Uriah Heep Workington Carnegie Theatre 29 Jan 2011
More and more I realise just how much old rock bands like Uriah Heep mean to me. Its a pity that we don’t seem more of them in the UK, and when they do play here it tends to be in smaller venues, and not in major cities. I saw a few weeks ago, to some surprise, that Uriah Heep were playing at the small (300 seater) Carnegie Theatre in Workington as a warm-up for an appearance at a rock show at Butlins Skegness. I decided that it was worth the 100 mile drive to see them again, particularly in such a small theatre. My only hesitation came from thinking about the possible winter weather, and how that might affect driving over to see them. As it happened; when the day arrived the weather was OK, with some frost and snow flurries, but no real problems on the road.
I set off at around 4.30pm to give myself plenty of time to drive over to Workington. The drive was pretty uneventful (except as usual I got a little lost in the centre of Carlisle) and I arrived in Workington just before 7pm. A visit to the local fish shop was in order, and after scoffing off fishcake and chips (not that nice actually) I wandered into the venue. When I got inside the place was pretty empty; everyone was still in the very packed pub which was just over the road from the theatre.
The Carnegie Theatre is a lovely little theatre with an adjoining bar (Munroes Bar I think) and community centre. Its pretty small with around a dozen rows of seats downstairs in the stalls and about 8 rows up in the balcony. I’d bought my ticket quite late and my seat was in the second from back row of the balcony. The show had apparently been sold out for a few weeks.
I took my seat in the balcony for the support act who were Hammerhead. They are a Cumbrian rock band who started in the 70s, and played a set of great melodic rock. Well worth checking out. During the interval I wandered downstairs to the bar which was now completely packed.
Uriah Heep took to the stage at around 9pm, opening with Wake the Sleeper from their recent album. Wake the Sleeper is a pretty good opening song, with the trademark Heep screaming harmonies. The next songs I recognise are Return to Fantasy (great) and Bird of Prey. Hearing Bird of Prey takes my mind back to an early tour at Newcastle City Hall (Magician’s Birthday tour perhaps?) where I swear they announced Bird of Prey as “an old song, that we won’t be playing again”. After Bird of Prey I decided to wander downstairs to see if I could get a better view. Everyone was standing up in the stalls, and there didn’t seem to be any security at all, so I managed to make my way to the very front of the stage. We were then into all the great old songs: Stealin’, the Wizard and Gypsy. It was nice to hear the full keyboard intro to Gypsy again; the last couple of times I’ve seen the band they’ve missed it out and gone straight to the riff. Mick takes centre stage and is clearly enjoying himself. Bernie Shaw is a great front man and vocalist and has the crowd with him on every word; singing along at the top of their voices. They finish with July Morning and Easy Livin’ (always my favourite). Encores are Sunrise (I’d forgotten how good that one is) and we all sing along to Lady in Black. I don’t usually sing along but couldn’t help myself. On the way out I hear a guy next to me say to his friend “that was awesome” (and it was!).
Easily the best gig I’ve been to in a long long time. You can’t beat a recipe of vast experience, great songs, small venue, enthusiastic crowd.
I leave around 10.45pm and get home just before 1am; ears still ringing. When I get home I tell Marie how great it was but she’s half asleep, and she turns over and goes back to sleep.
website: http://www.uriah-heep.com/
Setlist: Wake the Sleeper; Overload; Return to Fantasy; Only Human; Book of Lies; Bird of Prey; Stealin’; The Wizard; Free an’ Easy; Gyspy; Look at Yourself; Angels walk with you; July Morning; Easy Livin’
Encores: Sunrise; Lady in Black
Posts Tagged ‘folk’
6 Feb
Uriah Heep Workington Carnegie Theatre 29 Jan 2011
5 Feb
Richard Thompson Sage Gateshead Jan 26 2011
Richard Thompson Sage Gateshead Jan 26 2011
Will and I went to see Richard Thompson at the Sage last week. Will is now well into Richard, having got the latest CD Dream Attic in preparation for the show. I’m afraid I wasn’t so prepared, so the first half of the show was all new to me. However that didn’t stop me from enjoying the show. Richard’s band was spot on, and his singing and guitar playing was excellent with quite a few extended solos. The second half of the show consisted of a selection of songs from his “greatest hits’, a few of which I actually recognised.
Richard has been getting a lot of good press recently, and it is much deserved. The show at the Sage demonstrated just how versatile he is and how strong his songs are. His guitar playing is superb; he is under-rated as a guitarist and is up there with the greats.
Both Will and I agreed it was a great show from a true master.
Band: Pete Zorn (guitars, flute, saxes, mandolin), Michael Jerome (drums), Taras Prodaniuk (bass) and Joel Zifkin (violin, mandolin).
Setlist:
First half (Dream Attic) :The Money Shuffle; Among the Gorse; Haul Me Up; Here Comes Geordie; Demons in Her Dancing Shoes; Crimescene; Big Sun; Stumble On; Sidney Wells; A Brother Slips Away; If Love Whispers Your Name’
Second half: The Angels Took My Race Horse Away; Can’t Win; One Door Opens; Al Bowlly’s In Heaven; I’ll Never Give it Up; Wall Of Death; Tear Stained Letter
Encores: Take Care The Road You Choose; I Want To See The Bright Lights Tonight’.
26 Jan
Roxy Music Newcastle Metro Arena 25 Jan 2011
Roxy Music Newcastle Metro Arena 25 Jan 2011
Great to see Roxy Music back in Newcastle. Last night’s setlist was a good mix of well known tracks and lesser known songs taken from their wonderful back catalogue. For me it was a much better performance than their last reunion show at Newcastle around 10 years ago. All of the four original members seemed genuinely glad to be back on stage together. Brian Ferry’s voice was strong and he seemed to be well up for the occasion, although he spent a lot more time at the piano than in the past. The visuals were very impressive, presenting images from their album covers alongside other stylish pictures. Two dancing girls graced the back of the stage in true Roxy fashion. I thought Phil Manzanera and Andy MacKay were particularly impressive. Not reaching the heights of the great 1970s shows that we saw at the City Hall, but a good start to the tour. Yes they could have played more hits, and an encore would have been nice; but hey ho still a good showing. I’d forgot how great a song Pyjamarama is. Will this be the last time? And if it isn’t can you please play In Every Dream Home for me next time?
Setlist: The Main Thing – Street Life – Pyjamarama – If There Is Something – Same Old Scene – Just Like You – Amazona – 2HB – Like A Hurricane – Tara – Bitter Sweet – Sentimental Fool – Prairie Rose – My Only Love – Avalon – Virginia Plain – Love Is The Drug – Editions Of You – Do The Strand – Jealous Guy – For Your Pleasure.
9 Jan
Thin Lizzy Newcastle City Hall 8 Jan 2011
Thin Lizzy Newcastle City Hall 8 Jan 2011
I’m back in 1972. Its a Friday night and I’m in the upstairs bar of Sunderland Locarno (“the Mecca”). There’s a tall black guy standing next to me. He’s chatting away in a strong but soft Irish accent. He seems a friendly guy; looks like he could be in a band. An hour or so later the night’s group take to the stage. They are called Thin Lizzy, and the guy from the bar is the front man. None of us have heard of them; someone tells me that John Peel plays them quite a bit and that they have an album out called “Shades of a Blue Orphanage”. They play pretty well; the front man has great presence, the guitarist is pretty good and the drummer’s impressive. I find out later that the tall guy is called Phil Lynott and the other members are Eric Bell on guitar, and Brian Downey on drums.
Roll on a year. I’m watching Top of the Pops and Thin Lizzy are on my TV playing an Irish-folk sounding tune “Whiskey in the Jar” which has a great guitar riff. Next day I go out and buy the record. My journey with Lizzy is beginning.
Over the next few years they play Sunderland a few more times, hitting the stages of the Mecca and the Rink. They appear down the bill at the Reading festival once or twice. Each time I see them they are getting stronger and tighter, but they seem to be missing out on the big break.
We’re now in 1976 and Thin Lizzy have just released the Jailbreak album. The Boys are Back in Town is out as a single and suddenly they are everywhere. I buy the Jailbreak album and play it and play it. Thin Lizzy start to headline and sell out Newcastle City Hall and other major venues. We all go to see them at the City Hall on the tours that follow: Johnny the Fox; Bad Reputation; Black Rose. I stand in the field at Reading with 30,000 other people when they headline in 1977. At this stage Thin Lizzy are at the top of their game and can’t be matched as a live act. I go to every tour and can’t get enough of them. At this time, they really are the greatest live band on a good night.
Then come the later tours: Chinatown; Renegade; and finally Thunder and Lightning; which becomes their farewell tour. At these shows Thin Lizzy are OK, but they seem increasingly tired. Or maybe I am just becoming tired of seeing them. When the end comes in 1983 it feels sad; but sort of inevitable.
The next time I see Phil Lynott I’m in Middlesbrough Town Hall and he’s fronting his new band Grand Slam. Its July 1984. Phil looks tired and unwell. The band are OK, but not great. There aren’t many in the audience. Sort of sad to see. A couple of years later Phil sadly passes away.
Over the next twenty odd years I don’t have many Thin Lizzy things in my life. I think of them sometimes and visit the statue of Phil off Grafton Street when I visit Dublin which, because of work, is quite often. I even get a guy to take a photo of me next to the statue (the photo is now lost on an old camera and computer). I have most of the lps, but don’t play them very often.
Roll forward to 2007. A group of us go to see Deep Purple, Thin Lizzy and Styx at Newcastle Arena. I’m intrigued by the inclusion of Thin Lizzy on the bill. How can there be a Thin Lizzy without Phil? Anyway they seem pretty good (as good as any support act can be in a big arena) and perform credible versions of all the well-known songs.
I’m now in 2011 at the back of a packed City Hall waiting for Thin Lizzy to take the stage. I’m wondering what this incarnation of the band will be like. Will it work? Can it work? How can the new Thin Lizzy, who might be considered a tribute band by some, sell out the City Hall?
I’ve prepared myself by playing the Live and Dangerous double lp. My favourites were always Emerald and Cowboy Song. I’d forgotten how good they were.
The current line-up is Scott Gorham on guitar, original drummer Brian Downey, keyboardist Darren Wharton who was in the early 80s Lizzy, Def Leppard guitarist Vivian Campbell, former Whitesnake bassist Marco Mendoza and singer Ricky Warwick from The Almighty.
Thin Lizzy explode onto the stage with Are You Ready. They’re loud and sound pretty true to the original. Ricky Warwick hails from Northern Ireland and his voice sounds like Phil’s. The twin guitar sound is as great as it ever was, and Scott Gorham looks good, the only visible difference being the lack of that great long mane of hair that I was always so jealous of. The crowd is up on their feet throughout and everyone is singing along. I get to hear my favourites Emerald and the Cowboy Song and also a great version of Whiskey in the Jar, with Vinnie Campbell squeezing wonderful licks from his guitar. As I recall they went through a spell of not playing Whiskey in the Jar during the 70s; its great to hear in included in the set tonight. Now and then the screens at the back of the stage show images of the old band and of Phil.
So did it work? Definitely. The current band consists of the right blend of previous members, excellent musicianship and Irish heritage to do justice to the material and to pay tribute to Phil in a fitting way. It reminds me how great the old rock bands were (and still are in this case). Its no good dwelling on, or comparing with, the past anyway. Lets just be grateful that there is still a Thin Lizzy out there playing Phil’s music; and doing a pretty damn good job of it too.
Roll on next tour. I guess that my journey with Thin Lizzy isn’t quite over yet. Is it really almost 40 years since we saw Phil in the bar in Sunderland? Where did the years go?
Selist: Are You Ready; Waiting For An Alibi; Jailbreak; Do Anything You Want To; Don’t Believe A Word; Dancing In The Moonlight; Massacre; Angel Of Death; Still In Love With You; Whiskey In The Jar; Emerald; Wild One; Sha La La La; Cowboy Song; The Boys Are Back In Town
Encore 1: Rosalie; Bad Reputation
Encore 2: Black Rose

22 Dec
Coldplay Newcastle Tyne Theatre 20 Dec 2010
Coldplay Newcastle Tyne Theatre 20 Dec 2010
I was lucky enough to score a ticket to this “secret” gig which Coldplay were playing for Crisis, a charity for the homeless. The two gigs, one in Newcastle and one the night before in Liverpool, were announced around one month ago. The venues were kept secret until 24 hours before the gig; all we were told was that it would be an intimate (1000 seater) venue in Newcastle. Tickets went on sale online: a small for local residents, some for general sale and some for auction. By the time I managed to get through to the website (a few minutes after they went on sale) all that was left was single seats. So I bought myself a ticket; although I am not a massive Coldplay fan, I quite fancied seeing them in such a small venue.
As the day of the gig drew closer, I’d sort of figured out that the venue was likely to be the Tyne Theatre. There aren’t many venues of that size in Newcastle and they was a break in the Pantomime run on 20 December! Others on the Coldplay Forum seemed to be of the same opinion. And sure enough on Sunday, I received an email from Crisis telling me that the venue was indeed the Tyne Theatre and instructing me to go along to the Metro Arena to collect my ticket.
So on Monday night I got the train through to Newcastle for the gig. A short walk through the snow to the Arena and I picked up my ticket: Row S in the Stalls! Not a bad position, and to be honest any seat in such a small venue would be fine. Another short walk to the Tyne Theatre and time for a quick drink before time for the support act. Our comperes for the evening were local guys Ant and Dec, who did a great job warming us for the main event. The support act was The Choir With No Name, who are a London based choir of homless people. They aren’t great singers but did a grand job of covering some favourites and got the crowd singing and clapping along with them.
There was a wonderful atmosphere in the theatre. The crowd was made up of Coldplay fans who had come from far and wide. Hearing people around me talking I could see that some had come from all over the UK and Europe. I saw one guy arrive during the interval without a ticket. He explained in a German accent that his plane had been delayed four hours, and that he had just been to the Arena to pick up his ticket and it was closed. The guys on the door seemed to let him in without too much discussion.
After a short break and a build up by Ant and Dec, Coldplay came on stage, starting with Yellow. By now I’d realised that this was a pretty special event. I also realised how many Coldplay songs I actually knew. Lots of singing along in the big choruses (Vida la Vida in particular), and the band looked like they were very much enjoying playing in a small venue. During the encore Chris Martin annouces that they is someone who wants to come on stage and say something. A guy and his girlfriend come up on stage and he kneels down and proposes to her (quite a few people shout “say no!”). The band finish with Christmas Lights, accompanied by and Ant and Dec who are both dressed as Elvis and are playing voilins.
All in all a pretty special event, which I feel lucky to have experienced. Perhaps I am a Coldplay fan after all.
Time for pattie and chips from the corner fish shop and then I catch a metro home.
Setlist: Yellow; Lost!; God Put A Smile Upon Your Face; Cemeteries of London; Trouble; Glass of Water; Til Kingdom Come; Shiver; In My Place; Lovers In Japan; Death And All His Friends; Clocks; Viva La Vida; Fix You
Encore: Politik; The Scientist; Christmas Lights
Coldplay website: http://www.coldplay.com
Choir with no name website: http://www.choirwithnoname.org
Crisis website: http://www.crisis.org.uk
12 Dec
The Pogues Newcastle Academy 14 Dec 2010
The Pogues Newcastle Academy 14 Dec 2010
I’ve only seen the Pogues once before back in the 80s supporting U2 at Murrayfield. This winters tour has been billed as the farewell Christmas tour, so I figured that it was time to catch them again while I still had the chance. Laura fancied seeing them, as she has taken a liking to Fairytale of New York, and has recently sung it at a gig with her friend Will.
We arrived around 8.30pm, after the support act has finished, expecting the Pogues to take the stage around 9pm. The venue had advertised their start time as 8.50pm. What actually happened was a long wait while the crowd got increasingly restless, with some people starting to “boo”. I’ve never see the Academy as full as this. You couldn’t move at all downstairs. Laura figured that the crowd would be quite wild at a Pogues gig, so we stayed at the back in a safe spot.
We were beginning to think that Shane had let us down, but around 10pm the Pogues came out to a great (and impatient!) roaring welcome from the crowd. Shane was in good form, was singing well and seemed pretty sober. The crowd went mental (it was a good idea to stick near the back of the hall), the band played their all, and we all got to sing along to The Irish Rover, Dirty Old Town and (of course) Fairytale of New York. Great stuff; gets you in the mood for Christmas.
Setlist: Streams of Whisky; If I Should Fall From Grace With God; The Broad Majestic Shannon; Boat Train; A Pair of Brown Eyes; Tuesday Morning; Sunnyside of the Street; Repeal of the Licensing Laws; Body of an American; London Girl; Thousands Are Sailing; Dirty Old Town; Bottle of Smoke; Sickbed of Cuchulainn
Encore 1: Sally MacLennane; Rainy Night in Soho; Irish Rover
Encore 2: Fairytale of New York; Fiesta
Pogues website: http://www.pogues.com
12 Dec
Belle and Sebastian Sage Gateshead 5 Dec 2010
Belle and Sebastian Sage Gateshead 5 Dec 2010
Laura had said for some time that she would like to see Belle and Sebastian, so when I saw that they were coming to the Sage I bought us two tickets. She promised me that I would enjoy them; I was certainly looking forward to the gig, and I was even missing Hawkwind who were playing at the Newcastle Academy on the same night.
The support act was a comedy act who Laura said was good, so for once we went along early to catch the start of the show. Glad we did. The double act was centred around a single story intertwined with songs; quite different, but pretty interesting.
After a short break, Belle and Sebastian took to the stage. They were accompanied by a full orchestra and their songs certainly benefited. From our seats half way back in the stalls, the sound was perfect and filled the hall. I can’t pretend to know many of their songs, but Laura had prepared a CD of a few of their better known tracks for me to play in the car before the gig. I can hear shades of 60s music in there: Donovan (the band are from Glasgow), Love, even Burt Bacharach. The gig itself was great, with the band going down really well with crowd. At one point the singer gets a few crowd members up on stage to dance with him.
A grat gig by a band who have a very strong following.
Setlist: I Fought in a War; Dirty Dream Number Two; Piazza, New York Catcher; I’m Not Living In The Real World; If You’re Feeling Sinister; Lord Anthony; I Want The World To Stop; Sukie In The Graveyard; The Fox In The Snow; I Can See Your Future; (I Believe In) Travellin’ Light; Write About Love; Dear Catastrophe Waitress; I Didn’t See It Coming; The Boy With The Arab Strap; If You Find Yourself Caught In Love; Simple Things; Sleep The Clock Around
Encore: Another Sunny Day; Me And The Major
Belle and Sebastian website: http://www.belleandsebastian.com
21 Nov
Status Quo City Hall Newcastle 24 November 2010
Status Quo City Hall Newcastle 24 November 2010
I’d been looking forward to this, but when the night came I wasn’t that excited about going. Don’t get me wrong, I still love Status Quo, but the set lists don’t change much from year to year and it has all been getting a bit samey for me. Also it was pretty cold and I didn’t fancy going out.
Anyway along I went to the City Hall, and I arrived just as the support act was finishing. After a quick visit to the bar, I took my seat half way back in the stalls. It wasn’t long before the familiar Quo drone heralded the arrival of the boys, starting as always these days with Caroline. The set was pretty much the same with a few changes, but actually I did enjoy the show more than I had expected. Francis in particular was on top form in one of his great cheeky moods, with lots of banter with the crowd. And he played more and better guitar solos than he usually does. Rick on the other hand seemed quite reserved and his voice seemed to be suffering. All in all a pretty good show; perhaps not top form; but better that last year at Sheffield Arena.
Setlist: Caroline; Something ’bout You Baby I Like; Break The Rules; Mean Girl; Softer Ride; 4500 Times; Rain; Beginning Of The End; Medley: Mystery Song / Railroad / Spinning Wheel Blues / Wild Side Of Life / Rollin’ Home / Again And Again / Slow Train; The Oriental; Creepin’ Up On You; For You; In The Army Now; Drum Solo; Paper Plane; Roll Over Lay Down; Down Down; Whatever You Want; Rockin’ All Over The World
Encore: Don’t Waste My Time; Rock ‘n’ Roll Music / Bye Bye Johnny
14 Nov
The Hollies Sage Gateshead 14 Nov 2010
The Hollies Sage Gateshead 14 Nov 2010
Will and I went to see the Hollies last Sunday night at the Sage Gateshead. I’d scored a couple of cheap £7 tickets up in on the top level above the stage; the height can be a bit dsconcerting but the view is still good. As ever the band were 100% professional and presented us with an evening of classic 60s songs. Peter Howarth is now no longer a newcomer and is as much a part of the Hollies sound as the others. Tony Hicks looks great; its hard to believe that he has been doing this since the early 60s. He displays some nifty fret work on his electric sitar during the intro to The Baby and some great banjo to take us into Stop Stop Stop. Peter tells us that Tony is “a great innovator” so it must be true! Seriously Tony is a very under-rated guitar player; it always good to see him. Bobby keeps the beat on track at the back.
Another great show by a band who just keep on going. Will found it a bit dated but had to admit that they were good. Roll on next tour.
Setlist:
First Half: Curly Billy; I Can’t Let Go; Jennifer Eccles; Sorry Suzanne; King Midas In Reverse; Then Now Always (Dolphin Days); She’d Kill For Me; Sandy (Acoustic); Just One Look; Yes I Will; Stay; Look Through Any Window; Blowin’ In The Wind
Second Half: I’m Alive; Long Cool Woman; Bus Stop; On A Carousel; The Baby; Weakness; Listen To Me; Here I Go Again; Hey Willy; Gasoline Alley Bred; Carrie Anne; Stop Stop Stop; The Air That I Breathe; He Ain’t Heavy He’s My Brother; Let Love Pass

13 Nov
Anderson and Wakeman Sage Gateshead 8 November 2010
Anderson and Wakeman Sage Gateshead 8 November 2010
Will and I went to see Jon Anderson and Rick Wakeman on Monday at the Sage Gateshead. The two former members of Yes have toured before together, however this is the first time that they have come to the North East and hence the first time that Will and I had seen them in this formation. The show was billed as The Project 360 Tour and featured a selection of new songs form their new album The LivingTree (they called this part of the show the “recital”) and many old Yes favourites (the “recycle”!). The show was in two halves with a short internal between. Will and I had wondered on the way through whether the two guys would be accompanied by a band; in fact there was no band. The show was centred around Rick on two keyboards and Jon on acoustic guitar and vocals. We were treated to lots of banter between the two of them, which highlighted their very different personalities; Jon still very much an old hippy, Rick a bloke who would be more at home in the local pub.
The new songs sounded OK, and were very Yes like, but it was the Yes classics that the pretty full house had come to see. These included Yours is No Disgrace, Sweet Dreams, Time and a Word, Roundabout, Starship Trooper, And you and I, Owner of the Lonely Heart; I amsure I will have missed some.
The first thing that I must say is that Jon’s voice is amazing; still as strong as it always was, and that he had no problems at all in reaching any of the notes. The arrangements of the Yes songs took some getting used to for me. I missed hearing a band; but having said that it was still great to hear those wonderful songs sung by Jon again.













