Posts Tagged ‘prog rock’

Jack Bruce & his Big Blues Band Newcastle Tyne Theatre March 31st 2012

Jack Bruce and his Big Blues Band Tyne Theatre
Excellent show by Jack Bruce last night in Newcastle. Jack has assembled a first class seven piece band consisting of ace guitarist Tony Remy, drummer Frank Tontoh, keyboardist Paddy Milner, second bassist Nick Cohen, trombonist Winston Rollins, tenor saxophonist Derek Nash, and trumpeter Paul Newton. They really were great throughout with guitarist Tony worthy of mention for some exception solos. Jack took to the stage around 8.20pm sitting alone at a piano stage left. He was soon joined by the rest of the band, and then picked up his fretless bass and took up his place centre stage. The set was a mixture of solo material, blues and Cream classics. Quite a few were from the Songs For A Tailor lp. He introduced Neighbour Neighbour as “a song I used to sing with Graham Bond, back then, before I was born”. This guy goes back some. Theme from an Imaginary Western was performed beautifully, Jack’s voice sometimes straining a little to reach the high notes, yet coming over as powerful and haunting as ever. The blues of Spoonful and Born Under a Bad Sign gave the band a chance to shine, and featured some excellent solos. We’re Going Wrong is a great song, perhaps Cream’s best, and as relevant today as it was in the 60s. The last few songs were the almost inevitable White Room and Sunshine of Your Love. Its great that the old guys from the 60s are still around touring, and playing to an audience that, looking around the Tyne Theatre last night, is growing old with them. Jack suffered from a period of ill health around ten years ago, but looks great these days. Long may it be the case. Modern technology even reaches the old guys. You could buy a CD of the show at the desk (actually I’m not sure it was last night’s show you could buy or a recording of a previous night). The show finished around 10.15pm, leaving plenty of time for fishcake and chips from the wonderful local chippy on the corner. Setlist (something like): Can you follow?; Morning Story;You Burned the tables on me; Neighbour Neighbour; Child Song; Weird of Hermiston; Folk Song; Theme from an Imaginary Western; Tickets to Waterfalls; Spoonful; Born under a Bad Sign; We’re Going Wrong; Deserted Cities; White Room; Sunshine of Your Love. Encore: Politician. Just ran into an old mate Jim in the local supermarket. He’d also been at the gig last night and had spotted me there. He said that he had gone along with an open mind, not knowing what to expect, but had really enjoyed it.

Jack Bruce Band with Mick Taylor and Carla Bley Newcastle City Hall 1975

Jack Bruce band with Mick Taylor and Carla Bley Newcastle City Hall
A strange grouping this one. Take an ex Rolling Stone guitarist, an ex Cream bassist and a jazz keyboard player and what do you get? Actually what you did get was quite an intriguing concert experience, which as I recall promised a little more than it actually delivered on the night. I knew, of course, of Jack Bruce and Mick Taylor, but I had not heard of Carla Bley, or her recent Escalator On The Hill album, before going to this gig. The trio were short lived and never made it into the studio to record an lp, although a live album of the band does exist. The press of the time said: “The Bruce Band will play a smooth synthesis of diverse styles, forging ahead with a firm grasp of ‘60’s rock and ‘70’s space jazz. The personnel is all-star, but the band belongs to Jack, whose music cements the band’s foundations.” Based on a live album and reviews of the time the set will probably have consisted of something like: Can You Follow?; Morning Story; Politician; Keep It Down; Pieces Of Mind; Tickets To Waterfalls/Weird Of Hermiston/Post War; Spirit; Sunshine Of Your Love. I’m off to see Jack Bruce at the Tyne Theatre tonight; I’ll post a review tomorrow.

Cream The Royal Albert Hall London 6 May 2005

Cream The Royal Albert Hall London 2005
This was a big gig for me. I’d watched the Cream farewell concert on TV in the late 60s and was just mesmerised by Clapton. His hair, the psychedelic painted SG, the “woman” tone he described in the film, it all seemed just sensational to me, as a kid at the time. I so wished that I’d had the chance to see Cream. I remember older boys at school talking about seeing them at a gig in Newcastle and saying how great they were. I was so jealous of them. I bought Goodbye Cream and played it again and again. I saw Clapton many times in the 70s and 80s, and Jack Bruce and Ginger Baker with their solo projects. But to see Cream was a great dream, an ambition. So when the rumours of a reunion came to fruition and it was announced that the three legends would come together for a series of shows in London I was determined to go. I was nervous about getting tickets, and stressed about it for days before they went on sale. On the morning that they did go on sale I had two phones and a computer to hand, and got straight through to the Albert Hall box office on one of the phones, managing to my joy to buy tickets some ten rows from the stage. I then waited in anticipation for the gig. Would it be as good as I hoped? Marie came with me, and we both thoroughly enjoyed the experience. Judging by the American accents in evidence, the Albert Hall was full of fans who had travelled a long way for the honour of seeing this legendary band play for one more time. The atmosphere was strange, everyone was quiet in anticipation. It was as if the crowd couldn’t believe what they were seeing. Quiet, almost religious. The set covered everything I could have wished for with a selection from all of the albums. Clapton was god again, Jack sang beautifully and Ginger pounded away on his drums. The crowd stayed in their seats until almost the end. For Sunshine of Your Love, which was the encore, we were all up and we managed to get right to the front. Marie was leaning on the stage directly in front of Jack Bruce and I was just behind her. You can even see us on the DVD if you look closely. A night that I will remember for ever. Sometimes your dreams do come true, and sometimes they are as good as you dreamed they would be. Happy days. Setlist: I’m So Glad; Spoonful; Outside Woman Blues; Pressed Rat and Wart Hog; Sleepy Time Time; N.S.U.; Badge; Politician; Sweet Wine; Rollin’ And Tumblin’; Stormy Monday; Deserted Cities of the Heart; Born Under a Bad Sign; We’re Going Wrong; Crossroads; Sitting on Top of the World; White Room; Toad. Encore:Sunshine of Your Love.

Jon Anderson Newcastle City Hall 1980

Jon Anderson Newcastle City Hall
Support from Clare Hamill (thanks Doug)
Jon had just left Yes for a solo career. He had been replaced in Yes by Trevor Horn and Geoff Downes of Buggles, which is a story for another day’s blog. I remember this show well. Marie came along with me and we had tickets near the front, sitting right in front of Jon. Jon’ s solo material was very impressive and his voice as strong and beautiful as ever. He focussed on material from his solo album which had just been released and also threw in a few Yes favourites. Jon Anderson has a unique voice which works best on the jazz tinged ballads that early Yes produced. He always seems very at ease on stage. I guess there were ego clashes between him and Chris Squire, who are both clearly very strong personalities, but this never showed on stage. Yes were one of the first bands that I ever saw, in the late 60s, and I’ve always had a soft spot for them. I do hope that Jon rejoins the rest of the Yes guys some day. Although Yes are still great, it will never be quite the same for me without Jon centre stage, preferably wearing a cheesecloth smock top and singing And You And I or Your Is No Disgrace.

Anti-Nowhere League Chron-Gen Chelsea Newcastle Mayfair 1982

Anti Nowhere League Newcastle Mayfair
Newcastle Mayfair was an important part of my youth. Along with Sunderland Locarno and Middlesbrough Rock garden, they were all great venues, and featured some classic bands throughout the 70s. Every time I pass The Gate in Newcastle, which now stands where the Mayfair once did, I think fondly of great Friday nights spent there. This ticket is for the Anti Nowhere League, but my memories are of Alex Harvey, The Groundhogs, Chicken Shack, Stray, Ian Hunter, Steppenwolf, The Clash, David Bowie, Family, Curved Air, UFO, Cockney Rebel, and many many more. And of stories of legendary gigs that I sadly didn’t attend there: Led Zeppelin, Deep Purple, Eric Clapton. Time for my tardis again. I would love to go back in time and be standing on the balcony of the Mayfair, listening to Zeppelin’s Rock n Roll, waiting for the band to come on stage. Great memories, some of which are sadly fading as I get older. Turning to the band in question, the Anti-Nowhere League we (and still are) fronted by Animal and came along at the tail end of punk. They seemed quite outrageous in their day; their album at the time was We are the League if I remember correctly. Think I also saw them supporting the Damned. Support came from Chron-Gen and Gene October and Chelsea whose well know song was Right To Work, and always put on a good show. The Anti-Nowhere League still play to this day and were in the region recently playing at the Three Tuns in Gateshead.

West, Bruce and Laing Newcastle City Hall 1973

West, Bruce and Laing Newcastle City Hall 1973
Now that WAS a rock band. Take Mountain guitar genius Leslie West, Cream super bassist Jack Bruce and powerhouse (also from Mountain) drummer Corky Laing, and you were certain to produce a great band. I’d seen Mountain the year before and had been blown away by Leslie West’s unique guitar style which moved effortlessly from very very heavy to gentle and beautiful. Mountain were very obviously influenced by Cream who I had sadly never seen (this was to be remedied many years later at their Albert Hall reunion), so I along with many others looked forward to see this power trio. My mate John and I went along to the gig, which proved to be just as good as I imagined, the set drawn from the West, Bruce and Laing album, and the Cream and Mountain back catalogue. John was a major Mountain fan, was very excited about the show and remembers it as one of the many highlights from that period in that venue.I can still picture Leslie, a giant of a man, with a Les Paul Jnr. slung low around his knees, wringing out the riffs. Great days. I was ecstatic when they closed with Sunshine of Your Love. It will be great to see Jack Bruce on Saturday. Hope he plays Theme from an Imaginary Western which Mountain also used to play (note afterwrds; Yes he did play it).   Makes me think about Leslie who hasn’t been so well lately. Hope you’re OK big man; you also gave us some great nights in the Tyne Theatre where Jack will be on Saturday. I also looked up support Jimmy Stevens. I can’t pretend to remember his set from that gig almost 40 years ago, but he is an interesting guy, who toured with the Bee Gees, and Emerson, Lake and Palmer and was managed by Robert Stigwood at the time. He still plays in his home town on Liverpool. John remembers West, Bruce and Laing playing Why Dontcha, Pleasure, Love is with the blues, Third Degree, The Doctor, the bass solo Powerhouse Sod, Sunshine of Your Love, Politician, and possibly Mississippi Queen and Theme form an Imaginary Western. He recalls somebody, Leslie or Jack, wearing Red Platform sole boots and going out to buy some the following week! Thanks to John for the poster scan.

Jack Bruce Newcastle Tyne Theatre & Opera House 2001

Jack Bruce Newcastle Tyne Theatre 2001
Jack Bruce is touring at the moment and calls into Newcastle next Saturday. I’m looking forward to the gig, and will spend a few days this week reflecting on previous Jack Bruce concerts which I have attended. Jack was last in Newcastle over 10 years ago, in 2001, when he played at the same venue. I went along to that gig with my mate Will. Jack Bruce was touring with his band The Cuicoland Expresss to promote his new album Shadows in the Air. The set was a mix of songs from the new album, which were quite jazzy, with lots of latin rhythms. He played quite a few favourites from his back catalogue including Sunshine of your Love (which he rerecorded with Clapton for the album), Politician, White Roon, We’re Going Wrong, and Theme from an Imaginary Western. It was a great gig, and I expect new Saturday’s gig will be too. Jack is under-rated in my view. When people think of that great band Cream, they will think of Clapton first, but many of their best songs were written and sung by Jack. I’ve got a couple more Jack Bruce concerts to recall this week, including West, Bruce and Laing, his band with Mick Taylor and Carla Bley and the Cream reunion at the Albert Hall.

A Flock of Seagulls Newcastle City Hall 1982

A Flock of Seagulls Newcastle City Hall. Fraid I am admitting to another guilty pleasure today. I quite liked “I Ran” and “Wishing (if I had a photograph of you)” when they hit the charts in the early 80s. So I went along to see these guys when they played at the City Hall. The one strong memory I have of them is of the singer Mike Score’s outrageous fringe haircut. Mike had previously been a hairdresser, which could explain a lot. Actually, looking back, they were much better than their reputation sometimes suggests, and they heralded the way for a lot of electronic bands to follow. The band is still around, led my original member Mike minus dodgy haircut this time around, and have been playing on Here and Now tours at arenas up and down the country.

Alberto Y Lost Trios Paranoias

Alberto Y Lost Trios Paranoias were a comedy rock band who seemed to pop up all over the place in the 70s. The ticket stub here is from a gig at Middlesbrough Town Hall, probably in the Crypt, on a Friday. I have vague memories of seeing this band, sometimes as headline, and probably at a festival or two. With shades of the Bonzo Dog Doo Dah Band, they were a guaranteed fun night. Although their songs were largely parodies of other more famous rock bands, they were also pretty serious musicians. Support came from another comedy act of the day; John Dowie. A fun time was had by all.

Nazareth mid 70s to early 80s

Looking back through my ticket stubs, I realise how much I liked Nazareth in the 70s and into the 80s. They released a series of great records throughout that period; their albums from Razamanaz onward are all strong. I recall buying Razamanaz and then hunting out their earlier lps Nazareth and Exercises. Their hit singles: Broken Down Angel, Bad Bad Boy, and covers such as This Flight Tonight, My White Bicycle and Love Hurts are all classics of the time. And their live shows were always fun. Dan McCafferty growling his way through the set, Manny Charlton playing great guitar, particularly his slide guitar on Vigilante Man (much missed from the set today), Pete Agnew bouncing about smiling away on his bass, and Darrel Sweet thumping away at the back. By the late 70s Nazareth had been joined by Zal Cleminson on second guitar. Although it was great to see Zal as part of the line-up I could never quite figure why the added him. They were both excellent guitarists, but in my view the Nazareth set up never really exploited the twin guitars in the way Thin Lizzy or Wishbone Ash did. The alliance with Zal only lasted a couple of years, and by the time Nazareth came to Newcastle City Hall in 1981, Billy Rankin was filling the second guitar slot. I lost touch with Nazareth after the early 1980s, and didn’t return to them for some 20 years. In 2004 I saw a Nazareth gig advertised at Newcastle Arena. At the time the Arena ran a few smaller rock gigs in the foyer of the cavernous venue, and Nazareth was one of those gigs. Support came from the Swedish band Diamond Dogs who were very Faces like, and pretty damn good actually. That night my interest in Nazareth was renewed. I’ve seen them a couple of times since, and hope to continue doing so for some time. Its great that these guys are still rocking, and showing no signs of stopping. Dan McCafferty and Pete Agnew keep the Nazareth brand going, and must enjoy it; long may they do so.  There are increasingly fewer and fewer of our classic rock bands from the 60s and 70s treading the boards, we need to appreciate those that are, while we can.