Posts Tagged ‘pop’

Morrissey 50th Birthday Concert Manchester 22 May 2009

Morrissey Manchester Apollo 22 May 2009

Laura and I went to wish Morrissey a Happy Birthday at Manchester Apollo on Friday.

Laura had been waiting for this one for some time. The thought of seeing the great man in his home town on his 50th birthday was pretty exciting I must admit.

We left early on the Friday evening to drive to Manchester, as it was bank holiday weekend and we feared that the traffic could be busy. And busy it was. The drive normally takes us just over 2 hours. This time it took around 4 hours; the A1 south from Durham was OK; but we crawled along the M62 from Leeds to Manchester. Still we arrived on time and got into the Apollo before the support act Doll and the Kicks took to the stage. Saw the mother from Shameless outside, and heard afterwards that half of the cast of that show were there.

We took our seats upstairs. We were in the fourth row at the side overlooking the stage; a pretty good view. Doll and Kicks were OK; the singer danced around the whole stage; reminded me a little of Clare Grogan and Altered Images, though the music reminded me of Pauline and Penetration.

The atmosphere in the Apollo was electric. The place was full of hardened Morrissey fans from all over the place, and everyone was keen to make sure that he got a great birthday. He had cancelled a few shows the week before due to a sore throat; so this show was all the more special. The interval featured the usual Morrissey video show with his own (quite bizarre) selection of favourites: Anthony Newley, Shirley Bassey, The New York Dolls, and Vince Taylor (theres a lotta twisiting going on: have a look at it on YouTube and you’ll see where Morrissey gets his quiff from!).

Soon the lights go down and the birthday boy takes to the stage to an innovation that I swear I have never seen the like of before. I thought the crowd were never going to stop cheering. Morrissey is clearly moved and kneels down in front of us all. The set is the same as the rest of tour; no big surprises. We do get a chance to sing happy birthday to him, and a couple of shirts are thrown out. The crowd downstairs look pretty wild; lots of people are dragged out and a few get the chance to shake Morrissey’s hand. He gives the mike to a few people at the front who wish him happy birthday. He’s clearly enjoying it and is on good form.

One note of disappoitment. Laura had promised herself a signed lp. They sell them at the end of each gig, and are limited to around 20 copies. So I went down to the merchandise stand in the foyer during The Loop; a couple of songs before the end of the set; and join a queue of less than 10 people waiting to buy the signed vinyl. As he leaves the stage they start selling the lps; but the first 3 or 4 people in the queue buy 4 or 5 each and the rest of each don’t get a chance! A few unhappy people start to argue with the guy on the stall, but nothing can be done. I do think it would have been fairer if they had limited sales to one each! So we have to settle for the special laminate pass which they were giving out free to everyone.

All in all a great experience; and a wonderful night. Laura declares it the best concert she has ever been to!! Two hours later we arrive home at around 1am.

Setlist : This Charming Man / Irish Blood, English Heart / Black Cloud / How Soon Is Now? / All You Need Is Me / How Can Anybody Possibly Know How I Feel? / Girlfriend In A Coma / I’m Throwing My Arms Around Paris / Let Me Kiss You / Ask / Something Is Squeezing My Skull / One Day Goodbye Will Be Farewell / Why Don’t You Find Out For Yourself? / The World Is Full Of Crashing Bores / I Keep Mine Hidden / When Last I Spoke To Carol / Best Friend On The Payroll / Sorry Doesn’t Help / Some Girls Are Bigger Than Others / The Loop / I’m OK By Myself // First Of The Gang To Die

website: http://www.itsmorrisseysworld.com/

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birthday laminate pass given out at the concert

birthday laminate pass given out at the concert

Al Stewart The Sage Gateshead May 18th 2009

QAl Stewart The Sage Gateshead May 18th 2009

I’m not sure if I have ever seen Al Stewart in concert before. I think I may have seen him in the early 70s in his folk days before Year of the Cat; but can’t swear to it. So I figured it was time to put that right and went to the Sage last Monday. The downstairs hall was 3/4 full; while upstairs was almost empty; I understand on previous visits it has been better attended.

Al’s show was OK. He had a pretty good guitarist with him and the songs were pleasant enough. The only ones I knew were Year of the Cat and on the Border. As an eveing out it was quite enjoyable, but nothing particularly memorable.

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Little Feat The Sage Gateshead 11th May 2009

Little Feat The Sage Gateshead 11th May 2009

Not a lot to say about this one.  I saw Little Feat a couple of times in the 70s; once headlining at the City Hall and once supporting The Who at Charlton. I can’t remember much about those performances; nothing stood out I guess.  Thought it was time I saw them again. It was OK but nothing outstanding. I recognised Dixie Chicken. Fraid I left during the encore.  

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Bob Dylan Edinburgh Playhouse 3 May 2009

Bob Dylan Edinburgh Playhouse 3 May 2009

This was Laura’s first Dylan experience and my 14th. David decided to pass this time, and Laura was keen to claim the ticket so she could see the legend in concert and see what he was like for herself. I’d prepared her for the show and told her that he sings the songs somewhat differently to the album versions which she has heard. I even played her a CD of the last Manchester Arena show that David and I went to.

The Edinburgh Playhouse is a lovely venue and the smallest in which I have ever seen Bob. We drive up the A1 (Laura doesn’t like the bumps and turns on the A68) and arrive in time for something to eat in the Slug and Lettuce close to the venue. We say hello to Mike and Maureen who are also in there.

Laura buys her customary t-shirt (a small, but still too large for her) and we take our seat in the circle. Bob comes on stage at aorund7.40 and starts withLeopard Skin Pill Box Hat, and then into Lay Lady Lay and Tangled up in Blue. His voice is strong and he is singing a lot better. Unfortunately, the songs that follow are all in a similar blues vien to me, and not some of his best tracks. Things pick up again towards the end when we get Highway 61 and Like a Rolling Stone. The encores include All Along the Watchtower and Just Like a Woman, with Dylan playing some pretty good guitar. Not the best time I’ve seen Dylan, but by no means the worst. Laura has enjoyed it but is disappointed that he didn’t play I want You which is her favourite. The A1 seems to go on forever on the way back (too many speed cameras) and we get home at 12.30pm; not too late at all.

Set list:
Leopard-Skin Pill-Box Hat; Lay, Lady, Lay; Tangled Up In Blue; When The Deal Goes Down; Rollin’ And Tumblin’; Tryin’ To Get To Heaven; Stuck Inside Of Mobile With The Memphis Blues Again; Sugar Baby;High Water (For Charley Patton); I Don’t Believe You (She Acts Like We Never Have Met); Po’ Boy; Highway 61 Revisited; Ain’t Talkin’; Summer Days; Like A Rolling Stone
Encores: All Along The Watchtower; Just Like A Woman; Blowin’ In The Wind

 

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The Zombies Manchester Bridgewater Hall 24 April

The Zombies Manchester Bridgewater Hall 24 April 2009

Went with David to the magnificent Bridgewater Hall to see the Zombies play their Odessey and Oracle show. David almost didn’t come; he hadn’t heard much by the Zombies; I persuaded him to come along.  The drive to Manchester took longer than usual; the traffic was terrible on the M62. However we arrived at around 6.30 with plenty of time to spare. 

We took our seats in the second row and the band took the stage shortly after 7.30. The first half was the Zombies touring band, which consists of Colin Blunstone, Rod Argent, Jim Rodford, Steve Rodford and Keith Airey. Keith hails from Sunderland and is an old friend from many years ago. The set consisted of Zombies and Colin Blunstone hits with Argent’s Hold your head up as a closer. All delivered excellently; Colin Blunstone’s voice is as exquisite as ever. I manage to say hello to Keith Airey as the band leave the stage; it must be almost 30 years since we last met.

The second set is what everyone has come for. The remaining members of the original band take the stage along with Keith who takes the guitar parts (the original guitarist died some years ago). This is one of four shows this year in which they are playing their classic Odessey and Oracle album in its entirety, using original instruments in order to recreate the original sound as far as they can. And it doesn’t disappoint. Each track sounds as it did when it was recorded. My own favourites are Rose for Emily and the classic Time of the Season. David declares it possibly the best concert he has ever been to; and I have to agree with him. Musically it can’t be faulted. Keith invites us back stage after the gig, and I have a chat with him about old times and meet Colin Blunstone and the band. We set off for the drive home and get back around 1.30am. A very special concert.

 

Set list:

First set: Selection of Zombies and Colin Blunstone hits; finishing with Argent’s Hold your head up.

Second set: entire Odessey and Oracle album: Care of Cell 44; A Rose for Emily; Maybe After He’s Gone; Beechwood Park; Brief Candles; Hung up on a Dream; Changes; I Want Her, She Wants Me; This Will Be Our Year; Butcher’s Tale; Friends of Mine; Time of the Season

Encores: Shes not there; Going out of me head; Summertime

 

Album info: http://en.wikipedia.org/wiki/Odessey_and_Oracle

Website: http://www.rodargent.com/

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AC/DC Manchester Arena 21 April 2009

AC/DC Manchester Evening News Arena 21 April 2009

Great show!! Are AC/DC the bext rock band in the world today? They certainly put on a show to rival all other rock bands.

Support came from The Answer who are a Zeppelin-styled band from Ireland. They seem pretty good and go down OK but the sound could be better;  gets lost in the cavernous MEN Arena. The atmosphere is pretty electric. Everyone has been waiting a long time to see AC/DC again. For me it must be almost 20 years since I last saw them. For David its the first time.

After a short break the lights go down and the screen shows a video (very non-PC) cartoon of Angus and the band driving a train which comes through onto the stage as the band arrive and start with Rock ‘n’ Roll Train. The set is littered with favourites interspersed with tracks from the new Black Ice album.  All the expected elements are there. The bell comes down for Hells Bells. Angus runs round like a mad man. Brian screams the words out like no-one else can. A giant inflatable Rosie comes up in Whole Lotta Rosie. All very predictable and (says David) almost Spinal Tap, but you know what it all works.  Are we all mad for screaming at a 50-something man in a school uniform? Probably. Is it good? No its great actually. Are they the best rock band in the world? May be. On Tuesday in Manchester they certainly were.

Setlist:
Rock N’ Roll Train ; Hell Ain’t A Bad Place To Be ; Back in Black ; Big Jack ; Dirty Deeds Done Dirt Cheap ; Shot Down in Flames ; Thunderstruck ; Black Ice ; The Jack ; Hells Bells ; Shoot to Thrill ; War Machine ; Anything Goes ; You Shook Me All Night Long ; T.N.T. ; Whole Lotta Rosie ; Let There Be Rock 

Encore: Highway to Hell ; For Those About to Rock (We Salute You)

website : www.acdc.com

 

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Joe Brown Billingham Forum 19 April

Joe Brown Billingham Forum Theatre April 19th 2009

Will raised the idea of  seeing Joe Brown some time ago.  We missed him last time he came to the region; so decided we would catch up with him this time at Billingham Forum Theatre.  We arrive a little late (around 7.40) and Joe is already on stage. The set is a mixture of old favourites including Joe’s own hits, old rock and roll songs and standards. Highlights are Picture of You, See You in My Dreams, Black Betty, and  Hava Nagila. Joe is accompanied by a great band including his son Pete. The show is very good, not surprising I suppose when you consider how long Joe has been in the business. Nice to go to a concert where we are the youngest there ; rather than the oldest!

website: http://www.joebrown.co.uk/

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John Lees’ Barclay James Harvest Salford April 12 2009

John Lees’ Barclay James Harvest Salford Lowry Theatre Manchester April 12th 2009 (Easter Sunday)

I guess, although I might not have fully realised it at the time, I was pretty into Barclay James Harvest in the 70s.  They were one of the bands who I would go along and see with my mates, and we always enjoyed the show. We sort of took them for granted; they toured a lot, you could always go along and see them; you could rely on them to play well (and they would always finish with Mockingbird).  Somewhere along the way I lost touch with them, and I’d almost forgotten them altogether until a couple of years ago when John Lees’ version of the band came to Newcastle. I went along that night not knowing what to expect and was surprised how good they  were, and how many of the old songs came back to me after 30 years. Since then, I’ve kept in touch with BJH by visiting their website now and then.

So when I saw that they were planning to perform a special concert for fans on Easter Sunday in Salford I decided I’d go along. Laura had heard me playing Mockingbird and After the Day and was intrigued enough to fancy joining me, so we bought two tickets. That was last November; we’ve been looking forward to the show since then.

We set off early after an Easter lunch with the family, and arrived at the Lowry centre at 6pm, with plenty of time to spare. There was time for a pizza in the Quays before we made our way into the Lowry for the show. The Lowry is a lovely venue overlooking the river just next to the Quays shopping centre.

Fans of the band had travelled from all over the UK for the concert; everyone was looking forward to this; so it was going to be pretty special.  A special one-off programme for the concert was included in the ticket price and as a nice touch they had printed the names of everyone in the audience inside. Laura was a little disappointed that the smallest t-shirts available were medium; which would still be like a dress on her; so she decided to pass this time.

First up was support act Claire Hamill, another name from the 70s who seems to have re-emerged recently. She did a few numbers which went down quite well. Then there was a short internal before the main act.

BJH started with For No One and were on great form. The sound was clear and John Lees’ guitar work was as good as  ever. Keyboard player Wooley was in a chatty mood, cracking jokes with the crowd and with the bass guitarist in particular. The set was largely well know favourites from the early albums, each one greeted by a great roar from the crowd. The band clearly enjoyed the gig and played with a lot more passion that the last time I saw them. John forgot the opening lines of Mockingbird, but was forgiven by the audience.   The show finished at around 10.45pm and we headed off home; got back around 1.15am.   Laura’s verdict was that they were OK, but perhaps a little dated nowadays. Me, I thought it was great, and yes it maybe is dated and like going back to the 70s, but I guess thats what I went for anyway!

Set list:

For No One
The Great 1974 Mining Disaster
Poor Wages
Iron Maiden
Child of The Universe
Loving is Easy (X-Rated)
Light at the End of the World
Poor Man’s Moody Blues
Galadriel
Harbour
Suicide?
Medicine Man
In Search of England
H’ors d’oeuvres (someone spell that for me??)
Mocking Bird
The Poet
After the Day

Encores:
She Said
Hymn

website: http://www.bjharvest.co.uk/

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The Hollies Sage Gateshead March 14 2009

The Hollies The Sage Gateshead March 14 2009

I’d persuaded Marie to go to see the Hollies on our wedding anniversary; so was hoping that this would be a good show which we could both enjoy. This is the 5th time I’ve seen them since the “new” singer Peter Howarth joined the band after the sad death of Carl Wayne.

The Sage was full, which was great to see. Its good that some many people remember those great songs and want to turn out and see the band sing them. The set is, as always, in two parts with the hits spread througout the night. The Hollies have just released a new album and play 3 songs from it; all of which sound good. One of the new songs tells the story of history of the band from the early days. It was written by drummer Bobby Elliot and sung by guitarist Tony Hicks; being the only two remaining original members.

They treat us to all the hits, changing the arrangements of some of them; all of them sounding great. Tiny Hicks still looks as young as ever and plays great (and very under rated) guitar. His electric sitar intro to The Baby is excellent, as is his lengthy banjo intro to Stop Stop Stop.  Peter is left onstage alone to perform a great version of Can’t Tell the Bottom from the Top.

Marie actually enjoyed the concert ; perhaps there’s a chance she might come to see them again next time.

Website: http://www.hollies.co.uk/

Set list:
First Half
Here I Go Again
Just One Look
Stay
I Would Fly
Bus Stop
On A Carousel
The Baby
Sandy (Acoustic)
Then Now Always (Dolphin Days)
We’re Through
Blowin’ In The Wind
Long Cool Woman

Second Half
I Can’t Let Go
Jennifer Eccles
Sorry Suzanne
Yes I Will
One Way Ticket
I’m Alive
Look Through Any Window
I Can’t Tell The Bottom From The Top (Acoustic Solo)
Listen To Me-Hey Willy-Gasoline Alley Bred
Weakness
Lucille
Carrie Anne
Stop Stop Stop
The Air That I Breathe

Encores
He Ain’t Heavy
Let Love Pass

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Hugh Cornwell Gala Theatre Durham 5 March 2009

Hugh Cornwell Gala Theatre Durham 5 March 2009

Norm, Will and I went to see Hugh Cornwell at the Gala Theatre in Durham. It was the first time that any of us had seen him since he left the Straglers. The Gala is a nice little theatre in the centre of Durham which gets many touring shows and tribute acts. First up was a local folk singer (can’t remember his name; I ‘m sure Will can remind me). He was OK, but we decided to retreat to the local Wetherspoons for a swift drink before Hugh took the stage.

Hugh is backed by a two piece band (drummer and bass and himself on Fender Telecaster). The bass player is a young girl who plays some great fuzzy bass licks. He played the whole of his new album Hooverdam before moving onto a few old Stranglers tunes. The Hooverdam songs sound very Stranglerish; its clear that Hugh was the driving force behind writing most of the best Stranglers tunes. Hugh and the band seemed really into it, as was the crowd. A great gig.

Set list:  All of Hoverdam, Tank, 24/7, lay back, leave me alone, black hair, walk on by, always the sun, golden brown, no more heroes, down in the sewer.

Website: http://www.hughcornwell.com/

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