock group famously known for such hits as, I Live For The Sun, Early In The Morning and the worldwide classic, “Hitchin A Ride” which scored the band a number one on the Billboard 100 in the USA. The harmonies of Vanity Fare are renowned throughout the sixties scene which makes them one of the best vocal groups still touring today.” No original members here, but excellent renditions of “I Live For The Sun”, “Hitchin’ A ride” and “Sun, Sun, Sun, Sun”. Great start.

They were soon joined by the aforementioned Mike d’Abo who performed excellent renditions of the later Manfred Mann hits including “Mighty Quinn” and “Semi Detached Suburban Mr James”. He looked fantastic for an 80 years young guy and also his voice was strong and clear. A welcome addition to the normal programme. No question about authenticity here! This was the real guy through and through.
Next was The Fortunes. “Hailing from Birmingham England, the band first came into prominence in 1964 with their hit single Caroline, which was used as the signature tune for the influential Pirate Radio Station of the same name. Other classics include Storm In A Teacup, You’ve Got Your Troubles, Freedom Come Freedom Go. The Fortunes still continue to tour the world with shows in Australia, New Zealand and The USA incorporating a weeklong residency in the Fabulous Las Vegas.” I have seen this band a few times over the years, and they used to include original lead vocalist Rod Allen. After his sad passing, current singer Eddie Mooney took on the role of fronting the band and he does an excellent job too. So, no original members here. But a great job of some great songs: “You’ve Got Your Troubles”, “Freedom Come Freedom Go”, “Storm in a Teacup” and my favourite “Here It Comes Again”. Very enjoyable set.

Next came: The Trems (former members of The Tremeloes). This band features the remaining members of what was once the Tremoloes. Now containing no original members the band has shortened its name to the Trems. “Starting out as an English beat group founded in Dagenham Essex in 1958, originally called Brian Poole And The Tremeloes. The Tremeloes toured the world from 1963 through 1974. The Trems are still a massive draw in Europe as well as the UK today as much as they’ve ever been. They have the fantastic reputation as one of the most entertaining bands on tour today. Hits include, Even The Bad Times Are Good, Do You Love Me, Call Me Number One and their world-wide number one hit Silence Is Golden.”

This band could just as easily have called themselves the Tremoloes, as I remember seeing the singer/bass player Jeff Brown fronting the Tremoloes about 20 years ago when they still featured original drummer Dave Munden and guitarist Alan Blakley. I am pretty sure that Jeff Brown has been in the band since then. But then I have seen another version of the Tremoloes, Chesney Hawkes’ Tremoloes, having inherited the band from his dad Chip. I have subsequently discovered that there is also a further version of the Tremoloes featuring no original members, including former member Chip Hawkes’ son on drums and directed by Chip himself. Band heritage does get confusing, doesn’t it? Once again, they sounded great and played, from memory, “Even the Bad Times Are Good”, “Do You Love Me?”, “My Little Lady” and finished with their classic massive hit “Silence Is Golden”, all four members joining together at the front to sing the song a cappella. Wonderful.

Closing the show were: Dozy Beaky Mick & Titch. “Originally called Dave Dee And The Bostons formed in 1961. Changing their name to Dave Dee, Dozy Beaky Mick and Tich in 1964. In 1966 the band were in the charts for 50 weeks out of 52. In Germany alone in 1967, record sales outsold The Rolling Stones and The Beatles. Hits include Bend It, Zabadak and The Legend Of Xanadu plus many more. This fast-moving energetic set from DBMT will have you dancing and singing in the isles performing hit after hit after hit.” Well, when is a band no longer a band? In this case, lead singer and main man Dave Dee is sadly no longer with us and the only original member is Beaky. Do you know what, I am past caring! Bring on the great music. According to my very poor memory they performed “Zabadak”, “The Legend of Xanadu” (complete with whip),” Hold Tight” and finished with “Bend it”. They didn’t play my particular favourite “Last Night in Soho”. Their sound of the 60s was pretty authentic and they deserved their spot as headliners.

29 Oct

Nick Lowe & Los Straitjackets The Fire Station Sunderland 26 September 2024

Posted by vintagerock in Los Straitjackets, Nick Lowe, Oliver Darling, Rockpile. Tagged: , , , , , , .

I have seen Nick Lowe many times over the years starting back in 1974. For three Saturdays in Summer 1974 a stage appeared in Sunderland’s Backhouse Park and a series of concerts were held. The park was filled with music from a host of local bands and headliners Jack the Lad, Brinsley Schwarz & Chilli Willi & the Red Hot Peppers. Local heroes Saltgrass played at each event and a grand time was had by all.

27th July 1974 Brinsley Schwarz: Brinsley Schwarz were stalwarts of the pub rock scene. This gig came towards the end of their career, and their line-up was Brinsley Schwarz, Ian Gomm, Billy Rankin, Bob Andrews, Nick Lowe, and Carlos Luna. They had just released their sixth and final album “The New Favourites of… Brinsley Schwarz” which featured Nick Lowe’s classic “(What’s So Funny ‘Bout) Peace, Love, and Understanding”.

A few years or so later, and I went to see Dave Edmunds in concert, fronting his band Rockpile along with Nick Lowe on bass, Billy Bremner on guitar, and Terry Williams on drums. Dave Edmunds is often called the Welsh Wizard, and he sure is a wizard of rock ‘n roll, and Rockpile were one great rock band. They had some great songs: Here Comes the Weekend, I knew the Bride, Girls Talk, Queen of Hearts, and they all seemed so cool at the time. I recall the Redcar Coatham Bowl gig well. I went with my mate, and we were standing right at the front, a few feet away from Dave and Nick. Dave was fantastic and Nick was, well just Nick, “the Jesus of cool”.

I later saw Dave Edmunds and Nick Lowe, again in Rockpile at Newcastle City Hall. I can’t remember much of this concert, but I do have a programme (see image) which shows Nick very clearly, resplendent in a yellow jumper. The next time I saw Nick was on The Stiff Tour in 1977 at Middlesbrough Town Hall and Newcastle Poly.

Now, the Stiff tours were a highlight of the late 70s rock calendar. These amazing events featured a selection of artists from Stiff records, travelling up and down the UK dropping into concert halls, university student unions and your local theatre. The first tour was known as the Live Stiffs Tour or 5 Live Stiffs and took place in late 1977. This first extravaganza boasted a stellar line-up of the new wave aristocracy with  a young Elvis Costello with his fine Attractions, Ian Dury, and the magnificent Blockheads, the crazy, wild and 100% authentic Wreckless Eric, The Jesus of Cool Nick Lowe (featuring rocker supremo Dave Edmunds) and ex-Pink Fairies, Motorhead (and great Lewis leather jacket) Larry Wallis. The tour called at Newcastle Polytechnic a couple of weeks later. I enjoyed the show so much, I went along again, this time with Marie.

Next to a very different festival/concert: “Oh God, Not Another Boring Old Knebworth,” said the posters. Line-up: The Tubes, Frank Zappa, Peter Gabriel, Boomtown Rats, Rockpile, Wilko Johnson’s Solid Senders. This was the second Knebworth festival to take place in 1978, following the Genesis / Jefferson Starship / Tom Petty gig earlier in the summer. I remember thinking it was a bit late in the year for an open-air gig and feared the worst from the weather, but actually it was ok on the day; quite fine.

I drove down with a group of mates. We camped and pitched our tents near a big generator (big mistake) which for some reason we didn’t really notice when we set up. However it was loudly humming all night and powering a massive floodlight which shone on our tents, so we didn’t get much sleep. The show was opened by the Boomtown Rats, Wilko Johnson who had recently left Dr Feelgood and was fronting his new band Solid Senders, and Rockpile featuring Dave Edmunds and Nick Lowe. Once again, Nick played and stood quietly, cool as ever! These were class acts and a great start to the day.

The Tubes closed the festival with a massive crazy show. They were joined by Todd Rundgren for encores of “Baba O’Reilly” and “The Kids are Alright”, played in honour of Keith Moon who had died just two days before this concert. Zappa was also great, although I didn’t enjoy his performance as much as the concert I saw in Edinburgh the year before. His band had changed, and they played very few songs that I knew. Still, it was a good day with a varied, and very strong line-up, although the lack of a major league headliner resulted in a far from capacity crowd. You can just about see Nick’s name on the programme (pictured above).

So, Nick Lowe and I go back a long way. He, his songs and his base and guitar playing were the foundation for many great bands throughout the years. It is a long time since I last saw Nick in concert. Many years have passed. I didn’t really know what to expect. The Fire Station website advertised the concert thus: “In September, Nick Lowe will release ‘Indoor Safari’ – his first full-length album in eleven years. Consisting of twelve songs, including brand new originals, a couple signature deep-cut covers, and refitted versions of tracks previously released in nascent form as singles, the album represents a culmination of Lowe’s decade-long working relationship with those mysterious masked men – Los Straitjackets (Eddie Angel/guitar; Pete Curry/bass; Chris Sprague/drums; Greg Townson/guitar).” And yes, the band did wear masks and were pretty weird to be honest.

“The news comes amidst a busy summer calendar for Lowe with North American dates ranging from a run of Canadian shows with longtime compatriot Ron Sexsmith, to a top-billed appearance at Wilco’s Solid Sound Festival, a set at Levon Helm Studios in Woodstock, NY, and more surprises in store.  We’re excited to welcome Nick Lowe & Los Straitjackets to Sunderland for a special visit as part of their UK tour!” Support came from Oliver Darling.

During the interval I met lots of old friends who I had not seen for some time in the bar. It was great to catch up after many years in some cases. It seemed like everyone I knew had turned out for this performance. Some of us reminisced about the concert in Backhouse Park 50 years ago! We had great seats, and I even recognised some of the songs: “Cruel To Be Kind”; “(What’s So Funny ‘Bout) Peace, Love and Understanding” and the closer “I Knew the Bride (When She Used to Rock ‘n’ Roll)”. A truly class act.

Halfway through the set, the band, Los Straitjackets, who looked bizarre and almost scary in their masks played a western movie theme tune (imagine bonanza/the big country and the shadows on acid). The encore was again quite bizarre “Venus” (yes, the hit for Shocking Blue, that’s the one), followed by another (less bizarre) well-known song “When I Write the Book” by the legendary Rockpile.

Many thanks to Jackie for the photographs and Chris for manipulating the site.

Setlist:(Something like) So It Goes; I Went to a Party; Without Love; Lately I’ve Let Things Slide; I Live on a Battlefield; Love Starvation; Tokyo Bay; Los Straitjackets Theme from The Magnificent Seven; Kawanga!; Aerostar; Driving Guitars (Ventures Twist); High Wire Act; Trombone; House for Sale; Ragin’ Eyes; Somebody Cares for Me; Blue on Blue; Cruel to Be Kind; Half a Boy and Half a Man; (What’s So Funny ‘Bout) Peace, Love and Understanding; I Knew the Bride (When She Used to Rock ‘n’ Roll)

Encore: Venus; When I Write the Book.

25 Sep

Maxïmo Park The Fire Station Parade Ground Sunderland 31 August 2024

Posted by vintagerock in Maximo Park. Tagged: , , , , , , .

I have seen Maximo Park several times in the past. Although I can’t claim to know many of their songs, I always enjoy their performance. They are entertaining, full of rocky energy and Paul Smith is the consummate front man, resplendent in bowler hat (or something similar) and leaping all over the stage.

It was great to see them again in my local venue The Fire Station, outside in the Parade Ground when I recently saw Inspiral Carpets. When I arrived, with Jan, The Fire Station had very kindly reserved a table for us with a splendid view of the stage. Thank you very much, lovely treatment from my favourite local venue.

The Fire Station announced the show: “We’re delighted to host indie rock icons Maxïmo Park for a very special show in The Parade Ground as part of The Fire Station’s Summer Parties season. Like their friends and neighbours, The Futureheads and Field Music, Mercury Prize-nominated Maxïmo Park craft smart, sharply catchy songs inspired by post-punk and new wave legends like The Jam, XTC, Wire, and The Smiths.”

“The band have released seven studio albums to date: A Certain Trigger (2005), Our Earthly Pleasures (2007), Quicken The Heart (2009), The National Health (2012), Too Much Information (2014), Risk to Exist (2017) and Nature Always Wins (2021). The first two albums went gold in the UK. The Northeast legends will be visiting Sunderland ahead of the release of their latest album ‘Stream of Life’, and we can’t wait to welcome them for this outdoor performance in The Parade Ground.”

Once again Maximo Park did not let me down. It was great seeing them outside on a lovely late summer evening. As referred to above, these local legends are massively popular in the north-east, coming originally from Newcastle. They soon recruited Paul Smith from Stockton on Tees as singer: “When he first joined, we didn’t know if he could [sing]; just that he was a lunatic jumping around in a suit, it felt like the last piece of the jigsaw”. (From Wikipedia). He has certainly done them proud and has become the focal point for their live performances.

Paul remains as always. Full of energy, singing a set of songs that were very familiar to the audience. Everyone was singing along and appeared to know every word! An impressive performance by a magnificent local band. I bought a signed album (pictured). Many thanks to Jan for the photographs and Chris for manipulating the site.

Setlist:  The Coast Is Always Changing; Girls Who Play Guitars; The End Can Be as Good as the Start; All of Me; Leave This Island; Hips and Lips; Quiz Show Clue; Questing, Not Coasting; I Want You to Stay; The National Health; The Kids Are Sick Again; Going Missing; Risk to Exist; By the Monument; What Equals Love?; Favourite Song; Our Velocity.

Encore: Versions of You; Books From Boxes; Apply Some Pressure.

11 Aug

Nick Mason’s Saucerful of Secrets The Glasshouse June 22 2024

Posted by vintagerock in Nick Mason's Saucerful of Secrets. Tagged: , , , , , .

This was my second Nick Mason experience, having previously seen Nick and his band Saucerful of Secrets at Newcastle City Hall a couple of years earlier. Nick is, of course, drummer of Pink Floyd fame, and has assembled a band of fine musicians to go out on the road and play a wonderful set of early Pink Floyd classic songs, many from the Syd Barrett era. This time the tour was entitled the Set the Controls Tour, indicating that the band had moved forward from the Syd Barrett era, from which they previously drew their repertoire.

“Nick Mason’s Saucerful of Secrets are an English rock band formed in 2018 to perform the early music of Pink Floyd. The band comprises Pink Floyd drummer and co-founder Nick Mason, bassist Guy Pratt, guitarists Gary Kemp and Lee Harris, and keyboardist Dom Beken. As many fans had discovered Pink Floyd with their bestselling 1973 album The Dark Side of the Moon, Mason wanted to bring their earlier material to a wider audience.” (From Wikipedia). Bassist Guy Pratt was a member of a later incarnation of Pink Floyd and Gary Karen was, of course, a founder member of 1980s band Spandau Ballet.

As before, the stage was set out with Nick Mason in the centre (very much the star of the show and the evening), surrounded by his band of musicians. Behind, and around them, was a very appropriate backdrop of psychedelic liquid lens images, setting the scene for an evening of early psychedelic rock.

The first half opened by taking us right back to the start with the classic guitar-based tune “Astronomy Domine”, one of my favourite early Pink Floyd tracks. We were then treated to more Syd Barrett era songs including my favourite “See Emily Play”. I loved that tune so much in the early 1970s when it was played constantly at Sunderland Locarno (with everyone running onto the dancefloor, except me, to do crazy hippy dances). “Remember a Day” is also a favourite song of mine.

The closing song of the first set was, as promised by the tour title “Set the Controls for the Heart of the Sun” a song written by Roger Waters, taking lyrics from a Chinese poetry book, and features a wonderful drum part by Nick Mason played with timpani mallets. “Set the Controls for the Heart of the Sun” is a standout track from A Saucerful of Secrets, the Floyd’s second studio album, released in1968. The mental health of Syd Barrett deteriorated during recording, so guitarist David Gilmour was recruited. Barrett left the band before the album’s completion.

During the interval I purchased a T-shirt and a pint of Guinness. Soon it was time for the second set which returned to Barrett era songs: “The Scarecrow” and “Lucifer Sam”. The concert ended with “Echoes” a lengthy haunting tune which comprises the entire second side from later period Floyd album Meddle.

 

But that is not the end. The audience gave the band a standing ovation and they return to play “One of These Days”, a throbbing, rhythmic classic song which opens the afore mentioned Meddle. The final song is the title track from A Saucerful of Secrets. Many of these songs feature the drums of Mason at the heart of their rhythmic structure.

So, we have been treated to a mix of early Pink Floyd music, performed by the drummer whose percussion, use of timpani and gongs lay at the heart of their rhythm.

Happy days. Many thanks to Jackie for the photographs and Chris for manipulating the site.

Setlist: Set One: Astronomy Domine; Arnold Layne; See Emily Play; Remember Me; Obscured by Clouds; When You’re In; Remember a Day; If; Atom Heart Mother; If (Reprise); The Nile Song;  Set the Controls for the Heart of the Sun.

Set Two: The Scarecrow; Fearless; Childhood’s End; Lucifer Sam; Echoes.

Encore: One of These Days; A Saucerful of Secrets.

23 Jun

The Black Crowes & the Jim Jones All-Stars City Hall Newcastle 17 May 2024

Posted by vintagerock in Black Crowes, Jim Jones all stars. Tagged: , , , , , , .

crowe0A great double act of rockers. First on the bill was the Jim Jones All-Stars. Now, I have been meaning to see Jim Jones for some time, since I saw a video of his incendiary earlier band, the Jim Jones Revue. Jim Jones comes from London and always assembles a large rock/soul revue band around him whose style has been compared to “early rock and roll artists Little Richard and Jerry Lee Lewis as well as to punk rock bands such as The Stooges, MC5 and Motörhead.” (Wikipedia). A The band’s “string-shredding guitar, furiously chattering piano and blistering, blustery rhythm… you’re bombarded with sonic viscera”. (Johnny Sharp, BBC)

jimJONE1Jim Jones’ new band announces itself as: “Open your ears, arms, and hearts to welcome The Jim Jones All Stars into your lives! Fronted by legendary testifier Jim Jones – formerly of The Hypnotics, Black Moses, The Jim Jones Revue and Jim Jones & The Righteous Mind – his latest project sees him swan dive into not only his primordial influences and his own classic-packed back catalogue, but also into a spicy gumbo of hot, new sounds. Joined by former Jim Jones Revue members Gavin Jay (bass) and Elliot Mortimer (piano and keyboards), The Jim Jones All Stars are augmented by guitarist Carlton Mounsher, singer Ali Jones, drummer Chris Ellul and the three-way sax attack of Stuart Dace, Chuchi Malapersona and Tom Hodges. Born out of necessity, born out of wedlock, and simply born to boogie, The Jim Jones All Stars are an unholy trinity of birth.” (from Jim Jones website).

jimjone2And boogie they do. Jim Jones is a full-on crazy guy who proudly fronts his review, leading them through a manic set of rock, blues, soul, and craziness. Jim is a great vocalist, full of confidence, with no fear at all. The guy commands stage, audience, and band. A fantastic warmup for the Crowes. “Necessity, being the mother of invention, surprised us all when she delivered a healthy, heavyweight, blue-eyed amalgam of incendiary ramalama soul.” Says Jim from his website.

crowe2After a short break, the curtain covering the Black Crowes set up is removed to reveal an amazing wall of amplifiers: Vox AC30, small Fender amps and a host of others. This sort of backline reminds me somewhat of seeing the Grateful Dead at the City Hall in 1972. The piano is perched right at the back of the stage, aloft the rest of the equipment. It is clear that some of the backline may be for effect and a few of the amplifiers may not actually be used, but what the heck, it looks majorly impressive.

crowe14The publicity for the Black Crowes latest album and tour says: “The Black Crowes are leaving the bullshit in the past. 15 years after their last album of original music, the Robinson Brothers present Happiness Bastards– their 10th studio album. Some may say the project has been several tumultuous years in the making, but we argue it’s arriving at just the right time.

crowe17Call it brotherly love or music destiny that brought them back together in 2019, the highly anticipated record consecrating the reunion of this legendary band just may be the thing that saves rock & roll. In a time where the art form is buried beneath the corporate sheen of its successors, The Black Crowes are biting back with the angst of words left unsaid penned on paper and electrified by guitar strings, revealing stripped, bare-boned rock & roll. No gloss, no glitter, just rhythm and blues at it’s very best – gritty, loud, and in your face.”

donington91I first saw the Black Crowes at the Donington Monsters of Rock festival in 1991 where they were first on as part of a strong lineup headlined by AC/DC and featuring Metallica, Motley Crue and Queensryche. I wrote at the time: “We made sure that we arrived in time to see The Black Crowes, as I’d heard a lot about them. I remember being impressed by them, particularly by their cover of Otis Redding’s “Hard to Handle”. My friend John lives in the US and is a massive Black Crowes fan, and he keeps me up to date on them. I really must get to see them again someday soon.” Well, it was many years before I saw the Crowes again at Manchester Academy in March 2013. My friend John remains a dedicated fan and has seen them many times in the USA.

crowe9Bands like the Crowes keep the rock ‘n’ roll flag flying high. They exploded onto the stage and immediately the packed house was singing along and rocking with them. Memories of seeing Mick Jagger in the 70s come flooding back into my mind. Singer Chris Robinson has the same sort of swagger and energy. To my shame I don’t recognise many of the songs but nonetheless really enjoy the performance. Chris and his brother Rich Robinson, Chris’ seemingly quieter, more subdued on perfect electric blues/rock guitar lead the band through a set of songs which combine rock, blues, punk, and soul.

crowe13For around an hour and a half, which seems to speed through in a few moments, Chris swaggers backwards and forwards, left and right around the stage singing his heart out. Comparisons of early Faces, Small Faces and the aforementioned Rolling Stones come to mind. They even play a great version of the Stones’ “Rocks Off”. Why do I always have to draw comparisons? Not sure. It gives me a rock compass by which to measure and categorise artists. Whatever the comparisons, the Black Crowes are a force to be reckoned with.

crowe12Chris reminds us that the last time they played the City Hall was back in 1991; the same year when I saw them at Donington. Not many of the crowd seemed to register being present. I am not sure I was even aware that they were on at the City Hall at the time. Not sure why I didn’t attend. They perform “Hard to Handle” again. Magic. Their soul roots showing through and adding new life to the Otis Redding classic. A figure of Chuck Berry reminds us of their rock ‘n’ roll roots and reminds me of when I saw the great man in the same venue many years ago in the 70s.

crow LP“When it comes to live music, few bands do it better than The Black Crowes. The American rockers have had their fair share of ups and downs over the years, but they are sounding stronger than ever with their latest album, Happiness Bastards. Hitting the road with Jim Jones All Stars in support, The Black Crowes stopped off in Newcastle to sprinkle a little bit of rock and roll magic in the city’s historic City Hall. I bought a copy of the album, signed by both Chris and Rich (pictured). Class.

crowe8The band played a good mix of old and new, including a song first made famous by Otis Redding and immortalised in rock history by The Black Crowes, ‘Hard to Handle’, as well as their cover of The Rolling Stones classic ‘Rocks Off’. The night was a celebration of timeless rock played with style and swagger, thanks to Chris’ larger-than-life stage presence. Each member of the band was an integral part of an unstoppable music machine that took over Newcastle for a night.” (from Music News Monthly website).

crowe4A great night spent with two magnificent rock ‘n’ roll, soul revue bands. It doesn’t get much better. Many thanks to Elaine for the photographs and Chris for manipulating the site as usual.

Setlist: Bedside Manners; Dirty Cold Sun; Twice as Hard; Goodbye Daughters of the Revolution; Just Say You’re Sorry; Follow the Moon; Sister Luck; Rocks Off; Thorn in My Pride; Wanting and Waiting; Hard to Handle; She Talks to Angels; Flesh Wound; Sting Me  ; Jealous Again; Remedy.

Encore: Good Morning Captain

24 Mar

Liam Gallagher, John Squire & Jake Bugg Newcastle City Hall 18 March 2024

Posted by vintagerock in Jake Bugg, John Squire, Liam Gallagher. Tagged: , , , , , .

liam0This concert sold out pretty quickly. Liam Gallagher remains a legend to this day. And here he was complete with band and Stone Roses guitarist John Squire along for the ride. Liam and John Squire received equal billing on this tour and quite rightly so.

liam1But before the proceedings proper began, Jake Bugg warmed the crowd up. It is some years since I have heard anything from Jake; I first saw him at a sold-out Newcastle Academy many years ago. He was then very much an upcoming star. Next I saw him perform as support act for either the Who or the Rolling Stones in Hyde Park (can’t remember which it was). Anyway, he went down well with the crowd and finished with his big hit “Lightning Bolt” which I remember well.

liam4After a short interval the main act took to the stage. It is some years since I have seen Liam perform. I saw Oasis many times: at Bolton football ground, Sunderland Stadium of Light, Sheffield Arena and. Newcastle Arena. I also saw Liam perform with his first post – Oasis band Beady Eye at Manchester Apollo. Anyone going along expecting to see Liam perform Oasis songs would have been disappointed. This was very much a Liam Gallagher concert with the added extra, and excellent, guitar of John Squire. Liam was dressed in his usual parka style top, all swagger with his arms round his back.

liam5Liam played much of his new album which has been recorded with Squire and the songs sounded pretty good on first hearing. Squire was wearing a lovely Paisley shirt looking as if it came straight from Liam’s Pretty Green range (and maybe it did?) The encore was an excellent version of the Rolling Stones’ “Jumpin’ Jack Flash”. Fabulous. Liam through his maracas up to the left hand balcony and his tambourine to the right-hand balcony. A couple of lucky punters got some great memorabilia to show their friends and family.

Many thanks to Elaine for the photographs and Chris for manipulating the site.

liam2Liam Gallagher Setlist: Just Another Rainbow; One Day at a Time; I’m a Wheel; Love You Forever; Make It Up as You Go Along; You’re Not the Only One; I’m So Bored; Mars to Liverpool; Mother Nature’s Song; Raise Your Hands.

Encore: Jumpin’ Jack Flash

liam3Jake Bugg Setlist: Strange Creatures; There’s a Beast and We All Feed It; Trouble Town; Me and You ;  Seen It All; I Wrote the Book; Taste It; Slumville Sunrise; Simple as This; All Kinds of People; Two Fingers; Lightning Bolt.

16 Mar

Smokie and Allora (and Alice) Darlington Hippodrome 2 March 2024

Posted by vintagerock in Allora, Smokie. Tagged: , , , , , .

Sally called when she got the word

And she said, “I suppose you’ve heard… about Alice?”

When I rushed to the window and I looked outside

And I could hardly believe my eyes

As a big limousine rolled up, into Alice’s drive 

Oh, I don’t know why she’s leaving

Or where she’s gonna go

I guess she’s got her reasons

But I just don’t want to know

‘Cause for 24 years

I’ve been living next door to Alice

(Chinn,Chapman;1973)

SMOK0Yes you know the song, don’t you?

So, a night out in Darlo with our heroine Alice! I have been wanting to see Smokie in concert for many years but for some reason it never happened until now. Looking through their back catalogue I had forgotten just how many hits this band has had. And, hey, so there are no original members left in the band, but who cares? It is a Saturday night, in the lovely old theatre Darlington Hippodrome and I am going to see Smokie! What fun.

SMOK7From Happening Next: “Look at the Guinness Book Of Hit Singles and you could be forgiven for thinking SMOKIE’s success story was a 1970s phenomenon. After all, 11 of their 14 British hits came in that eventful musical decade. However, their massive success story has continued to flourish around the globe including Scandinavia, South Africa, Germany and even China. Smokie are a band which has sold out tours and gained platinum records in four decades – 70s, 80s, 90s and the present day. A quick recap then on past glories. Smokie first got together at school in Yorkshire in the late 60s. After going through various names and styles, they signed with Mickie Most’s then ultra-hot RAK label and found themselves chartbound. Songs like ‘If You Think You Know How To Love Me’, ‘Don’t Play Your Rock’n’Roll To Me’, ‘It’s Your Life’ and ‘Oh Carol’ (all Top 10 entries) became radio staples and gave Smokie their ticket to travel the world.”

SMOK3“Smokie continue to be one of the most successful bands in the world today. Recent global events, as well as the devastating news of the passing of Terry Uttley have seen the line-up of today having to change and develop with the addition of Pete Lincoln, formerly of The Sweet on lead vocals, and rhythm Guitar and Luke Bullard, son of Martin Bullard stepping into Terry’s shoes on bass and backing vocals, the legacy of Smokie that was founded by Terry will live on and Smokie look forward to seeing you all on their continuing journey.”

SMOK6Smokie’s current line – up: Steve Pinnell on drums; Mick McConnell on lead guitar; Pete Lincoln on lead vocals and rhythm guitar; Martin Bullard on keyboards and Luke Bullard on bass guitar. Some of the band have been with Smokie from the 1990s, so I guess that means this grouping is pretty authentic. I last saw Pete Lincoln when he was the lead singer in a later version of The Sweet as mentioned above.

SMOK2But before Smokie we were all treated to a short set by alternative/indie rock band Allora who played a small batch of their own quite catchy rock tunes, and a couple of covers including Fleetwood Mac’s “The Chain”.

SMOK1During the short interval I took the opportunity to purchase a “We sang Who the F**K is Alice with Smokie” T-shirt. Yes they really were selling them.

SMOK3After a short interval the main act took to the stage starting with one of their many hits: “I’ll Meet You at Midnight”. Hit followed hit. Great. And yes, after they sang “Alice” quite a large proportion of the audience answered back “Who the F**K is Alice?” A magical end to a magical evening. Perfect.

Many thanks to Jan for taking the photos.

SMOK4Setlist: (something like) I’ll Meet You at Midnight; It’s Your Life / Take Good Care of My Baby / Mexican Girl / For a Few Dollars More; (I Just) Died in Your Arms; Wild Wild Angels; Wild Horses; I Don’t Want to Talk About It;  Have You Ever Seen the Rain?; Baby It’s You; Boulevard of Broken Dreams; Rose-a-Lee; Needles and Pins; Oh Carol.

Encore: Don’t Play Your Rock ‘n’ Roll to Me; Living Next Door to Alice

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