Focus Newcastle City Hall 1973
Support: Programme says Harvey Andrews and Graham Cooper; Ticket says Snake Eye!
I first saw Focus at a couple of festivals (Lincoln and Reading) in 1972. They were virtually unknown at the time, but were a big success with the crowd. They were (and still are!) a crazy, fun band. They had all the right ingredients, a crazy front man in Thijs van Leer, who was also a very accomplished and classically trained musician, an excellent, fluent guitarist in Jan Akkerman, some complex and beautiful instrumental pieces, and lots of crazy, mad fun. Highlights at the time were Hocus Pocus, House of the King and Sylvia. By 1973, Focus were well known enough in the UK to headline their own tour of concert halls.
Thijs is a magnetic performer and dynamic guy on stage. He mixes first class musicianship (on organ and flute) with some very strange nonsensical lyrics, yodelling and very high falsetto singing. Jan Akkerman was the perfect foil; he seemed quiet and shy on stage, and his guitar playing was slick, beautiful, restrained; just perfection. A great gig. The programme says Harvey Andrews and Graham Cooper were support, while the ticket says Snake Eye! My memory doesn’t stretch to confirming who actually supported Focus that night. I certainly remember seeing Harvey Andrews on a number of occasions, but don’t recall when. I have no recollection of ever seeing Snake Eye, or who they were. Based on live recordings from the time, I would think that the set is likely to have contained a selection taken from the following Focus tunes: Focus; Focus II; Focus III; Answers? Questions! Questions? Answers!; Eruption; Sylvia; Hocus Pocus; Anonymous; House Of The King.
Posts Tagged ‘classic rock’
23 Nov
Focus Newcastle City Hall 1973
23 Nov
The Firm Middlebrough Town Hall 7th December 1984
In the early 80s Paul Rodgers joined forces with Jimmy Page to for The Firm, a British rock supergroup which also comprised Manfred Mann’s Earth Band and Uriah Heep drummer Chris Slade and bass player Tony Franklin. The band, played two UK gigs in 1984, one in London at Hammersmith Odeon, and another at Middlesbrough Town Hall. This was a big deal at the time, with two rock superstars coming back to the North East. In Paul Rodgers case, this was also a homecoming show, as he was born in Middlesbrough. The tickets went on sale from the Town Hall on a week day, and I was at work at the time. My mate Dave was on night shift that week and was able to go down to Middlesbrough and bought tickets for us.
We were really excited about the gig and full of anticipation. We were hoping for one or two Free, Bad Company or Zeppelin songs, but that wasn’t to be. The set consists of the new Firm album and some songs from Jimmy and Paul’s solo work. I remember Paul Rodgers seated at a grand piano for “Live in Peace” from his earlier solo album. Jimmy Page played songs from the Death Wish II soundtrack, which featured his trademark playing of the guitar with a violin bow while beneath the Zeppelin laser pyramid. They also played a great version of the Righteous Brothers’ You’ve Lost That Lovin’ Feelin’. It was a very enjoyable show, but I think we were expecting something more. The set list for the London show is listed as this: Closer; City Sirens; Make or Break; The Morning After; Together; Cadillac; Prelude; Money Can’t Buy; Radioactive; Live In Peace; Midnight Moonlight; You’ve Lost That Lovin’ Feelin’; The Chase; Someone To Love; Full Circle; Boogie Mama; Everybody Needs Somebody. I would imagine that the set at Middlesbrough was similar.
22 Nov
Free spin-offs gigs: Back Street Crawler, Andy Fraser band, Paul Rodgers; Bad Company
Free spin-offs gigs: Back Street Crawler, Andy Fraser band, Paul Rodgers; Bad Company
Having written about my Free concert experiences over the past few days, I thought it would be fitting to blog today about the Free spin-off bands that came about in the early to mid-70s, and the (relatively few) gig memories I have of those bands.
I’ll start, for no particular reason with Free guitar legend Paul Kossoff. After Free split, I saw Paul Kossoff play at Sunderland Locarno a couple times. I think (but my memory could be playing tricks again) that one of these gigs was billed as The Paul Kossoff band, and the other as (the more familiar name of) Back Street Crawler. These gigs were, I would guess, in 1974 and 1975. Back Street Crawler featured excellent soulful local singer Terry Wilson-Slesser from Beckett. Although it was great to see Kossoff in action again, and some of the old guitar magic was still there, it was also clear that his health was not good. Sadly Paul Kossoff was to die on on an overnight flight from Los Angeles to New York in 1976.
After leaving Free Andy Fraser formed Sharks along with vocalist Ships and guitarist Chris Spedding. He wasn’t with Sharks long; I saw Sharks in concert when they played Sunderland Locarno, but it was after Fraser had left the band. Sharks were a great live band, and Snips is a very under-rated singer. Snips and Chris have recently re-emerged as King Mob, who looked great, but were short-lived and have already split. Anyway, back to Andy Fraser. He next formed the Andy Fraser Band, a trio with Kim Turner on drums and Nick Judd on keyboards. I saw the band once at a gig in Sunderland Locarno in 1973; Andy took the front man role, but the lack of a guitarist seemed strange and didn’t work for me. The gig was poorly attended and I never saw the band again, although I do recall them playing Newcastle City Hall around the same time.
Paul Rodgers and Simon Kirke formed Bad Company. I have blogged separately about Bad Co in concert, who were just great, and carried the Free flag forward to some extent. However, they became a bit too much standard rock for me, and didn’t have the same emotional feel that Free had; they also moved to a more AOR style in their later days. Thats not to say that I didn’t enjoy Bad Company in concert; I did. But it was a very different band to Free, and although some things were gained and were better, some things were also lost in the transition.
As usual, I did some searching to check my facts before blogging. I often discover something new, or I am reminded of something that I have forgetten. Today I discovered that after leaving Bad Con in 1982, Simon Kirke was briefly involved with a band called Wildlife who toured in support of the Michael Schenker Band. Now I saw Michael Schenker on most of his UK tours in the 80s, so will probably have seen Wildlife (although I have no recollection of doing so).
I’ll finish today’s bog activity with a Postcript from my friend John who was lucky enough to see Paul Rodgers fronting his band, Peace, who were formed when Free split in 1971. This was at a gig at Newcastle City Hall (see programme right) which I sadly missed out on. Over to John: “I saw Peace play their only ever tour, supporting Mott the Hoople, November 5th 71 at the City Hall. They were a three piece, I liked them but remember think they sounded a lot like Free and so couldn’t understand why they had split up. This tour with Mott was to lay the foundations for Bad Company but that, of course, is a different story.”. I’ll complete my blogging on Free related bands tomorrow, by writing about The Firm, who I saw in Middlesbrough in 1984, and featured Paul Rodgers and Jimmy Page.
21 Nov
Free Sunderland Locarno October 1972
By late 1972 Free were falling apart. Andy Fraser had left to be replaced by Tetsu and Rabbit, and in a few short months the band would be no more. This was a result of internal friction particularly between Andy Fraser and Paul Rodgers, and because of Paul Kossoff’s health problems. Kossoff was replaced by a session musician on some of the tracks of their final album, Heartbreaker and on a tour of the USA his place was taken by the guitarist from Osibisa, which marked the end for the band. Free returned to play in Sunderland only a few months since their last gig in the town. I have a programme from that time which doesn’t actually list the Sunderland gig, but it does mention local gigs at Newcastle Mayfair, Durham University and Redcar Jazz Club. However, I’m certain that I bought it at a gig in Sunderland Locarno, which was presumably added as an extra date after the programme was printed. By this time Wishing Well had been released as a single and some of the new tracks from Heartbreaker will have featured in the set. My memories of this Free gig are much hazier than those of the gigs I saw earlier that year, which suggests to me that it didn’t reach the same heights, both in terms of performance and audience reaction. I don’t remember the place being packed. The programme lists support as caming from Smith Perkins and Smith, who were an American soft rock / country band. The next time I was to see Paul Kossoff and Andy Fraser it was as part of their own individual bands, and in the case of Paul Rodgers and Simon Kirke as members of Bad Company.
20 Nov
Free Sunderland Top Rank Feb 13th 1972
I next saw Free at Sunderland Top Rank (or the Rink as we knew it at the time). Support came from Vinegar Joe featuring Elkie Brooks and Robert Palmer, who I had seen the previous year in the band Dada. I went along with a few mates from school, and we arrived early sitting cross legged on the dance floor; as you did in those days. Vinegar Joe were a great live band; Elkie was very much the raucous rock chick singer, with swirling gypsy skirts, and quite a raunchy stage act. Her vocals were complimented by Robert Palmer’s more soulful approach. I saw Vinegar Joe quite a few times around that period; they were very popular, but didn’t achieve anything like the great success that Elkie and Robert went on to in their own right. The place went crazy for Free. I recall being crushed near the front of the stage, and concentrating on watching Paul Rodgers and Paul Kossoff. These guys seemed so much older than me, but they were actually pretty young at the time. Paul Rodgers was an incredible front man; lots of throwing the mike stand around, and a great vocal performance. Kossoff would really wring the notes out of his Les Paul. He has influenced so many people, including Joe Bonamassa who owns one of Kossoff’s original guitars.
The setlist is likely to have included Little Bit of Love (which was a single at the time), My Brother Jake, Travellin Man, Ride on Pony, Be My Friend, Fire and Water, Songs of Yesterday, Mr Big, All Right Now,and The Hunter as the encore. A great gig. Thanks to John for sharing his memories of the gig with me, and for reminding me of some of the songs for the setlist.
19 Nov
Free Newcastle City Hall 1st February 1972 and early 70s gigs
Free Newcastle City Hall and early 70s gigs
If you asked a teenage gig-goer from the North East of England in the early 70s to name their favourite live bands, they would probably have said Free, Family, and possibly Stray. All three of those bands played in the region a lot at the time, and were great live, as a result building a strong following. In Sunderland Free in particular had a strong cult following, and played lots of gigs at the Bay Hotel, and Sunderland Locarno. I was just that little bit too young to catch some of those early gigs, and was very jealous at the time of some of my slightly older mates who told me how great Free were live. Indeed some of the tracks on the album Free Live was recorded at a gig at Sunderland Locarno (or Fillmore North) in 1970. Free existed only for a brief few years at the end of the 60s and beginning of the 70s, and yet their shows and records are still spoken of today. There was a unique emotional groove to their music that set them above others, and gave them a different feel to the heavier bands of the time like Purple, Sabbath and even Zeppelin. This came from the combination of Paul Rodger’s soulful vocals and Paul Kossoff’s bluesy guitar. The first time I got to see Free was at a gig at Newcastle City Hall in early 1972. This was something of a comeback gig, as the band had broken up briefly in 1971, due at least in part, to Koss’ drug problems. The City Hall was packed but the gig was abandoned due to a power failure. Support came from Bronco featuring Jess Roden, who managed to complete their set by performing acoustic versions of some of the songs. Free took to the stage, but again there were problems with the power, and they had to cut their set short, promising to return later in the month. Free did return for two nights on the 21st and 22nd of February, with one of the nights being a free concert for ticket holders from the original gig. I went along to the new gig and saw Free play a full set, and they were amazing; every bit as good as my mates had told me. By then I had also seen them play at Sunderland Top Rank (I will blog about that gig tomorrow), so I saw them three times in the same month. Live favourites for me were The Stealer, My Big, Alright Now and, of course, The Hunter, which was always the encore.
My friend John was one of the friends who did get to see Free at some of those earlier gigs that I mentioned earlier. He remains a strong Free fan and has sent me some of his memories: “I have to say that my three favourite bands of all time are Free, Zeppelin and the Black Crowes followed by Humble Pie and Mountain. There are three things I man does not forget: his first beer, his first real girlfriend and in my case my first rock and roll show. I was very fortunate that it was the Indoor Festival of Music at the Top Rank Suite in Sunderland promoted by Geoff Docherty which featured Free as the headliner with Deep Purple, Principal Edwards Magic Theatre, Cochise and Yellow. All for the princely sum of a Pound! I was not quite 15 and can still remember how excited I was to going to the show which was billed as starting at 7.30pm and finishing at 2am – wow how cool was that. Purple had some transportation problems and so Free went on first. Fire and Water was released in June of that year, they had played the Isle of Wight and All Right Now had reached number 2 in the charts, they had appeared on Top of the Pops, very heady times for a band still barely in their 20’s. We bought tickets from Bergs Records (and Bicycle) shop which were very cool looking; we sat on the floor and had a fantastic time. The setlist was heavily drawn from Fire and Water and Highway which was released in December of that year: Ride on Pony, the Stealer, Be My Friend, Mr Big, All Right Now, Don’t say You Love me, Fire and Water, I’m a Mover, Walk in my Shadow, Songs Of Yesterday, closing, of course, with The Hunter. If you ask any Free fan from the time I am pretty sure they say that Mr Big and The Hunter were their favourite songs and to this day I still get goose pimples when I hear the opening chords of the live version of The Hunter. Fast forward to the Sunderland Empire in 1971 and Free appeared supported by Amazing Blondel. I think I can remember local famed promoter Geoff Docherty introducing Free. I have in my head Geoff coming out and saying “he couldn’t ask them to play anymore as they were knackered”.”
18 Nov
Buxton Festival 1973
Buxton Festival 1973
Line-up: Chuck Berry; Canned Heat; Nazareth; Edgar Broughton Band; Sensational Alex Harvey Band; Medicine Head; Brewers Droop
Billed to play, but didn’t: Groundhogs; Roy Wood and Wizard
This was a pretty crazy event. The weather was miserable, but what really sticks in my mind is the Hells Angels who took control of the entire day and had us all in fear. I hitched there with my mate Gilly and arrived around lunchtime. This was a one day event with a pretty strong line-up. I was a big fan of the Groundhogs at the time, and went along largely to see Tony McPhee and the guys; sadly they didn’t play. When we arrived we found the festival which was right up on a cold moor, and the weather wasn’t great with wind and rain, and lots of mud throughout the day. A large group of Hells Angels had taken their place at the front of the crowd, bikes and all. They were all very drunk and stoned and got worse as the day went on. Every so often they would rev their bikes up and ride them through the crowd. How no-one was hurt, I don’t know. When they ran out of money for beer they came through the crowd asking for 10p from each of us. Almost everyone gave them something; we were all frightened not to. As the day went on they started to go up on stage and take control. John Peel was DJ for the event but at some point half way through the day a Hells Angel took over the mike and John left. A couple of the bands, Roy Wood and Groundhogs, arrived and saw what was going on, and left without playing. I was particularly disappointed that the Groundhogs didn’t play. Gilly and I had made a flag saying Groundhogs, which we were planning to wave during the set (that seems so sad now, but yes we really did do it). We threw the flag away in disgust when they didn’t play. All of the bands who did play were great.
Edgar Broughton always gave value for money at such outdoor events, and that day was no exception. The Poppy was a favourite of mine at the time, and I remember him playing that song, in the white judo suit that he tended to wear at the time. Medicine Head were good: One and One is One was out then. Alex Harvey and his band started with the Osmonds’ Crazy Horses, which seemed a bizarre song choice for a rock band, but worked well. I also remember a great version of Del Shannon’s Runaway being another surprise that day. Alex jumped into the crowd at one point and faced up to a Hells Angel who was trying to beat up another guy, and stopped the violence. Alex had no fear; I had deep respect for the guy. Zal was crazy as ever and looked evil in his clown suit. Canned Heat gave us some great boogie, with Bob the Bear pumping away on his mouth harp. Nazareth were also excellent with Dan singing with a Hells Angel alongside him. By the time Chuck Berry took to the stage it was full of Angels, all dancing round him and trying to copy his duck walk. Chuck joked with them, and just got on with his set, he didn’t seem at all phased by what was going on. Chuck’s set was short, and he left to no encore and a hail of cans from the crowd. Brewer’s Droop came straight on and calmed the crowd down. We left in the early hours, as we didn’t fancy spending the night in the field with the Angels. We tried to walk to the main road, which was a long way. We got so far down a country road and were so tired that we lay down and slept on the steps of a house. When we awoke we were soaked and found ourselves lying in a puddle. We somehow managed to hitch home, getting back around Sunday evening. An experience never to repeated (thankfully). Having said that; reflecting on the event; I’m pleased I went. We saw some great bands and heard some amazing music that day. The ones that stick in my mind most are Edgar Broughton, and Alex Harvey, then Chuck Berry and Canned Heat. Great memories. 39 years is a long time ago.
Many thanks to Ian Johnson for sending me his photo of the event, which is of band Chopper, who I recall playing in 1974, and Ian is sure also played in 1973. What do others remember?
17 Nov
Buxton Festival 1974
The Buxton Festival 1974
Line-up: The Faces, Humble Pie, Mott The Hoople, Horslips , Chapman/Whitney StreetWalkers, Trapeze , Chopper, Badger, Strider, Lindisfarne, Man.
My friend John and I have spent the week swapping memories of The Faces to help me write my blog. One memory that we share is of the 1974 Buxton Festival which we both attended. I’m not sure if it is a pleasant memory or not; and those of you who attended any of the outdoor Buxton events will know why I say that. Terry Battersby puts in well on the UK Festivals site: “I managed Buxton in 72/73/74.They should have been campaign medals issued”. I managed 73 and 74 and know what he means; I hold my medal with pride; the Buxton festivals were a real endurance test. Buxton is a town high up in the peak district and the festival was sited up on a moor. You couldn’t imagine a worse place to hold a pop festival. All of the three outdoor festivals (there were some indoor events which preceded them) suffered from poor weather, lots of wind and rain, and after 1974 the organisers abandoned the idea of holding any further festivals. I’ll write separately about the 1973 festival in a day or so, it was a strange event at which the Hells Angels took over and ran the event (which was pretty scary). Anyway, back to 1974. I drove down to Buxton with my friend Gilly, who also came to the 1973 event with me. We arrived on Friday afternoon, finding the place cold and windswept. Not being the most prepared festival-goers at the time, we didn’t have a tent and planned on sleeping in the car (not easy in an MG Midget), or in sleeping bags on the ground. When we arrived on the moor we saw lots of people building makeshift huts from planks of wood. I asked them where they found the wood, and they pointed me to a storehouse in the next field.
So off I went to retrieve some wood for us to build our own shelter. I was leaving the store with some planks under my arm with a few other guys, when we were stopped by a policeman, who asked us where we were taking the wood. He quickly bundled us all into the back of a police jeep and took us off to a temporary police cabin which they had set up for the weekend. Once in their they searched us, took statements, and made us wait a few hours, telling us that we would probably be charged with theft for taking the wood. When they eventually did let us go we had to walk back to the site, where I found my mate Gilly lying asleep by the car. The bands had started by that point, and we went into the arena and caught as much of the show as we could. I remember seeing Man and Mott the Hoople that night. Mott started with Golden Age of Rock n Roll and were just great. I slept in the car and Gilly slept in a sleeping bag underneath the car. We were both frozen; it was truly awful. Highlights of the next day were Humble Pie (Stevie Marriott was awesome in those days and a big festival favourite), and Roger Chapman and the Streetwalkers. Anyone who was there will remember the magic moment in that dull rainy day when the sun came out during My Friend the Sun, as Roger sang “He’s there in the distance” to a great cheer from the crowd. The Faces were OK, but it wasn’t the best time I saw them; by this point they had added a horn section to the band. I remember keeping warm in the Release tent and chatting to Caroline Coon. My friend John was also there with a group of mates, although I don’t recall us running into each other. His memories: “My own recollections were that the weather was terrible,wet and cold,the facilities non existent and I slept in my dad’s car with three other mates. The Friday bands were good Mott , Man and Lindisarne. On Saturday there was the famous “My Friend the Sun moment” which I do recall and Humble pie were great.The Faces came on late and I remember the stage being pelted with bottles – reports on the Web said this is because they refused to play an encore…..those were the days!!!” Postcript: several weeks after the festival I received a letter summoning me to attend my local police station where I was issued with a formal caution for “stealing” the wood; and that was the last I heard of it. I did run into a couple of the lads who were in the jeep with me at Reading and Knebworth over the years and we always said hello. I wonder where they are now. Thanks to John for the ad showing the line-up for the festival. Note The New York Dolls were listed to play at one point (although they don’t appear in the listing above), but didn’t make it for some reason.
15 Nov
The Faces Sunderland Top Rank and Sunderland Locarno 1972 and 1973
The Faces Sunderland Top Rank and Sunderland Locarno 1972 and 1973
The Faces were great fun and seemed to be playing all over the place, all of the time, in the early 1970s. Two memorable gigs took place at Sunderland Top Rank on March 5th 1972 and at Sunderland Locarno on April 13 1973.I remember the Top Rank (or Rink to us) gig very well. This was a big gig for everyone at my school. I took time off school to go and queue for tickets; demand was huge as Rod Stewart and The Faces had had some massive hits with Maggie May, Stay With Me and other great singles. This was one gig that I queued up early for on the night, going straight from school. I was one of the first in the queue with some of my mates and we ended up right at the front, crushed against the stage, where we stayed all night. I can think of nothing worse now; being crushed and unable to move all night, but at the time it was great! Support came from Byzantium who I saw a few times in the early 70s and were always good. The gig itself was great; Rod and the guys were just amazing. There were lots of my friends from school there and we spent days talking about how great it was. My friend John recalls the gig: “I remember the Faces as a good time band, musically rather sloppy and overall a bit ragged. I recall it was the night before one on my mock O levels, one of he easier ones I presume , maybe English. My recollections on the setlist are very weak, Internet search suggests Stay with Me and Losing You which I think I can recall as I always liked those two.The balance of the set was all Faces standard stuff Three Button Hand me Down, Maybe I’ m Amazed, Street Fighting Man, Miss Judy’s Farm, Love in Vain, Stay with Me and I’m Losing You. I think I can remember Maggie May and Every Picture but I certainly could be wrong.” I’m pretty sure they did play Maggie May. After the show some of us stood in a big queue to go back stage and meet the band. We waited for a long time but only the first few people in the queue were let in, including some mates from school who reported back that they partied with the band into the next morning. I remember the Locarno gig less, probably because I didn’t queue up and was at the back of the hall, and the place was packed to the walls. I think the support was a local act, perhaps Beckett, and John Peel was certainly DJ for the night. Peel joined the Faces on stage and is on record as stating several times that this was the best gig he had ever been to, which means it must have been pretty good! Postscript: My mate Norm reminded me that most of the Sunderland football team were at the Locarno gig and ended up on stage with the band. This was the team that went on to win the FA cup a few weeks later. Norm also thinks that the same gig was first cancelled, and them rescheduled a week or so later. That sort of rings true with me, now that he has reminded me.
Yesterday I blogged about two amazing Faces gig at Sunderland Top Rank and Sunderland Locarno. I saw the band quite a few other times in 1972 and 1973; twice at the Reading Festival in 72 and 73, at the Lincoln Festival in 72, and in 1974 at the Buxton festival. All of the gigs were great fun; the band were at the top of their game at the time. By 1974, however, cracks were starting to show. Ronnie Lane had left the band to be replaced by Tetsu Yamauchi, and it would only be a couple of years before the band disintegrated, Ronnie Wood joined the Stones and Rod went solo. The last time I saw the Faces was at a gig at Newcastle Odeon in late 1974. By this point the band were massive and they managed to sell out two nights. My mate Will and I bought tickets late for this gig and ended up with seats right up at the back of the rear circle, looking down on the stage. Not a great view, but we could look down and watch the place going crazy along with band.
Support that night came from folkie comedian Bill Barclay and rockers Strider. The Faces were as fun as ever; lots of craziness and much singing along. They always finished with Twisting the Night Away at that time, and I can picture everyone walking down the stairs of the Odeon still singing along. A sadly missed band. I haven’t managed to get along to any of the Faces reunion shows so far, and Ronnie is busy with the Stones at the moment, which has delayed any plans for further gigs. I heard an interview with Rod on the radio the other day, and he said that he will join up with the Faces for a reunion after Ronnie is clear from Stones work. Hope that happens, and will do my best to attend if it does. The set that night in 1974 will probably have included: It’s All Over Now; Take A Look At The Guy; (I Know) I’m Losing You; Sweet Little Rock’n Roller; Bring It On Home To Me/You Send Me; I’d Rather Go Blind; Stay With Me; Angel; Too Bad/Every Picture Tells A Story; Maggie May; Gasoline Alley; You Can Make Me Dance, Sing Or Anything; You Wear It Well; Mine For Me; I Can Feel The Fire; Twistin’ The Night Away.