An essay to Kevin Rowland.
We go back a long way, you and I Kevin. I have seen you perform in many different incarnations over the years and you always come over as 100% authentic. Your influences were always clear: Geno Washington and the Ram Jam band, and witnessing Geno in the 60s and 70s in clubs in Birmingham. Jackie Wilson and sweet soul music straight from the heart. Chairman of the Board, their song “Give Me Just a Little More Time” and in particular their lead vocalist.
All of these came together and were the influences behind the first Dexys Midnight Runners and the young soul rebels. Memories of seeing you at Newcastle Mayfair when “Geno” had just been released. Memories of seeing Geno himself strutting his stuff at the Kirk (Kirklevington Country Club)… But that’s another story. You were a breath of fresh air, quite different (obviously) to punk but you also didn’t quite fit the Specials/Madness Two Tone or Ska mould. You stood out on your own even then. That night at the Mayfair was something special. You sang to me from the heart and your soul as you did once again last night.
Soon after seeing you at the Mayfair I was in a marquee on Newcastle Town Moor for some sort of festival. You headlined one night and The Boomtown Rats headlined the other. I attended both nights, on my own as I recall. This was before “Come on Eileen”. I hadn’t seen you since the Mayfair and “Geno” days, so didn’t quite know what to expect. A bunch of rag–a–taggle gypsies came on stage. You were dressed in a tam hat, denim dungarees and surrounded by a band dressed similarly, including a violinist.
What had happened to Dexys Midnight Runners? They had somehow morphed into this strange new gypsy soul band. And the music was so, so very different. The Too Rye Aye album had yet to be released so I was hearing all these new tunes for the first time. You got me again Kevin. I was totally knocked out. I couldn’t wait to get back home and tell my wife and friends about this strange wonderful experience and how Dexys were back, reborn, different yet still magic and soulful. Of course “Come on Eileen” was a massive hit and you went on to further success.
You seemed to disappear from public view and I think, to my shame, I missed a tour. I picked up on you again some years ago at Whitley Bay Playhouse where you performed a whole new concept album based around the breakup between you and your girlfriend. You sang from the heart once again and I thought it was one of the best concerts I have ever witnessed. And so our journey together takes me to last night, Newcastle City Hall, getting soaking wet in the pouring rain and experiencing your new music. The band is now called simply Dexys. Your new album ,“The Feminine Divine” is based around the concept of male/female stereotypes and explores how the character you play transforms from being a stereotypical man to someone who recognises his partner is his Goddess.
He finally becomes submissive to her every whim, allowing her to take control of the relationship. You perform the entire album as the first set of the evening, a brave move which works well. The crowd have clearly come prepared. Many sing along. Everyone loves the new vision, the new Kevin and accepts the new direction. You look well dressed in red with a white sailor–like hat sitting perched on top of your head. After a short interval and a pint of Guinness you return and play a selection of songs from Too Rye Aye including many which are familiar and some less so. They include “Soon”, “Plan B”, “I’ll Show You”, “All in All”, “Until I Believe in My Soul” and of course “Come on Eileen”. Lots of dancing and singing along. Great. You did it again Kevin. For the encore we get more classics and more singalongs in the form of “Geno” and “Jackie Wilson Said”. The closing song is a traditional Irish song “Carrickfergus” which rounds off the evening very appropriately. Another tour, another side of you revealed to us very openly. Still a soul boy at heart. I look forward to the next chapter and the next part of our journey together Kevin.
I purchased a signed set list. Thanks to Elaine for the photographs.
I am a massive aficionado of the great diva 
Then she added a date close by at Tynemouth Priory as part of the Mouth of the Tyne Festival. So I passed on Glasgow and bought tickets for Tynemouth. I have vague memories of seeing her appear at Maxwell’s nightclub in Tynemouth around 1978 but I can’t really be sure if that really happened or if it is my mind playing tricks on me.
Tynemouth Priory is a lovely setting for seeing concerts. The backdrop on one side is the sea and on the other the ancient priory. We were situated up on a wheelchair platform with a good view of the stage. Jan and I took our place on the platform; Jan had brought along a small fold–away chair which was a good idea as there were only a few seats provided for carers and they were all taken. Siouxsie came on stage at 8:30 PM prompt as there was a 10 PM curfew, presumably to protect local residents from loud sound late at night!
Oh, I forgot to say I bought a lovely limited edition poster with a picture of Siouxsie and the date and location of the concert. An excellent momento of a great occasion.
And so my search for Rod the Mod continues. This was the third time I had seen 
Each time I hope for old classics and Rod returning to the days when he was a spiky haired mod and had Ronnie Wood by his side in The Faces. And each time he delivers. Alongside the Las Vegas Rod Stewart, every now and then, he returns to the past and takes me back to my youth. Of course at the Albert Hall he really did have Ronnie Wood by his side.
First, the not so good side of the evening. It was pouring with rain all night and we got absolutely drenched. Also on the way in they were offering tickets at the door for 2 for £10, quite annoying when I paid full price for my tickets. Apparently only 5000 or so tickets had been sold out of 15,000. I would put this down to the fact that it is only 6 months since Rod played in the North-East. Also maybe some people would have come along on the night if the weather had been better, but as I said, it was sadly raining heavily all evening. But let’s quickly move on to the positives because this was still a great concert.
The support act was none other than 
After a short break Rod took to the stage. He opened with a great version of the late, sadly missed, Robert Palmer’s “Addicted to Love” and then I was transported back to 1971 and memories of Sunderland Top Rank and Sunderland Locarno with Rod the Mod singing “You Wear It Well”. Another Faces memory with “Ooh La La” and seeing that tour at Newcastle Odeon. Back to Robert Palmer territory and “Some Guys Have All the Luck”. Excellent so far. Soon it is another classic “Baby Jane” and memories of when that song was released and seeing Rod at Ibrox Stadium Glasgow. Apologies for all the reminiscences but please bear with an old guy and his memories 🙂
More classics follow: “I Don’t Want to Talk about It”, Cat Stevens’ “The First Cut Is the Deepest”. Then we are right back to 1971 again and “Maggie May”. I forget that I am drenched, this is classic Rod and at 78 he is still on great form. “I’d Rather Go Blind” is dedicated to the late Christine McVie. A few more songs and then Rod hands over to the female singers to deliver “I’m Every Woman”.
Rod returns with a new outfit and is joined by Boy George. George explains that the next song “The Killing of Georgie” means a lot to him personally, and how his mother gave it to him as a present in a brown paper bag. It was her way of letting him know that she realised he was gay. Rod and George deliver the song together and it is very appropriate and very moving. George explains that he has to leave because his Nan is not well.
A few more songs and then it is back to the female vocalists, a final rest and costume change for Rod and “Lady Marmalade”. Rod returns for “Stay with Me” which of course takes me back again. Rod do you really still need to sing “Do You Think I’m Sexy?”?. Finally I am back in Newcastle City Hall for his first solo tour, the single of the time and the usual closing song “Sailing”. Massive singalong. We (Jackie, Elaine and I) all enjoyed it even though we were completely soaked.
Setlist: Addicted to Love; You Wear It Well; Ooh La La; Some Guys Have All the Luck; Having a Party; Baby Jane; Forever Young; I Don’t Want to Talk About It; The First Cut Is the Deepest; Maggie May; I’d Rather Go Blind; Young Turks; Downtown Train; Rhythm of My Heart; I’m Every Woman; The Killing of Georgie; You’re in My Heart; Tonight’s the Night; Have I Told You Lately; Lady Marmalade; Stay With Me.
After George’s passing in 1967, his widow Faye continued to manage the group and their success grew until they become a household name. The Drifters had many hits on both sides of the Atlantic and they were, quite rightly, inducted into the ‘Rock and Roll Hall of Fame’ in 1988.
Further success and accolades followed. In 1993 The Drifters were requested by the President of the USA to perform at the White House and in 2004 they were listed by Rolling Stone magazine as one of the top 100 ‘Greatest Artists of All Time’.
Faye Treadwell passed away in May 2011 and then her daughter Tina Treadwell continued to manage The Drifters and their legacy. Tina has recently launched a new version of The Drifters and intends to take their story to the West End and Broadway. (Some of the above adapted from material on The Drifters official website).
It was this completely new version of The Drifters which I saw at Billingham Forum on Saturday night (a very appropriate evening on which to see this band). So, the members and the voices have changed many times over the years; yet the songs and the soul of the band remains constant. You know what to expect: lots of singalong, many hits which you have forgotten and a great evening of pure nostalgia and joyous entertainment.
That is exactly what we got. The show cleverly used video of Tina Treadwell introducing the band and their history, sections of covers of songs by Ben E King and Motown classics, all put together to ensure maximum entertainment. By the end of the evening everyone in the house was up and dancing. I knew almost every song. A few years ago, out of musical snobbery and would not have contemplated going to see this band. However today I have come to the point where I recognise music for what it is: an opportunity to get out and have some great fun.
Setlist: (Something like) Set 1: On Broadway; Under the Boardwalk; This Magic Moment; There Goes My First Love; Come on Over to My Place; I (Who Have Nothing); Spanish Harlem; Stand by Me; Fools Fall in Love; Down on the Beach Tonight; Hello Happiness; I Count the Tears; Dance With Me; Save the Last Dance for Me.
Set 2: Kissing in the Back Row; When My Little Girl Is Smiling; My Girl; Get Ready; I Can’t Help Myself; It’s the Same Old Song; Uptight; Some Kind of Wonderful; Up on the Roof; Like Sister and Brother.
It has been a few years since I last saw 
Steve Harley is an enigma. Always outspoken, some great tunes and a following that remains incredibly loyal. The fire station is a great local venue and was completely packed for this performance and rightly so. The guy remains relevant today and has recently released a new album consisting of some original songs and some “reimaginings” (not covers, Steve insisted) of his favourite songs.
So, his “reimaginings” included Cat Stevens’ “How Can I Tell You” (great choice), David Bowie’s “Absolute Beginners” (not so sure about this choice) and Paul McCartney’s “I’Ve Just Seen a Face” (marvellous, one of my favourite Beatles’ tracks). And he delivered great versions of each of the songs. He explained that he sent a copy of his version of the song to each of the writers, he said he knew Cat Stevens and got a lovely reply from him. He didn’t mention whether he received replies from the others; apart from saying that he was still waiting for his reply from McCartney. Alongside this he sang his own “Judy Teen”; as an aside telling us that he was hunting for a video copy of their performance of the song on Top of the Pops. Apparently the tapes were wiped and it does not exist….Unless you were sitting in front of your TV with an old cinecamera. He closed the first set with another marvellous classic song: the Rolling Stones, as interpreted by Chris Farlowe “out of time”. Lots of singalong, much to the delight of Mr Harley.
Set 2 consisted of a few more songs from the new album all of which sounded just fine. Thank you Steve for sharing these with us. And then we were into the final stretch. “Mr Soft” was followed by “Tumbling Down” and more singalong… “Look what they’ve done to the blues, blues, blues”. Steve seemed genuinely blown away by the audience reaction and the great strong voices from the crowd that accompanied each singalong section. I remember many happy evenings spent with Steve and Cockney Rebel where one of the closing songs was often “Tumbling Down”: Newcastle Mayfair, Newcastle City Hall, Redcar Coatham Bowl, Sunderland Empire and probably others. Then, Steve’s first single and the beautiful, haunting, twisting and turning ballad that is “Sebastian”. We all knew what was coming: “Make Me Smile” closed the evening. It doesn’t get much better Steve, long may you continue to come and sing to us. And thanks for returning to Sunderland (Steve made reference to the city: “some of you will have sung this with me at the Empire just next door” referring to (I think it was) the aforementioned classic “Tumbling Down”). Happy days.
Setlist: Set 1: Compared With You (Your Eyes Don’t Seem to Age); How Can I Tell You; Absolute Beginners; Lay Me Down; Only You; Judy Teen; I’ve Just Seen a Face; Out of Time
Now, to my shame, 
St James Park proudly announced the concert thus: “Sam Fender has announced details of his first stadium headline show – and one of summer 2023’s hottest tickets – at St. James’ Park. Fender headlines at the home of Newcastle United on the 9th June 2023, following in the footsteps of Bruce Springsteen and Bob Dylan, and becomes the first Geordie musician to headline the iconic stadium. Over the past few months, Fender has solidified himself as one of the most celebrated and successful British artists of his generation, pulling a huge crowd on the Pyramid Stage at Glastonbury ahead of his own 45,000 sell-out show at London’s Finsbury Park. It’s been a huge 2022 so far for the North Shields hero, picking up a slew of BRIT, NME, and Ivor Novello Awards, and a first nomination for the prestigious Mercury Prize next week, for his second album, the critically acclaimed number one album, Seventeen Going Under.
Ahead of a series of shows alongside Florence & The Machine in the US, and his first Australian shows since 2019, this latest announcement suggests 2023 will be his biggest year yet. Sam Fender said: “Ever since I started this band, I always used to joke with the boys that one day we might play St. James’ Park in Newcastle.
Laura was with her partner Dale and they were sitting in a different part of the stadium to my carer Jan and me. We were in the wheelchair area towards the back of the pitch, on a raised area located within the rear stand. The ground was absolutely packed and the atmosphere was, to use an old phrase, simply electric. To say Sam Fender is a local hero, is an understatement. The guy is simply massive in the north-east. He hails from North Shields and is a big Newcastle United fan. This was obvious when we saw the crowd, everyone turned out proudly in their black-and-white shirts.
The atmosphere was like I imagine it must be on a big match day, everyone in party mood, singing and chanting along and that was before Sam took to the stage. Sam’s allegiances were clear. His programme is black-and-white and the T-shirts on sale at the merchandise stand gave a choice between one with the Newcastle Brown Ale symbol emblazoned with “Sam Fender” and another with “Greetings from St James Park, Newcastle upon Tyne” obviously modelled upon Bruce Springsteen’s album cover “Greetings from Asbury Park New Jersey”. Sam is a massive Springsteen fan.
We arrived just in time to catch the last song of support band 
But everyone was clearly waiting for Sam to take the stage which he did shortly after 9 PM to a rapturous reception. This was a celebration of a local lad done good and a massive singalong, everyone knowing the words of every song. Sam stood proudly out front, with a rock band and brass section behind him belting out songs which have clearly become anthems for the Newcastle fans. Sam Fender was obviously overwhelmed by the whole thing; this was a young man living his dream.
I didn’t know any of the songs, other than Springsteen classic “I’m On Fire” but that didn’t matter. You couldn’t help but get swept away by the atmosphere. Black-and-white flags waving aloft, everyone singing along and so many Newcastle United strips. This was like a cup final day. The show was pretty spectacular. Great screens and visuals. Fireworks, flames and masses of confetti falling from the sky and blowing about everywhere: I was covered in it! I was hoping he would play “Winter Song” the Lindisfarne classic which I saw him perform on a television programme about the band and its leader the sadly missed Alan Hull.
But the fact that he didn’t play that particular song did not detract from my enjoyment of a great concert. Just read that AC/DC star front man and fellow Geordie Brian Johnson took the stage with Sam on the second of the two concerts. I wish I had seen that! Still, I was elsewhere witnessing a great performance by Steve Earle, which you can read about soon.
This was a warmup show for 
On the night we arrived early and took our place on the disabled platform. The staff were incredibly helpful making sure that Laura, I and our respective carers were safely in place with a great view over the standing throng who started to enter the venue. All of the seats had been taken out to allow a massive crowd to stand, go crazy and enjoy the evening. There were two support acts, apologies, I did not catch the names of the bands who warmed the crowd up as the venue slowly filled to capacity.
By the time Blur took to the stage the venue was absolutely crammed downstairs and upstairs. Everyone was waiting for the main act and and ready to really enjoy themselves. All I say is that Blur were simply incredible. Damon and the band were on top form and delivered a set of classic songs from throughout their career. I had forgotten how many great hits this group has had. “Beetlebum”, “Parklife” and “Song 2” all brought back so many memories. Damon switched effortlessly from electric guitar, to acoustic guitar, vocals only and to piano and was really up for it.
He threw lots of glasses of water over the crowd who simply loved it. The packed in people down the front were obviously suffering from the heat and were passed glasses of water by the security staff. The staff even came round onto our platform and gave us one ice pop each to cool us down. Thank you so much and it was very welcome. They also came round and took our drinks orders (double whiskey for me please :-))
I can see so many influences within Blur: the Sex Pistols (at times Damon reminded me of John Lydon), the discordant guitar of Public Image Ltd, the Englishness of the Kinks, the Cockney swagger of Small Faces. This band draws from the past and blends it together to create their own classic indie pop tunes. Of course after closing with “This is a Low” they returned for an encore which included more smash hits: “Girls and Boys”, the wonderful “Tender” and finished with “The Universal” with everyone singing along, arms aloft and swaying. A fantastic night and a great warmup for the band ahead of their massive Wembley stadium concert which I sure will be excellent.
Laura, I, Elaine (my companion for the evening) and Pete (Laura’s companion for the evening) all agreed that it was simply fantastic. A great evening with a classic English Brit pop band in an intimate venue. It doesn’t get much better. Many thanks to Blur for choosing Newcastle City Hall for one of their four warmup gigs. Laura, David and I attended a similar concert many years ago when Blur played Newcastle Academy as a warmup for their Hyde Park concert. We met David and Shauna outside and had a quick chat before I got into my taxi. They both thought that, like all of us, the concert was excellent. Thank you Elaine for taking the photographs.
Setlist: Tales of the Unexpected (Theme); St. Charles Square; There’s No Other Way; Popscene; Tracy Jacks; Chemical World; Young & Lovely; Beetlebum; Trimm Trabb; Villa Rosie; Coffee & TV; Out of Time; End of a Century; Parklife; To the End; Sunday Sunday; Advert; Bank Holiday; Song 2; This Is a Low.
This tour was entitled “Tunes and Chat” as opposed to the previous 
Arrived in time to have a nice double whiskey. No merchandise this time around. Accompanied by carer Elaine and old mate Norm.So Francis started at the beginning with some tales of his Italian origins and Italian songs such as “Papa Pickalino” (or something like that) and how they introduced him to music, songs and the guitar shuffle which would be the backdrop to many of the Status Quo tracks. He talked about how psychedelia and pop led him to write “Pictures of Matchstick Men” and then moved on to explain how Status Quo became more rocky and the shuffle became songs like “Spinning Wheel Blues” and “In My Chair”. Then we got the great “Gerdundula”, “Down the Dustpipe” and others. “Burning Bridges” (“some people like it, some people hate it” said Francis) closed the first set. Time for ice cream (Ben & Jerry’s; lovely)
During the interval the merchandise stall was selling the latest Francis large format coffee table signed book, which I already have courtesy of his website. Before I forget to mention it, the second guitarist was excellent and played quite a lot of lead guitar; both men on similar looking electric guitars. The second set comprised more tunes and some questions from the audience. One in particular sticks in my mind. Francis’ sidekick read the questions from cards collected from a pile placed on the stage by audience members. “What makes you so successful and to have continued success over so many years?” After a little thought Francis replied “Well I am basically insecure. I always wanted to be famous and to feel loved. And I still do feel that way. So to fulfil my dreams and overcome my insecurities I have to keep coming out and performing to audiences like yourselves”.
Another question. “Which do you prefer? Large arenas or small theatres?” Again, after a pause, “I suppose I like the intimacy of smaller venues where I can actually see the audience and sing and talk directly to them”. Then we are into the final stretch and Status Quo favourites “Margarita Time”, “Rockin’ All over the World” and finally “Caroline”. All good fun. Elaine, Norm and I all enjoyed it. But hey Francis time to get the Quo back on the road.
Setlist: Set 1: Pictures of Matchstick Men; (April) Spring, Summer and Wednesdays; Spinning Wheel Blues; In My Chair; Gerdundula; Rock ‘n’ Roll; Claudie; Break the Rules; Down the Dustpipe; Burning Bridges
60 years on and you can’t keep a good band, like 
These are the songs of my childhood and youth. Yes this band may not be 100% “cool” but hey who can forget the jangle of “Needles and Pins” or the thumping bass of “When You Walk in the Room”? Pure 1960s pop classics. By the way, check out the originals by Jackie De Shannon (there are some great videos of her performing the songs on YouTube). John McNally, now 81 (wow!) still plays a mean 12 string Rickenbacker and Frank Allen, new boy to the band (he joined in 1964 and is 79 years young) is the consummate front man. “New Comer” Spencer James who joined in 1986 takes the honours in singing lead vocal on most of the songs. And a great job he does too.
We arrive in time to buy a couple of programmes, one for me and one for my friend John in the USA, a T-shirt and a fridge magnet for my eldest daughter who loves to collect small memorabilia, a double whiskey to get me in the mood and quickly to our seats down the front. They start, well right back to the start with “Sweets for My Sweet” and the wonderful “Don’t Throw Your Love Away” and then John gets a chance to really jingle jangle his 12 string on the Byrds/Dylan’s “Mr. Tambourine Man”. More hits follow including another favourite of mine “What Have They Done to the Rain?” followed by “Goodbye My Love” a great version of Del Shannon’s “Runaway” and “Someday We’re Gonna Love Again”. Yes they did have loads of hits during the period 1963 – 1966. They close the first half by returning to their roots and covers of “Peggy Sue”, “Oh, Boy!” and “Running Scared”.
The interval allows time for a lovely Ben & Jerry’s ice cream and more hits and covers: “Ain’t Gonna Kiss Ya”, “Where Have All the Flowers Gone”; back to the start again with “Sugar and Spice” and another favourite of mine that I have on an EP somewhere “Love Potion No. 9”. A few more covers and they close with “Needles and Pins” and “When You Walk in the Room”, followed by their version of the Isley’s “Twist and Shout”. Finally we get a medley of all the hits together: “Sweets for My Sweet; Don’t Throw Your Love Away; When You Walk in the Room; Love Potion No.9; Sugar and Spice; Needles and Pins”. That’s it. Will it be the last time. I suspect not.
Music and performing is in the blood of these guys. They just can’t stop. If you told me when I was 15 that at 66 I would be watching a band of “pop” stars in their 80s still singing their hits I would have said you are crazy. But hey why not. It’s all good fun. Happy days. “I saw her today, I saw her face, it was a face I loved, and I knew I just had to run away, and get down on my knees and pray, but then they begin….” You just can’t beat it. Pure magic.
Second set: Ain’t Gonna Kiss Ya; All My Sorrows ; Where Have All the Flowers Gone; Sugar and Spice; Somebody Told Me You Were Crying; Love Potion No. 9; Four Strong Winds; Have You Ever Loved Somebody?; The Rose; Young Girl; Needles and Pins; When You Walk in the Room; Twist and Shout; Medley of Sweets for My Sweet; Don’t Throw Your Love Away; When You Walk in the Room; Love Potion No.9; Sugar and Spice; Needles and Pins.
Much respect to 
The Playhouse website promoted the show thus: “Lulu has made music and memories with the greatest of all time. Elton John wrote songs with her, Bowie produced and recorded with her, McCartney duetted with her and one of the Bee Gees married her. It’s a story that has to be told and provides a once-in-a-lifetime insight into some of the world’s musical legends. Join Lulu as she shares, for the first time, many untold stories, her memories and experiences with the greats – and enjoy with her the music that has been her constant companion. This is Lulu – For The Record.”
She started, well, at the start, with an excerpt from “Shout”, the 1960s, and images of her with the Beatles and other stars from the era. And that was how the show progressed. The format was Lulu talking about her life and her music, interspersing her story with images and excerpts from the songs. She was accompanied by a keyboard player. So, for the 1960s she talked about her TV show and the famous night where Jimi Hendrix appeared. I remember it like it was yesterday. I was perched in front of the TV with my parents while Hendrix played “Hey Joe”, his current hit single. However, he had just heard that the mighty Cream had split and he soon had other ideas. “Enough of this”, he said, “I would like to play something as a tribute to Cream” and broke into “Sunshine of Your Love” which he went on to play well after he was due to finish. Apparently, the BBC technical staff and management went crazy, the guy was playing much longer than planned and eventually they had to roll on the closing credits while he kept playing.
Lulu told us that he was, as a result, banned from BBC TV and radio for some time afterwards. Then she spoke of the opportunity that was her appearance in the iconic film To Sir with Love, and which broke down racial barriers featuring the wonderful Sidney Poitier, and then singing part of the title song which was a number one hit for her in America. One of my favourite songs, which brought tears to my eyes. She then went on to talk about her short marriage to Maurice Gibb, and how as a result she sat in on a Bee Gees’ recording session which led into her singing an excerpt from “To Love Somebody”.
Swiftly into the 1980s, playing in pantomime, Peter Pan with the great Ron Moody and performing in the West End.
The show wasn’t quite what we (I, my carer Jackie and guest carer Jan) expected. We were hoping for more full versions of the songs and less talk. However, what we got was equally enjoyable and I certainly learnt a lot about the lady and her many accomplishments.
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