I never expected to be at a Corrs concert in 2024, but when I saw, they were heading to Newcastle Arena, it felt like a chance to revisit a piece of the 1990s soundtrack that once filled my house. Back when Talk on Corners was first released, my daughter Laura had the album, and I became familiar with many of their songs just through hearing them played endlessly at home.
Though I never actively followed their music, it’s funny how some songs embed themselves in your memory, tied to a specific time and place. Going in, I had certain expectations—the smooth, radio-friendly blend of Irish folk and pop that had made them famous. What I didn’t expect was the slightly darker edge that some of the material had when played live.
At times, it was very dramatic, with theatrical lighting, layered harmonies, and the weight of their folk influences coming through more strongly than I remembered. From the moment they opened with “Only When I Sleep”, there was a moody intensity that took me by surprise.
Andrea Corr’s voice remains as striking as ever—clear, emotive, and rich with an timeless quality that set the tone for the night. With this being the Talk on Corners Tour, it was no surprise that many tracks from that album made their way into the setlist. “Give Me a Reason” and “What Can I Do” were early crowd favourites, sounding every bit as polished and heartfelt as they did in the late ‘90s. There was also a deep respect for traditional Irish music, something I hadn’t appreciated as much when they first emerged.
Their rendition of “Lough Erin Shore” was stunning, and later in the set, we were treated to an exquisite version of “Spancil Hill,” its haunting melody filling the arena with an almost spiritual atmosphere. “Joy of Life” and “Ellis Island” brought a lively folk energy, showcasing the band’s incredible musicality—Sharon’s violin and Caroline’s percussion work being particularly impressive. A couple of covers were highlights for me. Their take on Jimi Hendrix’s “Little Wing” was unexpected, drenched in atmosphere and melancholy.
“Old Town,” a cover of the Phil Lynott classic, was another standout, and it was clear the audience loved every second of it. Then, of course, came the biggest hits. “Dreams” (their Fleetwood Mac cover) had the whole arena singing along, while “So Young” and “I Never Loved You Anyway” lifted the energy further still.
The encore was perfectly chosen. “My Lagan Love” showcased their deep connection to Irish folk music before they launched into “Breathless”, perhaps their most famous pop anthem, and one that had everyone singing along. Finally, “Toss the Feathers” brought the night to a thunderous close, a full-throttle instrumental piece that reminded everyone just how talented they are as musicians.
For a band I’d never seen before, and hadn’t really followed closely, The Corrs delivered a fantastic show, far more musically rich, dramatic, and powerful than I’d expected. The folk influences, the haunting harmonies, and the more atmospheric side of their sound really stood out in a live setting. Looking around at the audience, it was clear that for many this was a nostalgic night, but for me, it was a genuine discovery, a reminder that even bands you think you know can surprise you in the best possible way. Bought myself a programme.
Many thanks to Jackie for the photographs and to Laura and Chris for helping me construct the blog entry.
Setlist: Only When I Sleep; Give Me a Reason; Lough Erin Shore; Forgiven, Not Forgotten; Summer Sunshine; What Can I Do; White Light; Closer; Don’t Say You Love Me; Little Wing; Joy of Life; Ellis Island; Spancil Hill; Old Town; Radio; Queen of Hollywood; Dreams; So Young; I Never Loved You Anyway; Runaway. Encore: My Lagan Love; Breathless; Toss the Feathers.
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