Kevin Ayers and Long John Baldry Newcastle City Hall November 1974
Kevin Ayers Newcastle Tyne Theatre 2003
Kevin Ayers’ legend looms large in English rock history. In 1974 he’d released The Confessions of Dr. Dream and Other Stories album on the Island record label, and headlined the now legendary 1 June 1974 concert at the Rainbow Theatre, London, where his band consisted of John Cale, Nico, Brian Eno and Mike Oldfield. For this Autumn 1974 concert tour (see ticket, and programme below), his band consisted of the late great Ollie Halsall, who I’d seen at the City Hall a few years earlier in Patto. Support came from Long John Baldry who by the early 70s had grown his hair, and was looking seriously hippieish. Long gone were the suited blues man days of the 60s and Let the Heartaches Begin (which he didn’t, of course, sing). But the set was still blues-based and Long John’s voice was as deep and impressive as he was tall.
The set consisted of songs from Bananamour, Joy of a Toy and The Confessions of Dr Dream, and was a somewhat shambolic, but enjoyable mixture of English whimsy, reggae and jazz-rock. Ayers did a version Falling in Love Again in the style of Noel Coward and Halsall performed Elvis’ Don’t be Cruel. There were problems with the electricity in the hall, with the power going over several times, and Ayers and Long John Baldry singing to us without any amplication at all at one point. If I remember right, the power failed completely in the end and the show was abandoned. I next saw Kevin Ayers almost 30 years later in the bar of the Tyne Theatre. The approach was similarly eccentric and enigmatic, but just as enjoyable.
Posts Tagged ‘blues’
24 Jan
Kevin Ayers Newcastle 1974 and 2003
23 Jan
Blood Sweat and Tears Newcastle City Hall 14 June 1974
Blood Sweat and Tears Newcastle City Hall 14 June 1974
Spinning Wheel by Blood, Sweat and Tears seemed to be on the radio all of the time in the late 60s and early 70s. I only saw the band once, when my friend Norm and I went to see them when they came to Newcastle in 1974. The line up of this band changed many times over the years, and both Al Kooper and David Clayton-Thomas had left by the time of this tour. Nevertheless B,S & T put on a competent performance and played favourites ‘You’ve made me so very happy’ and ‘Spinning Wheel’. As I recall the City Hall was pretty empty for this gig.
The line up consisted of Bobby Colomby drums (by then the only original member!), Jerry Fisher lead vocals, Jerry Lacroix vocals, David Bargeron trombones, Georg Wadenius guitar, Larry Willis piano, Ron McLure bass, Tony Klatka sax, and Bill Tillman vocals. This was version 5 or 6 of the band, whose memberships has changed many times over the years with more that 100 (!) musicians passing through. A version of B,S & T continues to tour to this day.
21 Jan
Jeff Beck Newcastle City Hall 1974, 1981 and 2004
Jeff Beck in Newcastle 1974, 1981 and 2004
Writing my post about the Grangemouth Festival, where Jeff Beck headlined, made me think about the other times that I’ve seen Beck. The most recent was at the O2 a couple of years ago, when he co-headlined and dueted with Clapton. It was a great gig, with an astounding performance from Beck. I’ve seen him three other times, making five in total.
After Grangemouth I was keen to see Beck again, so when Beck, Bogert and Appice came to Newcastle City Hall in January 1974 I made sure that I was there. The set was similar to that he played at Grangemouth the year before. This was classic rock, but there were hints of the more experimental guitar technique that Beck was to move into in the future. The setlist for their Live in Japan 1973 DVD is: Superstition; Lose Myself With You; Jeff’s Boogie; Going Down; Boogie; Morning Dew; Sweet Sweet Surrender; Livin’ Alone; I’m So Proud; Lady; Black Cat Moan; Why Should I Care; Plynth/Shotgun. I would guess that the set that night will have been similar. 
By 1981 Beck was more into jazz-rock, and his 1981 show at the City Hall reflected this. As I recall, Ian and I went to this gig, and the set was all instrumental. Beck no doubt gave us some great guitar playing, but I found it a bit too much, and I was bored by the end. He’d released the Wired and There and Back albums in 1975 and 1980, and the set mainly comprised tracks from those lps, with no old songs, and definitely no Hi Ho Silver Lining. Looking at published setlists, around that time the set was something like: Star Cycle; El Becko; Too Much to Lose; The Pump; Cause We’ve Ended as Lovers; Space Boogie; Led Boots; Freeway Jam; Diamond Dust; Scatterbrain/Drum Solo; Blue Wind; Goodbye Pork Pie Hat/You Never Know; Going Down. 
It was over 20 years until I saw Jeff Beck again. By 2004, when Will and I last saw him in Newcastle, he was still playing mostly instrumental, with a singer for a few of the songs. By now he’d moved into a more experimental mode, using techniques which blend rock, jazz and sounds from the 50s and 60s; shades
of The Shadows, surf guitar, Duane Eddy, Dick Dale and Santo and Johnny. He was awesome that night, and I realised again just what a craftsman he is. My programme for the 2004 gig is to the left. His instrumental version of The Beatles Day In The Life is a revelation. His set from The Albert Hall concert a few days later was: Resolution; Star Cycle; Freeway Jam; Roy’s Toy; Big Block; Cry Me a River; Stratus; Goodbye Pork Pie Hat; Angel; Even Odds; Brush with the Blues; Nadia; Nothing but Love; Loose Cannon; Blancet; Rollin’ and Tumblin’; Blue Wind; Voyage Home; Rice Pudding; Cissy Strut; Led Boots; A Day in the Life; Where Were You; You Never Know; Encore: People Get Ready. Still no Hi Ho Silver Lining. I’d resigned myself to never seeing him play the 60s classic. However, that was to come as a surprise at the gig with Clapton (see my earlier blog).
18 Jan
Grangemouth Pop Festival Scotland 23 September 1972: Jeff Beck, Billy Connolly and others
The Grangemouth Pop Festival
Line up: Beck Bogert Appice; Status Quo; Steeleye Span; Lindisfarne; The Everley Brothers; Beggars Opera; Average White Band; Sunshine; Billy Connolly; The Chris McClure Section; MC: John Peel. All for £1.50!
I’m going to see Billy Connolly at Newcastle City Hall on Thursday night. I’m looking forward to the gig, and it made me think about the couple of times I’ve seen Billy Connolly in the past. The first time I saw him was at The Grangemouth Pop Festival in Scotland in 1972 (see ticket right). At the time he was unknown outside Scotland and, as he delighted in telling us, he was scared shitless about this gig, as it was his biggest to date. The festival was organised by Great Western Festivals, who had also run the excellent Lincoln Festival which I attended earlier in 1972, and was billed as Scotland’s first pop festival. My friend Nicky and I went by train to the gig. 
Grangemouth is north west of Edinburgh. The festival took place on Saturday 23 September 1972 and was part of the Grangemouth centenary celebrations. It was held in a sports stadium, which was in an industrial area, next to a gasworks, which spewed smoke over us at various times during the day. It wasn’t that well attended as I recall, with quite a heavy atmosphere, drunkenness, and some fights as the day went on. The promised line up was good, however a few of the bands who were billed did not play; a not uncommon occurrence in those days. Billy Connolly (see left from the programme of the festival) delivered a set pretty early during the day which was a mix of comedy and folk songs, and was one of the hits of the day for me. He’d just had a success at the Edinburgh festival and was just starting to make a name for himself.
Other highlights of the day were Beggars Opera who were also local heroes with great swirling Hammond organ, The Everley Brothers who sang all those timeless hits, and Steeleye Span, who were still playing quite traditionally-based elecric folk at that time, before the days of All Around My Hat. Status Quo were at the top of their game in the early 70s, and were great favourites of Peel, who was DJ/MC for the day. Marsh Hunt was to seen wandering around the crowd. The extract to the right, which is taken from the newspaper programme (also see below) shows the line up and timings. Chris Mclure, who was another local hero, also played. Unfortunately, neither Uriah Heep or The Electric Light Orchestra played. 
Beck, Bogert and Appice were the main reason we went along, and Beck was a revelation. His guitar playing eclipses Clapton in my view, and I was in awe of him that night. I remember him playing Superstition and am pretty sure that he used a mouth-tube, which was the first time I’d seen suc a strange contraption, and was a few years before Peter Frampton used one on Show Me The Way. I can’t remember much of the set, but I’m pretty sure it contained Morning Dew, a new song called Black Cat Moan, Going Down, and an epic version of Keep Me Hanging On, which Bogert and Appice will have brought with them from Vanilla Fudge. After the gig we got the train back to Edinburgh, where we spent the night trying, and failing, to sleep on some pretty hard and uncomfortable benches, until it was time for the first train back to Newcastle on the Sunday morning.
17 Jan
Redcar (Coatham) Bowl: gigs again?
Redcar Bowl: The Adverts; Atomic Rooster and other memories
I read a report the other day that a lady from Teesside is planning to put gigs on at The Redcar Bowl again. It would be great to see that the old Coatham Bowl active again as a concert venue. My mates and I spent some great nights during the 70s, usually Sundays as I recall, at the Coatham Bowl. We often stopped off in The Lobster for a drink before the gig. They used to have a lobster on a string which crawled up the wall when you came in the door. I wonder if it is still there? A lot of great bands played there throughout the 70s, following on from the days of the Redcar Jazz Club, which saw all the greats play in the 60s. I remember gigs by Lindisfarne, Chris Rea, The Flaming Groovies with The Damned supporting, UFO, SAHB without Alex, Split Enz (Finn brothers prior to Crowded House), Magazine (awesome), The Adverts (see ticket stub), Frankie Miller, Meal Ticket, Mr Big, The Rich Kids with Midge Ure and Glen Matlock, The Climax Blues Band, The Jags (the guitarist hit a guy in the audience over the head with his guitar for spitting at him!), Atomic Rooster (see ticket stub), Dave Edmunds Rockpile with Nick Lowe, Destroy all Monsters, X Ray Spex, my personal 70s favourites Penetration, The B52s, Dead Fingers Talk (great band; forgotten and very underrated), and many others that I can’t remember.
The last time I was there was when Will and I went to see Peter Green with the Splinter group, which was probably in the 80s. I have some ticket stubs for gigs that I attended at the Bowl, but for many of the gigs I paid at the door and didn’t get a ticket, or the ticket was given up on the way in. Of the two gigs I have shown tickets for here (I have others which I must dig out), I have little recollection of The Adverts gig, in fact I can’t remember being there at all! I do remember loving the Gary Gilmore’s Eyes single and seeing the The Adverts a few times at Newcastle, once supporting Iggy at the City Hall, and another gig at Newcastle Guildhall, where The Adverts were supported by Penetration and Warsaw, before they became Joy Division. I also think I saw them at the legendary Middlesbrough Rock Garden. The Atomic Rooster gig was part of a reunion tour, as I recall. Vincent Crane, who is sadly no longer with us, was a master of the swirling Hammond organ, who served his apprenticeship with Arthur Brown. He would do an organ solo called Gershatzer (thanks John for the correct spelling!), his piece de resistance, during which he would collapse and fall to the floor under the organ. The first time I saw him collapse I thought it was for real, but after seeing him do so a few times, I began to realise it was part of the act! I love 60s Hammond solos, and Vincent was one of the best.
A series of gigs are planned (see http://www.roundelpromotions.co.uk ) with others to follow. Good luck with the gigs; see you at The Hollies in August. Hope you do manage to get The Damned to come back to play in Redcar; it’s about time I saw them again. I’ll remember to stand near the back, I don’t want the Captain to pee on us as he did (naked) at the Rock Garden.
Update on March 4th 2012. I don’t know what has happened, but the Roundel Promotions website doesn’t seem to exist anymore and I read on a local news site that the gigs are not going ahead as planned, which is a shame. I was looking forward to seeing The Hollies in Redcar, but I guess that’s not going to happen now. Does anyone know what happened to the plans?
15 Jan
David Bowie Roker Park Glass Spider Tour 23 June 1987
David Bowie Roker Park Glass Spider Tour 23 June 1987
Support Acts: Big Country
“Good evening Newcastle”, said David Bowie as he took the stage at this gig. Big mistake for a gig in Sunderland; rivalry between the two towns run deep, particularly in the context of football, and saying this in Roker Park, the home of Sunderland football, was not a good idea. It was to be an omen for the rest of the gig, which wasn’t one of Bowie’s best. In theory, this should have been a great gig. Bowie has a great band, with Peter Frampton coming in on guitar. He had promised that this tour would see a return to theatricals of the scale of the US Diamond Dogs tour. There was great anticipation for the gigs, which ultimately played to 3m people, exceeding the Serious Moonlight tour.
The day was wet, as I recall, and Big Country went down a storm, perhaps better than Bowie. Bowie’s setlist focussed on his more recent catalogue, and particularly his latest lp Never Let Me Down, ignoring the Ziggy era. The stage set was Ok, but somewhat silly, and personally I didn’t think it was as impressive as promised. At one point Bowie came down from the stage on a swing, and the spider just looked strange (but was it a forerunner of the recent U2 stage set up?). The programme for the gig (shown left) was obviously produced for the word tour, with lots of glossy photos of David, and nothing about the support acts; there was also an edition of the Sunderland Echo produced specially for the event (see below).
Setlist: Up the Hill Backwards; Glass Spider; Day-In Day-Out; Bang Bang; Absolute Beginners; Loving the Alien; China Girl; Fashion; Scary Monsters; All the Madmen; Never Let Me Down; Big Brother; ’87 and Cry; Heroes; Time Will Crawl; Beat Of Your Drum; Sons of the Silent Age; Dancing With the Big Boys; Zeroes; Let’s Dance; Fame; Encore: Blue Jean; Modern Love. Towards the end of the gig Bowie said: “I’m glad the rain has kept off”. It then poured down during the encore. Not a good day; I was slowly losing faith in Bowie, and I was to suffer further disappointment at a Tin Machine gig a few years later (see my blog of a few days ago). Tomorrow I’ll report on The Reality tour which I caught in Dublin in 2003, and which restored my faith in Bowie.
14 Jan
David Bowie 2nd July 1983 Milton Keynes Bowl Serious Moonlight: Lets Dance!
David Bowie 2nd July 1983 Milton Keynes Bowl Serious Moonlight
Support Acts: The Beat, Icehouse
By 1983 David Bowie was of sufficient stature to play three nights at the Milton Keynes Bowl, which holds 65,000 people. The (quite colourful) ticket (see right) doesn’t tell me which day I attended, but I am pretty certain it was the Saturday, which was the second of the three gigs. My mate and I drove to Milton Keynes, which is around a 450 mile round trip. I’d been having problems with one of the brakes on my car, and unfortunately it just about locked after after around 100 miles, to the extent that I could only drive very slowly, leaving us stranded near the Wetherby roundabout. I phoned the AA who came out but could fix the car at the road side, so they told me to leave the car in a local car park, hide the keys in an agreed spot (!) and that they would come and pick it up and take it home for me. We were determined to get to the gig, so I phoned my dad, who drove down, picked us up an hour or so later and drove us to the Bowl.
I remember the day as being red hot; I recall little about the support acts, other than they were not that impressive. This was, in my view, not one of Bowie’s best performances. Bowie’s approach to the songs, and the band set up, was moving him away from being a rock star to becoming an all round singer/entertainer and broaden his audience. This worked in terms of making his music more accessible to a general audience, but lost something else along the way.
Although I enjoyed the show, I felt I’d lost the David Bowie I’d grown to love over the past 10 years. Don’t get me wrong; you couldn’t fault anything: the stage set, the performance, the band were all great. But it was David Bowie becoming an entertainer, a professional, (re)becoming Anthony Newley in terms of aiming for broad appeal; and Ziggy had become a memory. Although general consensus is that this was a great gig, I left somewhat disappointed, feeling let down. Two years later I saw Bowie in Wembley Stadium at Live Aid, and he was great again. However, there were further disappointments to come in the form of the 1987 Glass Spider tour (which I will comment on tomorrow) and Tin Machine (see my blog the other day).
After the gig we managed to find my dad who had been waiting in a local pub, having a pie and a coffee, and he drove us home. We must have got back around 4am, I would guess. The next morning my car was delivered to our house (thank you AA); I took it to the garage the next day to be repaired.
Setlist: Star; Heroes; What in the World; Golden Years; Fashion; Let’s Dance; Breaking Glass; Life on Mars?; Sorrow; Cat People; China Girl; Scary Monsters; Rebel Rebel; White Light/White Heat; Station to Station; Cracked Actor; Ashes to Ashes; Space Oddity; Young Americans; TVC15; Fame; Stay; The Jean Genie; Modern Love
13 Jan
David Bowie Friday Newcastle City Hall 16th June 1978
David Bowie Friday Newcastle City Hall 16th June 1978
There was great anticipation for the 1978 David Bowie tour. By 1978 he was a massive star across the world, and this time he played three nights at the City Hall, which was almost unheard of; I can’t remember anyone else playing three nights in the 70s. Tickets were available by post, so several of us applied for more than one night, as I recall. I managed to get tickets for a couple of nights. I passed one pair of tickets on to some friends and kept the tickets for the Friday, which was the last of the three nights. In hindsight I wish I’d gone for more than one night. Tickets were getting expensive by now, with best seats costing £6 which was quite a bit more than the 40p I have paid to see Bowie at the City Hall 6 years earlier.
This was one of the best Bowie gigs that I have attended. The set covered much of his by now classic back catalogue, the band was tight, and Bowie’s performance was superb. The show was in two sets, with no support act, as far as I recall. The first set consisted of songs from Low and Heroes which were Bowie’s most recent albums. I had the Low lp and had played and played it, so I was well versed in the tracks from that album. The second set consisted largely of songs from Ziggy and Station to Station. The programme (left and below) continued to follow the ISOLAR theme.
Setlist: Warszawa; “Heroes”; What in the World; Be My Wife; The Jean Genie; Blackout; Sense of Doubt; Speed of Life; Breaking Glass; Fame; Beauty and the Beast; Five Years; Soul Love; Star; Hang On to Yourself; Ziggy Stardust; Suffragette City; Art Decade; Alabama Song; Station to Station; Stay; Rebel Rebel. What I would give to relive a gig such as this, or to see Bowie on stage again, singing Five Years. Great days. Tomorrow I’ll try to remember Bowie’s Milton Keynes show, as part of the Serious Moonlight tour.
12 Jan
David Bowie Tin Machine Newcastle Mayfair Tuesday 5 November 1991
David Bowie Tin Machine Newcastle Mayfair Tuesday 5 November 1991
For my concert memory today I’m jumping ahead a few Bowie concerts to the Tin Machine era.
When I heard that David Bowie was coming to Newcastle Mayfair with his new band Tin Machine, I couldn’t believe it. Yes Bowie was stressing that “Tin Machine are a band” and that this was a new project, but hey come on, this was David Bowie coming to the Mayfair Ballroon, which he hadn’t played since the early 70s and pre-Hunky Dory days. The tickets went on sale on a Saturday morning, so I went through early to queue. I got there an hour or so before the box office opened and to my surprise there was hardly anyone there. So I joined the small queue and got my tickets without any problems at all. My daughter Ashleigh came along to the show with me. I hadn’t had the chance to hear the Tin Machine album, so didn’t know any of the songs (which was a mistake). I was hoping that Bowie would through in some classics, but suspected that he might not, and indeed it wasn’t to be. The place was full, and the set was all new Tin Machine stuff, and was thus totally unfamiliar to me. It was great to see David Bowie close up again in a small venue, but to be honest I found the songs weak, wasn’t impressed and we left before the end of the gig. This experience put me off seeing Bowie again for some time, and I missed the next couple of tours out (big mistake). On reflection, like many others I didn’t give Tin Machine a real chance. I had a fixed model in my mind of what David Bowie should be, and Tin Machine was just too much of a departure from his past. I should have gone to that gig with a more opne mind. Setlist was something like: I’ve Been Waiting For You; Goodbye Mr. Ed; Bus Stop; Under The God; A Big Hurt; Shopping for Girls; Stateside; I Can’t Read; Baby Universal; Sacrifice Yourself; Betty Wrong; You Can’t Talk; Go Now; Debaser; If There Is Something; Heaven’s In Here; You Belong in Rock & Roll; Crack City. Tomorrow I’ll go back again to the late 70s and the Low tour which came to Newcastle City Hall in 1978.
11 Jan
Iggy Pop and David Bowie The Idiot Newcastle City Hall 2 March Tour 1977
This was a strange one this. Looking back this gig was pretty important historically, and yet at the time (as is often the case) it didn’t seem so. Iggy wasn’t that well known in the UK at the time. I’d seen him on the TV (was it on the Whistle Test?) throwing himself into the crowd and spreading peanut butter all over his torso at a late 60s gig in the USA. I’d also read the reviews of his seminal, wild gig at the Kings Cross cinema (and regretted not going). I’d seen the Sex Pistols play the Stooges’ No Fun the year before, so knew a little about the Iggy legend and his impact on punk. Generally however little was known about Iggy, and ticket sales for this gig were apparently not going well. A few days before the gig the local paper, the Evening Chronicle, ran an article hinting that David Bowie might be guesting at the gig, presumably to try and boost ticket sales. So a few of us went along to the gig, partly out of curiosity to see if Iggy was as crazy as we’d heard, and partly to see if Bowie really did appear. Still, on the night the City Hall was barely half full. Support came from The Vibrators who were, as I recall, pretty hot at the time, and will have played tracks like We Vibrate and London Girls. Iggy took to the stage and was followed by his band, that included David Bowie, who walked up to a keyboard at the right of the stage without any acknowledgement to the crowd at all. It was very clear that this was Iggy’s show and Bowie was a sideman. The set was a mix of old Stooges classics and tracks from the Idiot lp, and was something like: Raw power; Tv eye; Dirt; 1969; Turn blue; Funtime; Gimme danger; No fun; Sister midnight; I need somebody; search & destroy; I wanna be your dog; Tonight; Some weird sin; China girl. As I recall Iggy was good, but not as wild as usual. He was back to play to a packed City Hall later in the year and went totally crazy, climbing all over the amps, rolling around the stage, with his trousers coming open. A few years later I caught him at Redcar Coatham Bowl (Glen Matlcock on bass, I think), he was smoking on stage and flicking lit cigarettes into the crowd (how times change…). Bowie stayed in the background all night and didn’t speak to the crowd. It was good to see him back on the City Hall stage, but I was hoping that they would perform some Bowie classics. I remember shouting for Moonage Daydream…..Anyway he came back to the City Hall as part of the Low tour the following year. Will report on that tomorrow.
Vintagerock's Weblog. 