I go back a long way with Gong and have seen them several times over the years since I first saw them at Newcastle City Hall in the early 1970s. That was at the time of the Flying Teapots Trilogy and just after the Camembert Electrique album.
The line – up of the band has changed many times over the years with the one (almost) constant factor being found remember Daevid Allen who sadly passed away in 2015. The last time I saw Daevid Allen in the band was at Allston Town Hall with my daughter Laura in 2012.
“Australian beatnik poet Daevid Allen (ex-Soft Machine) began making music with his partner Gilli Smyth in the late 1960s, along with a constantly evolving community of creative musicians. Albums from this period include Magick Brother, Mystic Sister (1969) and the influential Bananamoon (1971) – one of David Bowie’s favourite 20 albums.” (From Gong website).
The current members of Gong are: Fabio Golfetti – lead guitar, vocals (2007, 2012–present), Dave Sturt – bass (2009–present); Ian East – saxophone, flute (2010–present); Kavus Torabi – vocals, guitar (2014–present) and Cheb Nettles – drums (2014–present).
This tour was a co-headlining outing with Ozric Tentacles with whom I have seen Gong perform on a number of occasions, the last time being at York Crescent. Jackie and I arrived at the student’s union building just in time to catch the first number of Gong’s set, having traversed a series of ramps and lifts, through the supermarket and into the venue. Yes it is quite a complicated route into the concert venue in a wheelchair; but everyone was very helpful.
The venue holds a lot of memories for me having seen many bands there over the years going back to the Clash White Riot tour and early concerts by the Cure, Magazine and others. I think the last time I was here was to see Gong. The current band contains relatively new members, but such is the lineage of Gong. Like Hawkwind it is a family collective within which members come and go. However the spirit and ethos of Gong carries through the band members and this was very evident for this concert. We made our way around the back of the crowd towards the left of the stage. Everyone was very kind and allowed us through, right to the front.
The current front man has a look of Marc Bolan about him with curly hair and heavy eye make-up. He was also joined by a lady singer who transformed from an angel like persona into an Indian/Persian look. Fantastic. The music was, as always, heavily psychedelic, trancelike and absolutely mesmerising. One song seemed to blend into another.
During the interval I managed to catch a pint of Guinness and the band kindly signed my ticket (see image). Next up was Ozric Tentacles whose music is less familiar to me. However, as always they provided us with an excellent set of psychedelic music. We left just as they were finishing.
“A campfire at the Stonehenge free festival in 1983 witnessed the birth of Ozric Tentacles. It was there that composer and band leader Ed Wynne (guitar & keyboards), and brother Roly Wynne (bass), who were performing in a group known at the time as ‘Bolshem People’, along with drummer Nick ‘Tig’ Van Gelder (Jamiroquai), stumbled upon keyboardist Joie Hinton. After a session of warming their bones and discussing imaginary breakfast cereals, the group went to perform an impromptu late jam session. Over the course of what became an epic six hour performance, an audience member inquired as to the name of the band. Randomly thinking back to the group’s former conversation, visions of ridiculous mythical mueslis entered Ed’s mind, and consequently he replied; “Ozric Tentacles”. (…Good job too, since some of the previous alternatives had been “Desmond Whisps”, “Gilbert Chunks” and “Malcolm Segments”).” (From Ozric Tentacles website).
Two fantastic bands who are still quite “out there” flying the hippie flag high. The lady next to me had great dreadlocks and was dressed as an angel complete with wings. That sort of sums up the atmosphere of the evening.
Many thanks to Jackie for the photographs and to Chris for manipulating the site.
Gong Setlist: My Guitar Is a Spaceship; Kapital; All Clocks Reset; My Sawtooth Wake; Through Restless Seas I Come; Lunar Invocation; Choose Your Goddess
is, in his own quiet way, a guitar innovator. His pedigree is strong and impressive and last night, reminded me just what a great guitarist the man is. As usual, and no apologies, the night brought back many memories of the man himself and of the venue. Steve Hillage currently has two identities (in fact, probably more): (1) as a reborn trance hero in the band System 7 and (2) he is now out on the road fronting a new Steve Hillage band, drawing from his classic mid – 1970s albums, such as my favourite L.
Firstly, memories of the venue came flooding back partly as I tried to work out in my head where Newcastle University Students Union Ballroom (or equivalent) might be these days. The last time I frequented said venue was during the 1980s witnessing great performances by bands such as Rip, Rig and Panic (featuring a fledgling Neneh Cherry, who had just left the Slits, and sometimes her father Don), Haircut 100 and The Cure. All of those concerts took place in the larger upstairs ballroom; a venue where I witnessed some great punk gigs during the 1970s including the Clash White Riot tour. (Tour advert from 
Some of the concerts including Sandie Shaw (rejuvenated by a collaboration with Morrissey at the time as I recall), Punishment of Luxury and the Au Pairs took place in a lower, smaller, hall named “The Canteen” (because that is exactly what it was during the day!). I was told that wheelchair access was via a lift through the students union building and the Co-op shop! Actually, those directions worked well and some helpful students directed me and my carer Jackie towards a lift which took us downstairs to the venue; I half recognised the hall, it may have been what I once knew as the Canteen. Anyway, sorry for going around the houses to say that we managed to get to the concert okay. However, by the time we arrived the hall was full and the best vantage point we could find was at the side of the stage. (picture of Steve from my ticket)
Secondly, Steve Hillage, psychedelic guitar wizard and inventor of the “glissando guitar” as exemplified by Steve’s wonderful soloing on his reinvention of the Donovan classic “Hurdy-Gurdy Glissando”. I have seen Steve Hillage several times over the years and he always strikes me as a quiet unassuming guy, and yet he has in his own quiet way achieved so much and forged a rich career along the way. I first came across Steve Hillage when he was a member of Khan, an early psychedelic band who I think I saw supporting Caravan in the early 1970s. I then saw him as a member of Gong and as part of Kevin Ayres band.
Roll forward to the Steve Hillage band 2023 in concert. Shortly after we arrived the band took to the stage, with lots of colourful lighting, wailing saxophone and electronica/psych keyboard wizardry courtesy of Steve’s long-term partner Miquette Giraudy. I am unsure who the rest of the band were, but I suspect they consisted of some current members of Gong, who continue to perform without any original members but with the blessing of Hillage and founder member, the late great Daevid Allen. After some wonderful twirling, swirling sounds the music soon took shape and morphed into Steve’s cover of the Beatles “It’s All Too Much” from L.
An excellent start to an evening of great music mixing tracks from throughout the band leader’s career. Some I recognised, several not, but they all featured great guitar dexterity from Mr Hillage. One he introduced as a Kevin Ayres song, in tribute to his former band leader. I suspect there was also a Gong track or two in the mix. Steve stood quietly centre stage sporting a short haircut (very unlike the 1970s proto-hippie Hillage we all know and love) and an intriguing looking guitar with no top stock. Soon we were at the end which featured further excellent guitar on “Hurdy-Gurdy Glissando”. The first encore started with some techno psych leading into The Move’s “I Can Hear the Grass Grow”.
As we left, the band came back for a second encore (I think from reports of other shows on the tour this may have been Jimi Hendrix’s “Are You Experienced?”). The lift we came down on didn’t seem to work anymore, however a friendly guy soon took us to another much smaller lift, which we squeezed into, arriving at a different part of the University. We followed a few ramps and soon found our taxi, waiting to take us home.
As I’ve just seen Gong, and blogged about them yesterday, I thought I would have have a little break from covering bands beginning with the letter F and cover the only other time I saw the crazy Gong guys in concert. It was in 1974 as part of the Virgin Records Crisis (can’t remember what the crisis was at the time!) tour, which featured Gong, Hatfield and the North, and a film of Mike Oldfield performing Tubular Bells. To be honest, my friends and I went along largely to see the Tubular Bells film, as it was the only chance at the time to see a performance of this great album. We were also attracted by the very reasonable 44p ticket price! Although Mike Olfield did tour a few years later, at that time he was resisting offers to take his masterpiece on the road. The film was very good, and featured footage of Mike performing the entire album as I recall, in the studio I think. I also recall Viv Stanshall being part of it. The sound wasn’t great and the film was projected onto a small screen, which wasn’t too woderful, but I still recall enjoying it. I wonder if you can get a DVD of this? Gong and Hatfield and the North rotated headlining status on the tour; I don’t remember who closed the gig at Newcastle. I do remember finding both bands quite hard going, but that we enjoyed Gong’s silliness, and loved Squeezing Sponges Over Policemen’s Heads, from Camembert Electrique, which I am pretty sure they played. There were lots of wooly tea cosey hats and flying teapots in evidence.
Laura and I went to see Gong at Alston Town Hall last night. This was the first time I have seen Gong for almost 40 years, the last time being at Newcastle City Hall in 1974. This gig was originally scheduled to take place at Newcastle Academy, but low advance ticket sakes caused the promoter to cancel the gig. Not wanting to miss out on the chance to see Gong play in the North, a group of people from Alston decided to promote the gig themselves at Alston Town Hall. 
Alston is a small town in Cumbria and it is one of the highest towns in the country, at about 1,000 feet above sea level. So this meant a drive past Hexham and up a very windy road across the moors for Laura and I. The venue was, as we expected in the centre of the town, and was small, holding 200 people. This must be one of the smallest crowds that Gong have played to in some time. The gig had been sold out for some time, everyone tickets through a facebook page, and people had come from far and wide for this special Gong show. I’d spent some time on Sunday reading through the Gong mythology with Laura, so we knew a little of the story of Planet Gong, Radio Gnome and the PotHead Pixies. The band is fronted by founder Daevid Allen who looks great, and is as crazy as ever. Sadly the other founding member Gilli Smyth is not so well at the moment so couldn’t be with the band. Daevid encouraged us to all cry Miaow for Gilli, which he assured us would make her feel much better. Gong music still sounds very weird to me, and I can’t pretend to know the songs, although I do possess a copy of Camembert Electrique. The light show was fantastic, with various characters from the Gong story flying around the backdrop. The crowd loved it; lots of dancing and crowd reaction. Many congratulations to Janet and the rest of the crowd from Alston for putting this on. I wonder what their next project is?
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