The B-52s Redcar Coatham Bowl July 1979
I saw The B-52s once. It was 1979 and their first UK tour. My mate Dave and I went to this gig at Redcar Coatham Bowl, having heard their top tune Rock Lobster. I recall the Bowl as being pretty full, and the band delivering a set of quirky, fun, 60s space rock n roll. The dance floor was packed for Rock Lobster. Kate and Cindy sported impressive beehives and the self-styled “World’s Greatest Party Band” offered a fun alternative to the more serious, dark, and harder UK punk bands. Great memories of a tremendous gig. Sunday nights in Redcar were lots of fun in those days. And great value at £1.50! I believe support came from Fashion, but can’t be certain.
Posts Tagged ‘psych’
29 May
The B-52s Redcar Coatham Bowl July 1979
17 May
Brand X and Peter Hammill
Brand X and Peter Hammill Newcastle City Hall 1978
This was a somewhat strange pairing, in fact the tour is known as “The Odd Couple Tour” on the Van Der Graaf Generator website. Brand X were a jazz rock fusion band, and were highly respected in the 70s. Phil Collins played with them at one point, although he wasn’t in the drum stool at this gig. I also saw them play at the Reading festival a year or so earlier. I recall the set as being largely (solely?) instrumental, with impressive musicianship. Setlist was apparently (I found this on a website): Access To Data; Black Moon; Smacks Of Euphoric Hysteria; The Ghost Of Mayfield Lodge; The Poke. 
I went along with some mates for a couple or reasons. Firstly because of the Phil Collins and Genesis connection, and secondly to see Peter Hammill, who had recently left Van Der Graaf Generator to go solo. Peter wass in a pretty crazy phase, and had shaved half his beard (see programme). He was accompanied by violin and sax, and delivered a strange set to a pretty empty hall. 
Peter’s set was straneg, dark, quirky and everything you would expect of him. A review of the time proclaimed him the “Springsteen of Weird”. This was a memorable gig, although it was a shame that the City Hall was pretty empty. The tour was pretty ambitious in booking this pairing into largish concert halls.
12 May
Blue Oyster Cult Newcastle Tyne Theatre 2002
Blue Oyster Cult Newcastle Tyne Theatre 2002
I lost touch with Blue Oyster Cult for some time, after seeing them several times in the 70s and 80s. There was a 17 year period between my BOC experiences, between seeing them in 1985 at Newcastle City Hall and a gig at Newcastle Tyne Theatre in 2002. I went along with my mate Norm who is a big Blue Oyster Cult fan. The Tyne Theatre is a Grade 1 listed building, which opened in 1867 as the Tyne Theatre and Opera House. Its a lovely venue, and I have fond memories of going there in the 60s with my dad to see King Kong, which seemed a marvel to me at the time. The Tyne Theatre wasn’t full that night, but a respectable crowd had gathered to see BOC. The line up at that time featured old timers Eric Bloom, Buck Dharma, and Allen Lanier and the set contained a healthy mix of old favourites. It was great to see the band again, and the performance was as good as the old days, bringing back memories of those nights in the City Hall. BOC have been back once or twice since then, although I missed those gigs. Its about time I caught up with them again. Setlist: Burnin’ For You; OD’d On Life Itself; ETI; Pocket; Harvester Of Eyes; Teen Archer; Quicklime Girl; Perfect Water; Cities On Flame; Golden Age of Leather; See You in Black; Last Days Of May; Godzilla; (Don’t Fear) The Reaper; Dominance & Submission. It was great to hear Last Days of May again; it remains one of my favourites songs.
6 May
Blue Oyster Cult Newcastle City Hall 1984 and 1985
Blue Oyster Cult Newcastle City Hall 1984 and 1985
Blue Oyster Cult underwent a series of line-up changes during the 1980s, and by the late 80s only Eric Bloom and Buck Dharma remained from the early days. I saw the band twice in the mid 80s, in 1984 and again in 1985. The 1984 show was BOC at their best. The City Hall was packed and the band delivered a great show, much better than the very poor performance my mates and I had seen at Donington a few years earlier. Support came from Aldo Nova. Setlist for 1984 gig: Me262; ETI; Hot Rails To Hell; 
Born 2 Rock; Cities On Flame; Burnin’ For You; Take Me Away; Joan Crawford; Shooting Shark; (Don’t Fear) The Reaper; Godzilla; Born to be Wild; Let Go; Gotta get outta this Place; Roadhouse Blues. Blue Oyster Cult were back in Newcastle the following year, and this time the place was only about half full. At this point the line-up featured three long time members: Eric Bloom, Buck Dharma, and Joe Bouchard. Support came from Girlshool. 
My memories of the evening are of a half-hearted performance, and little crowd reaction. Setlist: Dominance & Submission; ETI; Buck’s Boogie; White Flags; Take Me Away; Last Days Of May; Dancin’ in the Ruins; Joan Crawford; Shadow Warrior; Burnin’ For You; Godzilla; (Don’t Fear) The Reaper; Cities On Flame; Hot Rails To Hell. I lost touch with Blue Oyster Cult after the 1985 show, and didn’t get to see them for some 17 years. I’ll blog on that gig tomorrow. Looking back and reflecting on these gigs makes me realise just how good BOC were. There legacy is pretty impressive. They are still performing to this day and have released 20 albums; not bad going!
5 May
Blue Oyster Cult Newcastle City Hall 1975 and 1978
Blue Oyster Cult Newcastle City Hall 1975 and 1978
I first went to see Blue Oyster Cult at Newcastle in 1975. This was their first UK tour and at the time, they were not very well known at all in this country. I went along, with my friend John, largely out of curiosity. I’d read a little about them in NME or Sounds, and had heard a few tracks somewhere. By 1975, BOC had released three albums, and their live set featured such classics as Harvester of Eyes and my all time favourite Last Days of May, which I still love and play to this day. Set list: Stairway to the Stars; OD’d On Life Itself; Harvester Of Eyes; Flaming Telepaths; Last Days Of May; Before The Kiss; Candy Store (Fill-in Jam); Cities On Flame; Maserati GT; Buck’s Boogie; Me262 (5 guitars); Hot Rails To Hell; Dominance & Submission. 
I remember much being made of a five guitar line up, and the show as being pretty good, with a half full hall being seriously impressed by this new band. Note the miss-spelling on the ticket! By 1978, when The Cult returned to the City Hall, they were much bigger news. They had released Agents of Fortune, and Spectres both of which were massive lp successes here in the UK. 
The single Don’t Fear the Reaper was played everywhere, and has since become their trademark. So this time the City Hall was sold out, and the concert was much anticipated. Nick Kent wrote in the NME: “See, the facts as I recognize ’em are clean-cut to a fine-boned T – the two kings of heavy metal rock in the world right now are Britain’s own Thin Lizzy and the U.S. Blue Öyster Cult.” I went along with a group of mates, all of us now being big BOC fans and they were just amazing. 
BOC were at the top of their game at this time, and the Newcastle crowd witnessed a great gig, and gave them a great reception. The show was much bigger than in 1975, with lazers, smoke and other pyrotechnics. In fact BOC were one of the first rock bands to make use of lazers, which seemed pretty exciting and dangerous for the times. Support came from Japan, in their pre-Ghost arty-rock era. They were hyped up quite a lot at the time, but were pretty disappointing on the night. The set list will have been something like: R.U. Ready 2 Rock; ETI; Harvester Of Eyes; We Gotta Get Out of This Place; Cities on Flame With Rock and Roll; Then Came The Last Days Of May; ME 262; Kick Out the Jams; Godzilla; This Ain’t the Summer of Love; 5 Guitars; Born To Be Wild. Encore: Hot Rails To Hell; (Don’t Fear) The Reaper. I’ve just found a flyer for the 1975 gig, with support act Birth Control. The flyer entitles me to 70p off On Your Feet or on Your Knees! from Virgin records. I wonder if its too late to cash it in? (Actually it is, the flyer says “offer closes 30 Nov 1975”. Shame).
30 Apr
Van der Graaf Generator, Lindisfarne and Genesis Newcastle City Hall 1971
Van Der Graaf Generator, Lindisfarne and Genesis Newcastle City Hall 1971
I’d just started going along to gigs at Newcastle City Hall. The first gig I went to was Iron Butterfly with Yes and DaDa support, followed by this Charisma package tour which featured Van der Graaf Generator, Lindisfarne and Genesis. I went along with my mate Gillie, and remember that we paid at the door. The tickets were all of 30p, but we had some vouchers which Northern Arts were giving out at through schools at the time to encourage young people to go to live concerts, and they entitled us to half price entry, which meant that we paid 15p each! We hadn’t seen any of the three bands before and were really excited about it. We got the train through to Newcastle and when we arrived at the City Hall there was a massive queue to get in to the venue. The place was packed and we only just managed to get in. In those days, when the hall was full, they sometimes used to let you sit on the stage on tiered choir seats which are behind the performers. Thats where we ended up that night. The atmosphere was great up there, but the view wasn’t too good. I seem to recall that during the evening we wandered into the main hall and managed to find a couple of seats in the circle.
First up were Genesis. They had released their second lp Trespass a few months earlier, and were also playing tracks from Nursery Cryme which was released later in 1971. I remember being really impressed by them, and by singer Peter Gabriel in particular. At that time Peter would introduce the songs with quite intricate stories. Musical Box, Return of the Giant Hogweed, and Twilight Alehouse were all preceded by such stories and were great concert favourites at the time. Musical Box was my favourite; Cynthia kills Henry, by knocking off his head with a croquet mallet, and then finds his musical box in the attic. I found the story dark and fascinating and hung onto Peter’s every word. It was obvious in those early days that Gabriel was a tremendous front man. Genesis finished their short set with the Knife, which was always my favourite, and often the encore in those days. Gabriel held the mikestand as a machine gun, shooting us all, as a heavy strobe light featured him centre stage. Great memories. The set at that time will probably have consisted of: Happy the Man (to become a single in 1972); Stagnation (from Trespass); The Fountain of Salmacis (from Nursery Crime); Twilight Alehouse (not recorded until 1973 as B side of I Know What I Like, but a great favourite in concert); Musical Box (from Nursery Crime); Return of the Giant Hogweed (from Nursery Crime); closing with The Knife (from Trespass). This was the first of many times that I saw Genesis in the early 70s.
Next up that night was Lindisfarne who were local heroes and had us all singing along with Fog on the Tyne, Meet me on the Corner, Lady Eleanor, and Clear White Light (my favourite along with Winter Song). The band was yet to break through big, and I was to spend many memorable nights with them over the coming years; including the regular City Hall Christmas concerts.
The headline band for the evening was Van de Graaf Generator, who Gillie and I found quite strange and difficult to get into. I remember long sax solos, and the fabulous prog classic Killer (about a lonely Killer Whale): “So you live in the bottom of the sea, and you kill all that come near you ….but you are very lonely, because all the other fish, fear you …..”.
This was a great evening, and a bargain at 15p! Gillie and I both came away raving about Genesis and Lindisfarne, and a little confused by Van de Graaf….
29 Apr
Bonzo Dog Doo Dah Band Reunion Newcastle City Hall 2006
Bonzo Dog Doo Dah Band Reunion Newcastle City Hall 2006
I won two tickets for this in a competition form the Bonzos website. I had to locate a poster for the concert, which was outside Newcastle Central Station, and email a message which was displayed on the poster to the Bonzos website. I decided to take Laura with me as she’d heard some Bonzos songs as was quite intrigued by the humour of them. The concert featured much of the original line up, including Neil Innes, Legs Larry Smith, Roger Ruskin Spear, Rodney Slater, Bob Kerr, Sam Spoons and Vernon Dudley Bohay-Nowell. Sadly the great frontman Viv Stanshall, and bass player Dennis Cowan, have passed away. Viv’s place was taken by Ade Edmondson and Phill Jupitus. 
The band played all of the classics, and the show was great fun and brought back great memories. A DVD of the London show was released; the tracks are: Rule Britannia; Hunting Tigers; My Brother Makes The Noises; Doorstep; Little Sir Echo; Ali Baba’s Camel; Falling In Love Again; Watermelon; Lookout There’s A Monster Coming; Whispering; By a Waterfall; The Sheik of Araby; Hello Mabel; Jollity Farm; The Equestrian Statue; Cool Britannia; We Are Normal; The Strain; The Sound of Music; Exodus; The Trouser Press; My Pink Half of the Drainpipe; I’m Bored; Sport (The Odd Boy); Mr Apollo; Humanoid Boogie; Tent; Can Blue Men Sing The Whites; Look At Me I’m Wonderful; San Francisco; Rhinocratic Oaths; Mr Slater’s Parrot; Monster Mash; Urban Spaceman; Canyons of Your Mind. All of the old prop came out; and great fun was had by all. Laura particularly enjoyed Lookout There’s A Monster Coming, Jollity Farm, and The Equestrian Statue.
22 Apr
Edgar Broughton The Adelphi Hull 21 April 2012
Edgar Broughton The Adelphi Hull 21 April 2012
Out Demons Out! Norm and I went to see Edgar Broughton at the Adelphi Hull last night. Edgar is performing solo these days, just him singing his new songs with an acoustic guitar; the set consists largely of material that he has written over the past few years. We set off for Hull around 5.30pm and arrived around 7.45pm, after an uneventful drive via the York ring road, and found the Adelphi surprisingly easily. We popped into Wetherspoons for a bite to eat, and then went along to the venue around 8.45pm. The Adelphi is a great little venue which sits in De Grey street, just off one of the main routes through Hull. It has been running for many years, and has hosted gigs by some famous names such as Oasis, Pulp and Radiohead. It was the first time we had visited the venue and we were both pleasantly surprised. Support came from local, Scarborough-based, one man band Joe Solo, who gave us a set of folk protest songs, passionately delivered. For his last song he gave everyone in the audience a small percussion instrument and the whole room played along with him. Joe told us that it was 20 years since he first played The Adelphi. 
Edgar took to the stage around 10pm, starting with Soldiers of the Light, which is a recent song about his relationship with his brother. He has a unique voice; dark and mournful. The rest of the set was drawn mainly from his latest album. I recognised several, having seen him perform in York last year, and it was good to hear them again. The set consisted of something like (although not in this order, and I will have missed some): This England; Ice on Fire; My Salvation; Christmas Song; Red Star; There’s a Hole in It and Evening Over Rooftops (from the Edgar Broughton band days). He finished with Arabesque / All Fall Down / Speak Down the Wires, which is an Indian-based chant. The encore was two songs, the first of which was The Poppy (“an early eco song we wrote in 1971”). No Out Demons Out to Norm’s disappointment. The crowd seemed to enjoy the set; Edgar is as passionate as ever, and the songs still have strong elements of protest and social conscience. We left around 11.15pm and were back home by 1.15am.
18 Apr
Ian Anderson plays Thick as a Brick Newcastle April 17th 2012
Ian Anderson Plays Thick as a Brick Newcastle City April 17th 2012
Went along with Will and Norm to see Ian Anderson and his merry band play Thick As A Brick 1 and 2. Thick As A Brick 1 is, of course, the original Jethro Tull album which was released in 1972, and Thick As A Brick 2 is a new album which has just been released by Ian. I was late getting away from work, so I had arranged to meet my friends through at the City Hall. I managed to arrive just 10 minutes after the 7.30 start time, so only missed a very small part of the show. The show was in two parts, with the first set being the old album. There was a short interval, followed by the new album played in its entirity. 
Ian has assembled an excellent band and the show is very theatrical with one guy playing the part of Gerald Bostock, and singing quite a lot of the vocals. The additional singer is a good move, giving Ian a break from singing at times. The show was supported by video and the use of props, and came over very well indeed. The situation around Ian Anderson and Jethro Tull is somewhat confusing to say the least. While it appears the Jethro Tull have not formally split, Ian Anderson is doing more and more things as solo projects, and Martin Barre has also started his own band, New Day, which will also feature Tull songs in their set. It also seems strange that Ian has chosen to revisit Thick as a Brick at this point, and that he is treating it as a solo project, when Martin Barre has been so intrinsic to the Tull sound for so long. 
Not with standing this, we all agreed that this was the best time that we have see Ian Anderson or Jethro Tull for some time. We also ran into a few old friends, which was nice.
14 Apr
The Bonzo Dog Doo Dah Band Sunderland Empire 1969. Supported by Roy Harper and Yes
The Bonzo Dog Doo Dah Band, Roy Harper, Yes, Mad Dog
Sunderland Empire Theatre March 8th 1969
(Semi) memories of my first gig
The first concert I ever attended was the Bonzo Dog Doo Dah Band at Sunderland Empire in March 1969. I was 12 years old at the time and had been getting into pop and rock music for a year or two. I’d started to buy the New Musical Express and was beginning to collect records. I managed to persuade my parents to let me attend the concert on the basis that there were two shows at 6pm and 9pm, and that if I went to the earlier show, I could safely get the bus home. None of my friends at the time were interested so I bought myself a ticket, reserving myself a seat in the front row of the stalls. First gigs are important in my view. They can shape musical taste and set allegiances for life. For me this gig set me on an unavoidable path to becoming obsessed with seeing bands, with rock music in general, and gave me a life long interest in Yes and Roy Harper, who both formed part of the supporting bill. I can still remember aspects of this gig some 43 years later as I write this. I sat fascinated at the performers on stage, and entranced by the loud music. In fact the volume was something that did it for me. The bands (I probably called them groups at the time) seemed very, very loud to me; I was almost frightened that my hearing would be damaged (in fact, it is starting to go slightly now, but it has taken a long time, and I can’t be sure that it is a result of going to rock concerts, but I suspect it is). And the power, passion and energy of the performers also struck me. First up was a band called Mad Dog. I’m not sure what happened to them, and the only song I can recall was a great version of Moby Grape’s Can’t Be So Bad, which appears on one of the Rock Machine albums. Next up was Yes who were a revelation, and fascinated me with their jazzy mix of rock and pop. And they played some songs that I knew: Something’s Coming from West Side Story and The Beatles’ Eleanor Rigby. They also played No Opportunity Necessary, No Experience Needed, which is a Richie Havens song and appears on Yes’ second album, and opens with the theme from the film The Big Country. Yes had yet to release their first album, and the line up at that time was Jon Anderson, Chris Squire, Bill Bruford, Peter Banks and Tony Kaye. I was impressed by how Jon and Chris were dressed; Chris in particular was sporting a natty hat and impressive flares and boots. I recall that a compere introduced each band and chatted to the audience while the stage set up was being changed around, in the way that I imagine it worked on 60s package tours. Next up was Roy Harper who sat to the right of the stage on a high stool, directly in front of me. He had incredibly long hair (something else which impressed me) and was wearing a pair of beat up old jeans and big work boots. I think he sang Hells Angels, Nobodies Got Any Money in the Summer, and I Hate The White Man. I was surprised at the way he interacted with the audience; it was as if people knew him and were having conversations with him from the stalls. Finally the bill toppers took to the stage, accompanied by some amazing machines and props which were always an important part of the Bonzos show. The Bonzo Dog Band (they had shortened their name at this time) performed tracks from their first two albums Gorilla and The Doughnut in Granny’s Greenhouse, including such great (and fun) songs as: Cool Britannia, The Equestrian Statue, Jollity Farm, Look Out There’s a Monster Coming, Death Cab for Cutie (which I has seen them perform on TV in the Beatles Magical Mystery Tour show), Can Blue Men Sing the Whites?, Trouser Press (featuring some natty on stage trouser pressing), and of course I’m The Urban Spaceman, during which Viv Stanshall blew through a long plastic tube while swinging it around his head. And so the die was cast, I set out on my life long concert journey which has given me great joy over the years, and also caused me some trouble at times when I become obsessive and attend too many! Sadly I don’t have a ticket stub for this concert. I hadn’t got into the habit of saving them at that stage, and the tickets for shows at the Empire at the time simply listed the date, and not the artist, so didn’t seem worth keeping.
Vintagerock's Weblog. 