The Reading Festival 23rd – 25th August 1974
This was my third visit to the Reading Festival; I felt I was a seasoned festival goer 🙂 . By now a large crew of local people were going to the festival, so there were lots of mates there, and we spent much of the weekend in the pubs in town, and down near the Caversham Bridge; particularly The Griffin. We would nip back to the festival site to catch the bands we wanted to see. The line-up in 1974 wasn’t particularly strong in comparison to the previous couple of years, and quite a few bands who had been advertised didn’t show (notably Eric Burdon, Ronnie Lane and Blodwyn Pig, all of whom I was looking forward to seeing). The Friday line-up was : Nutz, Johnny Mars, Hustler, Beckett, Camel, 10c, Fumble, Sensational Alex Harvey Band.
The first night of the festival saw the triumphant headlining return of the Alex Harvey band, who lived up to their name and were truly sensational. SAHB had appeared low down on the bill the previous year; there will have been many in the crowd who saw that performance, and knew how good they were. Johnny Mars and his Sunflower Blues Band gigged a lot in the early 70s; they played traditional blues; I remember seeing them at Sunderland Poly a few times; pretty good too. Fumble were a rock’roll revival band who also gigged a lot. Beckett were local North East heroes, featuring singer Terry Slesser. The SAHB setlist was something like this: Faith Healer; Midnight Moses; Can’t Get Enough; Give My Regards To Sergeant Fury; The Return of Vambo; The Man in the Jar; Money Honey; The Impossible Dream; Schools Out; Framed.
Saturday line-up: Jack the Lad, G T Moore and the Reggae Guitars, Trapeze, Sutherland Brothers, JSD Band, Procol Harum, Thin Lizzy, Long John Baldry, Heavy Metal Kids, Greenslade, Georgie Fame, Traffic.
Two bands stick in my mind from Saturday: Thin Lizzy who were excellent, and about to break through a year or so later, and Traffic. This was the classic Lizzy line-up featuring front-man Phil Lynott, the twin guitars of Scott Gorham and Brian Robertson, and Brian Downey on drums; at the time of the Nightlife album; they were at the top of their game. Traffic were excellent. They had just released their album When the Eagle Flies, and their set at Reading featured a few songs from that album, plus some old classics. The line-up at the time was Steve Winwood (guitar, vocals, keyboards); Chris Wood (flute, sax); Jim Capaldi (drums, vocals); Rosko Gee (bass); Rebop (percussion). Stand-outs were Steve singing John Barleycorn, simple and beautiful with acoustic guitar, and Rebop’s congas and percussion throughout. I found a published setlist for Traffic, which shows they played: Empty Pages; Graveyard People; Who Knows What Tomorrow May Bring; John Barleycorn; 40,000 Headmen; Love; When the Eagle Flies; Walking in the Wind; Dream Gerrard. I also have it in my mind that they performed Feelin’ Alright, but maybe that’s my memory playing tricks again. Also worthy of mention are Procol Harum (great version of Whiter Shade of Pale and a big success during the late afternoon), the late great Long John Baldry (excellent voice and a hero of mine), Heavy Metal Kids (the late Gary Holton as crazy and manic as ever), and Georgie Fame who seemed a bit out of place as part of the Saturday night line-up, but carried on the jazz and R’n’B tradition of the festival and went down pretty well.
Sunday Line-up: Gary Farr, Chilli Willi and the Red Hod Peppers, Esparanto, Strider, Barclay James Harvest, Chapman & Whitney Streetwalkers, Kevin Coyne, George Melly, Winkies, Steve Harley & Cockney Rebel, Harvey Andrews, Focus.
My main memories of the final day are of Steve Harley. Cockney Rebel had split a few months before the festival, and this one of Steve’s first appearances with his new band. They stole the show; appearing just as it was getting dark; the audience was with Steve from the start, and the performance was a triumph. Tumbling Down closed the set with a mass crowd singalong of “Oh dear, look what they’ve done to the blues, blues, blues”. It was clear that Steve was back, as cocky as ever; 1975 would bring him massive success with Make Me Smile.
I also remember watching Kevin Coyne (Marjory Razorblade), George Melly (a return after his success the previous year) and Focus who closed the show, and were also great, but seemed a little of anti-climax after Steve Harley’s performance.
DJs for the weekend were John Peel and Jerry Floyd. Oh and there were lots of cheers of “Wally”, “John Peels a c**t” (not sure how that one started), and a revolt at the prices of food in the arena, which resulted in a fish and chip van being trashed. Crazy, happy days.
Posts Tagged ‘pop’
31 Jan
Alan Price, “Kelly”, South Shields Marine & Technical College, 17th July 1977
Alan Price, “Kelly”, South Shields Marine & Technical College, 17th July 1977
This was the first performance of “Kelly”, a musical play co-written by Alan Price and Tom Kelly in 1977. Kelly was based on the story of the Second World War warship HMS Kelly, which was sunk off the coast of Crete in 1941 while captained by The Queen’s cousin, Lord Louis Mountbatten. HMS Kelly was a destroyer of the British Royal Navy. She was built by Hawthorn Leslie and Company at Hebburn on the River Tyne in 1937, launched in 1938 and commissioned in 1939, just before the commencement of the war. She was named after Admiral of the Fleet Sir John Kelly.
The musical Kelly was staged at South Shields Marine & Technical College (now South Tyneside College) and the rehearsals for the show were also filmed for a documentary, which was later shown on BBC TV. The performance featured a group of young local actors, some of whom were to go on to gain fame locally, including Ray Spencer, who is now director of the Customs House in South Shields, and Peter McIntyre, who is one half of the Maxie and Mitch comedy duo.
Tom Kelly also directed the stage show. Tom now writes full-time and works on creative writing projects, most recently ‘Men of the Tyne,’ for the Customs House commemorating those who worked on the river through monologues, songs and film. The Kelly show was part of the local celebrations for the Queen’s Silver Jubilee.
The show was in two parts. The first part was the performance of Kelly, and the second a performance by Alan Price and his band, during which he performed hits such as Simon Smith and the Amazing Dancing Bear, The House that Jack Built and The Jarrow Song. I went with a few mates, and it was an interesting and quite different performance to the rock concerts that we were used to attending at the time, and a very welcome change.
Cast: Narrator: Alan Price; Elsie: Iris Johnson; Bill: Jim Greaves; Jack: Bob Stott; Jimmy: Ray Spencer; Recruiting Officer: Ron Ainley; Kathleen: Elizabeth Ayre.
Music: The Alan Price Band; the South Shields Male Voice Choir; The Vintage Trad Jazz Band; Malcolm and Maxie.
The programme says of Alan Price: 1977; And he’s still working and moving on and moving back to the North East. “Will you do a concert for the Jubilee? No – we’ll do something more; and the “Kelly” is launched”.
30 Jan
James Arthur Newcastle City Hall 29th January 2014
James Arthur Newcastle City Hall 29th January 2014
Support from Titch
This is definitely a guilty pleasure. Laura quite fancied seeing James Arthur; in fact we were all impressed by him, and followed his progress on X Factor. In fact we feel so guilty admitting that we went to see James that Laura didn’t tell her friends that she was going (hope they don’t read this 🙂 ). But James isn’t your stereotypical X Factor contestant; his music, image and attitude draw from indie, grunge, soul, R&B and hip-hop. James is now on the cusp of becoming a regular pop star, selling out concerts up and down the country. He has, of course, had a few blips, said some inappropriate things, is a bit controversial and has been in the press along the way. This was a sort of home-coming show; bringing James back to the North East, although the real home town gigs take place in a couple of days time when he headlines two nights at Middlesbrough Town Hall. The City Hall was packed with James’ fans who are, in the main, young girls, but there were also a sprinkling of older ladies, some mums and dads who had brought their daughters, a few couples and a few male fans too. A young girl in the front row had “I love you James” written across her face in makeup. It was that sort of night. 
The set comprised his debut album in its entirety, and the closing encore was his hit Impossible. James is backed by an impressive band with guitar, bass, keyboards, drums and two excellent lady singers. The songs are very much r’n’b/soul/pop; the only cover was Marvin Gaye’s Lets Get it on. His set was powerful, and relatively short (an hour and a quarter), and the crowd was on its feet and screaming throughout. Lots of ladies underwear was thrown on stage and James must have touched hands with everyone down at the front (the girl with “I love you James” on her face cried). We had seats in the middle of the third row, right in the throng of it. Pretty good fun, musically and as an event. I bet the Middlesbrough gigs are good.
Setlist: You’re Nobody ’til Somebody Loves You; Flying; Emergency; Roses; Smoke Clouds; Suicide; Get Down; Recovery; Let’s Get It On; New Tattoo; Certain Things; Supposed. Encore: Is This Love?; Impossible
29 Jan
Procol Harum live Newcastle 1973, Reading 1974 and Middlesbrough 1976
Procol Harum live Newcastle 1973, Reading 1974 and Middlesbrough 1976
I am a big fan of Procol Harum, although I have only seen them three times in concert. White Shade of Pale, Homburg and Conquistador remain favourite songs of mine to this day. Their appearances in the UK are few and far between these days; although they do continue to play a small number of shows in mainland Europe. I first saw Procol Harum at a concert in Newcastle City Hall on 16th March 1973. The 1973 line up was Gary Brooker (keyboards, vocals), Alan Cartwright (bass), Chris Copping (keyboards), Mick Grabham (guitar), B J Wilson (drums), Keith Reid (lyrics). Support for the concert at the City Hall came from Hemlock, who were a new blues rock band fronted by Miller Anderson (ex Keef Hartley band). My memories of the performance are of a great, powerful set, which started with Conquistador, but I was also disappointed that they didn’t play White Shade of Pale that night. The setlist will have been something like this (based on published setlists of the time): Conquistador; Bringing Home the Bacon; Toujours L’Amour; The Devil Came from Kansas; Homburg; Fires (Which Burnt Brightly); For Liquorice John; Whaling Stories; Grand Hotel; Kaleidoscope; Robert’s Box; Power Failure; Simple Sister; Repent Walpurgis; A Salty Dog.
I next saw Procol Harum at the Reading Festival in 1974. They played, I think, on the Saturday afternoon, and were equally as good; and this time they did play Whiter Shade of Pale 🙂 . 
The next time I saw Procol was at a concert at Middlesbrough Town Hall on 7th January 1976. This time there were supported by the very brilliant and much-lamented Vivian Stanshall, who entertained us with a crazy set featuring Bonzo classics and his solo material. Procol were magnificent that night, the swirling chords of their majestic pieces reverberating around the beautiful main hall of Middlesbrough town hall. They were joined by Viv Stanshall for the encores which included a crazy song called the Browns, which Viv had written with Keith Reid; it was based on a story Viv had read in the newspaper about a family called the Browns. The setlist will have been something like this (based on published setlists of the time): Toujours l’Amour; Bringing Home the Bacon; Shine on Brightly; Fresh Fruit; As Strong as Samson; The Unquiet Zone; Grand Hotel; Conquistador; Pandora’s Box; Cerdes (Outside the Gates of); Souvenir of London; Power Failure; A Salty Dog; The Blue Danube. Encores: I keep Forgetting; The Browns (with Viv Stanshall); A Whiter Shade of Pale.
The Middlesbrough gig was the last time I saw Procol in concert, although I had a ticket for a gig at the Tyne Theatre in Newcastle in 2002, which was sadly cancelled. I still have my ticket which is pictured here. I hope I can get to see them one more time, and await their next performance in the UK. Thanks to John for his scan of the poster from the 1973 Newcastle City Hall concert with Hemlock support.
27 Jan
Del Amitri Newcastle City Hall 26 January 2014
Del Amitri Newcastle City Hall 26 January 2014
Support from The Os
I’ve never seen Del Amitri, and quite like some of their songs, so last night I was making up for lost time, and went to see them at Newcastle City Hall on the fourth night of their reunion tour. And good there were too. I’d forgotten just how many great songs this band have. They started with Always the Last to Know and Kiss This Thing Goodbye. The set featured an acoustic section which closed with a rousing version of Nothing Ever Happens. Other highlights were Roll to Me, and the final encore, the simply beautiful Move Away Jimmy Blue, which is my favourite and actually was the main reason I went along last night. 
Setlist (something like): Always the Last to Know; Kiss This Thing Goodbye; The Ones That You Love Lead You Nowhere; Just Like a Man; What I Think She Sees; Not Where It’s At; Hammering Heart; This Side of the Morning; Sleep Instead of Teardrops; Be My Downfall; Food for Songs; Tell Her This; In the Frame; Nothing Ever Happens; Roll to Me; Driving With the Brakes On; Spit in the Rain; Being Somebody Else; Drunk in a Band. Encore: In the Meantime; Here and Now; Just Before You Leave; Move Away Jimmy Blue.
Justin Currie speaking of the current tour in the Scotsman newspaper: “We started talking quite honestly about it….You know, will it be any good or will it be rubbish? We wanted to only enter into it if it was going to be decent, although only the audience can tell us that, of course.”
26 Jan
Pink Floyd reunion Live 8 Hyde Park 2nd July 2005
On 2nd July 2005 the impossible happened and the 1970s members of Pink Floyd reunited to perform at the London Live 8 concert in Hyde Park. I thought my chances of Roger Waters rejoining David Gilmour, Nick Mason and Richard Wright were very slim, and I was delighted to be able to be see them together once more. This was the band’s first performance together in over 24 years, since The Wall concerts in 1981. Marie, David, Laura and I all went to Live 8, and greatly enjoyed the day, which I will blog about on another occasion. Today I’ll limit by writings to Pink Floyd’s appearance. Gilmour announced the reunion less than a month before the gig, on 12 June 2005: “ Like most people I want to do everything I can to persuade the G8 leaders to make huge commitments to the relief of poverty and increased aid to the third world. It’s crazy that America gives such a paltry percentage of its GNP to the starving nations. Any squabbles Roger and the band have had in the past are so petty in this context, and if re-forming for this concert will help focus attention then it’s got to be worthwhile.” Pink Floyd appeared later in the day, sandwiched between great sets by The Who and Paul McCartney; who closed the show. Floyd’s set consisted of Speak to Me; Breathe; Money; Wish You Were Here; and Comfortably Numb; a good choice of songs for their short appearance. Waters said on stage: “It’s actually quite emotional standing up here with these three guys after all these years. Standing to be counted with the rest of you. Anyway, we’re doing this for everyone who’s not here, but particularly, of course, for Syd.” The band who played with Pink Floyd in Hyde Park were Tim Renwick (guitar); Jon Carin (keyboards); saxophonist Dick Parry Money (played on the original recording); and backing singer Carol Kenyon. The screens showed video from their past shows, and a film of the pig from the Animals flying over Battersea Power Station. This was simply mind-blowing stuff; for me it was the highlight of the day, and a very emotional experience. We were close to the front (I’d managed to score tickets in the enclosed area near the stage) and had a great view of the band. I found Wish You Were Here particularly powerful; you felt they were singing the song for Syd; which of course they were. Syd sadly passed away the following year. With Wright’s subsequent passing in 2008, this was to be the final concert to feature all four playing together.
24 Jan
Pink Floyd Wembley Empire Pool 17th March 1977
Pink Floyd Wembley Empire Pool 17th March 1977
The next time I saw Pink Floyd was during the “In the Flesh” tour, also known as “Animals” tour, in support of their new album “Animals”. The UK leg of the tour took in 5 nights at Wembley Empire Pool, and 4 nights at Stafford Bingley Hall. I went to the 3rd night at Wembley. I went down by train, leaving Newcastle around 3pm, straight on the tube across to Wembley, arriving at the Empire Pool around 7pm. The show followed the format that had become the norm for Floyd in the 70s; two parts, the first set featuring the new album “Animals”, and the second showcasing their last release “Wish You Were Here”. The encore was “Us and Them” from DSOTM the night I attended; some nights it would be “Money”, and one lucky audience in the States got the last ever performance of “Careful with that axe Eugene”. 
The tour featured large inflatable puppets, including the famous inflatable pig which flew over us and around the Empire Pool during “Pigs on the Wing”. I enjoyed the gig but found the band somewhat distant, and distant in a literal sense from my seat way up in the tiers. I’d seen the Sex Pistols live a few months before, and was starting to get interested in punk, and as part of that I was losing faith in bands like the Floyd. After the show I got the tube straight back to Kings Cross and caught the midnight mail train north, which got me back home around 7am. This was the last time I saw Pink Floyd for some 13 years; I missed the Wall shows at Earls Court, which in hindsight was a mistake that I now regret.
First set: Sheep; Pigs on the Wing 1; Dogs; Pigs on the Wing 2; Pigs (Three Different Ones)
Second set: Shine On You Crazy Diamond 1 – 5; Welcome to the Machine; Have a Cigar; Wish You Were Here; Shine On You Crazy Diamond 6 – 9. Encore: Us and Them
22 Jan
Pink Floyd at the Knebworth Festival. Knebworth Park, 5th July 1975
Pink Floyd at the Knebworth Festival. Knebworth Park, 5th July 1975
Line-up: Pink Floyd; Steve Miller Band; Captain Beefheart; Roy Harper and Trigger; Linda Lewis; Graham Chapman (Monty Python); DJ’s John Peel & Pete Drummond.
This was my second visit to Knebworth, after seeing the Allman Brothers headline at the first festival in 1974. A group of mates had organised a coach to take us down there; it left on the Friday night (after closing time of course) from outside the Londonderry pub and got us to the site in the early hours of Saturday morning. The line-up for the day was pretty strong, but we were all there to see the Floyd play Dark Side of the Moon. Attendance was much higher than the previous year, there seemed to be a lot of people there. Ticket price was a bargain at £2.75 (one day I really must try to do a comparison with today’s prices). Linda Lewis opened the day and was her usual chirpy self; a great start to the festivities. Jesus was dancing down the front. Monty Python’s Graham Chapman kept popping up to entertain us between bands, although some of his humour was lost in the vast space between stage and crowd. Peel was DJ for the day (as was the norm for festivals in those days) along with Pete Drummond. 
Next up was Roy Harper, a favourite of mine whose set was in two parts; the first featuring Roy playing acoustically with a small orchestra conducted by David Bedford. He then strapped on his electric guitar and was joined by his band Trigger which featured Chris Spedding on guitar (ex Jack Bruce band, and soon to be solo star with “Mororbikin'” 🙂 ), Dave Cochrane on bass and Bill Bruford on drums (ex Yes and King Crimson). Roy had a chat with us all, as he always did, and played some great songs including the classic “Another Day”. The late great and magnificent Captain Beefheart booglarised us, confusing some of the audience who just thought he was weird (which of course he was, but he was also excellent). Steve Miller was next. We’d all heard the classic song “The Joker” of course, but looking at published setlists of his performance that day, it seems that he didn’t play it (which I find hard to believe, bet we were disappointed); to be honest I don’t recall much about his set. There was then a long wait before Floyd came on. Soon two spitfires were flying overhead to herald Floyd’s arrival on stage. The show was similar to that which I had seen at Newcastle Odeon a year previously; they had their large circular screen, and the first half of their set featured new songs which would ultimately appear on Wish You Were Here and Animals. The second half was Dark Side of the Moon, with Echoes as the encore. 
Just before the start of Dark Side of the Moon a plane flew down over the crowd (travelling down a wire from the lighting tower) and crashed into the stage. And then came the familiar opening voice “I’ve been mad for f***ing years, absolutely years…..” and the haunting laughter….and we were off, witnessing the last performance of DSOTM by the Floyd with Roger Waters. It would be another 30 years until I saw this line-up play some of it again at Live 8 in Hyde Park; but that’s a story for a few days time. The sound wasn’t great from where we were sitting, but it was amazing to see them perform their classic album in a field on a cool summer’s evening. Echoes was the perfect closer for the day. Then it was out of the field through the crowds and campsites (and chants of “Wally”) and back on bus, and up the A1. Actually I think we were missing one guy, and had to wait a little before the driver decided he would leave without him. We then saw the guy hitching at the side of the road and picked him up. We were back in the early hours of Sunday morning, tired but with the sound of Echoes still running through our heads.
My friends John and Susan were also on the coach. Susan’s memories of the day: I don’t remember very much about the acts apart from Pink Floyd and I think that was because I was so thankful that it meant the festival was almost over! I remember the day as sitting on a blanket in a damp field amongst thousands of people (and a few small dogs), with mist and drizzle falling pretty much all day, being absolutely starving and having to use the most horrendous bathroom facilities I had ever encountered. I remember being terrified that we would miss the bus home, and I have never been so thankful as I was to see the Toll Bar on that Sunday morning!
Setlist: Raving and Drooling (Sheep); You’ve got to be Crazy (Dogs); Shine On You Crazy Diamond (Parts 1 to 5); Have a Cigar (with Roy Harper); Shine On You Crazy Diamond (Parts 6 to 9); Speak to Me; Breathe; On the Run; Time; Breathe (Reprise); The Great Gig in the Sky; Money; Us and Them; Any Colour You Like; Brain Damage; Eclipse. Encore: Echoes. The image of Knebworth House is reproduced here through the permissions of the Creative Commons Attribution 2.0 Generic license.
21 Jan
Pink Floyd Newcastle Odeon 8th November 1974
Pink Floyd Newcastle 1974
Pink Floyd issued The Dark Side of the Moon in March 1973, over a year after I’d seen them perform early versions of the songs at a concert at Newcastle City Hall. Dark Side of the Moon was a massive and immediate success, topping the US LP chart and reaching No 2 in the UK chart. It remained in the chart for 741 weeks from 1973 to 1988. Pink Floyd did a short winter tour of the UK in late 1974, stopping off for two nights at Newcastle Odeon. I attended the first of the two nights. The concert comprised two sets, the first set consisting of new material, and the second being a performance of their latest album (Dark Side of the Moon). They would retain a similar format for their next tour. Floyd said little to the audience; they wandered quietly on stage and performed the music, illuminated by an impressive light show, and a large circular screen, which showed a series of videos recorded to accompany each song.
The first set consisted of three songs; a lengthy version of Shine on You Crazy Diamond (which was to appear on “Wish You Were Here” the following year and sounded amazing on first hearing) and early versions of Sheep and Dogs (which were to develop and would later appear on “Animals” in 1977). The concert was excellent; technically perfect though the band appeared distant. The programme (pictured here) took the form of a great little “The Pink Floyd” comic: “A Super All-Action Official Music Programme for Boys and Girls!” and featured stories about each band member who became “Rog of the Rovers”, “Captain Mason R.N.”, “Rich Right £”, and “Dave Derring” (Wizzo stuff 🙂 ).
First Set: Shine On You Crazy Diamond; Raving and Drooling (early version of “Sheep”); You’ve Got to Be Crazy (early version of “Dogs”).
Second Set: Speak to Me; Breathe; On the Run; Time; The Great Gig in the Sky; Money; Us and Them; Any Colour You Like; Brain Damage; Eclipse. Encore: Echoes.
Pink Floyd: David Gilmour; Roger Waters; Richard Wright; Nick Mason.
Additional tour musicians: Dick Parry (saxophone); The Blackberries (Venetta Fields & Carlena Williams; backing vocals).
“You reached for the secret too soon, you cried for the moon.
Shine on you crazy diamond” (Pink Floyd, 1974).
20 Jan
Pink Floyd Newcastle City Hall 27 January 1972
Pink Floyd Newcastle City Hall 27 January 1972
I first saw Pink Floyd at Newcastle City Hall in 1972. The date of the concert was changed as I recall; I went through the week before, not knowing the gig had been postponed by week or so, and had to come home again. I returned on the correct night, without a ticket for the sold out gig, and managed to buy one outside for face value. The first thing I noticed were four large PA speakers set out in the corners of the hall. I’d read in the music papers of their quadrophonic sound system, so I knew that I was about to experience something quite different to any other concert I’d been to before. The show was in two sets; I sat and waited. As a 15 year old I was totally immersed in the music and the event; no sneaking down to the bar for me in those days. Pink Floyd introduced their new composition “Eclipse (A Piece For Assorted Lunatics)” and played it in full during the first half of the concert. “Eclipse” was to develop into “The Dark Side Of The Moon” in the coming months, and the titles of the tracks changed during that period. A few of the tracks were apparently played as instrumentals in some of the earlier concerts. I definitely remember them (Roger I think) introducing it as “Eclipse” and I also recall the voice “I’ve been mad for f**ing years…” swirling around the hall; and the clock, the heartbeat and that laugh reverberating around and around us, switching between the four speakers. None of us knew what to expect of course; I nearly jumped out of my seat when I heard the laugh come at me from a speaker behind me at the back of the hall, and at very high volume. Just incredible. Even then, hearing the piece for the first time, you just knew it was unique.
After a short internal the Floyd returned to play a set of classics; starting with “One of These Days” from “Meddle” (a favourite of mine at the time) which was their most recent album at that time. Roger’s bass vibrated through the hall; to be followed by lots of screaming in “Careful With That Axe, Eugene”. Another thing that sticks in mind was the elevated lighting rig, which stood at the back of the stage behind the band, and was unlike anything I had seen before. Towards the end of the show the rig swirled up to the ceiling drowning the hall in myriad coloured lights. Very effective and actually quite spooky. I would imagine by today’s standards it would seem pretty basic, but at the time is was state of the art stuff, and all added to the mysterious of the Floyd in concert. The second closed with the beautiful “Echoes” and the haunting “Set The Controls For The Heart Of The Sun” with its heartbeat drum beat, and closing with Roger beating a fire-lit gong.
I was totally blown away by the performance, and bored everyone at school for weeks, telling them how great Pink Floyd (and they were great indeed 🙂 ). A memory I will keep with me forever (at least I hope so…and if my memory does go, one of the purposes of this blog is to remind me).
Set 1: Speak To Me; Breathe; The Travel Sequence; Time; Home Again; The Mortality Sequence (aka “Religion”); Money; The Violent Sequence; Scat; Lunatic; Eclipse
Set 2: One Of These Days; Careful With That Axe, Eugene; Echoes; Set The Controls For The Heart Of The Sun
Pink Floyd members in 1972: Roger Waters, David Gilmour, Nick Mason, Richard Wright
“I’ve been mad for f***ing years, absolutely years, been over the edge for yonks, been working me buns off for bands…I’ve always been mad, I know I’ve been mad, like the most of us…very hard to explain why you’re mad, even if you’re not mad…” (Speak to Me, Mason, 1972)
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