The Cluny is a lovely little pub venue situated in the Ouseburn area of Newcastle upon Tyne. It often gets great bands on. Over the years I have seen many of my favourite acts perform there including The Groundhogs featuring the sadly recently passed Tony McPhee, Stray, the New York Dolls, Chicken Shack featuring the great Stan Webb, the Pink Fairies, Wishbone Ash and many others.
Last Wednesday they hosted the latest incarnation of the legendary American psychedelic pioneers Love. Lead singer and main songwriter from the band, Arthur Lee, is sadly no longer with us. This version of Love features original guitarist Johnny Echols, backed up by Baby Lemonade who were the backing band for Arthur Lee and Love for many years. So there is a line of authenticity taking us back to the original band. And that is good enough for me. It is the closest I am going to get to the real thing.
So Jan and I arrive early enough to catch the support act, Scott Hepple and the Sun Band who for some reason remind me of early Status Quo circa 1971/1972. Quite loud and pretty good as well. Clearly a group of young people worth watching out for. After a short while during which I partake in a double Jack Daniels and purchase a Love and a Cluny T-shirt, the main band take to the stage.
Now Forever Changes is an absolute classic, often rated as one of the best albums of all time. And I can’t disagree. Neither would the crowd in the Cluny. The place was absolutely packed and almost everyone sang along to every song. To my shame I can’t claim to know every song by Love but many sounded familiar.
Original guitarist Johnny Echols looks so cool, quite the part for an original psychedelic electric guitar hero complete with bandanna, straight out of the late 1960s. He co-founded the band with Arthur Lee back in 1965. Respect.
Burt Bacharach’s “Little Red Book” sounded as fresh as ever and “Alone Again or” is undoubtedly one of the best songs of all time.
A great show by the latest version of a classic band. It doesn’t get much better.
It was wonderful to say hello to a guy who introduced himself to me as a regular reader of my blog. Thank you so much for your support, my friend.
Thanks to Jan for the photos.
Setlist: A house is not a motel; Your mind and we belong together; My little red book; Softly to me; Can’t explain; Live and let live; The red telephone; Andmoreagain; Orange skies; Stephanie who knows; Signed DC; Alone again or; Maybe the people would be the times or between Clark and Hilldale; You set the scene; August; Your friend and mine ; Always see your face; Singing cowboy; 7 and 7 is
And so my search for Rod the Mod continues. This was the third time I had seen 
Each time I hope for old classics and Rod returning to the days when he was a spiky haired mod and had Ronnie Wood by his side in The Faces. And each time he delivers. Alongside the Las Vegas Rod Stewart, every now and then, he returns to the past and takes me back to my youth. Of course at the Albert Hall he really did have Ronnie Wood by his side.
First, the not so good side of the evening. It was pouring with rain all night and we got absolutely drenched. Also on the way in they were offering tickets at the door for 2 for £10, quite annoying when I paid full price for my tickets. Apparently only 5000 or so tickets had been sold out of 15,000. I would put this down to the fact that it is only 6 months since Rod played in the North-East. Also maybe some people would have come along on the night if the weather had been better, but as I said, it was sadly raining heavily all evening. But let’s quickly move on to the positives because this was still a great concert.
The support act was none other than 
After a short break Rod took to the stage. He opened with a great version of the late, sadly missed, Robert Palmer’s “Addicted to Love” and then I was transported back to 1971 and memories of Sunderland Top Rank and Sunderland Locarno with Rod the Mod singing “You Wear It Well”. Another Faces memory with “Ooh La La” and seeing that tour at Newcastle Odeon. Back to Robert Palmer territory and “Some Guys Have All the Luck”. Excellent so far. Soon it is another classic “Baby Jane” and memories of when that song was released and seeing Rod at Ibrox Stadium Glasgow. Apologies for all the reminiscences but please bear with an old guy and his memories 🙂
More classics follow: “I Don’t Want to Talk about It”, Cat Stevens’ “The First Cut Is the Deepest”. Then we are right back to 1971 again and “Maggie May”. I forget that I am drenched, this is classic Rod and at 78 he is still on great form. “I’d Rather Go Blind” is dedicated to the late Christine McVie. A few more songs and then Rod hands over to the female singers to deliver “I’m Every Woman”.
Rod returns with a new outfit and is joined by Boy George. George explains that the next song “The Killing of Georgie” means a lot to him personally, and how his mother gave it to him as a present in a brown paper bag. It was her way of letting him know that she realised he was gay. Rod and George deliver the song together and it is very appropriate and very moving. George explains that he has to leave because his Nan is not well.
A few more songs and then it is back to the female vocalists, a final rest and costume change for Rod and “Lady Marmalade”. Rod returns for “Stay with Me” which of course takes me back again. Rod do you really still need to sing “Do You Think I’m Sexy?”?. Finally I am back in Newcastle City Hall for his first solo tour, the single of the time and the usual closing song “Sailing”. Massive singalong. We (Jackie, Elaine and I) all enjoyed it even though we were completely soaked.
Setlist: Addicted to Love; You Wear It Well; Ooh La La; Some Guys Have All the Luck; Having a Party; Baby Jane; Forever Young; I Don’t Want to Talk About It; The First Cut Is the Deepest; Maggie May; I’d Rather Go Blind; Young Turks; Downtown Train; Rhythm of My Heart; I’m Every Woman; The Killing of Georgie; You’re in My Heart; Tonight’s the Night; Have I Told You Lately; Lady Marmalade; Stay With Me.
So, off to Leeds we went to see the mighty 
A short taxi ride took us from the station up to the Arena, in time to catch the support act who were a German heavy metal band called 
I have followed Iron Maiden since the very early days when Paul Di’Anno was the singer and the first single was “Running Free”. I remember seeing them at Sunderland Mecca and at Newcastle City Hall with Def Leppard as support act. I have seen them several times more over the years and always enjoy their concerts. I know what to expect and sure enough Maiden delivered as usual. Lots of guitar solos with mad antics and shape throwing from the three guitarists: original Dave Murray, long-term member Adrian Smith and north-east lad Janick Gers who used to be in a local band White Spirit, and who I saw several times in the early 1980s.
Steve Harris, on bass guitar, founder member and leader commands the stage alongside singer Bruce Dickinson who I first remember as Bruce Bruce in Samson, a New Wave of British Heavy Metal band led by guitarist Paul Samson and with drummer Thunderstick who performed with a leather mask from within a cage; I kid you not. And last but by no means least is long-term drummer Nicko McBrain.
Iron Maiden drew their songs from throughout their extensive catalogue. The recipe remained as always: superb guitar histrionics, Bruce’s soaring operatic vocals and Steve’s thundering bass driving the band forward. Great visuals and backdrops, including some of Patrick McGoohan (“I am not number, I am a person”) for song “The Prisoner”. We manage to catch quite a bit of the show but, as I expected, we need to leave before the end to catch the train back to Durham and then our taxi home.
We all enjoyed the event, with Jackie and even Elaine agreeing that Iron Maiden were superb. Oh, and I must not forget the mascot monster Eddie who appeared as a golden, gun toting, cowboy complete with gold Stetson during the first part of the set. I am sure he must have reappeared after we left.
So, my conclusion about travelling to shows in Leeds is that it is worth doing so for bands I really want to see as long as I am prepared to miss out on the last part of the concert. Such is life these days. I guess I can’t have everything.
Setlist: Caught Somewhere in Time; Stranger in a Strange Land; The Writing on the Wall; Days of Future Past; The Time Machine; The Prisoner; Death of the Celts; Can I Play With Madness; Heaven Can Wait; Alexander the Great; Fear of the Dark; Iron Maiden.
A journey to York to see a classic band. It doesn’t get much better. The Crescent is a lovely community venue that presents some great acts. This is the nearest place in the North-East that 
I have seen Soft Machine a few times over the years since the early 1970s. The last time I saw them was at Kendal Arts Centre, another lovely venue. So, I figured it was time to renew my acquaintance with Soft Machine and their music.
The Crescent proudly announces the band thus: “Soft Machine is one of the greatest UK avant/jazz-rock bands of all time. Their work, from their earliest performances as a psychedelic band, who were contemporaries of, and shared stages with Syd Barrett’s Pink Floyd and the Jimi Hendrix Experience, all the way to being one of Europe’s best known ‘fusion’ bands has influenced several generations of bands, and continues to be name-checked by today’s hip experimentalists.
Whilst the line-up of Soft Machine may have changed many times since the heady days of the late 1960’s, the band’s spirit of musical adventure, and the ease with which it freely avoids being pigeon holed and can move from powerful progressive jazz fusion to atmospheric psychedelia to free improvised jazz-rock to ambient loop music continues to make it both unique and totally contemporary.”
Soft Machine were formed in mid-1966 by Robert Wyatt (drums, vocals), Kevin Ayers (bass, guitar, vocals), Daevid Allen (guitar; who would go on to form Gong) and Mike Ratledge (organ). The band members would change many times over the years with Mike Ratledge fronting Soft Machine up until the mid-1970s when guitarist John Etheridge joined and became front man. The current line-up features John Etheridge on guitar, Asaf Sirkis on drums, Theo Travis on saxophones and Fred Thelonius Baker on bass. We take our seats close to the back with a great view of the entire stage.
The concert starts at 8:15 p.m. and is in two parts. The music is, as expected, all instrumental, quite jazzy and moves effortlessly from guitar led tracks during which John Etheridge takes to the fore and flute or saxophone led tracks featuring Theo Travis. All pleasant, challenging, mood provoking with many twists and turns. Fred Thelonius Baker takes front stage for some thundersome bass during some tracks and new drummer Asaf Sirkis (who has only recently joined the band, stepping into the shoes of John Marshall a member since 1972) also takes some solos. After a short interval and time for a lovely double Drambuie, the band return to the stage.
The music draws heavily from the mid-70s period, but also features selections from their current album. They also take us right back to 1967 and the band’s first single “Joy of a Toy” written by Kevin Ayers. Fantastic. The whole evening is highly enjoyable and both Jan and Jackie agree that the music is pleasant and find some of the tracks slightly familiar. We have to leave for our train back to Durham just as the band return for an encore. Then our friendly taxi driver is waiting for us at Durham station. We arrive at 12:13 a.m. Back home around 1 a.m. Another great visit to a lovely venue in a lovely city.
Setlist (something like this): First Set: Penny Hitch; Open Doors; The Visitor at the Window; The Tale of Taliesin; Broken Hill; Fourteen Hour Dream; Gesolreut.
When I was young my Dad would take me to the cinema. He loved movies and he would take me to all the local cinemas around Sunderland and Newcastle. There were so many more cinemas in those days. We would go three or four times a week to the cinema. I saw every Walt Disney cartoon, all the Sean Connery James Bond films, Cliff Richard in Summer Holiday and all his other films, the Beatles in Hard Day’s Night and Help and just about every film that came out during the early to mid-1960s. I even remember going in the middle of the night to watch a grainy image of Cassius Clay fighting at a live screening in a cinema in Newcastle. And another vivid memory is of going one Saturday afternoon to the Stoll Theatre to see the original (and best in my view) King Kong. I remember being terrified when Kong first appeared on the screen. Well, I guess you are wondering why I am starting my post with this story. The connection is this. The Stoll Theatre is now the Tyne Theatre.
So, roll on almost 60 years and I am back in the Tyne Theatre. Thanks to a restoration it still has all the original, ornate features and is a fantastic old theatre and opera house. And this time it is to see a giant of folk and rock music, 
Jackie and I arrived in time to catch the support act, I think they were called Memoir, an excellent duo with great songs. After a short interval, Richard took the stage. Tonight, we were treated to Richard the solo artist and folk singer with acoustic guitar. Later on in the set he was accompanied by a female singer. At one point he told us how, as a young man, he would travel from his home in North London to the Marquee Club in Soho, to see tremendous acts of the time including The Who, The Move and on a Friday night, the Yardbirds. He said he would stand, in awe, at the feet of the late great Jeff Beck.
Richard took us through a selection of his extensive repertoire including back to a song he wrote with Fairport Convention “Genesis Hall” and a lovely rendition of “Who knows where the time goes” written during his time with Fairport Convention by the unique talent that was Sandy Denny. I particularly like the song “Beeswing” which is quite haunting. Throughout, his guitar playing was impeccable and his unique voice draws you into the story behind the song. I am now completely sold on the talent of Richard Thompson and will try and see him each time he visits the region.
Setlist (Something like): Gethsemane; If I Could Live My Life Again; Genesis Hall; Valerie; Walking the Long Miles Home; Down Where the Drunkards Roll; Johnny’s Far Away; 1952 Vincent Black Lightning; Singapore Sadie; Trust; Word Unspoken, Sight Unseen; Who Knows Where the Time Goes; I Want to See the Bright Lights Tonight; The Rattle Within.
It has been a few years since I last saw 
Steve Harley is an enigma. Always outspoken, some great tunes and a following that remains incredibly loyal. The fire station is a great local venue and was completely packed for this performance and rightly so. The guy remains relevant today and has recently released a new album consisting of some original songs and some “reimaginings” (not covers, Steve insisted) of his favourite songs.
So, his “reimaginings” included Cat Stevens’ “How Can I Tell You” (great choice), David Bowie’s “Absolute Beginners” (not so sure about this choice) and Paul McCartney’s “I’Ve Just Seen a Face” (marvellous, one of my favourite Beatles’ tracks). And he delivered great versions of each of the songs. He explained that he sent a copy of his version of the song to each of the writers, he said he knew Cat Stevens and got a lovely reply from him. He didn’t mention whether he received replies from the others; apart from saying that he was still waiting for his reply from McCartney. Alongside this he sang his own “Judy Teen”; as an aside telling us that he was hunting for a video copy of their performance of the song on Top of the Pops. Apparently the tapes were wiped and it does not exist….Unless you were sitting in front of your TV with an old cinecamera. He closed the first set with another marvellous classic song: the Rolling Stones, as interpreted by Chris Farlowe “out of time”. Lots of singalong, much to the delight of Mr Harley.
Set 2 consisted of a few more songs from the new album all of which sounded just fine. Thank you Steve for sharing these with us. And then we were into the final stretch. “Mr Soft” was followed by “Tumbling Down” and more singalong… “Look what they’ve done to the blues, blues, blues”. Steve seemed genuinely blown away by the audience reaction and the great strong voices from the crowd that accompanied each singalong section. I remember many happy evenings spent with Steve and Cockney Rebel where one of the closing songs was often “Tumbling Down”: Newcastle Mayfair, Newcastle City Hall, Redcar Coatham Bowl, Sunderland Empire and probably others. Then, Steve’s first single and the beautiful, haunting, twisting and turning ballad that is “Sebastian”. We all knew what was coming: “Make Me Smile” closed the evening. It doesn’t get much better Steve, long may you continue to come and sing to us. And thanks for returning to Sunderland (Steve made reference to the city: “some of you will have sung this with me at the Empire just next door” referring to (I think it was) the aforementioned classic “Tumbling Down”). Happy days.
Setlist: Set 1: Compared With You (Your Eyes Don’t Seem to Age); How Can I Tell You; Absolute Beginners; Lay Me Down; Only You; Judy Teen; I’ve Just Seen a Face; Out of Time
So, this was the third leg of our concert tour having taken in the Jeff Beck tribute at the Albert Hall two weeks ago, Bruce Springsteen in Murrayfield Edinburgh last week and now back down to London and the O2 to see 
The evening at the O2 started with the nice perks of having an O2 phone and O2 priority as a result. And a result it was. We managed to avoid the long queues, joining a very short O2 priority queue which swiftly led us into the O2 Blue Room where we were fed and watered with some lovely pizza and chips for me, burger and chips for the ladies and nice drinks (double Jack Daniels was my choice tipple). Plus 10% discount for using my American Express card.
Then came a little diversion and adventure. To my shame I had somehow purchased ambulant accessible tickets rather than wheelchair tickets. Ambulant accessible tickets are intended for individuals who are able to walk but have other disabilities which require them to need a companion. For example, my daughter Laura who is blind, qualifies for ambulant accessible tickets. However, this meant I did not have a seat in the wheelchair area. Rather, I had a normal seat. Totally my own mistake. I don’t know how I managed to do this. Anyway, after some cajoling and pleading we managed to get my tickets swapped to seats on the wheelchair platform. Thank you so much to the O2 staff who were incredibly helpful. So, Jackie and I took all seats on the wheelchair platform and Jan went up into the upper tier for her seat.
The show opened with the music of “Comfortably Numb” and the several screens rising up towards the ceiling of the venue. This was a very spectacular show with Roger and his band performing in the round, in the central area of the arena floor, surrounded above by a series of screens which displayed images and the band to every corner of the arena. Then came a series of tracks from The Wall including the hit song “Another Brick in the Wall” with the famous hammers video imagery. Roger moved around the stage so that everyone got a chance to see him. The images on the screens alternated between the band and visuals.
To say this show was political is an understatement. Roger displayed a number of anti-war slogans across the screens and images of US presidents each with their “war crimes” displayed across them. The first half of the show closed with some wonderful videos of Syd Barrett as Roger performed “Wish You Were Here” and “Shine on you Crazy Diamond”.
Over the images of Syd, Roger told the story of how the two friends travelled from their home town Cambridge to London in order to see Gene Vincent in concert supported by the Rolling Stones, no less, and vowed to form a band, which of course they did when they returned to London as students a few years later. He then went on to display a story in words of how Syd became unwell (all of which is well documented and involved his descent into schizophrenia as a result of taking too much LSD) and was confused when they were playing in Los Angeles, believing he was in Las Vegas. All very sad and a fitting tribute to the genius who led Pink Floyd in their early days.
At one point Roger went into a long rant concerning how the media and the politicians were trying to “cancel” him as a result of the political elements of the concert and, in particular, the fallout from his recent Berlin show where he was criticised by the authorities for wearing a Nazi like uniform and for the flying pig which they believed contained anti-Semitic imagery.
Indeed, as we entered the O2, we passed a group of protesters with placards and who were asking us not to attend the concert. Roger had a long script for his aforementioned rant; this recent publicity has clearly annoyed the guy. At one point during the show Roger wore the military uniform which is actually not displaying Nazi swastikas, rather these are the hammers from The Wall imagery.
The first half of the show concluded with “Sheep” from the Animals album with a giant sheep slowly flying around the arena. All part of the wonderful spectacle that one has come to expect of a Roger Waters concert. A short interval and another double Jack Daniels later and I settled back into my perch in the wheelchair area.
The second half of the show started with the aforementioned flying pig slowly manoeuvring its way around the arena. The music consisted of Roger Waters solo material and more familiar territory including songs from Dark Side of the Moon including “Money” and “Us and Them” complemented by images from the Dark Side of the Moon era Pink Floyd. Fantastic. Roger concluded the show with himself and the band around a piano while he performed a new song in tribute to his recently passed older brother. The screen displayed images of Roger as a child beside his brother and his parents.
A great concert, with a rich mix of old, new, spectacle and politics. But then I guess this is what we have come to expect from Roger Waters, now 79, still looking well and performing world-class music from throughout his career. On our way back to our hotel I managed to give my head a nasty clash. I misjudged the height of the side entrance to a black cab as I manoeuvred up the ramp. Perhaps the two double Jack Daniels didn’t help. I was soon back in my bed, my head still a little sore. However, by the morning I was okay and we made our way home to rest after our two weeks of adventures.
Setlist: Set 1: Comfortably Numb; The Happiest Days of Our Lives; Another Brick in the Wall, Part 2; Another Brick in the Wall, Part 3; The Powers That Be; The Bravery of Being Out of Range; The Bar; Have a Cigar; Wish You Were Here; Shine On You Crazy Diamond (Parts VI-VII, V); Sheep.
Set 2: In the Flesh; Run Like Hell; Déjà Vu; Déjà Vu (Reprise); Is This the Life We Really Want?; Money; Us and Them; Any Colour You Like; Brain Damage; Eclipse; Two Suns in the Sunset; The Bar (Reprise); Outside the Wall.
Brooooce, Brooooce the crowd cheered as we waited for The Boss to take the stage. 7 PM, exactly as announced, 
The first hour consists of songs which, to my shame, are not so familiar to me. After all, this guy has a massive 50 year catalogue to draw from. And that is exactly what he does throughout the evening, selecting songs from throughout his career. Bruce and I have travelled some of his long road together. My first experience of Springsteen was at his debut UK concerts in Hammersmith Odeon 1975. Since then I have seen him at Newcastle City Hall, St James’s Park Newcastle, Dublin Point, the O2 Arena London, Hampden Park Glasgow, Leeds Arena and the Stadium of Light, Sunderland. Two of those concerts have been immortalised on DVD: the legendary 1975 London shows and the Dublin Seeger Sessions show.
“Darkness on the Edge of Town” takes me back to more familiar territory and then “Kitty’s Back” goes even further back; in fact right back to the very start. Class! Soon we are into “Backstreets” which takes me to 1975 and more familiar material. The rest of the evening passes in a blur. So many great songs and so many memories. “Because The Night” is of course a signature song for Patti Smith, for whom Bruce wrote the tune; but Bruce also does a great version of this classic anthem. “She’s the One” is as great as ever. The set closes with the haunting mouth harp of Bruce leading us into “Thunder Road” which is as haunting as ever. The audience take over and sing the majority of the vocals.
Steve Van Zandt looks as cool as ever. He and Bruce bounce off each other throughout the night, with Steve playing some great guitar.
“Glory Days” soon follows, then another classic “Dancing in the Dark”. Back to 1975 and “Tenth Avenue Freeze–Out”, with some great images of the late, sadly missed big man Clarence Clemons, he of the magnificent sax playing in the original E Street Band. Bruce closes the evening, a lone figure on the stage, with “I’ll See You in My Dreams”.
We all file out of the stadium and into the cool Scottish evening. Well organised buses transport us back to our hotel in Rose Street, just off Princes Street and Waverley station. Then, next morning, luckily unaffected by the train strike which was taking place that day, we board our LNER service to Newcastle. All works like magic. A great day with a great performer, songwriter and someone who has so much energy that he can ignite any stadium around the world. Long may you continue to do so Bruce.
Setlist: No Surrender; Ghosts; Prove It All Night; Death to My Hometown; Letter to You; The Promised Land; Out in the Street; Candy’s Room; Darkness on the Edge of Town; Kitty’s Back; Nightshift; Mary’s Place; The E Street Shuffle; Johnny 99; Last Man Standing; Backstreets; Because the Night; She’s the One; Wrecking Ball; The Rising; Badlands; Thunder Road.
Sorry for taking so long to write this review. But it was an important evening and there was so much to write about! And I apologise in advance for any typos that have crept in to this lengthy (for me, anyway) account.
So, on the day three of us, Jackie, Jan (my carers) and I travelled down by train to London for the show at the Majestic Albert Hall. This was my first visit to the Royal Albert Hall since my accident. My last visit there was to see Clapton at his 70th birthday concert. And tonight, it was Eric Clapton and his band who opened and, to some extent, led the proceedings. The disabled access within the building is fantastic and we had seats quite high up looking directly down on the stage. Once we got ourselves and my wheelchair positioned, we had a pretty good view of the stage. People travelled from all of the world for this concert. I met a cool oldish guy in the bar who had travelled from New York. “Jeff Beck was The Man!” he proudly told me. Of course, I agreed.
The concert opened with a single spotlight on a white Fender Stratocaster standing proudly centre stage on a beautiful Indian carpet. Yes, this was one of Jeff Beck’s guitars. It was quite emotional looking down from our vantage point upstairs at the instrument. Above the guitar, a large screen showed images of Jeff Beck over the years, many displaying his beloved collection of classic cars.
Clapton opened the proceedings with his band and great performances of the Yardbirds classics “Shapes of Things” and “Heart Full of Soul”. Wonderful. Both favourite songs of mine and performed perfectly. Clapton took vocal duties on the former and his long-term collaborator and fellow guitarist Doyle Bramhall did a great job of singing the latter song.
The band was then joined by Derek Trucks on “Little Brown Bird”. Derek is an ace slide guitarist, to say the least Then Derek’s wife Susan Tedeshi did a great bluesy version of “Done Somebody Wrong” singing and playing lead guitar. I can see why my friend John is such a fan of the Tedeschi Trucks band. Susan continued to lead the band with the lovely song “The Sky Is Crying”.
Ronnie Wood then swaggered on stage; Clapton introducing him as “here comes the scallywag” which seemed quite appropriate. Ronnie was on stage for most of the evening. He proudly took the lead on bass guitar for “Beck’s Bolero” a favourite of mine from the Jeff Beck Group. Ronnie was, of course, a member of the band along with his old mate Rod Stewart, who would join in during the second half of the show. Ronnie reminded the audience that he often played bass guitar when he was in the Jeff Beck Group.
Next came a song unfamiliar to me: “Elegy For Dunkirk” with classical singer Olivia Safe on vocals and Robert Randolph on keyboards. The backing musicians changed from Clapton’s band to Jeff Beck’s band during the evening and sometimes involved a blend of both. All excellent musicians, particularly Beck’s female bass guitarist and female drummer and Chris Stainton on keyboards. Chris is a long-time member of Eric’s band. I remember seeing him for the first time back in 1972 when he performed as backing band to Joe Cocker who headlined the Lincoln Festival.
“Isolation” sees actor come rockstar Johnny Depp, Metallica guitarist Kirk Hammett and ZZ Top guitarist Billy Gibbons (great hat and beard) take the stage. The next song is simply fantastic; a wonderful version of the Shangri-La’s “(Remember) Walkin’ In The Sand” led on sassy vocals by Imelda May, who looks (in a slinky red dress) fantastic and sounds tremendous. A highlight of the evening. Billy Gibbons remains on stage for the rest of the first half of the show, playing some great riffs. Johnny Depp looks so cool and is in his element playing along with his heroes. And this show must be so emotional for him, having toured with Jeff Beck only last year.
Then the mood changes substantially towards jazz and the elder statesman of the guitar, Jon McLaughlin who plays two instrumentals from the Wired period of Beck’s work. McLaughlin takes guitar playing to another level. He really is a master of his craft and looks a cool gentleman at 81 years young. Billy Gibbons continues to lead the band after McLaughlin departs, and the first half of the show concludes with a rocking version of “Train Kept A Rollin’” bringing back memories of the appearance of the Yardbirds in the 100 Club during the classic 60s film Blow Up, featuring Johnny Depp, Kirk Hammett, Ronny Wood, Billy Gibbons, Imelda May and the Jeff Beck Band. A great finish to the start of the proceedings.
During the Intermission there is a little time for some people watching and another double whiskey topped off with some lovely salted popcorn! The screen shows more video of Jeff Beck and many clips of fellow guitar heroes commenting upon his genius including fellow Yardbird Jimmy Page.
Soon we return to the music with Eric Clapton and his band. “I Put A Spell On You” features fantastic, soulful vocals by Joss Stone. ”‘Cause We’ve Ended As Lovers” and the very cool looking Gary Clark, Jr. adds more bluesy guitar to the mix.
A song or two later Ronnie Wood’s old mate Rod Stewart takes to the stage, starting with “Infatuation” and then moving into two songs which he sang with the Jeff Beck Group: “Rock Me Baby” and “I Ain’t Superstitious ”. It’s great to see the two old mod rockers jamming together again. Brings back memories of The Faces.
The concert closes with the entire cast performing the Curtis Mayfield classic “People Get Ready”, followed by “Going Down” which ends the concert and brings back memories of the first time I saw Jeff Beck live at Grangemouth Festival in 1972; I feel sure Beck, Bogert and Appice played that song there.
It really couldn’t have been much better and was a fitting tribute to a true guitar warrior and legend. Yes, I would have liked to have heard “Morning Dew”, “Hi Ho Silver Lining” (but then Jeff never really liked the song) and it would have been great if Jimmy Page had appeared. But none of that mattered. I will remember this concert for the rest of my life.
Setlist: Blue Rainbow; Shapes Of Things; Heart Full Of Soul; Wee Wee Baby; Little Brown Bird; Done Somebody Wrong; The Sky Is Crying; Beck’s Bolero; Elegy For Dunkirk; Isolation; Walkin’ In The Sand; Goodbye Porkpie Hat; You Know You Know; Stratus; Rough Boy; Rice Pudding; Train Kept A Rollin’
Freeway Jam; I Put A Spell On You; ‘Cause We’ve Ended As Lovers; Let Me Love You; Infatuation; Rock My Plimsoul (Rock Me Baby); I Ain’t Superstitious; People Get Ready; Going Down
This tour was entitled “Tunes and Chat” as opposed to the previous 
Arrived in time to have a nice double whiskey. No merchandise this time around. Accompanied by carer Elaine and old mate Norm.So Francis started at the beginning with some tales of his Italian origins and Italian songs such as “Papa Pickalino” (or something like that) and how they introduced him to music, songs and the guitar shuffle which would be the backdrop to many of the Status Quo tracks. He talked about how psychedelia and pop led him to write “Pictures of Matchstick Men” and then moved on to explain how Status Quo became more rocky and the shuffle became songs like “Spinning Wheel Blues” and “In My Chair”. Then we got the great “Gerdundula”, “Down the Dustpipe” and others. “Burning Bridges” (“some people like it, some people hate it” said Francis) closed the first set. Time for ice cream (Ben & Jerry’s; lovely)
During the interval the merchandise stall was selling the latest Francis large format coffee table signed book, which I already have courtesy of his website. Before I forget to mention it, the second guitarist was excellent and played quite a lot of lead guitar; both men on similar looking electric guitars. The second set comprised more tunes and some questions from the audience. One in particular sticks in my mind. Francis’ sidekick read the questions from cards collected from a pile placed on the stage by audience members. “What makes you so successful and to have continued success over so many years?” After a little thought Francis replied “Well I am basically insecure. I always wanted to be famous and to feel loved. And I still do feel that way. So to fulfil my dreams and overcome my insecurities I have to keep coming out and performing to audiences like yourselves”.
Another question. “Which do you prefer? Large arenas or small theatres?” Again, after a pause, “I suppose I like the intimacy of smaller venues where I can actually see the audience and sing and talk directly to them”. Then we are into the final stretch and Status Quo favourites “Margarita Time”, “Rockin’ All over the World” and finally “Caroline”. All good fun. Elaine, Norm and I all enjoyed it. But hey Francis time to get the Quo back on the road.
Setlist: Set 1: Pictures of Matchstick Men; (April) Spring, Summer and Wednesdays; Spinning Wheel Blues; In My Chair; Gerdundula; Rock ‘n’ Roll; Claudie; Break the Rules; Down the Dustpipe; Burning Bridges
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