Archive for the ‘Ringo Starr’ Category

Paul McCartney, The O2 Arena, London, 19 December 2024

Seeing Paul McCartney in concert is always a remarkable experience, and this London date on the “Got Back” Tour was no exception. The legendary songwriter, responsible for some of the most beloved songs of all time, delivered a setlist spanning over six decades, covering The Beatles, Wings, and his solo career in a show that was both nostalgic and exhilarating. For me, McCartney gigs are always a special occasion—not just because of the sheer weight of history behind them, but because each one brings back memories of the times I’ve seen him before, stretching all the way back to the Wings era in the ’70s.

Indeed, the first time I saw Paul live was with Wings at Newcastle City Hall in 1973. That gig felt almost unreal—standing at the back of the hall, hardly believing that I was seeing a Beatle in the flesh. The set that night was relatively short compared to his later tours, but hearing “Maybe I’m Amazed” and “Live and Let Die” for the first time live was a memorable moment. By the time Wings returned to Newcastle in 1975, McCartney had begun embracing his Beatles legacy, performing songs like “Blackbird” and “Yesterday”. It was the first time I had seen him play those songs, and the moment he took out the violin bass was unforgettable. I was particularly touched by his performance of “I’ve Just Seen a Face” from the Help album. This song in particular is incredibly special to me.

I remember my parents buying me the Help album when it was first released and I particularly liked that song from those times. Paul would always finish the set with “I Saw Her Standing There”, a tradition which has continued until very recently. Over the years, I’ve caught McCartney in some truly incredible settings: from Live Aid in 1985, to the massive Knebworth concert in 1990 (which also featured Pink Floyd, Robert Plant and Jimmy Page, Elton John, Genesis, and many others), to his Liverpool Sound performance at Anfield in 2008. And yet, no matter how many times I’ve seen him, a Paul McCartney show never feels like “just another gig”. It’s a musical event, a moment in history, and something that still carries immense emotional weight.

McCartney arrived on stage to an eruption of cheers, launching straight into “A Hard Day’s Night”, and from there, it was hit after hit after hit. “Drive My Car”, “Got to Get You Into My Life”, “Jet”, and “Band on the Run” all followed in quick succession, and it was clear that, even at 82, his energy on stage remains remarkable. As always, there were some deeply personal moments, particularly “Here Today”, his tribute to John Lennon, and “Something”, dedicated to George Harrison, which began as a solo ukulele piece before swelling into a full-band performance. Then, the recently released Beatles song “Now and Then”, and it added a real sense of history to the evening due to its use of AI technology to add John Lennon’s voice.

Then came the massive anthems—“Ob-La-Di, Ob-La-Da” had the entire crowd singing along and “Live and Let Die” came with its usual explosions of fire and smoke, filling the arena with heat. I felt it from my seat—just as I had in 2003, when I was close enough to practically feel my eyebrows singe! We were treated to a surprise, as Ronnie Wood joined McCartney on stage for “Get Back”, sending the crowd into an uproar! And then, of course, “Hey Jude”. No matter how many times I’ve sung along to it at a McCartney concert, it never loses its power. Seeing thousands of people with their arms raised, chanting “Na, na, na, na-na-na-na,” is a truly magical moment. I recall everyone walking out of Hyde Park into central London, singing those words at the closing of the Live 8 concert (another massive event that featured U2, REM, Madonna, Robbie Williams, Annie Lennox, Dido, Mariah Carey, and George Michael who performed “Drive My Car” with Paul, and many more).

Then, just as I thought it couldn’t get any better, something quite remarkable happened. Paul returned for the encore, and after a raucous “I’ve Got a Feeling,” he stepped to the microphone with a grin and said, “We’ve got a little surprise for you.” And then, the unbelievable happened. Something I thought I could never see. Out walked Ringo Starr. The roar from the crowd was deafening. I have seen McCartney many times, and I have seen Ringo in his own right, but I never thought I’d witness them performing together. For a few moments, it was as if time folded in on itself.

This wasn’t just two legendary musicians reuniting; it was two Beatles, together again on the same stage. I don’t mind admitting that I broke down in tears. Something was unfolding in front of my eyes that I thought I would never witness. I quickly texted the kids to tell them what had just occurred. They launched into “Sgt. Pepper’s Lonely Hearts Club Band (Reprise),” and it felt like the entire arena was levitating. Ringo behind the drums, Paul on bass—just like the old days. Then, without pause, they tore into “Helter Skelter,” with McCartney howling through the verses while Ringo thundered away on the kit. It was raw, electric, and utterly thrilling.

McCartney then brought the night to a close with the Abbey Road medley—“Golden Slumbers,” “Carry That Weight,” and “The End.” As the final notes rang out and Paul sang, “And in the end, the love you take is equal to the love you make,” it was impossible not to feel the weight of the moment. Having seen Paul McCartney live so many times over the years, it would be easy to assume that I’d become used to the experience. But that’s the thing—you never get used to it. Every show is filled with memories, not just of past gigs, but of what these songs mean to you personally.

When McCartney plays, you’re not just hearing a concert—you’re witnessing one of the last living links to the greatest band of all time, still giving everything he has to the music he created. McCartney himself summed it up best: “It’s going to be an amazing end to the year. Let’s get set to party.” And he certainly delivered on that promise. “Oh and one final thing to say… See you next time!” Now that is a promise after all these years.

Many thanks to Elaine and Jan for coming with me and taking the photos, and to Laura and Chris for helping me construct the entry.

Setlist: A Hard Day’s Night, Junior’s Farm, Letting Go, Drive My Car, Got to Get You Into My Life, Come On to Me, Let Me Roll It, Getting Better, Let ‘Em In, My Valentine, Nineteen Hundred and Eighty-Five, Maybe I’m Amazed, I’ve Just Seen a Face, In Spite of All the Danger, Love Me Do, Dance Tonight, Blackbird, Here Today, Now and Then, Lady Madonna, Jet, Being for the Benefit of Mr. Kite!, Something, Ob-La-Di,Ob-La-Da, Band on the Run, Wonderful Christmastime, Get Back (with Ronnie Wood), Let It Be, Live and Let Die, Hey Jude.
Encore: I’ve Got a Feeling, Sgt. Pepper’s Lonely Hearts Club Band (Reprise) (with Ringo Starr), Helter Skelter (with Ringo Starr), Golden Slumbers, Carry That Weight, The End.

Ringo Starr & his All Starr Band Liverpool Empire 18 June 2011

Ringo Starr & his All Starr Band Liverpool Empire 18 June 2011

I’d been looking forward to this for some time. Its been 13 years since Ringo last toured the UK with his All Starr Band; I remember regretting not going to see them on that tour. Since then Laura and I saw Ringo at the Capital of Culture Opening concert; he sang three songs. So this was my first full scale Ringo concert experience. This visit of Ringo to Liverpool was quite controversial as a result of his comments on the Jonathan Ross show; where he in effect slagged off his home city. I’m sure Ringo wanted to make amends and saw this concert as one way of doing so.

I arrived at Liverpool Empire around 6.30pm and parked up in the Lime Street NCP car park. There were a smattering of Beatles fans waiting outside the stage door for Ringo. The accents around me told me that that the concert was being attended by fans from all over the world; lots of American visitors in evidence. Around 7pm they opened the doors and I joined the queue entering the venue. The Empire is a lovely old theatre with all of the original decor; the last time I was here was to see Alice Cooper on the Welcome to my Nightmare tour (1976?). I buy a programme and pass on getting a signed drum skin (£250 a pop!).

The Ringo set up works like this. Ringo has an “All Starr Band” whose members have some level of stardom in their own right and the show is a combination of Ringo songs, Beatles tracks on which Ringo sang, and songs from the band members (they get to do two each). For this tour the members are Rick Derringer (McCoys; Johnny Winter), Edgar Winter, Gary Wright, Richard Page (Mister Mister) and Wally Palmar (Romantics? can’t say I remember them). Looking at some of the past line-ups, there have been stronger versions of the band; past members have included Jack Bruce, Ian Hunter, Gary Brooker, Joe Walsh and others.

I take my seat which is around a dozen rows from the front, giving me a great view of the stage; which is set up with a large star behind the drum kits. It is clear that everyone around me is a massive Beatles fan. A guy in front of me is sporting a tattoo of Paul on one arm; and the Beatles signatures on the other. There are lots of Beatles t-shirts on show. One couple have matching badges (“I Love John” and “I Love Ringo”). There seem to be hardly any scouse accents, and sadly there are some empty seats up in the gods. Did Ringo really upset everyone that much? I guess scousers don’t forgive or forget easily.

Pretty much at 7.30pm on the dot the support act Cayte Webber takes the stage for four songs which are OK and warm the crowd up. Then after a short interval (at around 8.15pm) Ringo joins us to a great reception; everyone is on their feet and cheering. First up is It Don’t Come Easy which sounds great and brings back memories, followed by Honey Don’t from Beatles for Sale and Choose Love (I assume this is a newish Ringo song?). So far so good. Next Rick Derringer takes to the front of stage and leads the band into Hang On Sloop from his band the McCoys; which knocked Yesterday off the No 1 slot in the States in 1965; we all sing along; great. Then Edgar Winter, who is a mad character, and Wally Palmer with a song I don’t recognise (guess it was a hit in the USA). Ringo is back on drums to sing I Wanna Be Your Man (from “that other band I used to be in”). Gary Wright sings Dream Weaver (takes me back to the Frampton Comes Alive tour when he was support act) which he tells us was inspired by Indian text given to him by George Harrison. Richard Page (Mister Mister) gives us Kyrie, which I recognise; a very strong voice; but I’m not too keen on USA AOR.

Ringo tells us “I love Liverpool” on a number of occasions to cheers from the crowd. He introduces The Other Side of Liverpool by pointing out that his Auntie Ev (who is 92!) remembers those days, and that she is in the audience. I look around and see an elderly lady in the row behind me wearing a laminate pass. Then we all sing Yellow Submarine; it doesn’t come much better than this; I’m in Liverpool Empire singing Yellow Submarine with Ringo (and his Auntie Ev singing in the next row!). More follows; with each member getting to do one more song.

Ringo introduces Boys as “a song I used to do with Rory Storm and the Hurricanes and I’ve done ever since. I love the song.” They finish with Photograph, With a Little Help from my Friends (more mega singalongs) and a snippet from Give Peace a Chance. Then he’s gone; its 10.15pm and I’m back into the car, up the M6 and across to Scotch Corner (rainy and foggy); back home at 1.15am. A wonderful night that I won’t forget for a long time. Long live Ringo! Peace and Love.

Setlist: It Don’t Come Easy (Ringo); Honey Don’t (Ringo); Choose Love (Ringo); Hang On Sloopy (Rick Derringer); Free Ride (Edgar Winter); Talking In Your Sleep (Wally Palmar); I Wanna Be Your Man (Ringo); Dream Weaver (Gary Wright); Kyrie (Richard Page); The Other Side Of Liverpool (Ringo); Yellow Submarine (Ringo); Frankenstein (Edgar Winter); Peace Dream (Ringo); Back Off Boogaloo (Ringo); What I Like About You (Wally Palmar); Rock N Roll Hootchie Koo (Rick Derringer); Boys (Ringo); My Love Is Alive (Gary Wright); Broken Wings (Richard Page); Photograph (Ringo); Act Naturally (Ringo); With a Little Help From My Friends (Ringo)

i hate printed tickets


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Ringo Starr Liverpool the Musical

Ringo Starr

Liverpool the Musical; Official opening of the European Capital of Culture  Jan 2008

Liverpool Echo Arena

This concert was the official opening of the European Capital of Culture at the new Echo Arena. Tickets had been allocated by a ballot and had gone largely to residents of Liverpool, with some sent overseas and to other parts of the UK. As the line-up for the event became clear, Laura and I decided we would like to go along, so we set about trying to get a couple of tickets. Some tickets were going for silly prices on eBay, but we managed to buy a couple for less than face value from someone in Germany.

We booked a room in the Adelphi hotel, which is just the right place to stay when going to Liverpool for a Beatles-related event, and drove down on the Saturday afternoon, arriving just in time to go for a pizza before the show. The Arena is a short walk from the centre of the city, and we got there in plenty of time for the show. We both quite excited about this; going to the new Echo Arena to see Ringo at the launch of the Capital of Culture!

The new Echo Arena is pretty good, pretty modern; some ideas obviously taken from the O2. Its not quite the size of Manchester MEN, but its much better than most of the other arenas that we’ve been to. Our seats are at the back of the arena, but with a direct view of the stage. From listening to the people who are sitting around us it is obvious that most are from around the globe; this block of seats has obviously been allocated for international punters.

The show has been billed as Liverpool – the Musical, a musical based on the history of the city of Liverpool and features many local stars: The Wombats; the Christians, Shack, Connie Lush, Echo and the Bunnymen, the Liverpool Philharmonic Orchestra, the Farm and Pete Wylie. The stage is pretty cleverly set up with the orchestra on a multi-level stage playing from behind a net screen,  and clever use of video footage of Liverpool and the Beatles. The bands play a mixture of their own material and some Beatles classics; Echo and the Bunnymen and the Wombats do most to lift the mood of the crowd.

At one point we see a crowd of children each holding a box of light marching through St Georges Square (this had been filmed the previous evening) ; the children then enter the building and walk through the audience up onto the stage.

As we near the end of the show, Phil Redmond takes the stage and introduces Ringo who joins us to an enormous cheer from the crowd.  Ringo is joined by Dave Stewart and a band, and starts with Liverpool 8 his new single. He then sings With a Little Help from my Friends, with the help of the entire arena singing along with him. To close, he leads us into Power to the People (“this one’s for John”) and it sounds like the roof might lift off the arena.

Then we take the short walk back to the Adelphi, through the streets of Liverpool; this has been a pretty  memorable event, and lived up to all the expectations that we had for it.

 

 

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