The Boomtown Rats Newcastle City Hall 1978 – 1982
Blogging every day is turning up a lot of memories for me. I didn’t realise how many times I’d seen the Boomtown Rats. I must have seen them on quite a number of occassions, as I found four tickets and programmes from Newcastle City Hall in my collection, covering the period 1978 to 1982. Actually, the first time I saw the band was before those City Hall gigs, in 1977, at Newcastle Mayfair. I remember that gig well.
It was originally going to be at Middlesbrough Rock Garden and still appears as such in published Rats gig lists, however, it was moved to Newcastle at a couple of days notice, I have no idea why. It was a Friday night, which was normally a heavy rock night at the Mayfair and the ballroom was filled with a mixture of rock fans and punks. The Newcastle crowd gave the Rats a pretty hard time, with a constant stream of beer and spit being flung at them.
The poor keyboard player, Johnnie Fingers, who was famed for wearing pyjamas on stage, was completely soaked right through. In the end Geldof called a halt to the show and the band left the stage without completing their set. Looking After No 1 had just been released at the time and the band were very much in the news and up and coming. They were the first new wave / punk band to appear on Top of the Pops.
The next tour, around the time of Rat Trap brought them to the City Hall. A DVD exists of the Hammersmith show from that tour including live performances of the hit singles Looking After No.1, She’s So Modern, Like Clockwork and Rat Trap, along with other Rats favorites such as Joey’s On The Streets Again (very Springsteenish as I recall) and the audience participation number Do The Rat. They toured pretty constantly over the next few years, on the back of a string of single successes, reaching a peak with the great I Don’t Like Mondays in 1979. I loved that single, and recall being very excited about seeing them on tour at that time. They were great in concert, Geldof a ball of energy, and the band really tight.
I also saw them at Knebworth on a show with Frank Zappa, The Tubes and Peter Gabriel, where they seemed out of place and performed early on the day, low down on the bill. My last Boomtown Rats experience was at Live Aid in Wembley Stadium, by which point Geldof had become involved in other things and the band was coming to an end. I’ve never been to see Bob Geldof in concert since, although I did see him at Live 8 in Hyde Park.
I also went along to see him receive an honorary doctorate from Newcastle University as a ceremony at the Sage Gateshead, which was a different, and interesting experience. I found a setlist from 1979 on the setlist.com site, which reminded me of some of their old tracks
: Blind Date; (I Never Loved) Eva Braun; Neon Heart; Me and Howard Hughes; Don’t Believe What You Read; Like Clockwork; Rat Trap/Kicks/Joey’s On The Street Again; Living in an Island; (She’s Gonna) Do You In;
She’s So Modern; Looking After Number 1; Mary of the 4th Form; Do the Rat. Encore: I Don’t Like Mondays. Looking back, they had some pretty great singles. I’d forgotten Like Clockwork, I can picture Geldof tick tocking the intro. Do The Rat always signalled some pretty manic dancing.
To summarise my thoughts, the Boomtown Rats were a fun live band, high energy and much more pop than they were punk or new wave. Geldof was amazing on stage, a dynamic front man who truly engaged the audience. For some reason I’d almost forgotten them, or how good they were at the time. I still play stuff by contemporaries the Clash, Jam, Damned and the Pistols, but would never play a Boomtown Rats track. Perhaps that something I should remedy. The Boomtown Rats have reformed, without Geldof, in recent years, and have toured a couple of times. I wonder what they are like these days.
6 Apr
The Boomtown Rats Newcastle City Hall 1978 – 1982
5 Apr
The Adverts, Penetration, Warsaw (Joy Division), Harry Hack Newcastle Guildhall 1977
The Adverts, Penetration, Warsaw (Joy Division) New Wave Bop Newcastle 1977
By 1977 I was seriously into punk and new wave, and the new bands were starting to play gigs up in the North East. I still liked classic rock bands, but was also excited by the urgency and immediacy of punk. This gig was held at Newcastle Guildhall, a venue on Newcastle Quayside, which no longer holds concerts and is now a Tourist Information office. Punk was still in its early days. The Adverts had released One Chord Wonders as a single, but had yet to release Gary Gilmore’s Eyes. Penetration were starting to become known locally, but had yet to land a record deal. Penetration were quite a favourite of mine at the time. Marie and I saw them many times, and often ran into Pauline and the rest of the band at local punk gigs. This gig was memorable for another reason however. The first band up was a new combo who had come from Manchester to play. They were called Warsaw and Pauline and Gary from Penetration told us that they had played with them in Manchester a few days before at The Electric Circus. They had been impressed by them and had invited them up to Newcastle to play the Guildhall. Thus, as a late addition to the bill, there are not listed on the flyer.
Marie and I arrived early primarily to make sure that we caught Penetration’s set, and as a result we were there for Warsaw. Warsaw were, of course, to become Joy Division some months later. I would love to be able to report that we experienced something momentous that evening. However, my recollections were of a band who were nervous, and obviously still learning to play. I don’t recall Ian Curtis displaying any of the manic dancing way that would become his trademark. Rather, I remember a shy guy who appeared uncomfortable on stage. I saw Joy Division a year or so later supporting the Buzzcocks and Ian was incredible; however what we saw at the Guildhall was a new, young band playing pretty average garage punk songs. Reports of the time suggest that they will have played early songs: Reaction and Leaders of Men. A recording of Warsaw playing Reaction at Middlesbrough Rock Garden exists, and can be found on YouTube. Next up was local band Harry Hack and the Big G; I recall one song about “Brown Dog” (Newcastle Brown Ale). Pentration were, as always, excellent; they had some great songs which I was starting to know, having seen them many times. The Adverts were also a good live act. TV Smith was a dynamic front man, and Gaye Advert stood quietly alongside him playing bass. Great memories. I note that the flyer states “all bands to be recorded”. I wonder if any recording exists. I would love to hear it.
Many thanks to Jimmy for the image of the poster, which he owns. Poster added 16/09/24
4 Apr
Bee Gees Wembley Stadium London 1998
Bee Gees Wembley Stadium London 1998
For my blog entry today I am reporting on another great band and fantastic concert. The Bee Gees have always been a great favourite of mine, and their UK concerts have been quite few over the years. Marie and I were lucky enough to see them in concert once, at a massive Wembley Stadium gig 1998. Massachussetts, I’ve Gotta Get A Message To You, I Started a Joke are all important parts of my childhood. I had a compilation album which had them all on it, and I played and played it. We’d bought best price tickets for the gig, which at £50 each, were very expensive at the time. So we were disappointed to find that our pitch seats were at the front, but right to the side of the stage, with a terrible restricted view.
So we went along to the box office and asked to have our seats changed. After some discussion, our tickets were swapped for front seats in the balcony, directly opposite of the stage. By this time we’d missed the support act, Tina Arena. The Bee Gees came on stage and were straight into You Should Be Dancing. This was of the best gigs I have ever seen, with the Gibb brothers taking us through their entire career, from those great 60s hits, through disco and Saturday Night Fever, and to the (then) present day.
As I get older I realise just how iconic and important culturally the Bee Gees were. This concert was one of the best I have ever been to and one of the best nights of my life.
Setlist: You Should Be Dancing; Alone; Massachusetts; To Love Somebody; I’ve Gotta Get A Message To You; Words; Closer Than Close; Islands In The Stream; One; Our Love (Don’t Throw It All Away); Night Fever/More Than A Woman; For Whom The Bell Tolls; Lonely Days; New York Mining Disaster 1941; Too Much Heaven; I Can’t See Nobody; And The Sun Will Shine; How Can You Mend A Broken Heart?; Heartbreaker; Guilty; Ellan Vannin (Isle Of Man Anthem); Chain Reaction; Immortality; Tragedy; I Started A Joke; You Win Again; Grease; Jive Talkin’; How Deep Is Your Love; Stayin’ Alive; You Should Be Dancing
3 Apr
The Stiff Tours 1977 and 1978: Be Stiff 1978
The Stiff Tours 1977 and 1978
The Stiff tours were a highlight of the late 70s rock calendar. These events featured a selection of artists from Stiff records, travelling around the UK dropping into concert halls and university student unions. The first tour was known as the Live Stiffs Tour or 5 Live Stiffs, and took place in late 1977. It boasted a great line-up with Elvis Costello and The Attractions, Ian Dury and the Blockheads, Wreckless Eric, Nick Lowe (featuring Dave Edmunds) and Larry Wallis. A bunch of mates and I caught the tour at Middlesbrough Town Hall. At the time punk was really taking off around the UK, and the old town hall was packed. I remember seeing Elvis Costello outside talking to a group of kids; my mate Norm recalls him giving them a penny for the guy.
We witnessed some great music with wonderful performances from Elvis and Ian Dury that night. Ian stole the show; he was at his height at the time, performing material from New Boots and Panties!!: “Sweet Gene Vincent”, “Billericay Dickie”, and “Clevor Trever”. The gig ended with everyone on stage performing Dury’s “Sex & Drugs & Rock & Roll”. The tour called at Newcastle Polytechnic a couple of weeks later. I enjoyed the show so much, I went along again, this time with Marie. Marie has a better memory than me on this gig, and can recall us chatting to Elvis Costello in the union bar. She swears that Captain Sensible was with him, holding court to a few of us, in a typical mad mood, and ate an entire packet of crisps, including the bag, all in one go. I do have a vague memory of meeting the Captain, but couldn’t be certain that it was the same night as the Stiffs tour. I wish I had kept a diary… The second tour, the Be Stiff 78 tour, again comprised five acts: Wreckless Eric, Lene Lovich, Jona Lewie, Mickey Jupp and Rachel Sweet. Norm and I caught that gig at Newcastle University. The line up wasn’t as strong as 1977, however, it saw Lene Lovich break through to chart stardom, and Wreckless Eric’s “Whole Wide World” is still a favourite of mine.
29 Mar
Jon Anderson Newcastle City Hall 1980
Jon Anderson Newcastle City Hall 
Support from Clare Hamill (thanks Doug)
Jon had just left Yes for a solo career. He had been replaced in Yes by Trevor Horn and Geoff Downes of Buggles, which is a story for another day’s blog. I remember this show well. Marie came along with me and we had tickets near the front, sitting right in front of Jon. Jon’ s solo material was very impressive and his voice as strong and beautiful as ever. He focussed on material from his solo album which had just been released and also threw in a few Yes favourites.
Jon Anderson has a unique voice which works best on the jazz tinged ballads that early Yes produced. He always seems very at ease on stage. I guess there were ego clashes between him and Chris Squire, who are both clearly very strong personalities, but this never showed on stage. Yes were one of the first bands that I ever saw, in the late 60s, and I’ve always had a soft spot for them. I do hope that Jon rejoins the rest of the Yes guys some day. Although Yes are still great, it will never be quite the same for me without Jon centre stage, preferably wearing a cheesecloth smock top and singing And You And I or Your Is No Disgrace.
I only saw Pat Benatar once, at Newcastle City Hall in 1983 on a short UK tour. At the time she was a hard rock act; this was before her rise to mega stardom, and pop/ adult oriented rock. I knew a few of her songs at the time, notably Hit Me With Your Best Shot and Shadows of the Night”. Her big smash “Love is a Battefield” was yet to be released, although she may well have performed it. I remember the gig being a pretty good rock show.
Support came from Brian Connolly of the Sweet, who was at the time fronting his new band called Connolly’s Encore, which consisted of ex-Argent guitarist John Verity and Terry Uttley, bass player from Smokie. I found a backstage pass on the floor after the gig, which I still have (see left). I googled a setlist from a March 1983 concert in the USA on setlist.fm, which was: Anxiety; Love Is a Battlefield; Hell Is for Children; Promises in the Dark; Precious Time; Fire and Ice; You Better Run; Heartbreaker; I Need a Lover; Treat Me Right; Shadows of the Night; Hit Me with Your Best Shot. I guess the set at the City Hall will have been similar.
Excellent show by Jack Bruce last night in Newcastle. Jack has assembled a first class seven piece band consisting of ace guitarist Tony Remy, drummer Frank Tontoh, keyboardist Paddy Milner, second bassist Nick Cohen, trombonist Winston Rollins, tenor saxophonist Derek Nash, and trumpeter Paul Newton. They really were great throughout with guitarist Tony worthy of mention for some exception solos. Jack took to the stage around 8.20pm sitting alone at a piano stage left. He was soon joined by the rest of the band, and then picked up his fretless bass and took up his place centre stage. The set was a mixture of solo material, blues and Cream classics. Quite a few were from the Songs For A Tailor lp. He introduced Neighbour Neighbour as “a song I used to sing with Graham Bond, back then, before I was born”. This guy goes back some. Theme from an Imaginary Western was performed beautifully, Jack’s voice sometimes straining a little to reach the high notes, yet coming over as powerful and haunting as ever.
The blues of Spoonful and Born Under a Bad Sign gave the band a chance to shine, and featured some excellent solos. We’re Going Wrong is a great song, perhaps Cream’s best, and as relevant today as it was in the 60s. The last few songs were the almost inevitable White Room and Sunshine of Your Love. Its great that the old guys from the 60s are still around touring, and playing to an audience that, looking around the Tyne Theatre last night, is growing old with them. Jack suffered from a period of ill health around ten years ago, but looks great these days. Long may it be the case. Modern technology even reaches the old guys. You could buy a CD of the show at the desk (actually I’m not sure it was last night’s show you could buy or a recording of a previous night). The show finished around 10.15pm, leaving plenty of time for fishcake and chips from the wonderful local chippy on the corner. Setlist (something like): Can you follow?; Morning Story;You Burned the tables on me; Neighbour Neighbour; Child Song; Weird of Hermiston; Folk Song; Theme from an Imaginary Western; Tickets to Waterfalls; Spoonful; Born under a Bad Sign; We’re Going Wrong; Deserted Cities; White Room; Sunshine of Your Love. Encore: Politician. Just ran into an old mate Jim in the local supermarket. He’d also been at the gig last night and had spotted me there. He said that he had gone along with an open mind, not knowing what to expect, but had really enjoyed it.
A strange grouping this one. Take an ex Rolling Stone guitarist, an ex Cream bassist and a jazz keyboard player and what do you get? Actually what you did get was quite an intriguing concert experience, which as I recall promised a little more than it actually delivered on the night. I knew, of course, of Jack Bruce and Mick Taylor, but I had not heard of Carla Bley, or her recent Escalator On The Hill album, before going to this gig. The trio were short lived and never made it into the studio to record an lp, although a live album of the band does exist.
The press of the time said: “The Bruce Band will play a smooth synthesis of diverse styles, forging ahead with a firm grasp of ‘60’s rock and ‘70’s space jazz. The personnel is all-star, but the band belongs to Jack, whose music cements the band’s foundations.” Based on a live album and reviews of the time the set will probably have consisted of something like: Can You Follow?; Morning Story; Politician; Keep It Down; Pieces Of Mind; Tickets To Waterfalls/Weird Of Hermiston/Post War; Spirit; Sunshine Of Your Love. I’m off to see Jack Bruce at the Tyne Theatre tonight; I’ll post a review tomorrow.
This was a big gig for me. I’d watched the Cream farewell concert on TV in the late 60s and was just mesmerised by Clapton. His hair, the psychedelic painted SG, the “woman” tone he described in the film, it all seemed just sensational to me, as a kid at the time. I so wished that I’d had the chance to see Cream. I remember older boys at school talking about seeing them at a gig in Newcastle and saying how great they were. I was so jealous of them. I bought Goodbye Cream and played it again and again. I saw Clapton many times in the 70s and 80s, and Jack Bruce and Ginger Baker with their solo projects. But to see Cream was a great dream, an ambition.
So when the rumours of a reunion came to fruition and it was announced that the three legends would come together for a series of shows in London I was determined to go. I was nervous about getting tickets, and stressed about it for days before they went on sale. On the morning that they did go on sale I had two phones and a computer to hand, and got straight through to the Albert Hall box office on one of the phones, managing to my joy to buy tickets some ten rows from the stage. I then waited in anticipation for the gig. Would it be as good as I hoped? Marie came with me, and we both thoroughly enjoyed the experience. Judging by the American accents in evidence, the Albert Hall was full of fans who had travelled a long way for the honour of seeing this legendary band play for one more time. The atmosphere was strange, everyone was quiet in anticipation. It was as if the crowd couldn’t believe what they were seeing. Quiet, almost religious. The set covered everything I could have wished for with a selection from all of the albums. Clapton was god again, Jack sang beautifully and Ginger pounded away on his drums.
The crowd stayed in their seats until almost the end. For Sunshine of Your Love, which was the encore, we were all up and we managed to get right to the front. Marie was leaning on the stage directly in front of Jack Bruce and I was just behind her. You can even see us on the DVD if you look closely. A night that I will remember for ever. Sometimes your dreams do come true, and sometimes they are as good as you dreamed they would be. Happy days. Setlist: I’m So Glad; Spoonful; Outside Woman Blues; Pressed Rat and Wart Hog; Sleepy Time Time; N.S.U.; Badge; Politician; Sweet Wine; Rollin’ And Tumblin’; Stormy Monday; Deserted Cities of the Heart; Born Under a Bad Sign; We’re Going Wrong; Crossroads; Sitting on Top of the World; White Room; Toad. Encore:Sunshine of Your Love.
Anti Nowhere League Newcastle Mayfair